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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F3BAC it is the complementary color #E0C453. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F3BAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F3BAC shade: #243BA7, #354DBA, #465FCD, #5771E0 and #6883F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F3BAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F3BAC shade: #1F3BAC, #0E2999, #001786, #000573 and #000060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F3BAC shade: #1F3BAC, #291FAC, #4F1FAC, #751FAC and #9B1FAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F3BAC shade: #1F3BAC and #1F1FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F3BAC shade matches the following richer shades: #1F3BAC and #0F31BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F3BAC shade: #1F3BAC, #30459B, #404F8B, #51597A and #61636A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F3BAC shade: #1F86AC, #1F61AC, #1F3BAC, #291FAC and #4E1FAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F3BAC shade: #122366, #192F89, #1F3BAC, #2647CF and #4260DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F3BAC shade: #1F3BAC, #AC1FAC and #74AC1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F3BAC shade: #1F3BAC, #AC1F3B and #3BAC1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F3BAC shade: #1F3BAC, #AC1FAC, #AC901F and #1FAC1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F3BAC shade: #1F3BAC, #AC1F82, #AC901F and #1FAC49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

Complementary color

CMYK 0 / 13 / 63 / 12

HEX #E0C453

RGB 224 196 83

HSL 48.09, 0.69%, 0.6%

LAB 79.59, -2.96, 58.74

 

CMYK 78 / 65 / 0 / 35

HEX #243BA7

RGB 36 59 167

HSL 229.47, 0.65%, 0.4%

LAB 30.14, 31.25, -60.37

 

CMYK 72 / 59 / 0 / 27

HEX #354DBA

RGB 53 77 186

HSL 229.17, 0.56%, 0.47%

LAB 37.13, 28.5, -60.21

 

CMYK 66 / 54 / 0 / 20

HEX #465FCD

RGB 70 95 205

HSL 228.89, 0.57%, 0.54%

LAB 44.08, 26.22, -59.93

 

CMYK 61 / 50 / 0 / 12

HEX #5771E0

RGB 87 113 224

HSL 228.61, 0.69%, 0.61%

LAB 50.94, 24.34, -59.63

 

CMYK 57 / 46 / 0 / 5

HEX #6883F3

RGB 104 131 243

HSL 228.35, 0.85%, 0.68%

LAB 57.7, 22.77, -59.34

 

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

CMYK 91 / 73 / 0 / 40

HEX #0E2999

RGB 14 41 153

HSL 228.35, 0.83%, 0.33%

LAB 23.6, 36.09, -62.65

 

CMYK 100 / 83 / 0 / 47

HEX #001786

RGB 0 23 134

HSL 229.7, 1%, 0.26%

LAB 17.15, 39.45, -61.54

 

CMYK 100 / 96 / 0 / 55

HEX #000573

RGB 0 5 115

HSL 237.39, 1%, 0.23%

LAB 11.6, 41.64, -58.65

 

CMYK 100 / 100 / 0 / 62

HEX #000060

RGB 0 0 96

HSL 240, 1%, 0.19%

LAB 7.63, 38.71, -52.74

 

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

CMYK 76 / 82 / 0 / 33

HEX #291FAC

RGB 41 31 172

HSL 244.26, 0.69%, 0.4%

LAB 25.04, 49.71, -71.78

 

CMYK 54 / 82 / 0 / 33

HEX #4F1FAC

RGB 79 31 172

HSL 260.43, 0.69%, 0.4%

LAB 28.43, 53.31, -66.06

 

CMYK 32 / 82 / 0 / 33

HEX #751FAC

RGB 117 31 172

HSL 276.6, 0.69%, 0.4%

LAB 33.44, 58.74, -57.67

 

CMYK 10 / 82 / 0 / 33

HEX #9B1FAC

RGB 155 31 172

HSL 292.77, 0.69%, 0.4%

LAB 39.46, 65.39, -47.63

 

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

CMYK 82 / 82 / 0 / 33

HEX #1F1FAC

RGB 31 31 172

HSL 240, 0.69%, 0.4%

LAB 24.48, 49.12, -72.73

 

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

CMYK 92 / 74 / 0 / 26

HEX #0F31BC

RGB 15 49 188

HSL 228.21, 0.85%, 0.4%

LAB 29.23, 43.97, -74.41

 

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

CMYK 69 / 55 / 0 / 39

HEX #30459B

RGB 48 69 155

HSL 228.22, 0.53%, 0.4%

LAB 32.37, 21.6, -49.46

 

CMYK 54 / 43 / 0 / 45

HEX #404F8B

RGB 64 79 139

HSL 228, 0.37%, 0.4%

LAB 35.1, 12.38, -35.3

 

CMYK 34 / 27 / 0 / 52

HEX #51597A

RGB 81 89 122

HSL 228.29, 0.2%, 0.4%

LAB 38.37, 5.38, -19.65

 

CMYK 8 / 7 / 0 / 58

HEX #61636A

RGB 97 99 106

HSL 226.67, 0.04%, 0.4%

LAB 42.01, 0.75, -4.23

 

CMYK 82 / 22 / 0 / 33

HEX #1F86AC

RGB 31 134 172

HSL 196.17, 0.69%, 0.4%

LAB 52.2, -14.82, -28.1

 

CMYK 82 / 44 / 0 / 33

HEX #1F61AC

RGB 31 97 172

HSL 211.91, 0.69%, 0.4%

LAB 40.93, 7.43, -45.88

 

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

CMYK 76 / 82 / 0 / 33

HEX #291FAC

RGB 41 31 172

HSL 244.26, 0.69%, 0.4%

LAB 25.04, 49.71, -71.78

 

CMYK 55 / 82 / 0 / 33

HEX #4E1FAC

RGB 78 31 172

HSL 260, 0.69%, 0.4%

LAB 28.32, 53.19, -66.25

 

CMYK 82 / 66 / 0 / 60

HEX #122366

RGB 18 35 102

HSL 227.86, 0.7%, 0.24%

LAB 16.94, 20.28, -41.28

 

CMYK 82 / 66 / 0 / 46

HEX #192F89

RGB 25 47 137

HSL 228.21, 0.69%, 0.32%

LAB 23.82, 26.69, -52.38

 

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

CMYK 82 / 66 / 0 / 19

HEX #2647CF

RGB 38 71 207

HSL 228.28, 0.69%, 0.48%

LAB 36.79, 38.49, -73.04

 

CMYK 70 / 56 / 0 / 14

HEX #4260DC

RGB 66 96 220

HSL 228.31, 0.69%, 0.56%

LAB 45.21, 30.3, -66.69

 

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

CMYK 0 / 82 / 0 / 33

HEX #AC1FAC

RGB 172 31 172

HSL 300, 0.69%, 0.4%

LAB 42.35, 68.63, -42.84

 

CMYK 33 / 0 / 82 / 33

HEX #74AC1F

RGB 116 172 31

HSL 83.83, 0.69%, 0.4%

LAB 64.42, -38.69, 60.26

 

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

CMYK 0 / 82 / 66 / 33

HEX #AC1F3B

RGB 172 31 59

HSL 348.09, 0.69%, 0.4%

LAB 37.96, 56.09, 20.86

 

CMYK 66 / 0 / 82 / 33

HEX #3BAC1F

RGB 59 172 31

HSL 108.09, 0.69%, 0.4%

LAB 62.11, -56.07, 57.3

 

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

CMYK 0 / 82 / 0 / 33

HEX #AC1FAC

RGB 172 31 172

HSL 300, 0.69%, 0.4%

LAB 42.35, 68.63, -42.84

 

CMYK 0 / 16 / 82 / 33

HEX #AC901F

RGB 172 144 31

HSL 48.09, 0.69%, 0.4%

LAB 60.62, -0.62, 58.52

 

CMYK 82 / 0 / 82 / 33

HEX #1FAC1F

RGB 31 172 31

HSL 120, 0.69%, 0.4%

LAB 61.56, -60.77, 56.6

 

CMYK 82 / 66 / 0 / 33

HEX #1F3BAC

RGB 31 59 172

HSL 228.09, 0.69%, 0.4%

LAB 30.39, 32.68, -62.96

 

CMYK 0 / 82 / 24 / 33

HEX #AC1F82

RGB 172 31 130

HSL 317.87, 0.69%, 0.4%

LAB 40.18, 62.63, -20.8

 

CMYK 0 / 16 / 82 / 33

HEX #AC901F

RGB 172 144 31

HSL 48.09, 0.69%, 0.4%

LAB 60.62, -0.62, 58.52

 

CMYK 82 / 0 / 58 / 33

HEX #1FAC49

RGB 31 172 73

HSL 137.87, 0.69%, 0.4%

LAB 61.89, -56.71, 40.38

 

Description

Color code: HEX #1F3BAC | qconv.com Color code: HEX #1F3BAC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 59 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 59 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 66 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 66% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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