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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EC823 it is the complementary color #E137DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EC823. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EC823 shade: #23C81E, #34DA31, #45EC44, #56FE57 and #67FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EC823. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EC823 shade: #1EC823, #0DB610, #00A400, #009200 and #008000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EC823 shade: #1DC722, #46C71D, #74C71D, #A2C71D and #C7BF1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EC823 shade: #1DC722, #1DC750, #1DC77E, #1DC7AC and #1DB5C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EC823 shade matches the following richer shades: #1DC722 and #0BDA11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EC823 shade: #1DC722, #30B534, #42A245, #558F57 and #687D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EC823 shade: #75C71D, #48C71D, #1DC720, #1DC74D and #1DC77B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EC823 shade: #137F16, #18A31C, #1DC722, #2EDF34 and #52E557

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EC823 shade: #1EC823, #1DA2C7 and #C71D5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EC823 shade: #1EC823, #201DC7 and #C7201D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EC823 shade: #1EC823, #1DA2C7, #C71DC4 and #C7421D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EC823 shade: #1EC823, #1D6FC7, #C71DC4 and #C7751D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 83 / 22

HEX #1EC823

RGB 30 200 35

HSL 121.76, 0.74%, 0.45%

LAB 70.67, -68.95, 63.93

 

Complementary color

CMYK 0 / 76 / 2 / 12

HEX #E137DC

RGB 225 55 220

HSL 301.76, 0.74%, 0.55%

LAB 55.99, 80.34, -48.43

 

CMYK 83 / 0 / 85 / 22

HEX #23C81E

RGB 35 200 30

HSL 118.24, 0.74%, 0.45%

LAB 70.7, -68.69, 65.2

 

CMYK 76 / 0 / 78 / 15

HEX #34DA31

RGB 52 218 49

HSL 118.93, 0.7%, 0.52%

LAB 76.74, -70.87, 65.78

 

CMYK 71 / 0 / 71 / 7

HEX #45EC44

RGB 69 236 68

HSL 119.64, 0.82%, 0.6%

LAB 82.74, -72.44, 65.57

 

CMYK 66 / 0 / 66 / 0

HEX #56FE57

RGB 86 254 87

HSL 120.36, 0.99%, 0.67%

LAB 88.71, -73.54, 64.88

 

CMYK 60 / 0 / 58 / 0

HEX #67FF6A

RGB 103 255 106

HSL 121.18, 1%, 0.7%

LAB 89.6, -68.52, 58.18

 

CMYK 85 / 0 / 83 / 22

HEX #1EC823

RGB 30 200 35

HSL 121.76, 0.74%, 0.45%

LAB 70.67, -68.95, 63.93

 

CMYK 93 / 0 / 91 / 29

HEX #0DB610

RGB 13 182 16

HSL 121.07, 0.87%, 0.38%

LAB 64.63, -65.89, 62.58

 

CMYK 100 / 0 / 100 / 36

HEX #00A400

RGB 0 164 0

HSL 120, 1%, 0.32%

LAB 58.56, -61.94, 59.78

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 85 / 0 / 83 / 22

HEX #1DC722

RGB 29 199 34

HSL 121.76, 0.75%, 0.45%

LAB 70.33, -68.8, 63.87

 

CMYK 65 / 0 / 85 / 22

HEX #46C71D

RGB 70 199 29

HSL 105.53, 0.75%, 0.45%

LAB 71.03, -62.8, 65.97

 

CMYK 42 / 0 / 85 / 22

HEX #74C71D

RGB 116 199 29

HSL 89.29, 0.75%, 0.45%

LAB 72.66, -50.07, 68.02

 

CMYK 19 / 0 / 85 / 22

HEX #A2C71D

RGB 162 199 29

HSL 73.06, 0.75%, 0.45%

LAB 75.21, -32.92, 71.21

 

CMYK 0 / 4 / 85 / 22

HEX #C7BF1D

RGB 199 191 29

HSL 57.18, 0.75%, 0.45%

LAB 75.76, -13.44, 72.79

 

CMYK 85 / 0 / 83 / 22

HEX #1DC722

RGB 29 199 34

HSL 121.76, 0.75%, 0.45%

LAB 70.33, -68.8, 63.87

 

CMYK 85 / 0 / 60 / 22

HEX #1DC750

RGB 29 199 80

HSL 138, 0.75%, 0.45%

LAB 70.65, -64.77, 47.37

 

CMYK 85 / 0 / 37 / 22

HEX #1DC77E

RGB 29 199 126

HSL 154.24, 0.75%, 0.45%

LAB 71.29, -57.21, 25.38

 

CMYK 85 / 0 / 14 / 22

HEX #1DC7AC

RGB 29 199 172

HSL 170.47, 0.75%, 0.45%

LAB 72.29, -46.37, 2.1

 

CMYK 85 / 9 / 0 / 22

HEX #1DB5C7

RGB 29 181 199

HSL 186.35, 0.75%, 0.45%

LAB 67.6, -30.29, -19.66

 

CMYK 85 / 0 / 83 / 22

HEX #1DC722

RGB 29 199 34

HSL 121.76, 0.75%, 0.45%

LAB 70.33, -68.8, 63.87

 

CMYK 95 / 0 / 92 / 15

HEX #0BDA11

RGB 11 218 17

HSL 121.74, 0.9%, 0.45%

LAB 76.23, -75.84, 72.22

 

CMYK 85 / 0 / 83 / 22

HEX #1DC722

RGB 29 199 34

HSL 121.76, 0.75%, 0.45%

LAB 70.33, -68.8, 63.87

 

CMYK 73 / 0 / 71 / 29

HEX #30B534

RGB 48 181 52

HSL 121.8, 0.58%, 0.45%

LAB 64.9, -59.67, 52.92

 

CMYK 59 / 0 / 57 / 36

HEX #42A245

RGB 66 162 69

HSL 121.88, 0.42%, 0.45%

LAB 59.37, -47.41, 39.51

 

CMYK 41 / 0 / 39 / 44

HEX #558F57

RGB 85 143 87

HSL 122.07, 0.25%, 0.45%

LAB 54.31, -31.12, 23.99

 

CMYK 17 / 0 / 17 / 51

HEX #687D68

RGB 104 125 104

HSL 120, 0.09%, 0.45%

LAB 50.23, -12.05, 8.93

 

CMYK 41 / 0 / 85 / 22

HEX #75C71D

RGB 117 199 29

HSL 88.94, 0.75%, 0.45%

LAB 72.71, -49.73, 68.07

 

CMYK 64 / 0 / 85 / 22

HEX #48C71D

RGB 72 199 29

HSL 104.82, 0.75%, 0.45%

LAB 71.09, -62.37, 66.03

 

CMYK 85 / 0 / 84 / 22

HEX #1DC720

RGB 29 199 32

HSL 121.06, 0.75%, 0.45%

LAB 70.32, -68.9, 64.36

 

CMYK 85 / 0 / 61 / 22

HEX #1DC74D

RGB 29 199 77

HSL 136.94, 0.75%, 0.45%

LAB 70.62, -65.14, 48.68

 

CMYK 85 / 0 / 38 / 22

HEX #1DC77B

RGB 29 199 123

HSL 153.18, 0.75%, 0.45%

LAB 71.24, -57.8, 26.88

 

CMYK 85 / 0 / 83 / 50

HEX #137F16

RGB 19 127 22

HSL 121.67, 0.74%, 0.29%

LAB 46.14, -48.71, 44.76

 

CMYK 85 / 0 / 83 / 36

HEX #18A31C

RGB 24 163 28

HSL 121.73, 0.74%, 0.37%

LAB 58.48, -58.99, 54.54

 

CMYK 85 / 0 / 83 / 22

HEX #1DC722

RGB 29 199 34

HSL 121.76, 0.75%, 0.45%

LAB 70.33, -68.8, 63.87

 

CMYK 79 / 0 / 77 / 13

HEX #2EDF34

RGB 46 223 52

HSL 122.03, 0.73%, 0.53%

LAB 78.23, -72.94, 66.28

 

CMYK 64 / 0 / 62 / 10

HEX #52E557

RGB 82 229 87

HSL 122.04, 0.74%, 0.61%

LAB 81.03, -66.02, 56.39

 

CMYK 85 / 0 / 83 / 22

HEX #1EC823

RGB 30 200 35

HSL 121.76, 0.74%, 0.45%

LAB 70.67, -68.95, 63.93

 

CMYK 85 / 19 / 0 / 22

HEX #1DA2C7

RGB 29 162 199

HSL 193.06, 0.75%, 0.45%

LAB 61.85, -20.69, -28.48

 

CMYK 0 / 85 / 53 / 22

HEX #C71D5E

RGB 199 29 94

HSL 337.06, 0.75%, 0.45%

LAB 43.99, 66.07, 7.84

 

CMYK 85 / 0 / 83 / 22

HEX #1EC823

RGB 30 200 35

HSL 121.76, 0.74%, 0.45%

LAB 70.67, -68.95, 63.93

 

CMYK 84 / 85 / 0 / 22

HEX #201DC7

RGB 32 29 199

HSL 241.06, 0.75%, 0.45%

LAB 27.6, 58.25, -83.59

 

CMYK 0 / 84 / 85 / 22

HEX #C7201D

RGB 199 32 29

HSL 1.06, 0.75%, 0.45%

LAB 43.16, 62.31, 45.59

 

CMYK 85 / 0 / 83 / 22

HEX #1EC823

RGB 30 200 35

HSL 121.76, 0.74%, 0.45%

LAB 70.67, -68.95, 63.93

 

CMYK 85 / 19 / 0 / 22

HEX #1DA2C7

RGB 29 162 199

HSL 193.06, 0.75%, 0.45%

LAB 61.85, -20.69, -28.48

 

CMYK 0 / 85 / 2 / 22

HEX #C71DC4

RGB 199 29 196

HSL 301.06, 0.75%, 0.45%

LAB 48.27, 77.77, -47.23

 

CMYK 0 / 67 / 85 / 22

HEX #C7421D

RGB 199 66 29

HSL 13.06, 0.75%, 0.45%

LAB 47.14, 51.26, 49

 

CMYK 85 / 0 / 83 / 22

HEX #1EC823

RGB 30 200 35

HSL 121.76, 0.74%, 0.45%

LAB 70.67, -68.95, 63.93

 

CMYK 85 / 44 / 0 / 22

HEX #1D6FC7

RGB 29 111 199

HSL 211.06, 0.75%, 0.45%

LAB 46.65, 8.88, -52.42

 

CMYK 0 / 85 / 2 / 22

HEX #C71DC4

RGB 199 29 196

HSL 301.06, 0.75%, 0.45%

LAB 48.27, 77.77, -47.23

 

CMYK 0 / 41 / 85 / 22

HEX #C7751D

RGB 199 117 29

HSL 31.06, 0.75%, 0.45%

LAB 57.03, 26.16, 57.33

 

Description

Color code: HEX #1EC823 | qconv.com Color code: HEX #1EC823 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 200 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 200 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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