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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EC270 it is the complementary color #E13D8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EC270. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EC270 shade: #23C26B, #34D47E, #45E691, #56F8A4 and #67FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EC270. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EC270 shade: #1EC270, #0DB05D, #009E4A, #008C37 and #007A24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EC270 shade: #1EC270, #1EC244, #24C21E, #50C21E and #7DC21E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EC270 shade: #1EC270, #1EC29C, #1EBBC2, #1E8FC2 and #1E63C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EC270 shade matches the following richer shades: #1EC270 and #0CD470

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EC270 shade: #1EC270, #30AF70, #429D70, #548B70 and #667970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EC270 shade: #23C21E, #1EC244, #1EC270, #1EC29B and #1EBCC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EC270 shade: #137A46, #189E5B, #1EC270, #2BDE84 and #4FE399

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EC270 shade: #1EC270, #1E4FC2 and #C22E1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EC270 shade: #1EC270, #701EC2 and #C2701E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EC270 shade: #1EC270, #1E4FC2, #C21E70 and #C2901E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EC270 shade: #1EC270, #1E1EC2, #C21E70 and #C2C21E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

Complementary color

CMYK 0 / 73 / 36 / 12

HEX #E13D8F

RGB 225 61 143

HSL 330, 0.73%, 0.56%

LAB 53.31, 68.56, -7.87

 

CMYK 82 / 0 / 45 / 24

HEX #23C26B

RGB 35 194 107

HSL 147.17, 0.69%, 0.45%

LAB 69.47, -58.47, 32.85

 

CMYK 75 / 0 / 41 / 17

HEX #34D47E

RGB 52 212 126

HSL 147.75, 0.65%, 0.52%

LAB 75.65, -59.51, 31.22

 

CMYK 70 / 0 / 37 / 10

HEX #45E691

RGB 69 230 145

HSL 148.32, 0.76%, 0.59%

LAB 81.79, -60.19, 29.71

 

CMYK 65 / 0 / 34 / 3

HEX #56F8A4

RGB 86 248 164

HSL 148.89, 0.92%, 0.65%

LAB 87.87, -60.61, 28.31

 

CMYK 60 / 0 / 28 / 0

HEX #67FFB7

RGB 103 255 183

HSL 151.58, 1%, 0.7%

LAB 90.7, -56.55, 22.59

 

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

CMYK 93 / 0 / 47 / 31

HEX #0DB05D

RGB 13 176 93

HSL 149.45, 0.86%, 0.37%

LAB 63.28, -56.38, 32.07

 

CMYK 100 / 0 / 53 / 38

HEX #009E4A

RGB 0 158 74

HSL 148.1, 1%, 0.31%

LAB 57.02, -54.12, 33.94

 

CMYK 100 / 0 / 61 / 45

HEX #008C37

RGB 0 140 55

HSL 143.57, 1%, 0.27%

LAB 50.72, -51.03, 35.86

 

CMYK 100 / 0 / 70 / 52

HEX #007A24

RGB 0 122 36

HSL 137.7, 1%, 0.24%

LAB 44.3, -47.59, 37.5

 

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

CMYK 85 / 0 / 65 / 24

HEX #1EC244

RGB 30 194 68

HSL 133.9, 0.73%, 0.44%

LAB 68.95, -64.52, 50.71

 

CMYK 81 / 0 / 85 / 24

HEX #24C21E

RGB 36 194 30

HSL 117.8, 0.73%, 0.44%

LAB 68.79, -66.82, 63.49

 

CMYK 59 / 0 / 85 / 24

HEX #50C21E

RGB 80 194 30

HSL 101.71, 0.73%, 0.44%

LAB 69.74, -58.75, 64.7

 

CMYK 36 / 0 / 85 / 24

HEX #7DC21E

RGB 125 194 30

HSL 85.24, 0.73%, 0.44%

LAB 71.58, -44.87, 67.02

 

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

CMYK 85 / 0 / 20 / 24

HEX #1EC29C

RGB 30 194 156

HSL 166.1, 0.73%, 0.44%

LAB 70.36, -48.37, 8.01

 

CMYK 85 / 4 / 0 / 24

HEX #1EBBC2

RGB 30 187 194

HSL 182.56, 0.73%, 0.44%

LAB 69.26, -34.65, -14.4

 

CMYK 85 / 26 / 0 / 24

HEX #1E8FC2

RGB 30 143 194

HSL 198.66, 0.73%, 0.44%

LAB 55.9, -12.06, -34.9

 

CMYK 85 / 49 / 0 / 24

HEX #1E63C2

RGB 30 99 194

HSL 214.76, 0.73%, 0.44%

LAB 42.91, 14.7, -55.56

 

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

CMYK 94 / 0 / 47 / 17

HEX #0CD470

RGB 12 212 112

HSL 150, 0.89%, 0.44%

LAB 75.04, -65.26, 37.41

 

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

CMYK 73 / 0 / 36 / 31

HEX #30AF70

RGB 48 175 112

HSL 150.24, 0.57%, 0.44%

LAB 63.72, -48.86, 22.69

 

CMYK 58 / 0 / 29 / 38

HEX #429D70

RGB 66 157 112

HSL 150.33, 0.41%, 0.44%

LAB 58.45, -37.95, 15.59

 

CMYK 40 / 0 / 19 / 45

HEX #548B70

RGB 84 139 112

HSL 150.55, 0.25%, 0.44%

LAB 53.51, -24.63, 8.78

 

CMYK 16 / 0 / 7 / 53

HEX #667970

RGB 102 121 112

HSL 151.58, 0.09%, 0.44%

LAB 49.09, -8.93, 2.59

 

CMYK 82 / 0 / 85 / 24

HEX #23C21E

RGB 35 194 30

HSL 118.17, 0.73%, 0.44%

LAB 68.78, -66.94, 63.47

 

CMYK 85 / 0 / 65 / 24

HEX #1EC244

RGB 30 194 68

HSL 133.9, 0.73%, 0.44%

LAB 68.95, -64.52, 50.71

 

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

CMYK 85 / 0 / 20 / 24

HEX #1EC29B

RGB 30 194 155

HSL 165.73, 0.73%, 0.44%

LAB 70.33, -48.63, 8.52

 

CMYK 85 / 3 / 0 / 24

HEX #1EBCC2

RGB 30 188 194

HSL 182.2, 0.73%, 0.44%

LAB 69.57, -35.12, -13.94

 

CMYK 84 / 0 / 43 / 52

HEX #137A46

RGB 19 122 70

HSL 149.71, 0.73%, 0.28%

LAB 44.94, -40.55, 20.77

 

CMYK 85 / 0 / 42 / 38

HEX #189E5B

RGB 24 158 91

HSL 150, 0.74%, 0.36%

LAB 57.47, -49.55, 25.63

 

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

CMYK 81 / 0 / 41 / 13

HEX #2BDE84

RGB 43 222 132

HSL 149.83, 0.73%, 0.52%

LAB 78.71, -63.01, 32.16

 

CMYK 65 / 0 / 33 / 11

HEX #4FE399

RGB 79 227 153

HSL 150, 0.73%, 0.6%

LAB 81.24, -55.88, 24.91

 

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

CMYK 85 / 59 / 0 / 24

HEX #1E4FC2

RGB 30 79 194

HSL 222.07, 0.73%, 0.44%

LAB 37.41, 27.84, -64.47

 

CMYK 0 / 76 / 85 / 24

HEX #C22E1E

RGB 194 46 30

HSL 5.85, 0.73%, 0.44%

LAB 43.53, 57.03, 45.04

 

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

CMYK 42 / 85 / 0 / 24

HEX #701EC2

RGB 112 30 194

HSL 270, 0.73%, 0.44%

LAB 34.54, 63.24, -68.94

 

CMYK 0 / 42 / 85 / 24

HEX #C2701E

RGB 194 112 30

HSL 30, 0.73%, 0.44%

LAB 55.23, 26.77, 55.2

 

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

CMYK 85 / 59 / 0 / 24

HEX #1E4FC2

RGB 30 79 194

HSL 222.07, 0.73%, 0.44%

LAB 37.41, 27.84, -64.47

 

CMYK 0 / 85 / 42 / 24

HEX #C21E70

RGB 194 30 112

HSL 330, 0.73%, 0.44%

LAB 43.61, 66.13, -4.07

 

CMYK 0 / 26 / 85 / 24

HEX #C2901E

RGB 194 144 30

HSL 41.71, 0.73%, 0.44%

LAB 62.94, 9.24, 61.72

 

CMYK 85 / 0 / 42 / 24

HEX #1EC270

RGB 30 194 112

HSL 150, 0.73%, 0.44%

LAB 69.49, -58.04, 30.29

 

CMYK 85 / 85 / 0 / 24

HEX #1E1EC2

RGB 30 30 194

HSL 240, 0.73%, 0.44%

LAB 27.02, 56.29, -81.62

 

CMYK 0 / 85 / 42 / 24

HEX #C21E70

RGB 194 30 112

HSL 330, 0.73%, 0.44%

LAB 43.61, 66.13, -4.07

 

CMYK 0 / 0 / 85 / 24

HEX #C2C21E

RGB 194 194 30

HSL 60, 0.73%, 0.44%

LAB 76.16, -17.08, 72.73

 

Description

Color code: HEX #1EC270 | qconv.com Color code: HEX #1EC270 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 194 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 194 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 42% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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