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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F38F0 it is the complementary color #E0C70F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F38F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F38F0 shade: #2438EB, #354AFE, #465CFF, #576EFF and #6880FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F38F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F38F0 shade: #1F38F0, #0E26DD, #0014CA, #0002B7 and #0000A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F38F0 shade: #1E37EF, #3E1EEF, #761EEF, #AE1EEF and #E61EEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F38F0 shade: #1E37EF and #1E1EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F38F0 shade matches the following richer shades: #1E37EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F38F0 shade: #1E37EF, #3246DC, #4555C8, #5964B5 and #6C72A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F38F0 shade: #1EA9EF, #1E72EF, #1E3AEF, #3A1EEF and #721EEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F38F0 shade: #0C1FAF, #0E26D6, #1E37EF, #455AF2 and #6C7CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F38F0 shade: #1F38F0, #EF1EE1 and #8EEF1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F38F0 shade: #1F38F0, #EF1E3A and #3AEF1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F38F0 shade: #1F38F0, #EF1EE1, #EFD31E and #1EEF2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F38F0 shade: #1F38F0, #EF1EA2, #EFD31E and #1EEF6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 77 / 0 / 6

HEX #1F38F0

RGB 31 56 240

HSL 232.82, 0.87%, 0.53%

LAB 36.76, 58.14, -91.96

 

Complementary color

CMYK 0 / 11 / 93 / 12

HEX #E0C70F

RGB 224 199 15

HSL 52.82, 0.87%, 0.47%

LAB 80.03, -6.94, 79.42

 

CMYK 85 / 76 / 0 / 8

HEX #2438EB

RGB 36 56 235

HSL 233.97, 0.83%, 0.53%

LAB 36.37, 56.74, -89.78

 

CMYK 79 / 71 / 0 / 0

HEX #354AFE

RGB 53 74 254

HSL 233.73, 0.99%, 0.6%

LAB 42.48, 54.04, -90.35

 

CMYK 73 / 64 / 0 / 0

HEX #465CFF

RGB 70 92 255

HSL 232.86, 1%, 0.64%

LAB 47.21, 45.35, -83.1

 

CMYK 66 / 57 / 0 / 0

HEX #576EFF

RGB 87 110 255

HSL 231.79, 1%, 0.67%

LAB 52.28, 36.6, -74.77

 

CMYK 59 / 50 / 0 / 0

HEX #6880FF

RGB 104 128 255

HSL 230.46, 1%, 0.7%

LAB 57.66, 28.45, -66.03

 

CMYK 87 / 77 / 0 / 6

HEX #1F38F0

RGB 31 56 240

HSL 232.82, 0.87%, 0.53%

LAB 36.76, 58.14, -91.96

 

CMYK 94 / 83 / 0 / 13

HEX #0E26DD

RGB 14 38 221

HSL 233.04, 0.88%, 0.46%

LAB 31.11, 60.51, -90.53

 

CMYK 100 / 90 / 0 / 21

HEX #0014CA

RGB 0 20 202

HSL 234.06, 1%, 0.4%

LAB 26.05, 61.74, -87.95

 

CMYK 100 / 99 / 0 / 28

HEX #0002B7

RGB 0 2 183

HSL 239.34, 1%, 0.36%

LAB 21.81, 61.23, -83.81

 

CMYK 100 / 100 / 0 / 36

HEX #0000A4

RGB 0 0 164

HSL 240, 1%, 0.32%

LAB 18.72, 56.92, -77.52

 

CMYK 87 / 77 / 0 / 6

HEX #1E37EF

RGB 30 55 239

HSL 232.82, 0.87%, 0.53%

LAB 36.44, 58.3, -91.93

 

CMYK 74 / 87 / 0 / 6

HEX #3E1EEF

RGB 62 30 239

HSL 249.19, 0.87%, 0.53%

LAB 34.36, 70.21, -95.34

 

CMYK 51 / 87 / 0 / 6

HEX #761EEF

RGB 118 30 239

HSL 265.26, 0.87%, 0.53%

LAB 39.6, 74.23, -86.5

 

CMYK 27 / 87 / 0 / 6

HEX #AE1EEF

RGB 174 30 239

HSL 281.34, 0.87%, 0.53%

LAB 47.18, 80.85, -73.77

 

CMYK 4 / 87 / 0 / 6

HEX #E61EEF

RGB 230 30 239

HSL 297.42, 0.87%, 0.53%

LAB 56.07, 89.38, -58.97

 

CMYK 87 / 77 / 0 / 6

HEX #1E37EF

RGB 30 55 239

HSL 232.82, 0.87%, 0.53%

LAB 36.44, 58.3, -91.93

 

CMYK 87 / 87 / 0 / 6

HEX #1E1EEF

RGB 30 30 239

HSL 240, 0.87%, 0.53%

LAB 32.78, 69.11, -98.02

 

CMYK 87 / 77 / 0 / 6

HEX #1E37EF

RGB 30 55 239

HSL 232.82, 0.87%, 0.53%

LAB 36.44, 58.3, -91.93

 

CMYK 87 / 77 / 0 / 6

HEX #1E37EF

RGB 30 55 239

HSL 232.82, 0.87%, 0.53%

LAB 36.44, 58.3, -91.93

 

CMYK 77 / 68 / 0 / 14

HEX #3246DC

RGB 50 70 220

HSL 232.94, 0.71%, 0.53%

LAB 38.24, 44.68, -78.11

 

CMYK 66 / 58 / 0 / 22

HEX #4555C8

RGB 69 85 200

HSL 232.67, 0.54%, 0.53%

LAB 41.11, 30.66, -61.87

 

CMYK 51 / 45 / 0 / 29

HEX #5964B5

RGB 89 100 181

HSL 232.83, 0.38%, 0.53%

LAB 45.05, 18.68, -44.42

 

CMYK 33 / 29 / 0 / 37

HEX #6C72A1

RGB 108 114 161

HSL 233.21, 0.22%, 0.53%

LAB 49.25, 9.23, -26.02

 

CMYK 87 / 29 / 0 / 6

HEX #1EA9EF

RGB 30 169 239

HSL 200.1, 0.87%, 0.53%

LAB 65.66, -10.4, -44.65

 

CMYK 87 / 52 / 0 / 6

HEX #1E72EF

RGB 30 114 239

HSL 215.89, 0.87%, 0.53%

LAB 50.15, 22.49, -69.44

 

CMYK 87 / 76 / 0 / 6

HEX #1E3AEF

RGB 30 58 239

HSL 231.96, 0.87%, 0.53%

LAB 36.99, 56.72, -91.02

 

CMYK 76 / 87 / 0 / 6

HEX #3A1EEF

RGB 58 30 239

HSL 248.04, 0.87%, 0.53%

LAB 34.11, 70.03, -95.78

 

CMYK 52 / 87 / 0 / 6

HEX #721EEF

RGB 114 30 239

HSL 264.11, 0.87%, 0.53%

LAB 39.14, 73.85, -87.29

 

CMYK 93 / 82 / 0 / 31

HEX #0C1FAF

RGB 12 31 175

HSL 233.01, 0.87%, 0.37%

LAB 24.17, 49.38, -75.06

 

CMYK 93 / 82 / 0 / 16

HEX #0E26D6

RGB 14 38 214

HSL 232.8, 0.88%, 0.45%

LAB 30.24, 58.38, -87.94

 

CMYK 87 / 77 / 0 / 6

HEX #1E37EF

RGB 30 55 239

HSL 232.82, 0.87%, 0.53%

LAB 36.44, 58.3, -91.93

 

CMYK 71 / 63 / 0 / 5

HEX #455AF2

RGB 69 90 242

HSL 232.72, 0.87%, 0.61%

LAB 45.62, 42.04, -78.44

 

CMYK 56 / 49 / 0 / 4

HEX #6C7CF4

RGB 108 124 244

HSL 232.94, 0.86%, 0.69%

LAB 56.22, 28.07, -62.25

 

CMYK 87 / 77 / 0 / 6

HEX #1F38F0

RGB 31 56 240

HSL 232.82, 0.87%, 0.53%

LAB 36.76, 58.14, -91.96

 

CMYK 0 / 87 / 6 / 6

HEX #EF1EE1

RGB 239 30 225

HSL 304.02, 0.87%, 0.53%

LAB 56.8, 88.91, -49.84

 

CMYK 41 / 0 / 87 / 6

HEX #8EEF1E

RGB 142 239 30

HSL 87.85, 0.87%, 0.53%

LAB 85.79, -57.16, 79.5

 

CMYK 87 / 77 / 0 / 6

HEX #1F38F0

RGB 31 56 240

HSL 232.82, 0.87%, 0.53%

LAB 36.76, 58.14, -91.96

 

CMYK 0 / 87 / 76 / 6

HEX #EF1E3A

RGB 239 30 58

HSL 351.96, 0.87%, 0.53%

LAB 51.36, 74.14, 40.71

 

CMYK 76 / 0 / 87 / 6

HEX #3AEF1E

RGB 58 239 30

HSL 111.96, 0.87%, 0.53%

LAB 83.3, -77.14, 76.38

 

CMYK 87 / 77 / 0 / 6

HEX #1F38F0

RGB 31 56 240

HSL 232.82, 0.87%, 0.53%

LAB 36.76, 58.14, -91.96

 

CMYK 0 / 87 / 6 / 6

HEX #EF1EE1

RGB 239 30 225

HSL 304.02, 0.87%, 0.53%

LAB 56.8, 88.91, -49.84

 

CMYK 0 / 12 / 87 / 6

HEX #EFD31E

RGB 239 211 30

HSL 51.96, 0.87%, 0.53%

LAB 84.5, -6.37, 81.09

 

CMYK 87 / 0 / 82 / 6

HEX #1EEF2C

RGB 30 239 44

HSL 124.02, 0.87%, 0.53%

LAB 83.01, -79.47, 72.98

 

CMYK 87 / 77 / 0 / 6

HEX #1F38F0

RGB 31 56 240

HSL 232.82, 0.87%, 0.53%

LAB 36.76, 58.14, -91.96

 

CMYK 0 / 87 / 32 / 6

HEX #EF1EA2

RGB 239 30 162

HSL 322.11, 0.87%, 0.53%

LAB 53.91, 81.26, -17.97

 

CMYK 0 / 12 / 87 / 6

HEX #EFD31E

RGB 239 211 30

HSL 51.96, 0.87%, 0.53%

LAB 84.5, -6.37, 81.09

 

CMYK 87 / 0 / 55 / 6

HEX #1EEF6B

RGB 30 239 107

HSL 142.11, 0.87%, 0.53%

LAB 83.48, -73.66, 50.22

 

Description

Color code: HEX #1F38F0 | qconv.com Color code: HEX #1F38F0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 56 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 56 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 77 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 77% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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