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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E95EF it is the complementary color #E16A10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E95EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E95EF shade: #2395EA, #34A7FD, #45B9FF, #56CBFF and #67DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E95EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E95EF shade: #1E95EF, #0D83DC, #0071C9, #005FB6 and #004DA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E95EF shade: #1E95EF, #1E5DEF, #1E25EF, #501EEF and #891EEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E95EF shade: #1E95EF, #1E5DEF, #1E25EF and #1E1EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E95EF shade matches the following richer shades: #1E95EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E95EF shade: #1E95EF, #3292DC, #4590C8, #598DB5 and #6C8AA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E95EF shade: #1EEFD7, #1ED0EF, #1E98EF, #1E60EF and #1E29EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E95EF shade: #0C69AF, #0E80D6, #1E95EF, #45A7F2 and #6CB9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E95EF shade: #1E95EF, #9F1EEF and #EBEF1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E95EF shade: #1E95EF, #EF1E98 and #98EF1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E95EF shade: #1E95EF, #9F1EEF, #EF751E and #6EEF1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E95EF shade: #1E95EF, #DE1EEF, #EF751E and #30EF1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 38 / 0 / 6

HEX #1E95EF

RGB 30 149 239

HSL 205.84, 0.87%, 0.53%

LAB 59.89, 1.01, -53.78

 

Complementary color

CMYK 0 / 53 / 93 / 12

HEX #E16A10

RGB 225 106 16

HSL 25.84, 0.87%, 0.47%

LAB 58.37, 42.2, 63.66

 

CMYK 85 / 36 / 0 / 8

HEX #2395EA

RGB 35 149 234

HSL 205.63, 0.83%, 0.53%

LAB 59.7, -0.51, -51.31

 

CMYK 79 / 34 / 0 / 1

HEX #34A7FD

RGB 52 167 253

HSL 205.67, 0.98%, 0.6%

LAB 66.1, -2.6, -51.56

 

CMYK 73 / 27 / 0 / 0

HEX #45B9FF

RGB 69 185 255

HSL 202.58, 1%, 0.64%

LAB 71.68, -10.06, -43.85

 

CMYK 66 / 20 / 0 / 0

HEX #56CBFF

RGB 86 203 255

HSL 198.46, 1%, 0.67%

LAB 77.23, -17.28, -35.18

 

CMYK 60 / 13 / 0 / 0

HEX #67DDFF

RGB 103 221 255

HSL 193.42, 1%, 0.7%

LAB 82.82, -23.65, -26.55

 

CMYK 87 / 38 / 0 / 6

HEX #1E95EF

RGB 30 149 239

HSL 205.84, 0.87%, 0.53%

LAB 59.89, 1.01, -53.78

 

CMYK 94 / 40 / 0 / 14

HEX #0D83DC

RGB 13 131 220

HSL 205.8, 0.89%, 0.46%

LAB 53.48, 3.76, -53.43

 

CMYK 100 / 44 / 0 / 21

HEX #0071C9

RGB 0 113 201

HSL 206.27, 1%, 0.39%

LAB 47.01, 7.03, -53.01

 

CMYK 100 / 48 / 0 / 29

HEX #005FB6

RGB 0 95 182

HSL 208.68, 1%, 0.36%

LAB 40.51, 10.93, -52.45

 

CMYK 100 / 53 / 0 / 36

HEX #004DA3

RGB 0 77 163

HSL 211.66, 1%, 0.32%

LAB 33.88, 15.1, -51.9

 

CMYK 87 / 38 / 0 / 6

HEX #1E95EF

RGB 30 149 239

HSL 205.84, 0.87%, 0.53%

LAB 59.89, 1.01, -53.78

 

CMYK 87 / 61 / 0 / 6

HEX #1E5DEF

RGB 30 93 239

HSL 221.91, 0.87%, 0.53%

LAB 44.71, 35.85, -78.3

 

CMYK 87 / 85 / 0 / 6

HEX #1E25EF

RGB 30 37 239

HSL 237.99, 0.87%, 0.53%

LAB 33.63, 66.56, -96.61

 

CMYK 67 / 87 / 0 / 6

HEX #501EEF

RGB 80 30 239

HSL 254.35, 0.87%, 0.53%

LAB 35.73, 71.2, -93.04

 

CMYK 43 / 87 / 0 / 6

HEX #891EEF

RGB 137 30 239

HSL 270.72, 0.87%, 0.53%

LAB 41.97, 76.21, -82.52

 

CMYK 87 / 38 / 0 / 6

HEX #1E95EF

RGB 30 149 239

HSL 205.84, 0.87%, 0.53%

LAB 59.89, 1.01, -53.78

 

CMYK 87 / 61 / 0 / 6

HEX #1E5DEF

RGB 30 93 239

HSL 221.91, 0.87%, 0.53%

LAB 44.71, 35.85, -78.3

 

CMYK 87 / 85 / 0 / 6

HEX #1E25EF

RGB 30 37 239

HSL 237.99, 0.87%, 0.53%

LAB 33.63, 66.56, -96.61

 

CMYK 87 / 87 / 0 / 6

HEX #1E1EEF

RGB 30 30 239

HSL 240, 0.87%, 0.53%

LAB 32.78, 69.11, -98.02

 

CMYK 87 / 38 / 0 / 6

HEX #1E95EF

RGB 30 149 239

HSL 205.84, 0.87%, 0.53%

LAB 59.89, 1.01, -53.78

 

CMYK 87 / 38 / 0 / 6

HEX #1E95EF

RGB 30 149 239

HSL 205.84, 0.87%, 0.53%

LAB 59.89, 1.01, -53.78

 

CMYK 77 / 34 / 0 / 14

HEX #3292DC

RGB 50 146 220

HSL 206.12, 0.71%, 0.53%

LAB 58.42, -2.5, -45.54

 

CMYK 66 / 28 / 0 / 22

HEX #4590C8

RGB 69 144 200

HSL 205.65, 0.54%, 0.53%

LAB 57.45, -5.66, -35.81

 

CMYK 51 / 22 / 0 / 29

HEX #598DB5

RGB 89 141 181

HSL 206.09, 0.38%, 0.53%

LAB 56.59, -5.98, -26.3

 

CMYK 33 / 14 / 0 / 37

HEX #6C8AA1

RGB 108 138 161

HSL 206.04, 0.22%, 0.53%

LAB 56.03, -4.84, -15.63

 

CMYK 87 / 0 / 10 / 6

HEX #1EEFD7

RGB 30 239 215

HSL 173.11, 0.87%, 0.53%

LAB 85.46, -51.52, -1.62

 

CMYK 87 / 13 / 0 / 6

HEX #1ED0EF

RGB 30 208 239

HSL 188.9, 0.87%, 0.53%

LAB 77.05, -30.59, -26.97

 

CMYK 87 / 36 / 0 / 6

HEX #1E98EF

RGB 30 152 239

HSL 204.98, 0.87%, 0.53%

LAB 60.75, -0.75, -52.41

 

CMYK 87 / 60 / 0 / 6

HEX #1E60EF

RGB 30 96 239

HSL 221.05, 0.87%, 0.53%

LAB 45.46, 33.95, -77.07

 

CMYK 87 / 83 / 0 / 6

HEX #1E29EF

RGB 30 41 239

HSL 236.84, 0.87%, 0.53%

LAB 34.18, 64.92, -95.69

 

CMYK 93 / 40 / 0 / 31

HEX #0C69AF

RGB 12 105 175

HSL 205.77, 0.87%, 0.37%

LAB 43.18, 2.15, -44.06

 

CMYK 93 / 40 / 0 / 16

HEX #0E80D6

RGB 14 128 214

HSL 205.8, 0.88%, 0.45%

LAB 52.27, 3.31, -51.98

 

CMYK 87 / 38 / 0 / 6

HEX #1E95EF

RGB 30 149 239

HSL 205.84, 0.87%, 0.53%

LAB 59.89, 1.01, -53.78

 

CMYK 71 / 31 / 0 / 5

HEX #45A7F2

RGB 69 167 242

HSL 206.01, 0.87%, 0.61%

LAB 65.99, -4.49, -45.72

 

CMYK 56 / 24 / 0 / 4

HEX #6CB9F4

RGB 108 185 244

HSL 206.03, 0.86%, 0.69%

LAB 72.51, -7.23, -36.52

 

CMYK 87 / 38 / 0 / 6

HEX #1E95EF

RGB 30 149 239

HSL 205.84, 0.87%, 0.53%

LAB 59.89, 1.01, -53.78

 

CMYK 33 / 87 / 0 / 6

HEX #9F1EEF

RGB 159 30 239

HSL 277.03, 0.87%, 0.53%

LAB 44.99, 78.85, -77.45

 

CMYK 2 / 0 / 87 / 6

HEX #EBEF1E

RGB 235 239 30

HSL 61.15, 0.87%, 0.53%

LAB 91.46, -21.84, 86.47

 

CMYK 87 / 38 / 0 / 6

HEX #1E95EF

RGB 30 149 239

HSL 205.84, 0.87%, 0.53%

LAB 59.89, 1.01, -53.78

 

CMYK 0 / 87 / 36 / 6

HEX #EF1E98

RGB 239 30 152

HSL 324.98, 0.87%, 0.53%

LAB 53.54, 80.26, -12.61

 

CMYK 36 / 0 / 87 / 6

HEX #98EF1E

RGB 152 239 30

HSL 84.98, 0.87%, 0.53%

LAB 86.26, -53.83, 80.07

 

CMYK 87 / 38 / 0 / 6

HEX #1E95EF

RGB 30 149 239

HSL 205.84, 0.87%, 0.53%

LAB 59.89, 1.01, -53.78

 

CMYK 33 / 87 / 0 / 6

HEX #9F1EEF

RGB 159 30 239

HSL 277.03, 0.87%, 0.53%

LAB 44.99, 78.85, -77.45

 

CMYK 0 / 51 / 87 / 6

HEX #EF751E

RGB 239 117 30

HSL 24.98, 0.87%, 0.53%

LAB 62.65, 42.42, 63.88

 

CMYK 54 / 0 / 87 / 6

HEX #6EEF1E

RGB 110 239 30

HSL 97.03, 0.87%, 0.53%

LAB 84.56, -66.61, 77.96

 

CMYK 87 / 38 / 0 / 6

HEX #1E95EF

RGB 30 149 239

HSL 205.84, 0.87%, 0.53%

LAB 59.89, 1.01, -53.78

 

CMYK 7 / 87 / 0 / 6

HEX #DE1EEF

RGB 222 30 239

HSL 295.12, 0.87%, 0.53%

LAB 54.75, 88.08, -61.16

 

CMYK 0 / 51 / 87 / 6

HEX #EF751E

RGB 239 117 30

HSL 24.98, 0.87%, 0.53%

LAB 62.65, 42.42, 63.88

 

CMYK 80 / 0 / 87 / 6

HEX #30EF1E

RGB 48 239 30

HSL 114.83, 0.87%, 0.53%

LAB 83.15, -78.4, 76.2

 

Description

Color code: HEX #1E95EF | qconv.com Color code: HEX #1E95EF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 149 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 149 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 38 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 38% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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