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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E6214 it is the complementary color #E19DEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E6214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E6214 shade: #23620F, #347422, #458635, #569848 and #67AA5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E6214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E6214 shade: #1E6214, #0D5001, #003E00, #002C00 and #001A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E6214 shade: #1D6113, #326113, #476113, #5C6113 and #615113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E6214 shade: #1D6113, #13611E, #136133, #136148 and #13615D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E6214 shade matches the following richer shades: #1D6113, #166A0A and #0F7400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E6214 shade: #1D6113, #24571D, #2B4E26, #334430 and #3A3B39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E6214 shade: #476113, #326113, #1E6113, #13611E and #136132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E6214 shade: #081C05, #133F0C, #1D6113, #28831A and #32A521

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E6214 shade: #1E6214, #135C61 and #61133D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E6214 shade: #1E6214, #131E61 and #61131E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E6214 shade: #1E6214, #135C61, #571361 and #611913

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E6214 shade: #1E6214, #134461, #571361 and #613013

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 80 / 62

HEX #1E6214

RGB 30 98 20

HSL 112.31, 0.66%, 0.23%

LAB 36.1, -36.87, 35.81

 

Complementary color

CMYK 4 / 33 / 0 / 8

HEX #E19DEB

RGB 225 157 235

HSL 292.31, 0.66%, 0.77%

LAB 73.62, 38.04, -29.22

 

CMYK 64 / 0 / 85 / 62

HEX #23620F

RGB 35 98 15

HSL 105.54, 0.73%, 0.22%

LAB 36.23, -35.95, 37.79

 

CMYK 55 / 0 / 71 / 55

HEX #347422

RGB 52 116 34

HSL 106.83, 0.55%, 0.29%

LAB 43.27, -36.79, 37.59

 

CMYK 49 / 0 / 60 / 47

HEX #458635

RGB 69 134 53

HSL 108.15, 0.43%, 0.37%

LAB 50.18, -37.1, 36.59

 

CMYK 43 / 0 / 53 / 40

HEX #569848

RGB 86 152 72

HSL 109.5, 0.36%, 0.44%

LAB 56.98, -37.15, 35.35

 

CMYK 39 / 0 / 46 / 33

HEX #67AA5B

RGB 103 170 91

HSL 110.89, 0.32%, 0.51%

LAB 63.66, -37.05, 34.06

 

CMYK 69 / 0 / 80 / 62

HEX #1E6214

RGB 30 98 20

HSL 112.31, 0.66%, 0.23%

LAB 36.1, -36.87, 35.81

 

CMYK 84 / 0 / 99 / 69

HEX #0D5001

RGB 13 80 1

HSL 110.89, 0.98%, 0.16%

LAB 28.97, -35.11, 35.75

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 100 / 0 / 100 / 90

HEX #001A00

RGB 0 26 0

HSL 120, 1%, 0.05%

LAB 6.67, -13.63, 9.74

 

CMYK 70 / 0 / 80 / 62

HEX #1D6113

RGB 29 97 19

HSL 112.31, 0.67%, 0.23%

LAB 35.71, -36.81, 35.8

 

CMYK 48 / 0 / 80 / 62

HEX #326113

RGB 50 97 19

HSL 96.15, 0.67%, 0.23%

LAB 36.51, -30.53, 36.85

 

CMYK 27 / 0 / 80 / 62

HEX #476113

RGB 71 97 19

HSL 80, 0.67%, 0.23%

LAB 37.73, -22.09, 38.45

 

CMYK 5 / 0 / 80 / 62

HEX #5C6113

RGB 92 97 19

HSL 63.85, 0.67%, 0.23%

LAB 39.36, -12.39, 40.57

 

CMYK 0 / 16 / 80 / 62

HEX #615113

RGB 97 81 19

HSL 47.69, 0.67%, 0.23%

LAB 34.95, -0.58, 36.61

 

CMYK 70 / 0 / 80 / 62

HEX #1D6113

RGB 29 97 19

HSL 112.31, 0.67%, 0.23%

LAB 35.71, -36.81, 35.8

 

CMYK 80 / 0 / 69 / 62

HEX #13611E

RGB 19 97 30

HSL 128.46, 0.67%, 0.23%

LAB 35.56, -37.72, 30.78

 

CMYK 80 / 0 / 47 / 62

HEX #136133

RGB 19 97 51

HSL 144.62, 0.67%, 0.23%

LAB 35.84, -34.37, 19.81

 

CMYK 80 / 0 / 26 / 62

HEX #136148

RGB 19 97 72

HSL 160.77, 0.67%, 0.23%

LAB 36.28, -29.5, 7.81

 

CMYK 80 / 0 / 4 / 62

HEX #13615D

RGB 19 97 93

HSL 176.92, 0.67%, 0.23%

LAB 36.89, -23.3, -4.28

 

CMYK 70 / 0 / 80 / 62

HEX #1D6113

RGB 29 97 19

HSL 112.31, 0.67%, 0.23%

LAB 35.71, -36.81, 35.8

 

CMYK 79 / 0 / 91 / 58

HEX #166A0A

RGB 22 106 10

HSL 112.5, 0.83%, 0.23%

LAB 38.73, -42.03, 41.39

 

CMYK 87 / 0 / 100 / 55

HEX #0F7400

RGB 15 116 0

HSL 112.24, 1%, 0.23%

LAB 42.14, -46.75, 46.69

 

CMYK 70 / 0 / 80 / 62

HEX #1D6113

RGB 29 97 19

HSL 112.31, 0.67%, 0.23%

LAB 35.71, -36.81, 35.8

 

CMYK 59 / 0 / 67 / 66

HEX #24571D

RGB 36 87 29

HSL 112.76, 0.5%, 0.23%

LAB 32.44, -29.83, 27.92

 

CMYK 45 / 0 / 51 / 69

HEX #2B4E26

RGB 43 78 38

HSL 112.5, 0.34%, 0.23%

LAB 29.67, -21.92, 19.73

 

CMYK 25 / 0 / 29 / 73

HEX #334430

RGB 51 68 48

HSL 111, 0.17%, 0.23%

LAB 26.88, -11.41, 9.97

 

CMYK 2 / 0 / 3 / 77

HEX #3A3B39

RGB 58 59 57

HSL 90, 0.02%, 0.23%

LAB 24.71, -0.88, 1.08

 

CMYK 27 / 0 / 80 / 62

HEX #476113

RGB 71 97 19

HSL 80, 0.67%, 0.23%

LAB 37.73, -22.09, 38.45

 

CMYK 48 / 0 / 80 / 62

HEX #326113

RGB 50 97 19

HSL 96.15, 0.67%, 0.23%

LAB 36.51, -30.53, 36.85

 

CMYK 69 / 0 / 80 / 62

HEX #1E6113

RGB 30 97 19

HSL 111.54, 0.67%, 0.23%

LAB 35.74, -36.57, 35.83

 

CMYK 80 / 0 / 69 / 62

HEX #13611E

RGB 19 97 30

HSL 128.46, 0.67%, 0.23%

LAB 35.56, -37.72, 30.78

 

CMYK 80 / 0 / 48 / 62

HEX #136132

RGB 19 97 50

HSL 143.85, 0.67%, 0.23%

LAB 35.83, -34.57, 20.37

 

CMYK 71 / 0 / 82 / 89

HEX #081C05

RGB 8 28 5

HSL 112.17, 0.7%, 0.06%

LAB 8.07, -12.54, 9.8

 

CMYK 70 / 0 / 81 / 75

HEX #133F0C

RGB 19 63 12

HSL 111.76, 0.68%, 0.15%

LAB 22.72, -26.33, 25.53

 

CMYK 70 / 0 / 80 / 62

HEX #1D6113

RGB 29 97 19

HSL 112.31, 0.67%, 0.23%

LAB 35.71, -36.81, 35.8

 

CMYK 69 / 0 / 80 / 49

HEX #28831A

RGB 40 131 26

HSL 112, 0.67%, 0.31%

LAB 47.95, -46.28, 45.32

 

CMYK 70 / 0 / 80 / 35

HEX #32A521

RGB 50 165 33

HSL 112.27, 0.67%, 0.39%

LAB 59.62, -55.46, 54.3

 

CMYK 69 / 0 / 80 / 62

HEX #1E6214

RGB 30 98 20

HSL 112.31, 0.66%, 0.23%

LAB 36.1, -36.87, 35.81

 

CMYK 80 / 5 / 0 / 62

HEX #135C61

RGB 19 92 97

HSL 183.85, 0.67%, 0.23%

LAB 35.31, -19.33, -9.12

 

CMYK 0 / 80 / 37 / 62

HEX #61133D

RGB 97 19 61

HSL 327.69, 0.67%, 0.23%

LAB 21.37, 38.05, -5.94

 

CMYK 69 / 0 / 80 / 62

HEX #1E6214

RGB 30 98 20

HSL 112.31, 0.66%, 0.23%

LAB 36.1, -36.87, 35.81

 

CMYK 80 / 69 / 0 / 62

HEX #131E61

RGB 19 30 97

HSL 231.54, 0.67%, 0.23%

LAB 15.12, 21.95, -40.97

 

CMYK 0 / 80 / 69 / 62

HEX #61131E

RGB 97 19 30

HSL 351.54, 0.67%, 0.23%

LAB 20.44, 35.1, 14.44

 

CMYK 69 / 0 / 80 / 62

HEX #1E6214

RGB 30 98 20

HSL 112.31, 0.66%, 0.23%

LAB 36.1, -36.87, 35.81

 

CMYK 80 / 5 / 0 / 62

HEX #135C61

RGB 19 92 97

HSL 183.85, 0.67%, 0.23%

LAB 35.31, -19.33, -9.12

 

CMYK 10 / 80 / 0 / 62

HEX #571361

RGB 87 19 97

HSL 292.31, 0.67%, 0.23%

LAB 21.41, 41.31, -30.37

 

CMYK 0 / 74 / 80 / 62

HEX #611913

RGB 97 25 19

HSL 4.62, 0.67%, 0.23%

LAB 21.15, 32.04, 22.65

 

CMYK 69 / 0 / 80 / 62

HEX #1E6214

RGB 30 98 20

HSL 112.31, 0.66%, 0.23%

LAB 36.1, -36.87, 35.81

 

CMYK 80 / 30 / 0 / 62

HEX #134461

RGB 19 68 97

HSL 202.31, 0.67%, 0.23%

LAB 27.12, -5.06, -21.72

 

CMYK 10 / 80 / 0 / 62

HEX #571361

RGB 87 19 97

HSL 292.31, 0.67%, 0.23%

LAB 21.41, 41.31, -30.37

 

CMYK 0 / 51 / 80 / 62

HEX #613013

RGB 97 48 19

HSL 22.31, 0.67%, 0.23%

LAB 25.87, 19.76, 27.66

 

Description

Color code: HEX #1E6214 | qconv.com Color code: HEX #1E6214 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 98 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 98 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 80 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 80% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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