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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F447B it is the complementary color #E0BB84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F447B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F447B shade: #244476, #355689, #46689C, #577AAF and #688CC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F447B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F447B shade: #1F447B, #0E3268, #002055, #000E42 and #00002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F447B shade: #1E437A, #1E2A7A, #2B1E7A, #431E7A and #5C1E7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F447B shade: #1E437A, #1E2A7A and #1E1E7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F447B shade matches the following richer shades: #1E437A, #124186 and #053E93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F447B shade: #1E437A, #2A456E, #374861, #434A55 and #504D48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F447B shade: #1E757A, #1E5D7A, #1E447A, #1E2C7A and #291E7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F447B shade: #0E1F38, #163159, #1E437A, #26559B and #2F67BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F447B shade: #1F447B, #661E7A and #697A1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F447B shade: #1F447B, #7A1E44 and #447A1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F447B shade: #1F447B, #661E7A, #7A541E and #327A1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F447B shade: #1F447B, #7A1E72, #7A541E and #1E7A26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 45 / 0 / 52

HEX #1F447B

RGB 31 68 123

HSL 215.87, 0.6%, 0.3%

LAB 29.05, 7.19, -35.15

 

Complementary color

CMYK 0 / 17 / 41 / 12

HEX #E0BB84

RGB 224 187 132

HSL 35.87, 0.6%, 0.7%

LAB 77.91, 5.93, 32.8

 

CMYK 69 / 42 / 0 / 54

HEX #244476

RGB 36 68 118

HSL 216.59, 0.53%, 0.3%

LAB 28.95, 6.06, -32.15

 

CMYK 61 / 37 / 0 / 46

HEX #355689

RGB 53 86 137

HSL 216.43, 0.44%, 0.37%

LAB 36.4, 4.62, -32.05

 

CMYK 55 / 33 / 0 / 39

HEX #46689C

RGB 70 104 156

HSL 216.28, 0.38%, 0.44%

LAB 43.66, 3.58, -31.98

 

CMYK 50 / 30 / 0 / 31

HEX #577AAF

RGB 87 122 175

HSL 216.14, 0.35%, 0.51%

LAB 50.73, 2.78, -31.96

 

CMYK 46 / 28 / 0 / 24

HEX #688CC2

RGB 104 140 194

HSL 216, 0.42%, 0.58%

LAB 57.65, 2.15, -31.98

 

CMYK 75 / 45 / 0 / 52

HEX #1F447B

RGB 31 68 123

HSL 215.87, 0.6%, 0.3%

LAB 29.05, 7.19, -35.15

 

CMYK 87 / 52 / 0 / 59

HEX #0E3268

RGB 14 50 104

HSL 216, 0.76%, 0.23%

LAB 21.48, 9.71, -35.22

 

CMYK 100 / 62 / 0 / 67

HEX #002055

RGB 0 32 85

HSL 217.41, 1%, 0.17%

LAB 13.76, 13.26, -35.18

 

CMYK 100 / 79 / 0 / 74

HEX #000E42

RGB 0 14 66

HSL 227.27, 1%, 0.13%

LAB 6.39, 17.96, -34.1

 

CMYK 100 / 100 / 0 / 82

HEX #00002F

RGB 0 0 47

HSL 240, 1%, 0.09%

LAB 1.85, 13.03, -27.55

 

CMYK 75 / 45 / 0 / 52

HEX #1E437A

RGB 30 67 122

HSL 215.87, 0.61%, 0.3%

LAB 28.63, 7.32, -35.19

 

CMYK 75 / 66 / 0 / 52

HEX #1E2A7A

RGB 30 42 122

HSL 232.17, 0.61%, 0.3%

LAB 21.35, 24.81, -46.98

 

CMYK 65 / 75 / 0 / 52

HEX #2B1E7A

RGB 43 30 122

HSL 248.48, 0.61%, 0.3%

LAB 19.42, 34.33, -50.1

 

CMYK 45 / 75 / 0 / 52

HEX #431E7A

RGB 67 30 122

HSL 264.13, 0.61%, 0.3%

LAB 22.04, 38.29, -45.7

 

CMYK 25 / 75 / 0 / 52

HEX #5C1E7A

RGB 92 30 122

HSL 280.43, 0.61%, 0.3%

LAB 25.59, 43.36, -39.78

 

CMYK 75 / 45 / 0 / 52

HEX #1E437A

RGB 30 67 122

HSL 215.87, 0.61%, 0.3%

LAB 28.63, 7.32, -35.19

 

CMYK 75 / 66 / 0 / 52

HEX #1E2A7A

RGB 30 42 122

HSL 232.17, 0.61%, 0.3%

LAB 21.35, 24.81, -46.98

 

CMYK 75 / 75 / 0 / 52

HEX #1E1E7A

RGB 30 30 122

HSL 240, 0.61%, 0.3%

LAB 18.41, 32.74, -51.8

 

CMYK 75 / 45 / 0 / 52

HEX #1E437A

RGB 30 67 122

HSL 215.87, 0.61%, 0.3%

LAB 28.63, 7.32, -35.19

 

CMYK 87 / 51 / 0 / 47

HEX #124186

RGB 18 65 134

HSL 215.69, 0.76%, 0.3%

LAB 28.46, 12.23, -42.97

 

CMYK 97 / 58 / 0 / 42

HEX #053E93

RGB 5 62 147

HSL 215.92, 0.93%, 0.3%

LAB 28.34, 18.99, -51.21

 

CMYK 75 / 45 / 0 / 52

HEX #1E437A

RGB 30 67 122

HSL 215.87, 0.61%, 0.3%

LAB 28.63, 7.32, -35.19

 

CMYK 62 / 37 / 0 / 57

HEX #2A456E

RGB 42 69 110

HSL 216.18, 0.45%, 0.3%

LAB 29.09, 3.58, -26.85

 

CMYK 43 / 26 / 0 / 62

HEX #374861

RGB 55 72 97

HSL 215.71, 0.28%, 0.3%

LAB 30.18, 0.59, -16.82

 

CMYK 21 / 13 / 0 / 67

HEX #434A55

RGB 67 74 85

HSL 216.67, 0.12%, 0.3%

LAB 31.22, -0.1, -7.47

 

CMYK 0 / 4 / 10 / 69

HEX #504D48

RGB 80 77 72

HSL 37.5, 0.05%, 0.3%

LAB 32.88, 0.21, 3.4

HEX #504D48

CMYK 75 / 4 / 0 / 52

HEX #1E757A

RGB 30 117 122

HSL 183.26, 0.61%, 0.3%

LAB 44.81, -22.87, -10.06

 

CMYK 75 / 24 / 0 / 52

HEX #1E5D7A

RGB 30 93 122

HSL 198.91, 0.61%, 0.3%

LAB 36.95, -9.44, -22.07

 

CMYK 75 / 44 / 0 / 52

HEX #1E447A

RGB 30 68 122

HSL 215.22, 0.61%, 0.3%

LAB 28.94, 6.64, -34.69

 

CMYK 75 / 64 / 0 / 52

HEX #1E2C7A

RGB 30 44 122

HSL 230.87, 0.61%, 0.3%

LAB 21.88, 23.43, -46.1

 

CMYK 66 / 75 / 0 / 52

HEX #291E7A

RGB 41 30 122

HSL 247.17, 0.61%, 0.3%

LAB 19.25, 34.06, -50.39

 

CMYK 75 / 45 / 0 / 78

HEX #0E1F38

RGB 14 31 56

HSL 215.71, 0.6%, 0.14%

LAB 11.68, 2.81, -18.37

 

CMYK 75 / 45 / 0 / 65

HEX #163159

RGB 22 49 89

HSL 215.82, 0.6%, 0.22%

LAB 20.39, 5.12, -27.11

 

CMYK 75 / 45 / 0 / 52

HEX #1E437A

RGB 30 67 122

HSL 215.87, 0.61%, 0.3%

LAB 28.63, 7.32, -35.19

 

CMYK 75 / 45 / 0 / 39

HEX #26559B

RGB 38 85 155

HSL 215.9, 0.61%, 0.38%

LAB 36.51, 9.43, -42.82

 

CMYK 75 / 45 / 0 / 26

HEX #2F67BC

RGB 47 103 188

HSL 216.17, 0.6%, 0.46%

LAB 44.14, 11.57, -50.06

 

CMYK 75 / 45 / 0 / 52

HEX #1F447B

RGB 31 68 123

HSL 215.87, 0.6%, 0.3%

LAB 29.05, 7.19, -35.15

 

CMYK 16 / 75 / 0 / 52

HEX #661E7A

RGB 102 30 122

HSL 286.96, 0.61%, 0.3%

LAB 27.18, 45.56, -37.13

 

CMYK 14 / 0 / 75 / 52

HEX #697A1E

RGB 105 122 30

HSL 71.09, 0.61%, 0.3%

LAB 48.28, -19.33, 45.32

 

CMYK 75 / 45 / 0 / 52

HEX #1F447B

RGB 31 68 123

HSL 215.87, 0.6%, 0.3%

LAB 29.05, 7.19, -35.15

 

CMYK 0 / 75 / 44 / 52

HEX #7A1E44

RGB 122 30 68

HSL 335.22, 0.61%, 0.3%

LAB 28.07, 42.36, -0.23

 

CMYK 44 / 0 / 75 / 52

HEX #447A1E

RGB 68 122 30

HSL 95.22, 0.61%, 0.3%

LAB 45.96, -34.41, 42.26

 

CMYK 75 / 45 / 0 / 52

HEX #1F447B

RGB 31 68 123

HSL 215.87, 0.6%, 0.3%

LAB 29.05, 7.19, -35.15

 

CMYK 16 / 75 / 0 / 52

HEX #661E7A

RGB 102 30 122

HSL 286.96, 0.61%, 0.3%

LAB 27.18, 45.56, -37.13

 

CMYK 0 / 31 / 75 / 52

HEX #7A541E

RGB 122 84 30

HSL 35.22, 0.61%, 0.3%

LAB 38.85, 10.38, 36.49

 

CMYK 59 / 0 / 75 / 52

HEX #327A1E

RGB 50 122 30

HSL 106.96, 0.61%, 0.3%

LAB 45.21, -40.15, 41.25

 

CMYK 75 / 45 / 0 / 52

HEX #1F447B

RGB 31 68 123

HSL 215.87, 0.6%, 0.3%

LAB 29.05, 7.19, -35.15

 

CMYK 0 / 75 / 7 / 52

HEX #7A1E72

RGB 122 30 114

HSL 305.22, 0.61%, 0.3%

LAB 30.11, 48.74, -27.18

 

CMYK 0 / 31 / 75 / 52

HEX #7A541E

RGB 122 84 30

HSL 35.22, 0.61%, 0.3%

LAB 38.85, 10.38, 36.49

 

CMYK 75 / 0 / 69 / 52

HEX #1E7A26

RGB 30 122 38

HSL 125.22, 0.61%, 0.3%

LAB 44.71, -43.98, 37.16

 

Description

Color code: HEX #1F447B | qconv.com Color code: HEX #1F447B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 68 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 68 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 45 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 45% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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