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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E9462 it is the complementary color #E16B9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E9462. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E9462 shade: #23945D, #34A670, #45B883, #56CA96 and #67DCA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E9462. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E9462 shade: #1E9462, #0D824F, #00703C, #005E29 and #004C16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E9462 shade: #1E9462, #1E9442, #1E9422, #39941E and #59941E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E9462 shade: #1E9462, #1E9482, #1E8694, #1E6694 and #1E4694

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E9462 shade matches the following richer shades: #1E9462, #0FA264 and #01B166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E9462 shade: #1E9462, #2C8560, #3B775D, #49685B and #585A59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E9462 shade: #1E9422, #1E9441, #1E9461, #1E9480 and #1E8894

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E9462 shade: #104F34, #17714B, #1E9462, #25B678 and #30D48F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E9462 shade: #1E9462, #1E3994 and #94311E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E9462 shade: #1E9462, #611E94 and #94611E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E9462 shade: #1E9462, #1E3994, #941E51 and #94781E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E9462 shade: #1E9462, #261E94, #941E51 and #8C941E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 34 / 42

HEX #1E9462

RGB 30 148 98

HSL 154.58, 0.66%, 0.35%

LAB 54.38, -43.6, 17.68

 

Complementary color

CMYK 0 / 52 / 30 / 12

HEX #E16B9D

RGB 225 107 157

HSL 334.58, 0.66%, 0.65%

LAB 60.74, 51.24, -5.02

 

CMYK 76 / 0 / 37 / 42

HEX #23945D

RGB 35 148 93

HSL 150.8, 0.62%, 0.36%

LAB 54.37, -44.02, 20.47

 

CMYK 69 / 0 / 33 / 35

HEX #34A670

RGB 52 166 112

HSL 151.58, 0.52%, 0.43%

LAB 60.93, -44.6, 18.93

 

CMYK 63 / 0 / 29 / 28

HEX #45B883

RGB 69 184 131

HSL 152.35, 0.45%, 0.5%

LAB 67.42, -44.88, 17.55

 

CMYK 57 / 0 / 26 / 21

HEX #56CA96

RGB 86 202 150

HSL 153.1, 0.52%, 0.56%

LAB 73.82, -44.97, 16.3

 

CMYK 53 / 0 / 23 / 14

HEX #67DCA9

RGB 103 220 169

HSL 153.85, 0.63%, 0.63%

LAB 80.14, -44.94, 15.15

 

CMYK 80 / 0 / 34 / 42

HEX #1E9462

RGB 30 148 98

HSL 154.58, 0.66%, 0.35%

LAB 54.38, -43.6, 17.68

 

CMYK 90 / 0 / 39 / 49

HEX #0D824F

RGB 13 130 79

HSL 153.85, 0.82%, 0.28%

LAB 47.77, -42.35, 19.41

 

CMYK 100 / 0 / 46 / 56

HEX #00703C

RGB 0 112 60

HSL 152.14, 1%, 0.22%

LAB 41.08, -40.42, 21.36

 

CMYK 100 / 0 / 56 / 63

HEX #005E29

RGB 0 94 41

HSL 146.17, 1%, 0.18%

LAB 34.33, -37.35, 23.53

 

CMYK 100 / 0 / 71 / 70

HEX #004C16

RGB 0 76 22

HSL 137.37, 1%, 0.15%

LAB 27.37, -33.84, 25.55

 

CMYK 80 / 0 / 34 / 42

HEX #1E9462

RGB 30 148 98

HSL 154.58, 0.66%, 0.35%

LAB 54.38, -43.6, 17.68

 

CMYK 80 / 0 / 55 / 42

HEX #1E9442

RGB 30 148 66

HSL 138.31, 0.66%, 0.35%

LAB 53.87, -49.56, 34.21

 

CMYK 80 / 0 / 77 / 42

HEX #1E9422

RGB 30 148 34

HSL 122.03, 0.66%, 0.35%

LAB 53.57, -53.19, 47.97

 

CMYK 61 / 0 / 80 / 42

HEX #39941E

RGB 57 148 30

HSL 106.27, 0.66%, 0.35%

LAB 54.18, -48.15, 50.14

 

CMYK 40 / 0 / 80 / 42

HEX #59941E

RGB 89 148 30

HSL 90, 0.66%, 0.35%

LAB 55.48, -38.24, 51.83

 

CMYK 80 / 0 / 34 / 42

HEX #1E9462

RGB 30 148 98

HSL 154.58, 0.66%, 0.35%

LAB 54.38, -43.6, 17.68

 

CMYK 80 / 0 / 12 / 42

HEX #1E9482

RGB 30 148 130

HSL 170.85, 0.66%, 0.35%

LAB 55.14, -35.52, 0.56

 

CMYK 80 / 9 / 0 / 42

HEX #1E8694

RGB 30 134 148

HSL 187.12, 0.66%, 0.35%

LAB 51.23, -23.18, -15.69

 

CMYK 80 / 31 / 0 / 42

HEX #1E6694

RGB 30 102 148

HSL 203.39, 0.66%, 0.35%

LAB 41.08, -5.14, -31.37

 

CMYK 80 / 53 / 0 / 42

HEX #1E4694

RGB 30 70 148

HSL 219.66, 0.66%, 0.35%

LAB 31.33, 15.74, -46.93

 

CMYK 80 / 0 / 34 / 42

HEX #1E9462

RGB 30 148 98

HSL 154.58, 0.66%, 0.35%

LAB 54.38, -43.6, 17.68

 

CMYK 91 / 0 / 38 / 36

HEX #0FA264

RGB 15 162 100

HSL 154.69, 0.83%, 0.35%

LAB 58.85, -49.93, 22.57

 

CMYK 99 / 0 / 42 / 31

HEX #01B166

RGB 1 177 102

HSL 154.43, 0.99%, 0.35%

LAB 63.68, -55.61, 27.88

 

CMYK 80 / 0 / 34 / 42

HEX #1E9462

RGB 30 148 98

HSL 154.58, 0.66%, 0.35%

LAB 54.38, -43.6, 17.68

 

CMYK 67 / 0 / 28 / 48

HEX #2C8560

RGB 44 133 96

HSL 155.06, 0.5%, 0.35%

LAB 49.68, -35.55, 12.39

 

CMYK 50 / 0 / 22 / 53

HEX #3B775D

RGB 59 119 93

HSL 154, 0.34%, 0.35%

LAB 45.52, -26.19, 8.37

 

CMYK 30 / 0 / 13 / 59

HEX #49685B

RGB 73 104 91

HSL 154.84, 0.18%, 0.35%

LAB 41.33, -14.37, 3.7

 

CMYK 2 / 0 / 1 / 65

HEX #585A59

RGB 88 90 89

HSL 150, 0.01%, 0.35%

LAB 38.04, -1, 0.29

 

CMYK 80 / 0 / 77 / 42

HEX #1E9422

RGB 30 148 34

HSL 122.03, 0.66%, 0.35%

LAB 53.57, -53.19, 47.97

 

CMYK 80 / 0 / 56 / 42

HEX #1E9441

RGB 30 148 65

HSL 137.8, 0.66%, 0.35%

LAB 53.85, -49.71, 34.7

 

CMYK 80 / 0 / 34 / 42

HEX #1E9461

RGB 30 148 97

HSL 154.07, 0.66%, 0.35%

LAB 54.36, -43.82, 18.21

 

CMYK 80 / 0 / 14 / 42

HEX #1E9480

RGB 30 148 128

HSL 169.83, 0.66%, 0.35%

LAB 55.09, -36.08, 1.63

 

CMYK 80 / 8 / 0 / 42

HEX #1E8894

RGB 30 136 148

HSL 186.1, 0.66%, 0.35%

LAB 51.86, -24.22, -14.72

 

CMYK 80 / 0 / 34 / 69

HEX #104F34

RGB 16 79 52

HSL 154.29, 0.66%, 0.19%

LAB 29.29, -26.83, 10.47

 

CMYK 80 / 0 / 34 / 56

HEX #17714B

RGB 23 113 75

HSL 154.67, 0.66%, 0.27%

LAB 42, -35.27, 13.95

 

CMYK 80 / 0 / 34 / 42

HEX #1E9462

RGB 30 148 98

HSL 154.58, 0.66%, 0.35%

LAB 54.38, -43.6, 17.68

 

CMYK 80 / 0 / 34 / 29

HEX #25B678

RGB 37 182 120

HSL 154.34, 0.66%, 0.43%

LAB 65.91, -51.35, 21.31

 

CMYK 77 / 0 / 33 / 17

HEX #30D48F

RGB 48 212 143

HSL 154.76, 0.66%, 0.51%

LAB 75.88, -56.68, 22.72

 

CMYK 80 / 0 / 34 / 42

HEX #1E9462

RGB 30 148 98

HSL 154.58, 0.66%, 0.35%

LAB 54.38, -43.6, 17.68

 

CMYK 80 / 61 / 0 / 42

HEX #1E3994

RGB 30 57 148

HSL 226.27, 0.66%, 0.35%

LAB 27.68, 24.67, -52.86

 

CMYK 0 / 67 / 80 / 42

HEX #94311E

RGB 148 49 30

HSL 9.66, 0.66%, 0.35%

LAB 35.18, 40.59, 33.99

 

CMYK 80 / 0 / 34 / 42

HEX #1E9462

RGB 30 148 98

HSL 154.58, 0.66%, 0.35%

LAB 54.38, -43.6, 17.68

 

CMYK 34 / 80 / 0 / 42

HEX #611E94

RGB 97 30 148

HSL 274.07, 0.66%, 0.35%

LAB 28.4, 50.34, -51.43

 

CMYK 0 / 34 / 80 / 42

HEX #94611E

RGB 148 97 30

HSL 34.07, 0.66%, 0.35%

LAB 45.55, 14.86, 44.21

 

CMYK 80 / 0 / 34 / 42

HEX #1E9462

RGB 30 148 98

HSL 154.58, 0.66%, 0.35%

LAB 54.38, -43.6, 17.68

 

CMYK 80 / 61 / 0 / 42

HEX #1E3994

RGB 30 57 148

HSL 226.27, 0.66%, 0.35%

LAB 27.68, 24.67, -52.86

 

CMYK 0 / 80 / 45 / 42

HEX #941E51

RGB 148 30 81

HSL 334.07, 0.66%, 0.35%

LAB 33.6, 51.27, -0.11

 

CMYK 0 / 19 / 80 / 42

HEX #94781E

RGB 148 120 30

HSL 45.76, 0.66%, 0.35%

LAB 51.64, 1.66, 49.88

 

CMYK 80 / 0 / 34 / 42

HEX #1E9462

RGB 30 148 98

HSL 154.58, 0.66%, 0.35%

LAB 54.38, -43.6, 17.68

 

CMYK 74 / 80 / 0 / 42

HEX #261E94

RGB 38 30 148

HSL 244.07, 0.66%, 0.35%

LAB 21.87, 42.38, -62.41

 

CMYK 0 / 80 / 45 / 42

HEX #941E51

RGB 148 30 81

HSL 334.07, 0.66%, 0.35%

LAB 33.6, 51.27, -0.11

 

CMYK 5 / 0 / 80 / 42

HEX #8C941E

RGB 140 148 30

HSL 64.07, 0.66%, 0.35%

LAB 58.83, -17.25, 56.14

 

Description

Color code: HEX #1E9462 | qconv.com Color code: HEX #1E9462 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 148 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 148 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 34 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 34% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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