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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F2B19 it is the complementary color #E0D4E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F2B19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F2B19 shade: #242B14, #353D27, #464F3A, #57614D and #687360

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F2B19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F2B19 shade: #1F2B19, #0E1906 and #000700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F2B19 shade: #1E2918, #222918, #272918, #292718 and #292218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F2B19 shade: #1E2918, #192918, #18291C, #182920 and #182925

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F2B19 shade matches the following richer shades: #1E2918, #1C2F13, #1A340D, #183908 and #173F03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F2B19 shade: #1E2918, #20241D, #211F23, #231928 and #25142D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F2B19 shade: #272918, #222918, #1E2918, #192918 and #18291B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F2B19 shade: #1F2B19, #182927 and #291825

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F2B19 shade: #1F2B19, #181E29 and #29181E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F2B19 shade: #1F2B19, #182927, #241829 and #29181A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F2B19 shade: #1F2B19, #182629, #241829 and #291B18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 42 / 83

HEX #1F2B19

RGB 31 43 25

HSL 100, 0.26%, 0.13%

LAB 15.95, -9.45, 10.11

 

Complementary color

CMYK 3 / 8 / 0 / 10

HEX #E0D4E6

RGB 224 212 230

HSL 280, 0.26%, 0.87%

LAB 86.33, 7.36, -7.36

 

CMYK 16 / 0 / 53 / 83

HEX #242B14

RGB 36 43 20

HSL 78.26, 0.37%, 0.12%

LAB 16.27, -7.89, 13.94

 

CMYK 13 / 0 / 36 / 76

HEX #353D27

RGB 53 61 39

HSL 81.82, 0.22%, 0.2%

LAB 24.45, -7.97, 12.5

 

CMYK 11 / 0 / 27 / 69

HEX #464F3A

RGB 70 79 58

HSL 85.71, 0.15%, 0.27%

LAB 32.26, -7.98, 11.24

 

CMYK 10 / 0 / 21 / 62

HEX #57614D

RGB 87 97 77

HSL 90, 0.11%, 0.34%

LAB 39.77, -7.97, 10.13

 

CMYK 10 / 0 / 17 / 55

HEX #687360

RGB 104 115 96

HSL 94.74, 0.09%, 0.41%

LAB 47.04, -7.97, 9.13

 

CMYK 28 / 0 / 42 / 83

HEX #1F2B19

RGB 31 43 25

HSL 100, 0.26%, 0.13%

LAB 15.95, -9.45, 10.11

 

CMYK 44 / 0 / 76 / 90

HEX #0E1906

RGB 14 25 6

HSL 94.74, 0.61%, 0.06%

LAB 7.24, -8.21, 8.23

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 27 / 0 / 41 / 84

HEX #1E2918

RGB 30 41 24

HSL 98.82, 0.26%, 0.13%

LAB 15.1, -8.84, 9.65

 

CMYK 17 / 0 / 41 / 84

HEX #222918

RGB 34 41 24

HSL 84.71, 0.26%, 0.13%

LAB 15.44, -6.93, 10.16

 

CMYK 5 / 0 / 41 / 84

HEX #272918

RGB 39 41 24

HSL 67.06, 0.26%, 0.13%

LAB 15.92, -4.44, 10.88

 

CMYK 0 / 5 / 41 / 84

HEX #292718

RGB 41 39 24

HSL 52.94, 0.26%, 0.13%

LAB 15.43, -2.06, 10.27

 

CMYK 0 / 17 / 41 / 84

HEX #292218

RGB 41 34 24

HSL 35.29, 0.26%, 0.13%

LAB 13.72, 1.41, 7.98

 

CMYK 27 / 0 / 41 / 84

HEX #1E2918

RGB 30 41 24

HSL 98.82, 0.26%, 0.13%

LAB 15.1, -8.84, 9.65

 

CMYK 39 / 0 / 41 / 84

HEX #192918

RGB 25 41 24

HSL 116.47, 0.26%, 0.13%

LAB 14.73, -11.09, 9.08

 

CMYK 41 / 0 / 32 / 84

HEX #18291C

RGB 24 41 28

HSL 134.12, 0.26%, 0.13%

LAB 14.76, -10.61, 6.33

 

CMYK 41 / 0 / 22 / 84

HEX #182920

RGB 24 41 32

HSL 148.24, 0.26%, 0.13%

LAB 14.87, -9.61, 3.68

 

CMYK 41 / 0 / 10 / 84

HEX #182925

RGB 24 41 37

HSL 165.88, 0.26%, 0.13%

LAB 15.03, -8.22, 0.37

 

CMYK 27 / 0 / 41 / 84

HEX #1E2918

RGB 30 41 24

HSL 98.82, 0.26%, 0.13%

LAB 15.1, -8.84, 9.65

 

CMYK 40 / 0 / 60 / 82

HEX #1C2F13

RGB 28 47 19

HSL 100.71, 0.42%, 0.13%

LAB 17.12, -14.26, 15.49

 

CMYK 50 / 0 / 75 / 80

HEX #1A340D

RGB 26 52 13

HSL 100, 0.6%, 0.13%

LAB 18.82, -18.65, 20.84

 

CMYK 58 / 0 / 86 / 78

HEX #183908

RGB 24 57 8

HSL 100.41, 0.75%, 0.13%

LAB 20.59, -22.4, 24.97

 

CMYK 63 / 0 / 95 / 75

HEX #173F03

RGB 23 63 3

HSL 100, 0.91%, 0.13%

LAB 22.81, -25.92, 29.37

 

CMYK 27 / 0 / 41 / 84

HEX #1E2918

RGB 30 41 24

HSL 98.82, 0.26%, 0.13%

LAB 15.1, -8.84, 9.65

 

CMYK 11 / 0 / 19 / 86

HEX #20241D

RGB 32 36 29

HSL 94.29, 0.11%, 0.13%

LAB 13.58, -3.53, 4.07

 

CMYK 6 / 11 / 0 / 86

HEX #211F23

RGB 33 31 35

HSL 270, 0.06%, 0.13%

LAB 12.12, 1.95, -2.37

 

CMYK 13 / 38 / 0 / 84

HEX #231928

RGB 35 25 40

HSL 280, 0.23%, 0.13%

LAB 10.6, 8.6, -8.32

 

CMYK 18 / 56 / 0 / 82

HEX #25142D

RGB 37 20 45

HSL 280.8, 0.38%, 0.13%

LAB 9.67, 14.42, -13.44

 

CMYK 5 / 0 / 41 / 84

HEX #272918

RGB 39 41 24

HSL 67.06, 0.26%, 0.13%

LAB 15.92, -4.44, 10.88

 

CMYK 17 / 0 / 41 / 84

HEX #222918

RGB 34 41 24

HSL 84.71, 0.26%, 0.13%

LAB 15.44, -6.93, 10.16

 

CMYK 27 / 0 / 41 / 84

HEX #1E2918

RGB 30 41 24

HSL 98.82, 0.26%, 0.13%

LAB 15.1, -8.84, 9.65

 

CMYK 39 / 0 / 41 / 84

HEX #192918

RGB 25 41 24

HSL 116.47, 0.26%, 0.13%

LAB 14.73, -11.09, 9.08

 

CMYK 41 / 0 / 34 / 84

HEX #18291B

RGB 24 41 27

HSL 130.59, 0.26%, 0.13%

LAB 14.73, -10.85, 7

 

CMYK 28 / 0 / 42 / 83

HEX #1F2B19

RGB 31 43 25

HSL 100, 0.26%, 0.13%

LAB 15.95, -9.45, 10.11

 

CMYK 41 / 0 / 5 / 84

HEX #182927

RGB 24 41 39

HSL 172.94, 0.26%, 0.13%

LAB 15.1, -7.63, -0.94

 

CMYK 0 / 41 / 10 / 84

HEX #291825

RGB 41 24 37

HSL 314.12, 0.26%, 0.13%

LAB 10.98, 11.18, -5.45

 

CMYK 28 / 0 / 42 / 83

HEX #1F2B19

RGB 31 43 25

HSL 100, 0.26%, 0.13%

LAB 15.95, -9.45, 10.11

 

CMYK 41 / 27 / 0 / 84

HEX #181E29

RGB 24 30 41

HSL 218.82, 0.26%, 0.13%

LAB 11.15, 0.7, -8.31

 

CMYK 0 / 41 / 27 / 84

HEX #29181E

RGB 41 24 30

HSL 338.82, 0.26%, 0.13%

LAB 10.69, 9.67, -0.67

 

CMYK 28 / 0 / 42 / 83

HEX #1F2B19

RGB 31 43 25

HSL 100, 0.26%, 0.13%

LAB 15.95, -9.45, 10.11

 

CMYK 41 / 0 / 5 / 84

HEX #182927

RGB 24 41 39

HSL 172.94, 0.26%, 0.13%

LAB 15.1, -7.63, -0.94

 

CMYK 12 / 41 / 0 / 84

HEX #241829

RGB 36 24 41

HSL 282.35, 0.26%, 0.13%

LAB 10.47, 10.03, -9.25

 

CMYK 0 / 41 / 37 / 84

HEX #29181A

RGB 41 24 26

HSL 352.94, 0.26%, 0.13%

LAB 10.55, 8.92, 2.11

 

CMYK 28 / 0 / 42 / 83

HEX #1F2B19

RGB 31 43 25

HSL 100, 0.26%, 0.13%

LAB 15.95, -9.45, 10.11

 

CMYK 41 / 7 / 0 / 84

HEX #182629

RGB 24 38 41

HSL 190.59, 0.26%, 0.13%

LAB 14.06, -5, -3.9

 

CMYK 12 / 41 / 0 / 84

HEX #241829

RGB 36 24 41

HSL 282.35, 0.26%, 0.13%

LAB 10.47, 10.03, -9.25

 

CMYK 0 / 34 / 41 / 84

HEX #291B18

RGB 41 27 24

HSL 10.59, 0.26%, 0.13%

LAB 11.42, 6.41, 4.82

 

Description

Color code: HEX #1F2B19 | qconv.com Color code: HEX #1F2B19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 43 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 43 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 42 yellow and 83 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 42% 83% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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