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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F2289 it is the complementary color #E0DD76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F2289. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F2289 shade: #242284, #353497, #4646AA, #5758BD and #686AD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F2289. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F2289 shade: #1F2289, #0E1076, #000063, #000050 and #00003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F2289 shade: #1F2289, #381F89, #551F89, #711F89 and #891F83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F2289 shade: #1F2289 and #1F1F89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F2289 shade matches the following richer shades: #1F2289, #111596 and #0308A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F2289 shade: #1F2289, #2C2E7B, #3A3B6D, #474860 and #555552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F2289 shade: #1F5B89, #1F3E89, #1F2289, #371F89 and #541F89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F2289 shade: #0F1145, #171967, #1F2289, #262AAA and #2E32CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F2289 shade: #1F2289, #891F77 and #4D891F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F2289 shade: #1F2289, #891F22 and #22891F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F2289 shade: #1F2289, #891F77, #89851F and #1F8930

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F2289 shade: #1F2289, #891F57, #89851F and #1F8950

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

Complementary color

CMYK 0 / 1 / 47 / 12

HEX #E0DD76

RGB 224 221 118

HSL 58.3, 0.63%, 0.67%

LAB 86.44, -12.95, 50.54

 

CMYK 73 / 74 / 0 / 48

HEX #242284

RGB 36 34 132

HSL 241.22, 0.59%, 0.33%

LAB 20.77, 34.48, -54.24

 

CMYK 65 / 66 / 0 / 41

HEX #353497

RGB 53 52 151

HSL 240.61, 0.49%, 0.4%

LAB 27.97, 32.13, -54.17

 

CMYK 59 / 59 / 0 / 33

HEX #4646AA

RGB 70 70 170

HSL 240, 0.42%, 0.47%

LAB 35.17, 30.07, -53.88

 

CMYK 54 / 53 / 0 / 26

HEX #5758BD

RGB 87 88 189

HSL 239.41, 0.44%, 0.54%

LAB 42.28, 28.32, -53.53

 

CMYK 50 / 49 / 0 / 18

HEX #686AD0

RGB 104 106 208

HSL 238.85, 0.53%, 0.61%

LAB 49.26, 26.86, -53.2

 

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

CMYK 88 / 86 / 0 / 54

HEX #0E1076

RGB 14 16 118

HSL 238.85, 0.79%, 0.26%

LAB 14.24, 38.13, -56.16

 

CMYK 100 / 100 / 0 / 61

HEX #000063

RGB 0 0 99

HSL 240, 1%, 0.19%

LAB 8.14, 39.57, -53.9

 

CMYK 100 / 100 / 0 / 69

HEX #000050

RGB 0 0 80

HSL 240, 1%, 0.16%

LAB 5.23, 32.43, -45.83

 

CMYK 100 / 100 / 0 / 76

HEX #00003D

RGB 0 0 61

HSL 240, 1%, 0.12%

LAB 3.04, 21.39, -35.98

 

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

CMYK 59 / 77 / 0 / 46

HEX #381F89

RGB 56 31 137

HSL 254.15, 0.63%, 0.33%

LAB 22.4, 40.38, -54.64

 

CMYK 38 / 77 / 0 / 46

HEX #551F89

RGB 85 31 137

HSL 270.57, 0.63%, 0.33%

LAB 25.91, 45.12, -48.74

 

CMYK 18 / 77 / 0 / 46

HEX #711F89

RGB 113 31 137

HSL 286.42, 0.63%, 0.33%

LAB 30.15, 50.62, -41.68

 

CMYK 0 / 77 / 4 / 46

HEX #891F83

RGB 137 31 131

HSL 303.4, 0.63%, 0.33%

LAB 33.85, 54.74, -31.8

 

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

CMYK 77 / 77 / 0 / 46

HEX #1F1F89

RGB 31 31 137

HSL 240, 0.63%, 0.33%

LAB 20.35, 37.53, -58.08

 

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

CMYK 89 / 86 / 0 / 41

HEX #111596

RGB 17 21 150

HSL 238.2, 0.8%, 0.33%

LAB 19.46, 46.27, -67.67

 

CMYK 98 / 95 / 0 / 36

HEX #0308A4

RGB 3 8 164

HSL 238.14, 0.96%, 0.33%

LAB 19.53, 54.68, -76.16

 

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

CMYK 64 / 63 / 0 / 52

HEX #2C2E7B

RGB 44 46 123

HSL 238.48, 0.47%, 0.33%

LAB 23.4, 24.61, -44.22

 

CMYK 47 / 46 / 0 / 57

HEX #3A3B6D

RGB 58 59 109

HSL 238.82, 0.31%, 0.33%

LAB 27.11, 14.04, -29.29

 

CMYK 26 / 25 / 0 / 62

HEX #474860

RGB 71 72 96

HSL 237.6, 0.15%, 0.33%

LAB 31.39, 5.58, -14.21

 

CMYK 0 / 0 / 4 / 67

HEX #555552

RGB 85 85 82

HSL 60, 0.02%, 0.33%

LAB 36.06, -0.63, 1.74

 

CMYK 77 / 34 / 0 / 46

HEX #1F5B89

RGB 31 91 137

HSL 206.04, 0.63%, 0.33%

LAB 37.08, -2.4, -31.04

 

CMYK 77 / 55 / 0 / 46

HEX #1F3E89

RGB 31 62 137

HSL 222.45, 0.63%, 0.33%

LAB 28.23, 16.96, -45.19

 

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

CMYK 60 / 77 / 0 / 46

HEX #371F89

RGB 55 31 137

HSL 253.58, 0.63%, 0.33%

LAB 22.3, 40.24, -54.81

 

CMYK 39 / 77 / 0 / 46

HEX #541F89

RGB 84 31 137

HSL 270, 0.63%, 0.33%

LAB 25.78, 44.93, -48.97

 

CMYK 78 / 75 / 0 / 73

HEX #0F1145

RGB 15 17 69

HSL 237.78, 0.64%, 0.16%

LAB 8.41, 19.39, -32.87

 

CMYK 78 / 76 / 0 / 60

HEX #171967

RGB 23 25 103

HSL 238.5, 0.63%, 0.25%

LAB 14.72, 28.19, -45.58

 

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

CMYK 78 / 75 / 0 / 33

HEX #262AAA

RGB 38 42 170

HSL 238.18, 0.63%, 0.41%

LAB 26.65, 43.07, -67.92

 

CMYK 77 / 75 / 0 / 20

HEX #2E32CC

RGB 46 50 204

HSL 238.48, 0.63%, 0.49%

LAB 32.31, 50.49, -78.68

 

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

CMYK 0 / 77 / 13 / 46

HEX #891F77

RGB 137 31 119

HSL 310.19, 0.63%, 0.33%

LAB 33.2, 52.84, -25.3

 

CMYK 44 / 0 / 77 / 46

HEX #4D891F

RGB 77 137 31

HSL 93.96, 0.63%, 0.33%

LAB 51.35, -37.69, 47.34

 

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

CMYK 0 / 77 / 75 / 46

HEX #891F22

RGB 137 31 34

HSL 358.3, 0.63%, 0.33%

LAB 30.43, 44.22, 25.86

 

CMYK 75 / 0 / 77 / 46

HEX #22891F

RGB 34 137 31

HSL 118.3, 0.63%, 0.33%

LAB 49.89, -49.15, 45.42

 

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

CMYK 0 / 77 / 13 / 46

HEX #891F77

RGB 137 31 119

HSL 310.19, 0.63%, 0.33%

LAB 33.2, 52.84, -25.3

 

CMYK 0 / 3 / 77 / 46

HEX #89851F

RGB 137 133 31

HSL 57.74, 0.63%, 0.33%

LAB 54.23, -10.61, 51.53

 

CMYK 77 / 0 / 65 / 46

HEX #1F8930

RGB 31 137 48

HSL 129.62, 0.63%, 0.33%

LAB 49.97, -47.98, 38.42

 

CMYK 77 / 75 / 0 / 46

HEX #1F2289

RGB 31 34 137

HSL 238.3, 0.63%, 0.33%

LAB 20.99, 35.74, -57.03

 

CMYK 0 / 77 / 36 / 46

HEX #891F57

RGB 137 31 87

HSL 328.3, 0.63%, 0.33%

LAB 31.78, 48.52, -6.97

 

CMYK 0 / 3 / 77 / 46

HEX #89851F

RGB 137 133 31

HSL 57.74, 0.63%, 0.33%

LAB 54.23, -10.61, 51.53

 

CMYK 77 / 0 / 42 / 46

HEX #1F8950

RGB 31 137 80

HSL 147.74, 0.63%, 0.33%

LAB 50.41, -42.88, 22.39

 

Description

Color code: HEX #1F2289 | qconv.com Color code: HEX #1F2289 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 34 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 34 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 75 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 75% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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