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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ECC3D it is the complementary color #E133C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ECC3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ECC3D shade: #23CC38, #34DE4B, #45F05E, #56FF71 and #67FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ECC3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ECC3D shade: #1ECC3D, #0DBA2A, #00A817, #009604 and #008400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ECC3D shade: #1ECC3D, #2ECC1E, #5DCC1E, #8CCC1E and #BACC1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ECC3D shade: #1ECC3D, #1ECC6C, #1ECC9B, #1ECCC9 and #1E9FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ECC3D shade matches the following richer shades: #1ECC3D and #0BDF31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ECC3D shade: #1ECC3D, #31B949, #44A655, #579362 and #6A806E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ECC3D shade: #5ECC1E, #2FCC1E, #1ECC3B, #1ECC69 and #1ECC98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ECC3D shade: #138427, #19A832, #1ECC3D, #33E052 and #57E570

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ECC3D shade: #1ECC3D, #1E8CCC and #CC1E47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ECC3D shade: #1ECC3D, #3B1ECC and #CC3B1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ECC3D shade: #1ECC3D, #1E8CCC, #CC1EAF and #CC5E1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ECC3D shade: #1ECC3D, #1E58CC, #CC1EAF and #CC921E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 70 / 20

HEX #1ECC3D

RGB 30 204 61

HSL 130.69, 0.74%, 0.46%

LAB 72.09, -68.27, 56.92

 

Complementary color

CMYK 0 / 77 / 14 / 12

HEX #E133C2

RGB 225 51 194

HSL 310.69, 0.74%, 0.54%

LAB 54.31, 77.68, -36.22

 

CMYK 83 / 0 / 73 / 20

HEX #23CC38

RGB 35 204 56

HSL 127.46, 0.71%, 0.47%

LAB 72.11, -68.22, 58.8

 

CMYK 77 / 0 / 66 / 13

HEX #34DE4B

RGB 52 222 75

HSL 128.12, 0.72%, 0.54%

LAB 78.16, -69.99, 58

 

CMYK 71 / 0 / 61 / 6

HEX #45F05E

RGB 69 240 94

HSL 128.77, 0.85%, 0.61%

LAB 84.17, -71.23, 56.9

 

CMYK 66 / 0 / 56 / 0

HEX #56FF71

RGB 86 255 113

HSL 129.59, 1%, 0.67%

LAB 89.25, -71.08, 54.59

 

CMYK 60 / 0 / 48 / 0

HEX #67FF84

RGB 103 255 132

HSL 131.45, 1%, 0.7%

LAB 89.89, -65.24, 46.73

 

CMYK 85 / 0 / 70 / 20

HEX #1ECC3D

RGB 30 204 61

HSL 130.69, 0.74%, 0.46%

LAB 72.09, -68.27, 56.92

 

CMYK 93 / 0 / 77 / 27

HEX #0DBA2A

RGB 13 186 42

HSL 130.06, 0.87%, 0.39%

LAB 66.04, -65.71, 57.46

 

CMYK 100 / 0 / 86 / 34

HEX #00A817

RGB 0 168 23

HSL 128.21, 1%, 0.33%

LAB 59.95, -62.32, 57.1

 

CMYK 100 / 0 / 97 / 41

HEX #009604

RGB 0 150 4

HSL 121.6, 1%, 0.29%

LAB 53.84, -57.89, 55.33

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 85 / 0 / 70 / 20

HEX #1ECC3D

RGB 30 204 61

HSL 130.69, 0.74%, 0.46%

LAB 72.09, -68.27, 56.92

 

CMYK 77 / 0 / 85 / 20

HEX #2ECC1E

RGB 46 204 30

HSL 114.48, 0.74%, 0.46%

LAB 72.14, -68.52, 66.53

 

CMYK 54 / 0 / 85 / 20

HEX #5DCC1E

RGB 93 204 30

HSL 98.28, 0.74%, 0.46%

LAB 73.29, -58.88, 67.99

 

CMYK 31 / 0 / 85 / 20

HEX #8CCC1E

RGB 140 204 30

HSL 82.07, 0.74%, 0.46%

LAB 75.36, -43.65, 70.6

 

CMYK 9 / 0 / 85 / 20

HEX #BACC1E

RGB 186 204 30

HSL 66.21, 0.74%, 0.46%

LAB 78.3, -25.38, 74.25

 

CMYK 85 / 0 / 70 / 20

HEX #1ECC3D

RGB 30 204 61

HSL 130.69, 0.74%, 0.46%

LAB 72.09, -68.27, 56.92

 

CMYK 85 / 0 / 47 / 20

HEX #1ECC6C

RGB 30 204 108

HSL 146.9, 0.74%, 0.46%

LAB 72.59, -62.2, 36.32

 

CMYK 85 / 0 / 24 / 20

HEX #1ECC9B

RGB 30 204 155

HSL 163.1, 0.74%, 0.46%

LAB 73.43, -52.62, 12.92

 

CMYK 85 / 0 / 1 / 20

HEX #1ECCC9

RGB 30 204 201

HSL 178.97, 0.74%, 0.46%

LAB 74.62, -40.36, -10.18

 

CMYK 85 / 22 / 0 / 20

HEX #1E9FCC

RGB 30 159 204

HSL 195.52, 0.74%, 0.46%

LAB 61.16, -17.3, -32.33

 

CMYK 85 / 0 / 70 / 20

HEX #1ECC3D

RGB 30 204 61

HSL 130.69, 0.74%, 0.46%

LAB 72.09, -68.27, 56.92

 

CMYK 95 / 0 / 78 / 13

HEX #0BDF31

RGB 11 223 49

HSL 130.75, 0.91%, 0.46%

LAB 77.92, -75.8, 66.78

 

CMYK 85 / 0 / 70 / 20

HEX #1ECC3D

RGB 30 204 61

HSL 130.69, 0.74%, 0.46%

LAB 72.09, -68.27, 56.92

 

CMYK 74 / 0 / 61 / 27

HEX #31B949

RGB 49 185 73

HSL 130.59, 0.58%, 0.46%

LAB 66.39, -58.64, 45.7

 

CMYK 59 / 0 / 49 / 35

HEX #44A655

RGB 68 166 85

HSL 130.41, 0.42%, 0.46%

LAB 60.92, -46.24, 33.41

 

CMYK 41 / 0 / 33 / 42

HEX #579362

RGB 87 147 98

HSL 131, 0.26%, 0.46%

LAB 55.86, -30.44, 19.99

 

CMYK 17 / 0 / 14 / 50

HEX #6A806E

RGB 106 128 110

HSL 130.91, 0.09%, 0.46%

LAB 51.41, -11.78, 7.14

 

CMYK 54 / 0 / 85 / 20

HEX #5ECC1E

RGB 94 204 30

HSL 97.93, 0.74%, 0.46%

LAB 73.32, -58.61, 68.04

 

CMYK 77 / 0 / 85 / 20

HEX #2FCC1E

RGB 47 204 30

HSL 114.14, 0.74%, 0.46%

LAB 72.15, -68.38, 66.55

 

CMYK 85 / 0 / 71 / 20

HEX #1ECC3B

RGB 30 204 59

HSL 130, 0.74%, 0.46%

LAB 72.08, -68.45, 57.65

 

CMYK 85 / 0 / 49 / 20

HEX #1ECC69

RGB 30 204 105

HSL 145.86, 0.74%, 0.46%

LAB 72.55, -62.7, 37.76

 

CMYK 85 / 0 / 25 / 20

HEX #1ECC98

RGB 30 204 152

HSL 162.07, 0.74%, 0.46%

LAB 73.37, -53.33, 14.43

 

CMYK 86 / 0 / 70 / 48

HEX #138427

RGB 19 132 39

HSL 130.62, 0.75%, 0.3%

LAB 47.99, -48.89, 40.21

 

CMYK 85 / 0 / 70 / 34

HEX #19A832

RGB 25 168 50

HSL 130.49, 0.74%, 0.38%

LAB 60.29, -58.74, 48.76

 

CMYK 85 / 0 / 70 / 20

HEX #1ECC3D

RGB 30 204 61

HSL 130.69, 0.74%, 0.46%

LAB 72.09, -68.27, 56.92

 

CMYK 77 / 0 / 63 / 12

HEX #33E052

RGB 51 224 82

HSL 130.75, 0.74%, 0.54%

LAB 78.82, -70.03, 55.86

 

CMYK 62 / 0 / 51 / 10

HEX #57E570

RGB 87 229 112

HSL 130.56, 0.73%, 0.62%

LAB 81.42, -61.96, 45.62

 

CMYK 85 / 0 / 70 / 20

HEX #1ECC3D

RGB 30 204 61

HSL 130.69, 0.74%, 0.46%

LAB 72.09, -68.27, 56.92

 

CMYK 85 / 31 / 0 / 20

HEX #1E8CCC

RGB 30 140 204

HSL 202.07, 0.74%, 0.46%

LAB 55.47, -6.71, -41.23

 

CMYK 0 / 85 / 65 / 20

HEX #CC1E47

RGB 204 30 71

HSL 345.86, 0.74%, 0.46%

LAB 44.55, 65.67, 23.11

 

CMYK 85 / 0 / 70 / 20

HEX #1ECC3D

RGB 30 204 61

HSL 130.69, 0.74%, 0.46%

LAB 72.09, -68.27, 56.92

 

CMYK 71 / 85 / 0 / 20

HEX #3B1ECC

RGB 59 30 204

HSL 250, 0.74%, 0.46%

LAB 29.96, 60.63, -82.55

 

CMYK 0 / 71 / 85 / 20

HEX #CC3B1E

RGB 204 59 30

HSL 10, 0.74%, 0.46%

LAB 47.05, 55.69, 48.84

 

CMYK 85 / 0 / 70 / 20

HEX #1ECC3D

RGB 30 204 61

HSL 130.69, 0.74%, 0.46%

LAB 72.09, -68.27, 56.92

 

CMYK 85 / 31 / 0 / 20

HEX #1E8CCC

RGB 30 140 204

HSL 202.07, 0.74%, 0.46%

LAB 55.47, -6.71, -41.23

 

CMYK 0 / 85 / 14 / 20

HEX #CC1EAF

RGB 204 30 175

HSL 310, 0.74%, 0.46%

LAB 48.08, 75.56, -35.18

 

CMYK 0 / 54 / 85 / 20

HEX #CC5E1E

RGB 204 94 30

HSL 22.07, 0.74%, 0.46%

LAB 52.88, 40.25, 53.78

 

CMYK 85 / 0 / 70 / 20

HEX #1ECC3D

RGB 30 204 61

HSL 130.69, 0.74%, 0.46%

LAB 72.09, -68.27, 56.92

 

CMYK 85 / 57 / 0 / 20

HEX #1E58CC

RGB 30 88 204

HSL 220, 0.74%, 0.46%

LAB 40.6, 25.79, -65.08

 

CMYK 0 / 85 / 14 / 20

HEX #CC1EAF

RGB 204 30 175

HSL 310, 0.74%, 0.46%

LAB 48.08, 75.56, -35.18

 

CMYK 0 / 28 / 85 / 20

HEX #CC921E

RGB 204 146 30

HSL 40, 0.74%, 0.46%

LAB 64.55, 12.57, 63.52

 

Description

Color code: HEX #1ECC3D | qconv.com Color code: HEX #1ECC3D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 204 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 204 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 70 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 70% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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