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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E97D1 it is the complementary color #E1682E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E97D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E97D1 shade: #2397CC, #34A9DF, #45BBF2, #56CDFF and #67DFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E97D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E97D1 shade: #1E97D1, #0D85BE, #0073AB, #006198 and #004F85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E97D1 shade: #1D97D1, #1D67D1, #1D36D1, #351DD1 and #661DD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E97D1 shade: #1D97D1, #1D67D1, #1D36D1 and #1D1DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E97D1 shade matches the following richer shades: #1D97D1 and #0A9EE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E97D1 shade: #1D97D1, #3190BE, #4489AA, #588397 and #6B7C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E97D1 shade: #1DD1AA, #1DC8D1, #1D98D1, #1D68D1 and #1D38D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E97D1 shade: #136389, #187DAD, #1D97D1, #36AAE2 and #5AB9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E97D1 shade: #1E97D1, #7A1DD1 and #D1C21D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E97D1 shade: #1E97D1, #D11D98 and #98D11D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E97D1 shade: #1E97D1, #7A1DD1, #D1561D and #74D11D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E97D1 shade: #1E97D1, #B01DD1, #D1561D and #3ED11D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 28 / 0 / 18

HEX #1E97D1

RGB 30 151 209

HSL 199.44, 0.75%, 0.47%

LAB 58.99, -11.14, -38.52

 

Complementary color

CMYK 0 / 54 / 80 / 12

HEX #E1682E

RGB 225 104 46

HSL 19.44, 0.75%, 0.53%

LAB 58.14, 43.86, 53

 

CMYK 83 / 26 / 0 / 20

HEX #2397CC

RGB 35 151 204

HSL 198.82, 0.71%, 0.47%

LAB 58.84, -12.54, -35.95

 

CMYK 77 / 24 / 0 / 13

HEX #34A9DF

RGB 52 169 223

HSL 198.95, 0.73%, 0.54%

LAB 65.31, -14.14, -36.4

 

CMYK 71 / 23 / 0 / 5

HEX #45BBF2

RGB 69 187 242

HSL 199.08, 0.87%, 0.61%

LAB 71.7, -15.42, -36.79

 

CMYK 66 / 20 / 0 / 0

HEX #56CDFF

RGB 86 205 255

HSL 197.75, 1%, 0.67%

LAB 77.79, -18.32, -34.31

 

CMYK 60 / 13 / 0 / 0

HEX #67DFFF

RGB 103 223 255

HSL 192.63, 1%, 0.7%

LAB 83.38, -24.64, -25.69

 

CMYK 86 / 28 / 0 / 18

HEX #1E97D1

RGB 30 151 209

HSL 199.44, 0.75%, 0.47%

LAB 58.99, -11.14, -38.52

 

CMYK 93 / 30 / 0 / 25

HEX #0D85BE

RGB 13 133 190

HSL 199.32, 0.87%, 0.4%

LAB 52.48, -8.87, -38

 

CMYK 100 / 33 / 0 / 33

HEX #0073AB

RGB 0 115 171

HSL 199.65, 1%, 0.34%

LAB 45.91, -6.09, -37.39

 

CMYK 100 / 36 / 0 / 40

HEX #006198

RGB 0 97 152

HSL 201.71, 1%, 0.3%

LAB 39.27, -2.64, -36.66

 

CMYK 100 / 41 / 0 / 48

HEX #004F85

RGB 0 79 133

HSL 204.36, 1%, 0.26%

LAB 32.45, 1.05, -35.97

 

CMYK 86 / 28 / 0 / 18

HEX #1D97D1

RGB 29 151 209

HSL 199.33, 0.76%, 0.47%

LAB 58.97, -11.21, -38.55

 

CMYK 86 / 51 / 0 / 18

HEX #1D67D1

RGB 29 103 209

HSL 215.33, 0.76%, 0.47%

LAB 45.03, 17.9, -60.76

 

CMYK 86 / 74 / 0 / 18

HEX #1D36D1

RGB 29 54 209

HSL 231.67, 0.76%, 0.47%

LAB 32.93, 48.92, -80.58

 

CMYK 75 / 86 / 0 / 18

HEX #351DD1

RGB 53 29 209

HSL 248, 0.76%, 0.47%

LAB 30.01, 62.03, -85.39

 

CMYK 51 / 86 / 0 / 18

HEX #661DD1

RGB 102 29 209

HSL 264.33, 0.76%, 0.47%

LAB 34.61, 65.89, -77.61

 

CMYK 86 / 28 / 0 / 18

HEX #1D97D1

RGB 29 151 209

HSL 199.33, 0.76%, 0.47%

LAB 58.97, -11.21, -38.55

 

CMYK 86 / 51 / 0 / 18

HEX #1D67D1

RGB 29 103 209

HSL 215.33, 0.76%, 0.47%

LAB 45.03, 17.9, -60.76

 

CMYK 86 / 74 / 0 / 18

HEX #1D36D1

RGB 29 54 209

HSL 231.67, 0.76%, 0.47%

LAB 32.93, 48.92, -80.58

 

CMYK 86 / 86 / 0 / 18

HEX #1D1DD1

RGB 29 29 209

HSL 240, 0.76%, 0.47%

LAB 28.76, 61.05, -87.51

 

CMYK 86 / 28 / 0 / 18

HEX #1D97D1

RGB 29 151 209

HSL 199.33, 0.76%, 0.47%

LAB 58.97, -11.21, -38.55

 

CMYK 96 / 31 / 0 / 10

HEX #0A9EE5

RGB 10 158 229

HSL 199.45, 0.92%, 0.47%

LAB 61.81, -8.75, -45.23

 

CMYK 86 / 28 / 0 / 18

HEX #1D97D1

RGB 29 151 209

HSL 199.33, 0.76%, 0.47%

LAB 58.97, -11.21, -38.55

 

CMYK 74 / 24 / 0 / 25

HEX #3190BE

RGB 49 144 190

HSL 199.57, 0.59%, 0.47%

LAB 56.4, -12.07, -31.82

 

CMYK 60 / 19 / 0 / 33

HEX #4489AA

RGB 68 137 170

HSL 199.41, 0.43%, 0.47%

LAB 54.05, -11.73, -24

 

CMYK 42 / 13 / 0 / 41

HEX #588397

RGB 88 131 151

HSL 199.05, 0.26%, 0.47%

LAB 52.44, -9.35, -15.39

 

CMYK 19 / 6 / 0 / 48

HEX #6B7C84

RGB 107 124 132

HSL 199.2, 0.1%, 0.47%

LAB 50.93, -4.38, -6.45

 

CMYK 86 / 0 / 19 / 18

HEX #1DD1AA

RGB 29 209 170

HSL 167, 0.76%, 0.47%

LAB 75.3, -51.01, 7.53

 

CMYK 86 / 4 / 0 / 18

HEX #1DC8D1

RGB 29 200 209

HSL 183, 0.76%, 0.47%

LAB 73.66, -36.21, -15.96

 

CMYK 86 / 27 / 0 / 18

HEX #1D98D1

RGB 29 152 209

HSL 199, 0.76%, 0.47%

LAB 59.27, -11.77, -38.08

 

CMYK 86 / 50 / 0 / 18

HEX #1D68D1

RGB 29 104 209

HSL 215, 0.76%, 0.47%

LAB 45.31, 17.25, -60.31

 

CMYK 86 / 73 / 0 / 18

HEX #1D38D1

RGB 29 56 209

HSL 231, 0.76%, 0.47%

LAB 33.34, 47.77, -79.9

 

CMYK 86 / 28 / 0 / 46

HEX #136389

RGB 19 99 137

HSL 199.32, 0.76%, 0.31%

LAB 39.36, -8.66, -27.48

 

CMYK 86 / 28 / 0 / 32

HEX #187DAD

RGB 24 125 173

HSL 199.33, 0.76%, 0.39%

LAB 49.35, -9.96, -33.13

 

CMYK 86 / 28 / 0 / 18

HEX #1D97D1

RGB 29 151 209

HSL 199.33, 0.76%, 0.47%

LAB 58.97, -11.21, -38.55

 

CMYK 76 / 25 / 0 / 11

HEX #36AAE2

RGB 54 170 226

HSL 199.53, 0.75%, 0.55%

LAB 65.77, -13.45, -37.32

 

CMYK 61 / 20 / 0 / 9

HEX #5AB9E7

RGB 90 185 231

HSL 199.57, 0.75%, 0.63%

LAB 71.31, -14.61, -31.38

 

CMYK 86 / 28 / 0 / 18

HEX #1E97D1

RGB 30 151 209

HSL 199.44, 0.75%, 0.47%

LAB 58.99, -11.14, -38.52

 

CMYK 42 / 86 / 0 / 18

HEX #7A1DD1

RGB 122 29 209

HSL 271, 0.76%, 0.47%

LAB 37.15, 68.17, -73.35

 

CMYK 0 / 7 / 86 / 18

HEX #D1C21D

RGB 209 194 29

HSL 55, 0.76%, 0.47%

LAB 77.42, -10.64, 74.5

 

CMYK 86 / 28 / 0 / 18

HEX #1E97D1

RGB 30 151 209

HSL 199.44, 0.75%, 0.47%

LAB 58.99, -11.14, -38.52

 

CMYK 0 / 86 / 27 / 18

HEX #D11D98

RGB 209 29 152

HSL 319, 0.76%, 0.47%

LAB 47.88, 73.93, -21.75

 

CMYK 27 / 0 / 86 / 18

HEX #98D11D

RGB 152 209 29

HSL 79, 0.76%, 0.47%

LAB 77.5, -41.34, 72.89

 

CMYK 86 / 28 / 0 / 18

HEX #1E97D1

RGB 30 151 209

HSL 199.44, 0.75%, 0.47%

LAB 58.99, -11.14, -38.52

 

CMYK 42 / 86 / 0 / 18

HEX #7A1DD1

RGB 122 29 209

HSL 271, 0.76%, 0.47%

LAB 37.15, 68.17, -73.35

 

CMYK 0 / 59 / 86 / 18

HEX #D1561D

RGB 209 86 29

HSL 19, 0.76%, 0.47%

LAB 52.17, 45.99, 53.9

 

CMYK 44 / 0 / 86 / 18

HEX #74D11D

RGB 116 209 29

HSL 91, 0.76%, 0.47%

LAB 75.7, -53.98, 70.65

 

CMYK 86 / 28 / 0 / 18

HEX #1E97D1

RGB 30 151 209

HSL 199.44, 0.75%, 0.47%

LAB 58.99, -11.14, -38.52

 

CMYK 16 / 86 / 0 / 18

HEX #B01DD1

RGB 176 29 209

HSL 289, 0.76%, 0.47%

LAB 45.24, 75.92, -59.82

 

CMYK 0 / 59 / 86 / 18

HEX #D1561D

RGB 209 86 29

HSL 19, 0.76%, 0.47%

LAB 52.17, 45.99, 53.9

 

CMYK 70 / 0 / 86 / 18

HEX #3ED11D

RGB 62 209 29

HSL 109, 0.76%, 0.47%

LAB 74.01, -67.56, 68.51

 

Description

Color code: HEX #1E97D1 | qconv.com Color code: HEX #1E97D1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 151 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 151 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 28 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 28% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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