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Color name
HEX #1E6F1A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E6F1A it is the complementary color #E190E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E6F1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E6F1A shade: #236F15, #348128, #45933B, #56A54E and #67B761

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E6F1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E6F1A shade: #1E6F1A, #0D5D07, #004B00, #003900 and #002700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E6F1A shade: #1E6F1A, #356F1A, #4C6F1A, #636F1A and #6F641A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E6F1A shade: #1E6F1A, #1A6F2D, #1A6F44, #1A6F5B and #1A6C6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E6F1A shade matches the following richer shades: #1E6F1A, #147A0F and #098503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E6F1A shade: #1E6F1A, #286425, #325930, #3C4E3B and #464246

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E6F1A shade: #4B6F1A, #356F1A, #1E6F1A, #1A6F2C and #1A6F43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E6F1A shade: #0C2C0A, #154E12, #1E6F1A, #279022 and #30B229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E6F1A shade: #1E6F1A, #1A626F and #6F1A40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E6F1A shade: #1E6F1A, #1A1E6F and #6F1A1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E6F1A shade: #1E6F1A, #1A626F, #6B1A6F and #6F261A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E6F1A shade: #1E6F1A, #1A496F, #6B1A6F and #6F401A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

Complementary color

CMYK 2 / 37 / 0 / 10

HEX #E190E5

RGB 225 144 229

HSL 297.18, 0.62%, 0.73%

LAB 70.6, 43.79, -30.59

 

CMYK 68 / 0 / 81 / 56

HEX #236F15

RGB 35 111 21

HSL 110.67, 0.68%, 0.26%

LAB 40.86, -40.5, 40.16

 

CMYK 60 / 0 / 69 / 49

HEX #348128

RGB 52 129 40

HSL 111.91, 0.53%, 0.33%

LAB 47.73, -41.45, 39.72

 

CMYK 53 / 0 / 60 / 42

HEX #45933B

RGB 69 147 59

HSL 113.18, 0.43%, 0.4%

LAB 54.5, -41.86, 38.67

 

CMYK 48 / 0 / 53 / 35

HEX #56A54E

RGB 86 165 78

HSL 114.48, 0.36%, 0.48%

LAB 61.17, -41.98, 37.41

 

CMYK 44 / 0 / 47 / 28

HEX #67B761

RGB 103 183 97

HSL 115.81, 0.37%, 0.55%

LAB 67.73, -41.92, 36.11

 

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

CMYK 86 / 0 / 92 / 64

HEX #0D5D07

RGB 13 93 7

HSL 115.81, 0.86%, 0.2%

LAB 33.84, -39.19, 37.83

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

CMYK 52 / 0 / 77 / 56

HEX #356F1A

RGB 53 111 26

HSL 100.94, 0.62%, 0.27%

LAB 41.53, -35.07, 39.16

 

CMYK 32 / 0 / 77 / 56

HEX #4C6F1A

RGB 76 111 26

HSL 84.71, 0.62%, 0.27%

LAB 42.73, -26.52, 40.75

 

CMYK 11 / 0 / 77 / 56

HEX #636F1A

RGB 99 111 26

HSL 68.47, 0.62%, 0.27%

LAB 44.37, -16.43, 42.9

 

CMYK 0 / 10 / 77 / 56

HEX #6F641A

RGB 111 100 26

HSL 52.24, 0.62%, 0.27%

LAB 42.11, -4.6, 41.09

 

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

CMYK 77 / 0 / 59 / 56

HEX #1A6F2D

RGB 26 111 45

HSL 133.41, 0.62%, 0.27%

LAB 40.86, -39.74, 29.36

 

CMYK 77 / 0 / 39 / 56

HEX #1A6F44

RGB 26 111 68

HSL 149.65, 0.62%, 0.27%

LAB 41.23, -35.55, 17.01

 

CMYK 77 / 0 / 18 / 56

HEX #1A6F5B

RGB 26 111 91

HSL 165.88, 0.62%, 0.27%

LAB 41.76, -29.84, 4.07

 

CMYK 77 / 3 / 0 / 56

HEX #1A6C6F

RGB 26 108 111

HSL 182.12, 0.62%, 0.27%

LAB 41.36, -22.28, -8.62

 

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

CMYK 84 / 0 / 88 / 52

HEX #147A0F

RGB 20 122 15

HSL 117.2, 0.78%, 0.27%

LAB 44.38, -47.39, 45.16

 

CMYK 93 / 0 / 98 / 48

HEX #098503

RGB 9 133 3

HSL 117.23, 0.96%, 0.27%

LAB 48.06, -52.37, 50.8

 

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

CMYK 60 / 0 / 63 / 61

HEX #286425

RGB 40 100 37

HSL 117.14, 0.46%, 0.27%

LAB 37.3, -33.26, 29.42

 

CMYK 44 / 0 / 46 / 65

HEX #325930

RGB 50 89 48

HSL 117.07, 0.3%, 0.27%

LAB 34.06, -23.3, 19.48

 

CMYK 23 / 0 / 24 / 69

HEX #3C4E3B

RGB 60 78 59

HSL 116.84, 0.14%, 0.27%

LAB 31.17, -11.39, 8.99

 

CMYK 0 / 6 / 0 / 73

HEX #464246

RGB 70 66 70

HSL 300, 0.03%, 0.27%

LAB 28.49, 2.57, -1.82

 

CMYK 32 / 0 / 77 / 56

HEX #4B6F1A

RGB 75 111 26

HSL 85.41, 0.62%, 0.27%

LAB 42.67, -26.93, 40.67

 

CMYK 52 / 0 / 77 / 56

HEX #356F1A

RGB 53 111 26

HSL 100.94, 0.62%, 0.27%

LAB 41.53, -35.07, 39.16

 

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

CMYK 77 / 0 / 60 / 56

HEX #1A6F2C

RGB 26 111 44

HSL 132.71, 0.62%, 0.27%

LAB 40.85, -39.89, 29.86

 

CMYK 77 / 0 / 40 / 56

HEX #1A6F43

RGB 26 111 67

HSL 148.94, 0.62%, 0.27%

LAB 41.21, -35.77, 17.57

 

CMYK 73 / 0 / 77 / 83

HEX #0C2C0A

RGB 12 44 10

HSL 116.47, 0.63%, 0.11%

LAB 14.96, -20.11, 17.27

 

CMYK 73 / 0 / 77 / 69

HEX #154E12

RGB 21 78 18

HSL 117, 0.63%, 0.19%

LAB 28.52, -31.4, 28.83

 

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

CMYK 73 / 0 / 76 / 44

HEX #279022

RGB 39 144 34

HSL 117.27, 0.62%, 0.35%

LAB 52.39, -50.4, 46.85

 

CMYK 73 / 0 / 77 / 30

HEX #30B229

RGB 48 178 41

HSL 116.93, 0.63%, 0.43%

LAB 63.86, -59.56, 55.81

 

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

CMYK 77 / 12 / 0 / 56

HEX #1A626F

RGB 26 98 111

HSL 189.18, 0.62%, 0.27%

LAB 38.03, -16.87, -13.66

 

CMYK 0 / 77 / 42 / 56

HEX #6F1A40

RGB 111 26 64

HSL 333.18, 0.62%, 0.27%

LAB 25.22, 40.06, -1.96

 

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

CMYK 77 / 73 / 0 / 56

HEX #1A1E6F

RGB 26 30 111

HSL 237.18, 0.62%, 0.27%

LAB 16.97, 28.25, -47.1

 

CMYK 0 / 77 / 73 / 56

HEX #6F1A1E

RGB 111 26 30

HSL 357.18, 0.62%, 0.27%

LAB 24.36, 37.19, 19.96

 

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

CMYK 77 / 12 / 0 / 56

HEX #1A626F

RGB 26 98 111

HSL 189.18, 0.62%, 0.27%

LAB 38.03, -16.87, -13.66

 

CMYK 4 / 77 / 0 / 56

HEX #6B1A6F

RGB 107 26 111

HSL 297.18, 0.62%, 0.27%

LAB 26.77, 46.07, -30.72

 

CMYK 0 / 66 / 77 / 56

HEX #6F261A

RGB 111 38 26

HSL 8.47, 0.62%, 0.27%

LAB 26.27, 31.62, 24.73

 

CMYK 73 / 0 / 77 / 56

HEX #1E6F1A

RGB 30 111 26

HSL 117.18, 0.62%, 0.27%

LAB 40.77, -41.2, 38.13

 

CMYK 77 / 34 / 0 / 56

HEX #1A496F

RGB 26 73 111

HSL 206.82, 0.62%, 0.27%

LAB 29.74, -1.72, -26.5

 

CMYK 4 / 77 / 0 / 56

HEX #6B1A6F

RGB 107 26 111

HSL 297.18, 0.62%, 0.27%

LAB 26.77, 46.07, -30.72

 

CMYK 0 / 42 / 77 / 56

HEX #6F401A

RGB 111 64 26

HSL 26.82, 0.62%, 0.27%

LAB 32.08, 17.01, 31.02

 

Description

Color code: HEX #1E6F1A | qconv.com Color code: HEX #1E6F1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 111 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 111 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 77 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 77% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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