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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F3903 it is the complementary color #E0C6FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F3903. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F3903 shade: #243900, #354B11, #465D24, #576F37 and #68814A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F3903. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F3903 shade: #1F3903, #0E2700, #001500 and #000300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F3903 shade: #1F3A03, #2E3A03, #3A3603, #3A2803 and #3A1903

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F3903 shade: #1F3A03, #103A03, #033A04, #033A13 and #033A21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F3903 shade matches the following richer shades: #1F3A03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F3903 shade: #1F3A03, #1F3508, #1F300C, #1F2B11 and #1E2616

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F3903 shade: #3A3603, #2F3A03, #203A03, #113A03 and #033A03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F3903 shade: #1F3903, #033A27 and #3A0336

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F3903 shade: #1F3903, #03203A and #3A0320

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F3903 shade: #1F3903, #033A27, #1C033A and #3A0315

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F3903 shade: #1F3903, #033A38, #1C033A and #3A0304

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 95 / 78

HEX #1F3903

RGB 31 57 3

HSL 88.89, 0.9%, 0.12%

LAB 20.92, -20.08, 27.48

 

Complementary color

CMYK 11 / 21 / 0 / 1

HEX #E0C6FC

RGB 224 198 252

HSL 268.89, 0.9%, 0.88%

LAB 83.58, 19.07, -23.16

 

CMYK 37 / 0 / 100 / 78

HEX #243900

RGB 36 57 0

HSL 82.11, 1%, 0.11%

LAB 21.21, -18.11, 29.11

 

CMYK 29 / 0 / 77 / 71

HEX #354B11

RGB 53 75 17

HSL 82.76, 0.63%, 0.18%

LAB 28.98, -18.72, 30.25

 

CMYK 25 / 0 / 61 / 64

HEX #465D24

RGB 70 93 36

HSL 84.21, 0.44%, 0.25%

LAB 36.48, -19.05, 29.41

 

CMYK 22 / 0 / 50 / 56

HEX #576F37

RGB 87 111 55

HSL 85.71, 0.34%, 0.33%

LAB 43.76, -19.16, 28.17

 

CMYK 19 / 0 / 43 / 49

HEX #68814A

RGB 104 129 74

HSL 87.27, 0.27%, 0.4%

LAB 50.85, -19.17, 26.88

 

CMYK 46 / 0 / 95 / 78

HEX #1F3903

RGB 31 57 3

HSL 88.89, 0.9%, 0.12%

LAB 20.92, -20.08, 27.48

 

CMYK 64 / 0 / 100 / 85

HEX #0E2700

RGB 14 39 0

HSL 98.46, 1%, 0.08%

LAB 12.89, -18.48, 18.64

 

CMYK 100 / 0 / 100 / 92

HEX #001500

RGB 0 21 0

HSL 120, 1%, 0.04%

LAB 4.84, -9.9, 7.07

 

CMYK 100 / 0 / 100 / 99

HEX #000300

RGB 0 3 0

HSL 120, 1%, 0.01%

LAB 0.59, -1.2, 0.86

 

CMYK 47 / 0 / 95 / 77

HEX #1F3A03

RGB 31 58 3

HSL 89.45, 0.9%, 0.12%

LAB 21.3, -20.58, 27.89

 

CMYK 21 / 0 / 95 / 77

HEX #2E3A03

RGB 46 58 3

HSL 73.09, 0.9%, 0.12%

LAB 22.35, -13.57, 29.33

 

CMYK 0 / 7 / 95 / 77

HEX #3A3603

RGB 58 54 3

HSL 55.64, 0.9%, 0.12%

LAB 22.1, -4.83, 29.42

 

CMYK 0 / 31 / 95 / 77

HEX #3A2803

RGB 58 40 3

HSL 40.36, 0.9%, 0.12%

LAB 17.57, 4.4, 24.27

 

CMYK 0 / 57 / 95 / 77

HEX #3A1903

RGB 58 25 3

HSL 24, 0.9%, 0.12%

LAB 13.24, 14.47, 18.76

 

CMYK 47 / 0 / 95 / 77

HEX #1F3A03

RGB 31 58 3

HSL 89.45, 0.9%, 0.12%

LAB 21.3, -20.58, 27.89

 

CMYK 72 / 0 / 95 / 77

HEX #103A03

RGB 16 58 3

HSL 105.82, 0.9%, 0.12%

LAB 20.61, -25.93, 26.93

 

CMYK 95 / 0 / 93 / 77

HEX #033A04

RGB 3 58 4

HSL 121.09, 0.9%, 0.12%

LAB 20.26, -28.89, 26.04

 

CMYK 95 / 0 / 67 / 77

HEX #033A13

RGB 3 58 19

HSL 137.45, 0.9%, 0.12%

LAB 20.41, -27, 19.22

 

CMYK 95 / 0 / 43 / 77

HEX #033A21

RGB 3 58 33

HSL 152.73, 0.9%, 0.12%

LAB 20.66, -24.11, 10.86

 

CMYK 47 / 0 / 95 / 77

HEX #1F3A03

RGB 31 58 3

HSL 89.45, 0.9%, 0.12%

LAB 21.3, -20.58, 27.89

 

CMYK 47 / 0 / 95 / 77

HEX #1F3A03

RGB 31 58 3

HSL 89.45, 0.9%, 0.12%

LAB 21.3, -20.58, 27.89

 

CMYK 42 / 0 / 85 / 79

HEX #1F3508

RGB 31 53 8

HSL 89.33, 0.74%, 0.12%

LAB 19.45, -17.55, 23.79

 

CMYK 35 / 0 / 75 / 81

HEX #1F300C

RGB 31 48 12

HSL 88.33, 0.6%, 0.12%

LAB 17.61, -14.4, 19.94

 

CMYK 28 / 0 / 60 / 83

HEX #1F2B11

RGB 31 43 17

HSL 87.69, 0.43%, 0.12%

LAB 15.8, -10.8, 15.12

 

CMYK 21 / 0 / 42 / 85

HEX #1E2616

RGB 30 38 22

HSL 90, 0.27%, 0.12%

LAB 13.94, -7.29, 9.49

 

CMYK 0 / 7 / 95 / 77

HEX #3A3603

RGB 58 54 3

HSL 55.64, 0.9%, 0.12%

LAB 22.1, -4.83, 29.42

 

CMYK 19 / 0 / 95 / 77

HEX #2F3A03

RGB 47 58 3

HSL 72, 0.9%, 0.12%

LAB 22.43, -13.07, 29.44

 

CMYK 45 / 0 / 95 / 77

HEX #203A03

RGB 32 58 3

HSL 88.36, 0.9%, 0.12%

LAB 21.36, -20.16, 27.97

 

CMYK 71 / 0 / 95 / 77

HEX #113A03

RGB 17 58 3

HSL 104.73, 0.9%, 0.12%

LAB 20.64, -25.64, 26.98

 

CMYK 95 / 0 / 95 / 77

HEX #033A03

RGB 3 58 3

HSL 120, 0.9%, 0.12%

LAB 20.25, -29, 26.44

 

CMYK 46 / 0 / 95 / 78

HEX #1F3903

RGB 31 57 3

HSL 88.89, 0.9%, 0.12%

LAB 20.92, -20.08, 27.48

 

CMYK 95 / 0 / 33 / 77

HEX #033A27

RGB 3 58 39

HSL 159.27, 0.9%, 0.12%

LAB 20.8, -22.51, 7.1

 

CMYK 0 / 95 / 7 / 77

HEX #3A0336

RGB 58 3 54

HSL 304.36, 0.9%, 0.12%

LAB 10.78, 32.12, -18.01

 

CMYK 46 / 0 / 95 / 78

HEX #1F3903

RGB 31 57 3

HSL 88.89, 0.9%, 0.12%

LAB 20.92, -20.08, 27.48

 

CMYK 95 / 45 / 0 / 77

HEX #03203A

RGB 3 32 58

HSL 208.36, 0.9%, 0.12%

LAB 11.67, 0.83, -19.84

 

CMYK 0 / 95 / 45 / 77

HEX #3A0320

RGB 58 3 32

HSL 328.36, 0.9%, 0.12%

LAB 9.55, 28.77, -3.52

 

CMYK 46 / 0 / 95 / 78

HEX #1F3903

RGB 31 57 3

HSL 88.89, 0.9%, 0.12%

LAB 20.92, -20.08, 27.48

 

CMYK 95 / 0 / 33 / 77

HEX #033A27

RGB 3 58 39

HSL 159.27, 0.9%, 0.12%

LAB 20.8, -22.51, 7.1

 

CMYK 52 / 95 / 0 / 77

HEX #1C033A

RGB 28 3 58

HSL 267.27, 0.9%, 0.12%

LAB 5.58, 25.8, -29.59

 

CMYK 0 / 95 / 64 / 77

HEX #3A0315

RGB 58 3 21

HSL 340.36, 0.9%, 0.12%

LAB 9.15, 27.61, 4.25

 

CMYK 46 / 0 / 95 / 78

HEX #1F3903

RGB 31 57 3

HSL 88.89, 0.9%, 0.12%

LAB 20.92, -20.08, 27.48

 

CMYK 95 / 0 / 3 / 77

HEX #033A38

RGB 3 58 56

HSL 177.82, 0.9%, 0.12%

LAB 21.32, -17.01, -3.57

 

CMYK 52 / 95 / 0 / 77

HEX #1C033A

RGB 28 3 58

HSL 267.27, 0.9%, 0.12%

LAB 5.58, 25.8, -29.59

 

CMYK 0 / 95 / 93 / 77

HEX #3A0304

RGB 58 3 4

HSL 358.91, 0.9%, 0.12%

LAB 8.77, 26.5, 12.14

 

Description

Color code: HEX #1F3903 | qconv.com Color code: HEX #1F3903 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 57 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 57 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 95 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 95% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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