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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EDBCA it is the complementary color #E12435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EDBCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EDBCA shade: #23DBC5, #34EDD8, #45FFEB, #56FFFE and #67FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EDBCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EDBCA shade: #1EDBCA, #0DC9B7, #00B7A4, #00A591 and #00937E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EDBCA shade: #1DDBCA, #1DDB97, #1DDB64, #1DDB31 and #3EDB1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EDBCA shade: #1DDBCA, #1DB9DB, #1D86DB, #1D53DB and #1D20DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EDBCA shade matches the following richer shades: #1DDBCA and #09F0DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EDBCA shade: #1DDBCA, #32C7BA, #46B3A9, #5A9F99 and #6E8B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EDBCA shade: #1DDB63, #1DDB96, #1DDBC8, #1DBCDB and #1D89DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EDBCA shade: #149387, #19B7A9, #1DDBCA, #3EE4D5 and #62E9DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EDBCA shade: #1EDBCA, #301DDB and #DB7C1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EDBCA shade: #1EDBCA, #C81DDB and #DBC81D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EDBCA shade: #1EDBCA, #301DDB, #DB1D30 and #C8DB1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EDBCA shade: #1EDBCA, #691DDB, #DB1D30 and #8FDB1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 8 / 14

HEX #1EDBCA

RGB 30 219 202

HSL 174.6, 0.76%, 0.49%

LAB 79.16, -46.64, -4

 

Complementary color

CMYK 0 / 84 / 76 / 12

HEX #E12435

RGB 225 36 53

HSL 354.6, 0.76%, 0.51%

LAB 48.92, 69.2, 40.08

 

CMYK 84 / 0 / 10 / 14

HEX #23DBC5

RGB 35 219 197

HSL 172.83, 0.72%, 0.5%

LAB 79.07, -47.68, -1.45

 

CMYK 78 / 0 / 9 / 7

HEX #34EDD8

RGB 52 237 216

HSL 173.19, 0.84%, 0.57%

LAB 85.13, -48.82, -2.61

 

CMYK 73 / 0 / 8 / 0

HEX #45FFEB

RGB 69 255 235

HSL 173.55, 1%, 0.64%

LAB 91.14, -49.71, -3.67

 

CMYK 66 / 0 / 0 / 0

HEX #56FFFE

RGB 86 255 254

HSL 179.64, 1%, 0.67%

LAB 91.98, -42.58, -12.24

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 86 / 0 / 8 / 14

HEX #1EDBCA

RGB 30 219 202

HSL 174.6, 0.76%, 0.49%

LAB 79.16, -46.64, -4

 

CMYK 94 / 0 / 9 / 21

HEX #0DC9B7

RGB 13 201 183

HSL 174.26, 0.88%, 0.42%

LAB 73.07, -45.03, -2.73

 

CMYK 100 / 0 / 10 / 28

HEX #00B7A4

RGB 0 183 164

HSL 173.77, 1%, 0.36%

LAB 66.94, -43.07, -1.35

 

CMYK 100 / 0 / 12 / 35

HEX #00A591

RGB 0 165 145

HSL 172.73, 1%, 0.32%

LAB 60.74, -40.67, 0.18

 

CMYK 100 / 0 / 14 / 42

HEX #00937E

RGB 0 147 126

HSL 171.43, 1%, 0.29%

LAB 54.42, -38.23, 1.77

 

CMYK 87 / 0 / 8 / 14

HEX #1DDBCA

RGB 29 219 202

HSL 174.63, 0.77%, 0.49%

LAB 79.15, -46.7, -4.01

 

CMYK 87 / 0 / 31 / 14

HEX #1DDB97

RGB 29 219 151

HSL 158.53, 0.77%, 0.49%

LAB 77.97, -59.3, 21.35

 

CMYK 87 / 0 / 54 / 14

HEX #1DDB64

RGB 29 219 100

HSL 142.42, 0.77%, 0.49%

LAB 77.19, -68.43, 45.89

 

CMYK 87 / 0 / 78 / 14

HEX #1DDB31

RGB 29 219 49

HSL 126.32, 0.77%, 0.49%

LAB 76.77, -73.66, 65.72

 

CMYK 72 / 0 / 87 / 14

HEX #3EDB1D

RGB 62 219 29

HSL 109.58, 0.77%, 0.49%

LAB 77.15, -70.63, 71.26

 

CMYK 87 / 0 / 8 / 14

HEX #1DDBCA

RGB 29 219 202

HSL 174.63, 0.77%, 0.49%

LAB 79.15, -46.7, -4.01

 

CMYK 87 / 16 / 0 / 14

HEX #1DB9DB

RGB 29 185 219

HSL 190.74, 0.77%, 0.49%

LAB 69.52, -25.79, -27.7

 

CMYK 87 / 39 / 0 / 14

HEX #1D86DB

RGB 29 134 219

HSL 206.84, 0.77%, 0.49%

LAB 54.48, 2.37, -51.27

 

CMYK 87 / 62 / 0 / 14

HEX #1D53DB

RGB 29 83 219

HSL 222.95, 0.77%, 0.49%

LAB 40.51, 34.7, -73.84

 

CMYK 87 / 85 / 0 / 14

HEX #1D20DB

RGB 29 32 219

HSL 239.05, 0.77%, 0.49%

LAB 30.42, 62.76, -90.52

 

CMYK 87 / 0 / 8 / 14

HEX #1DDBCA

RGB 29 219 202

HSL 174.63, 0.77%, 0.49%

LAB 79.15, -46.7, -4.01

 

CMYK 96 / 0 / 9 / 6

HEX #09F0DB

RGB 9 240 219

HSL 174.55, 0.93%, 0.49%

LAB 85.75, -51.62, -3.31

 

CMYK 87 / 0 / 8 / 14

HEX #1DDBCA

RGB 29 219 202

HSL 174.63, 0.77%, 0.49%

LAB 79.15, -46.7, -4.01

 

CMYK 75 / 0 / 7 / 22

HEX #32C7BA

RGB 50 199 186

HSL 174.77, 0.6%, 0.49%

LAB 72.94, -40.66, -4.52

 

CMYK 61 / 0 / 6 / 30

HEX #46B3A9

RGB 70 179 169

HSL 174.5, 0.44%, 0.49%

LAB 66.83, -33.25, -4.16

 

CMYK 43 / 0 / 4 / 38

HEX #5A9F99

RGB 90 159 153

HSL 174.78, 0.28%, 0.49%

LAB 61.02, -23.3, -3.7

 

CMYK 21 / 0 / 2 / 45

HEX #6E8B88

RGB 110 139 136

HSL 173.79, 0.12%, 0.49%

LAB 55.64, -10.88, -1.79

 

CMYK 87 / 0 / 55 / 14

HEX #1DDB63

RGB 29 219 99

HSL 142.11, 0.77%, 0.49%

LAB 77.18, -68.57, 46.34

 

CMYK 87 / 0 / 32 / 14

HEX #1DDB96

RGB 29 219 150

HSL 158.21, 0.77%, 0.49%

LAB 77.95, -59.52, 21.84

 

CMYK 87 / 0 / 9 / 14

HEX #1DDBC8

RGB 29 219 200

HSL 174, 0.77%, 0.49%

LAB 79.1, -47.25, -3.02

 

CMYK 87 / 14 / 0 / 14

HEX #1DBCDB

RGB 29 188 219

HSL 189.79, 0.77%, 0.49%

LAB 70.41, -27.29, -26.33

 

CMYK 87 / 37 / 0 / 14

HEX #1D89DB

RGB 29 137 219

HSL 205.89, 0.77%, 0.49%

LAB 55.35, 0.57, -49.88

 

CMYK 86 / 0 / 8 / 42

HEX #149387

RGB 20 147 135

HSL 174.33, 0.76%, 0.33%

LAB 54.83, -34.53, -2.78

 

CMYK 86 / 0 / 8 / 28

HEX #19B7A9

RGB 25 183 169

HSL 174.68, 0.76%, 0.41%

LAB 67.23, -40.56, -3.66

 

CMYK 87 / 0 / 8 / 14

HEX #1DDBCA

RGB 29 219 202

HSL 174.63, 0.77%, 0.49%

LAB 79.15, -46.7, -4.01

 

CMYK 73 / 0 / 7 / 11

HEX #3EE4D5

RGB 62 228 213

HSL 174.58, 0.75%, 0.57%

LAB 82.55, -44.72, -4.8

 

CMYK 58 / 0 / 5 / 9

HEX #62E9DD

RGB 98 233 221

HSL 174.67, 0.75%, 0.65%

LAB 85.04, -39.51, -5.25

 

CMYK 86 / 0 / 8 / 14

HEX #1EDBCA

RGB 30 219 202

HSL 174.6, 0.76%, 0.49%

LAB 79.16, -46.64, -4

 

CMYK 78 / 87 / 0 / 14

HEX #301DDB

RGB 48 29 219

HSL 246, 0.77%, 0.49%

LAB 30.93, 64.54, -89.65

 

CMYK 0 / 43 / 87 / 14

HEX #DB7C1D

RGB 219 124 29

HSL 30, 0.77%, 0.49%

LAB 61.28, 30.82, 61.91

 

CMYK 86 / 0 / 8 / 14

HEX #1EDBCA

RGB 30 219 202

HSL 174.6, 0.76%, 0.49%

LAB 79.16, -46.64, -4

 

CMYK 9 / 87 / 0 / 14

HEX #C81DDB

RGB 200 29 219

HSL 294, 0.77%, 0.49%

LAB 49.83, 81.5, -57.96

 

CMYK 0 / 9 / 87 / 14

HEX #DBC81D

RGB 219 200 29

HSL 54, 0.77%, 0.49%

LAB 79.87, -9.38, 76.84

 

CMYK 86 / 0 / 8 / 14

HEX #1EDBCA

RGB 30 219 202

HSL 174.6, 0.76%, 0.49%

LAB 79.16, -46.64, -4

 

CMYK 78 / 87 / 0 / 14

HEX #301DDB

RGB 48 29 219

HSL 246, 0.77%, 0.49%

LAB 30.93, 64.54, -89.65

 

CMYK 0 / 87 / 78 / 14

HEX #DB1D30

RGB 219 29 48

HSL 354, 0.77%, 0.49%

LAB 47.17, 68.84, 40.69

 

CMYK 9 / 0 / 87 / 14

HEX #C8DB1D

RGB 200 219 29

HSL 66, 0.77%, 0.49%

LAB 83.46, -26.77, 79.11

 

CMYK 86 / 0 / 8 / 14

HEX #1EDBCA

RGB 30 219 202

HSL 174.6, 0.76%, 0.49%

LAB 79.16, -46.64, -4

 

CMYK 52 / 87 / 0 / 14

HEX #691DDB

RGB 105 29 219

HSL 264, 0.77%, 0.49%

LAB 35.98, 68.58, -81.13

 

CMYK 0 / 87 / 78 / 14

HEX #DB1D30

RGB 219 29 48

HSL 354, 0.77%, 0.49%

LAB 47.17, 68.84, 40.69

 

CMYK 35 / 0 / 87 / 14

HEX #8FDB1D

RGB 143 219 29

HSL 84, 0.77%, 0.49%

LAB 79.95, -48.88, 74.77

 

Description

Color code: HEX #1EDBCA | qconv.com Color code: HEX #1EDBCA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 219 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 219 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 8 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 8% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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