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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EDFBD it is the complementary color #E12042. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EDFBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EDFBD shade: #23DFB8, #34F1CB, #45FFDE, #56FFF1 and #67FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EDFBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EDFBD shade: #1EDFBD, #0DCDAA, #00BB97, #00A984 and #009771

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EDFBD shade: #1EE0BE, #1EE089, #1EE055, #1EE021 and #4FE01E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EDFBD shade: #1EE0BE, #1ECEE0, #1E9AE0, #1E65E0 and #1E31E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EDFBD shade matches the following richer shades: #1EE0BE and #09F5CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EDFBD shade: #1EE0BE, #33CBB0, #47B7A3, #5CA296 and #718D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EDFBD shade: #1EE055, #1EE089, #1EE0BC, #1ED0E0 and #1E9CE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EDFBD shade: #149780, #19BC9F, #1EE0BE, #42E5C8 and #67EAD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EDFBD shade: #1EDFBD, #211EE0 and #E06F1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EDFBD shade: #1EDFBD, #BC1EE0 and #E0BC1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EDFBD shade: #1EDFBD, #211EE0, #E01E42 and #DDE01E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EDFBD shade: #1EDFBD, #5B1EE0, #E01E42 and #A3E01E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 15 / 13

HEX #1EDFBD

RGB 30 223 189

HSL 169.43, 0.76%, 0.5%

LAB 80.02, -51.77, 4.19

 

Complementary color

CMYK 0 / 86 / 71 / 12

HEX #E12042

RGB 225 32 66

HSL 349.43, 0.76%, 0.5%

LAB 48.8, 70.5, 32.36

 

CMYK 84 / 0 / 17 / 13

HEX #23DFB8

RGB 35 223 184

HSL 167.55, 0.75%, 0.51%

LAB 79.95, -52.71, 6.74

 

CMYK 78 / 0 / 16 / 5

HEX #34F1CB

RGB 52 241 203

HSL 167.94, 0.87%, 0.57%

LAB 85.98, -53.82, 5.45

 

CMYK 73 / 0 / 13 / 0

HEX #45FFDE

RGB 69 255 222

HSL 169.35, 1%, 0.64%

LAB 90.81, -53.02, 2.58

 

CMYK 66 / 0 / 5 / 0

HEX #56FFF1

RGB 86 255 241

HSL 175.03, 1%, 0.67%

LAB 91.62, -46.01, -6.04

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 87 / 0 / 15 / 13

HEX #1EDFBD

RGB 30 223 189

HSL 169.43, 0.76%, 0.5%

LAB 80.02, -51.77, 4.19

 

CMYK 94 / 0 / 17 / 20

HEX #0DCDAA

RGB 13 205 170

HSL 169.06, 0.88%, 0.43%

LAB 73.97, -50.2, 5.6

 

CMYK 100 / 0 / 19 / 27

HEX #00BB97

RGB 0 187 151

HSL 168.45, 1%, 0.37%

LAB 67.85, -48.26, 7.13

 

CMYK 100 / 0 / 22 / 34

HEX #00A984

RGB 0 169 132

HSL 166.86, 1%, 0.33%

LAB 61.69, -45.88, 8.83

 

CMYK 100 / 0 / 25 / 41

HEX #009771

RGB 0 151 113

HSL 164.9, 1%, 0.3%

LAB 55.41, -43.43, 10.6

 

CMYK 87 / 0 / 15 / 12

HEX #1EE0BE

RGB 30 224 190

HSL 169.48, 0.76%, 0.5%

LAB 80.35, -51.92, 4.13

 

CMYK 87 / 0 / 39 / 12

HEX #1EE089

RGB 30 224 137

HSL 153.09, 0.76%, 0.5%

LAB 79.27, -63.87, 30.34

 

CMYK 87 / 0 / 62 / 12

HEX #1EE055

RGB 30 224 85

HSL 137.01, 0.76%, 0.5%

LAB 78.6, -71.82, 54.28

 

CMYK 87 / 0 / 85 / 12

HEX #1EE021

RGB 30 224 33

HSL 120.93, 0.76%, 0.5%

LAB 78.28, -75.84, 71.27

 

CMYK 65 / 0 / 87 / 12

HEX #4FE01E

RGB 79 224 30

HSL 104.85, 0.76%, 0.5%

LAB 79.08, -68.96, 72.89

 

CMYK 87 / 0 / 15 / 12

HEX #1EE0BE

RGB 30 224 190

HSL 169.48, 0.76%, 0.5%

LAB 80.35, -51.92, 4.13

 

CMYK 87 / 8 / 0 / 12

HEX #1ECEE0

RGB 30 206 224

HSL 185.57, 0.76%, 0.5%

LAB 75.95, -34.35, -20.6

 

CMYK 87 / 31 / 0 / 12

HEX #1E9AE0

RGB 30 154 224

HSL 201.65, 0.76%, 0.5%

LAB 60.58, -7.4, -44.39

 

CMYK 87 / 55 / 0 / 12

HEX #1E65E0

RGB 30 101 224

HSL 218.04, 0.76%, 0.5%

LAB 45.59, 25.06, -68.4

 

CMYK 87 / 78 / 0 / 12

HEX #1E31E0

RGB 30 49 224

HSL 234.12, 0.76%, 0.5%

LAB 33.68, 56.6, -87.98

 

CMYK 87 / 0 / 15 / 12

HEX #1EE0BE

RGB 30 224 190

HSL 169.48, 0.76%, 0.5%

LAB 80.35, -51.92, 4.13

 

CMYK 96 / 0 / 17 / 4

HEX #09F5CB

RGB 9 245 203

HSL 169.32, 0.93%, 0.5%

LAB 86.84, -57.81, 6.64

 

CMYK 87 / 0 / 15 / 12

HEX #1EE0BE

RGB 30 224 190

HSL 169.48, 0.76%, 0.5%

LAB 80.35, -51.92, 4.13

 

CMYK 75 / 0 / 13 / 20

HEX #33CBB0

RGB 51 203 176

HSL 169.34, 0.6%, 0.5%

LAB 73.9, -44.98, 2.31

 

CMYK 61 / 0 / 11 / 28

HEX #47B7A3

RGB 71 183 163

HSL 169.29, 0.44%, 0.5%

LAB 67.91, -36.52, 0.75

 

CMYK 43 / 0 / 7 / 36

HEX #5CA296

RGB 92 162 150

HSL 169.71, 0.28%, 0.5%

LAB 61.93, -25.05, -0.66

 

CMYK 20 / 0 / 4 / 45

HEX #718D88

RGB 113 141 136

HSL 169.29, 0.11%, 0.5%

LAB 56.42, -10.97, -0.62

 

CMYK 87 / 0 / 62 / 12

HEX #1EE055

RGB 30 224 85

HSL 137.01, 0.76%, 0.5%

LAB 78.6, -71.82, 54.28

 

CMYK 87 / 0 / 39 / 12

HEX #1EE089

RGB 30 224 137

HSL 153.09, 0.76%, 0.5%

LAB 79.27, -63.87, 30.34

 

CMYK 87 / 0 / 16 / 12

HEX #1EE0BC

RGB 30 224 188

HSL 168.87, 0.76%, 0.5%

LAB 80.3, -52.44, 5.12

 

CMYK 87 / 7 / 0 / 12

HEX #1ED0E0

RGB 30 208 224

HSL 184.95, 0.76%, 0.5%

LAB 76.54, -35.29, -19.7

 

CMYK 87 / 30 / 0 / 12

HEX #1E9CE0

RGB 30 156 224

HSL 201.03, 0.76%, 0.5%

LAB 61.16, -8.53, -43.46

 

CMYK 87 / 0 / 15 / 41

HEX #149780

RGB 20 151 128

HSL 169.47, 0.77%, 0.34%

LAB 55.93, -38.33, 2.83

 

CMYK 87 / 0 / 15 / 26

HEX #19BC9F

RGB 25 188 159

HSL 169.33, 0.77%, 0.42%

LAB 68.52, -45.47, 3.72

 

CMYK 87 / 0 / 15 / 12

HEX #1EE0BE

RGB 30 224 190

HSL 169.48, 0.76%, 0.5%

LAB 80.35, -51.92, 4.13

 

CMYK 71 / 0 / 13 / 10

HEX #42E5C8

RGB 66 229 200

HSL 169.33, 0.76%, 0.58%

LAB 82.58, -48.05, 2.12

 

CMYK 56 / 0 / 10 / 8

HEX #67EAD3

RGB 103 234 211

HSL 169.47, 0.76%, 0.66%

LAB 85.22, -41.52, 0.28

 

CMYK 87 / 0 / 15 / 13

HEX #1EDFBD

RGB 30 223 189

HSL 169.43, 0.76%, 0.5%

LAB 80.02, -51.77, 4.19

 

CMYK 85 / 87 / 0 / 12

HEX #211EE0

RGB 33 30 224

HSL 240.93, 0.76%, 0.5%

LAB 30.96, 65.04, -92.5

 

CMYK 0 / 50 / 87 / 12

HEX #E06F1E

RGB 224 111 30

HSL 25.05, 0.76%, 0.5%

LAB 59.26, 39.56, 60.27

 

CMYK 87 / 0 / 15 / 13

HEX #1EDFBD

RGB 30 223 189

HSL 169.43, 0.76%, 0.5%

LAB 80.02, -51.77, 4.19

 

CMYK 16 / 87 / 0 / 12

HEX #BC1EE0

RGB 188 30 224

HSL 288.87, 0.76%, 0.5%

LAB 48.26, 80.22, -63.43

 

CMYK 0 / 16 / 87 / 12

HEX #E0BC1E

RGB 224 188 30

HSL 48.87, 0.76%, 0.5%

LAB 77.23, -1.03, 74.7

 

CMYK 87 / 0 / 15 / 13

HEX #1EDFBD

RGB 30 223 189

HSL 169.43, 0.76%, 0.5%

LAB 80.02, -51.77, 4.19

 

CMYK 85 / 87 / 0 / 12

HEX #211EE0

RGB 33 30 224

HSL 240.93, 0.76%, 0.5%

LAB 30.96, 65.04, -92.5

 

CMYK 0 / 87 / 71 / 12

HEX #E01E42

RGB 224 30 66

HSL 348.87, 0.76%, 0.5%

LAB 48.47, 70.62, 31.92

 

CMYK 1 / 0 / 87 / 12

HEX #DDE01E

RGB 221 224 30

HSL 60.93, 0.76%, 0.5%

LAB 86.39, -20.42, 81.96

 

CMYK 87 / 0 / 15 / 13

HEX #1EDFBD

RGB 30 223 189

HSL 169.43, 0.76%, 0.5%

LAB 80.02, -51.77, 4.19

 

CMYK 59 / 87 / 0 / 12

HEX #5B1EE0

RGB 91 30 224

HSL 258.87, 0.76%, 0.5%

LAB 35.07, 68.23, -85.55

 

CMYK 0 / 87 / 71 / 12

HEX #E01E42

RGB 224 30 66

HSL 348.87, 0.76%, 0.5%

LAB 48.47, 70.62, 31.92

 

CMYK 27 / 0 / 87 / 12

HEX #A3E01E

RGB 163 224 30

HSL 78.87, 0.76%, 0.5%

LAB 82.48, -43.67, 77.14

 

Description

Color code: HEX #1EDFBD | qconv.com Color code: HEX #1EDFBD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 223 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 223 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 15 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 15% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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