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Color name
HEX #1EBE51

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EBE51 it is the complementary color #E141AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EBE51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EBE51 shade: #23BE4C, #34D05F, #45E272, #56F485 and #67FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EBE51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EBE51 shade: #1EBE51, #0DAC3E, #009A2B, #008818 and #007605

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EBE51 shade: #1DBD50, #1DBD25, #40BD1D, #6CBD1D and #97BD1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EBE51 shade: #1DBD50, #1DBD7B, #1DBDA6, #1DA9BD and #1D7EBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EBE51 shade matches the following richer shades: #1DBD50 and #0BCF4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EBE51 shade: #1DBD50, #2FAB57, #419A5D, #528863 and #64766A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EBE51 shade: #40BD1D, #1DBD25, #1DBD50, #1DBD7A and #1DBDA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EBE51 shade: #127632, #189A41, #1DBD50, #27DD61 and #4AE27B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EBE51 shade: #1EBE51, #1D6ABD and #BD1D2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EBE51 shade: #1EBE51, #501DBD and #BD501D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EBE51 shade: #1EBE51, #1D6ABD, #BD1D8A and #BD701D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EBE51 shade: #1EBE51, #1D3ABD, #BD1D8A and #BDA01D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 57 / 25

HEX #1EBE51

RGB 30 190 81

HSL 139.13, 0.73%, 0.43%

LAB 67.8, -61.66, 43.57

 

Complementary color

CMYK 0 / 71 / 23 / 12

HEX #E141AE

RGB 225 65 174

HSL 319.13, 0.73%, 0.57%

LAB 54.91, 70.85, -23.69

 

CMYK 82 / 0 / 60 / 25

HEX #23BE4C

RGB 35 190 76

HSL 135.87, 0.69%, 0.44%

LAB 67.8, -61.8, 45.91

 

CMYK 75 / 0 / 54 / 18

HEX #34D05F

RGB 52 208 95

HSL 136.54, 0.62%, 0.51%

LAB 73.98, -63.1, 44.44

 

CMYK 69 / 0 / 50 / 11

HEX #45E272

RGB 69 226 114

HSL 137.2, 0.73%, 0.58%

LAB 80.11, -63.95, 42.95

 

CMYK 65 / 0 / 45 / 4

HEX #56F485

RGB 86 244 133

HSL 137.85, 0.88%, 0.65%

LAB 86.19, -64.48, 41.5

 

CMYK 60 / 0 / 40 / 0

HEX #67FF98

RGB 103 255 152

HSL 139.34, 1%, 0.7%

LAB 90.17, -62.18, 37.43

 

CMYK 84 / 0 / 57 / 25

HEX #1EBE51

RGB 30 190 81

HSL 139.13, 0.73%, 0.43%

LAB 67.8, -61.66, 43.57

 

CMYK 92 / 0 / 64 / 33

HEX #0DAC3E

RGB 13 172 62

HSL 138.49, 0.86%, 0.36%

LAB 61.6, -59.63, 45.08

 

CMYK 100 / 0 / 72 / 40

HEX #009A2B

RGB 0 154 43

HSL 136.75, 1%, 0.3%

LAB 55.37, -56.83, 46.32

 

CMYK 100 / 0 / 82 / 47

HEX #008818

RGB 0 136 24

HSL 130.59, 1%, 0.27%

LAB 49.1, -52.96, 46.86

 

CMYK 100 / 0 / 96 / 54

HEX #007605

RGB 0 118 5

HSL 122.54, 1%, 0.23%

LAB 42.71, -48.55, 45.92

 

CMYK 85 / 0 / 58 / 26

HEX #1DBD50

RGB 29 189 80

HSL 139.13, 0.73%, 0.43%

LAB 67.45, -61.57, 43.63

 

CMYK 85 / 0 / 80 / 26

HEX #1DBD25

RGB 29 189 37

HSL 123, 0.73%, 0.43%

LAB 67.12, -65.72, 60.08

 

CMYK 66 / 0 / 85 / 26

HEX #40BD1D

RGB 64 189 29

HSL 106.88, 0.73%, 0.43%

LAB 67.71, -60.78, 62.95

 

CMYK 43 / 0 / 85 / 26

HEX #6CBD1D

RGB 108 189 29

HSL 90.38, 0.73%, 0.43%

LAB 69.24, -48.74, 64.89

 

CMYK 20 / 0 / 85 / 26

HEX #97BD1D

RGB 151 189 29

HSL 74.25, 0.73%, 0.43%

LAB 71.6, -32.73, 67.86

 

CMYK 85 / 0 / 58 / 26

HEX #1DBD50

RGB 29 189 80

HSL 139.13, 0.73%, 0.43%

LAB 67.45, -61.57, 43.63

 

CMYK 85 / 0 / 35 / 26

HEX #1DBD7B

RGB 29 189 123

HSL 155.25, 0.73%, 0.43%

LAB 68.08, -54.14, 22.64

 

CMYK 85 / 0 / 12 / 26

HEX #1DBDA6

RGB 29 189 166

HSL 171.38, 0.73%, 0.43%

LAB 69.05, -43.73, 0.66

 

CMYK 85 / 11 / 0 / 26

HEX #1DA9BD

RGB 29 169 189

HSL 187.5, 0.73%, 0.43%

LAB 63.6, -27.6, -20.21

 

CMYK 85 / 33 / 0 / 26

HEX #1D7EBD

RGB 29 126 189

HSL 203.63, 0.73%, 0.43%

LAB 50.52, -4.17, -40.51

 

CMYK 85 / 0 / 58 / 26

HEX #1DBD50

RGB 29 189 80

HSL 139.13, 0.73%, 0.43%

LAB 67.45, -61.57, 43.63

 

CMYK 95 / 0 / 64 / 19

HEX #0BCF4A

RGB 11 207 74

HSL 139.29, 0.9%, 0.43%

LAB 73.02, -69.05, 52.65

 

CMYK 85 / 0 / 58 / 26

HEX #1DBD50

RGB 29 189 80

HSL 139.13, 0.73%, 0.43%

LAB 67.45, -61.57, 43.63

 

CMYK 73 / 0 / 49 / 33

HEX #2FAB57

RGB 47 171 87

HSL 139.35, 0.57%, 0.43%

LAB 62.01, -52.06, 33.64

 

CMYK 58 / 0 / 40 / 40

HEX #419A5D

RGB 65 154 93

HSL 138.88, 0.41%, 0.43%

LAB 57.1, -40.68, 24.24

 

CMYK 40 / 0 / 27 / 47

HEX #528863

RGB 82 136 99

HSL 138.89, 0.25%, 0.43%

LAB 52.18, -26.49, 14.35

 

CMYK 15 / 0 / 10 / 54

HEX #64766A

RGB 100 118 106

HSL 140, 0.08%, 0.43%

LAB 47.89, -9.23, 4.38

 

CMYK 66 / 0 / 85 / 26

HEX #40BD1D

RGB 64 189 29

HSL 106.88, 0.73%, 0.43%

LAB 67.71, -60.78, 62.95

 

CMYK 85 / 0 / 80 / 26

HEX #1DBD25

RGB 29 189 37

HSL 123, 0.73%, 0.43%

LAB 67.12, -65.72, 60.08

 

CMYK 85 / 0 / 58 / 26

HEX #1DBD50

RGB 29 189 80

HSL 139.13, 0.73%, 0.43%

LAB 67.45, -61.57, 43.63

 

CMYK 85 / 0 / 35 / 26

HEX #1DBD7A

RGB 29 189 122

HSL 154.88, 0.73%, 0.43%

LAB 68.07, -54.35, 23.15

 

CMYK 85 / 0 / 13 / 26

HEX #1DBDA5

RGB 29 189 165

HSL 171, 0.73%, 0.43%

LAB 69.02, -44, 1.17

 

CMYK 85 / 0 / 58 / 54

HEX #127632

RGB 18 118 50

HSL 139.2, 0.74%, 0.27%

LAB 43.24, -42.75, 29.55

 

CMYK 84 / 0 / 58 / 40

HEX #189A41

RGB 24 154 65

HSL 138.92, 0.73%, 0.35%

LAB 55.77, -52.5, 36.97

 

CMYK 85 / 0 / 58 / 26

HEX #1DBD50

RGB 29 189 80

HSL 139.13, 0.73%, 0.43%

LAB 67.45, -61.57, 43.63

 

CMYK 82 / 0 / 56 / 13

HEX #27DD61

RGB 39 221 97

HSL 139.12, 0.73%, 0.51%

LAB 77.88, -68.62, 48.13

 

CMYK 67 / 0 / 46 / 11

HEX #4AE27B

RGB 74 226 123

HSL 139.34, 0.72%, 0.59%

LAB 80.34, -61.72, 38.88

 

CMYK 84 / 0 / 57 / 25

HEX #1EBE51

RGB 30 190 81

HSL 139.13, 0.73%, 0.43%

LAB 67.8, -61.66, 43.57

 

CMYK 85 / 44 / 0 / 26

HEX #1D6ABD

RGB 29 106 189

HSL 211.13, 0.73%, 0.43%

LAB 44.58, 8.15, -49.97

 

CMYK 0 / 85 / 78 / 26

HEX #BD1D2A

RGB 189 29 42

HSL 355.13, 0.73%, 0.43%

LAB 41, 60.57, 35.74

 

CMYK 84 / 0 / 57 / 25

HEX #1EBE51

RGB 30 190 81

HSL 139.13, 0.73%, 0.43%

LAB 67.8, -61.66, 43.57

 

CMYK 58 / 85 / 0 / 26

HEX #501DBD

RGB 80 29 189

HSL 259.13, 0.73%, 0.43%

LAB 30.06, 58.66, -73.51

 

CMYK 0 / 58 / 85 / 26

HEX #BD501D

RGB 189 80 29

HSL 19.13, 0.73%, 0.43%

LAB 47.81, 41.33, 48.91

 

CMYK 84 / 0 / 57 / 25

HEX #1EBE51

RGB 30 190 81

HSL 139.13, 0.73%, 0.43%

LAB 67.8, -61.66, 43.57

 

CMYK 85 / 44 / 0 / 26

HEX #1D6ABD

RGB 29 106 189

HSL 211.13, 0.73%, 0.43%

LAB 44.58, 8.15, -49.97

 

CMYK 0 / 85 / 27 / 26

HEX #BD1D8A

RGB 189 29 138

HSL 319.13, 0.73%, 0.43%

LAB 43.55, 67.93, -20.25

 

CMYK 0 / 41 / 85 / 26

HEX #BD701D

RGB 189 112 29

HSL 31.13, 0.73%, 0.43%

LAB 54.55, 24.6, 54.7

 

CMYK 84 / 0 / 57 / 25

HEX #1EBE51

RGB 30 190 81

HSL 139.13, 0.73%, 0.43%

LAB 67.8, -61.66, 43.57

 

CMYK 85 / 69 / 0 / 26

HEX #1D3ABD

RGB 29 58 189

HSL 229.13, 0.73%, 0.43%

LAB 31.72, 39.48, -70.88

 

CMYK 0 / 85 / 27 / 26

HEX #BD1D8A

RGB 189 29 138

HSL 319.13, 0.73%, 0.43%

LAB 43.55, 67.93, -20.25

 

CMYK 0 / 15 / 85 / 26

HEX #BDA01D

RGB 189 160 29

HSL 49.13, 0.73%, 0.43%

LAB 66.56, -1.69, 64.82

 

Description

Color code: HEX #1EBE51 | qconv.com Color code: HEX #1EBE51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 190 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 190 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 57 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 57% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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