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Color name
HEX #1E5EE2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E5EE2 it is the complementary color #E1A11D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E5EE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E5EE2 shade: #235EDD, #3470F0, #4582FF, #5694FF and #67A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E5EE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E5EE2 shade: #1E5EE2, #0D4CCF, #003ABC, #0028A9 and #001696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E5EE2 shade: #1D5DE1, #1D28E1, #471DE1, #7C1DE1 and #B11DE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E5EE2 shade: #1D5DE1, #1D28E1 and #1D1DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E5EE2 shade matches the following richer shades: #1D5DE1 and #0856F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E5EE2 shade: #1D5DE1, #3164CD, #466BB8, #5B72A3 and #6F7A8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E5EE2 shade: #1DC7E1, #1D93E1, #1D5EE1, #1D2AE1 and #441DE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E5EE2 shade: #133F98, #184EBD, #1D5DE1, #4177E6 and #6691EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E5EE2 shade: #1E5EE2, #C71DE1 and #ADE11D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E5EE2 shade: #1E5EE2, #E11D5E and #5EE11D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E5EE2 shade: #1E5EE2, #C71DE1, #E1A01D and #37E11D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E5EE2 shade: #1E5EE2, #E11DC0, #E1A01D and #1DE13E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 58 / 0 / 11

HEX #1E5EE2

RGB 30 94 226

HSL 220.41, 0.77%, 0.5%

LAB 43.9, 30.33, -72.28

 

Complementary color

CMYK 0 / 28 / 87 / 12

HEX #E1A11D

RGB 225 161 29

HSL 40.41, 0.77%, 0.5%

LAB 70.58, 13.63, 69.67

 

CMYK 84 / 57 / 0 / 13

HEX #235EDD

RGB 35 94 221

HSL 220.97, 0.73%, 0.5%

LAB 43.63, 28.76, -69.88

 

CMYK 78 / 53 / 0 / 6

HEX #3470F0

RGB 52 112 240

HSL 220.85, 0.86%, 0.57%

LAB 50.23, 25.84, -69.84

 

CMYK 73 / 49 / 0 / 0

HEX #4582FF

RGB 69 130 255

HSL 220.32, 1%, 0.64%

LAB 56.54, 21.95, -67.92

 

CMYK 66 / 42 / 0 / 0

HEX #5694FF

RGB 86 148 255

HSL 217.99, 1%, 0.67%

LAB 61.98, 13.44, -59.15

 

CMYK 60 / 35 / 0 / 0

HEX #67A6FF

RGB 103 166 255

HSL 215.13, 1%, 0.7%

LAB 67.56, 5.84, -50.25

 

CMYK 87 / 58 / 0 / 11

HEX #1E5EE2

RGB 30 94 226

HSL 220.41, 0.77%, 0.5%

LAB 43.9, 30.33, -72.28

 

CMYK 94 / 63 / 0 / 19

HEX #0D4CCF

RGB 13 76 207

HSL 220.52, 0.88%, 0.43%

LAB 37.41, 33.94, -72.05

 

CMYK 100 / 69 / 0 / 26

HEX #003ABC

RGB 0 58 188

HSL 221.49, 1%, 0.37%

LAB 31.01, 37.96, -71.48

 

CMYK 100 / 76 / 0 / 34

HEX #0028A9

RGB 0 40 169

HSL 225.8, 1%, 0.33%

LAB 24.9, 42.11, -70.26

 

CMYK 100 / 85 / 0 / 41

HEX #001696

RGB 0 22 150

HSL 231.2, 1%, 0.29%

LAB 19.12, 45.37, -68.25

 

CMYK 87 / 59 / 0 / 12

HEX #1D5DE1

RGB 29 93 225

HSL 220.41, 0.77%, 0.5%

LAB 43.55, 30.53, -72.3

 

CMYK 87 / 82 / 0 / 12

HEX #1D28E1

RGB 29 40 225

HSL 236.63, 0.77%, 0.5%

LAB 32.29, 61.18, -90.86

 

CMYK 68 / 87 / 0 / 12

HEX #471DE1

RGB 71 29 225

HSL 252.86, 0.77%, 0.5%

LAB 33.25, 67.35, -89.19

 

CMYK 45 / 87 / 0 / 12

HEX #7C1DE1

RGB 124 29 225

HSL 269.08, 0.77%, 0.5%

LAB 38.9, 71.95, -79.67

 

CMYK 21 / 87 / 0 / 12

HEX #B11DE1

RGB 177 29 225

HSL 285.31, 0.77%, 0.5%

LAB 46.53, 78.9, -66.89

 

CMYK 87 / 59 / 0 / 12

HEX #1D5DE1

RGB 29 93 225

HSL 220.41, 0.77%, 0.5%

LAB 43.55, 30.53, -72.3

 

CMYK 87 / 82 / 0 / 12

HEX #1D28E1

RGB 29 40 225

HSL 236.63, 0.77%, 0.5%

LAB 32.29, 61.18, -90.86

 

CMYK 87 / 87 / 0 / 12

HEX #1D1DE1

RGB 29 29 225

HSL 240, 0.77%, 0.5%

LAB 30.82, 65.57, -93.3

 

CMYK 87 / 59 / 0 / 12

HEX #1D5DE1

RGB 29 93 225

HSL 220.41, 0.77%, 0.5%

LAB 43.55, 30.53, -72.3

 

CMYK 97 / 65 / 0 / 4

HEX #0856F6

RGB 8 86 246

HSL 220.34, 0.94%, 0.5%

LAB 43.3, 42.09, -84.55

 

CMYK 87 / 59 / 0 / 12

HEX #1D5DE1

RGB 29 93 225

HSL 220.41, 0.77%, 0.5%

LAB 43.55, 30.53, -72.3

 

CMYK 76 / 51 / 0 / 20

HEX #3164CD

RGB 49 100 205

HSL 220.38, 0.61%, 0.5%

LAB 44.48, 20.14, -59.33

 

CMYK 62 / 42 / 0 / 28

HEX #466BB8

RGB 70 107 184

HSL 220.53, 0.45%, 0.5%

LAB 46.01, 11.26, -44.69

 

CMYK 44 / 30 / 0 / 36

HEX #5B72A3

RGB 91 114 163

HSL 220.83, 0.28%, 0.5%

LAB 48.14, 4.94, -29.01

 

CMYK 22 / 15 / 0 / 44

HEX #6F7A8F

RGB 111 122 143

HSL 219.38, 0.13%, 0.5%

LAB 51.02, 0.77, -12.74

 

CMYK 87 / 12 / 0 / 12

HEX #1DC7E1

RGB 29 199 225

HSL 187.96, 0.77%, 0.5%

LAB 73.9, -30.75, -24.26

 

CMYK 87 / 35 / 0 / 12

HEX #1D93E1

RGB 29 147 225

HSL 203.88, 0.77%, 0.5%

LAB 58.57, -3.08, -48.12

 

CMYK 87 / 58 / 0 / 12

HEX #1D5EE1

RGB 29 94 225

HSL 220.1, 0.77%, 0.5%

LAB 43.8, 29.89, -71.88

 

CMYK 87 / 81 / 0 / 12

HEX #1D2AE1

RGB 29 42 225

HSL 236.02, 0.77%, 0.5%

LAB 32.6, 60.28, -90.35

 

CMYK 70 / 87 / 0 / 12

HEX #441DE1

RGB 68 29 225

HSL 251.94, 0.77%, 0.5%

LAB 33.01, 67.17, -89.59

 

CMYK 88 / 59 / 0 / 40

HEX #133F98

RGB 19 63 152

HSL 220.15, 0.78%, 0.34%

LAB 29.31, 21.16, -52.66

 

CMYK 87 / 59 / 0 / 26

HEX #184EBD

RGB 24 78 189

HSL 220.36, 0.77%, 0.42%

LAB 36.59, 26.14, -62.9

 

CMYK 87 / 59 / 0 / 12

HEX #1D5DE1

RGB 29 93 225

HSL 220.41, 0.77%, 0.5%

LAB 43.55, 30.53, -72.3

 

CMYK 72 / 48 / 0 / 10

HEX #4177E6

RGB 65 119 230

HSL 220.36, 0.77%, 0.58%

LAB 51.87, 19.3, -61.56

 

CMYK 57 / 38 / 0 / 8

HEX #6691EB

RGB 102 145 235

HSL 220.6, 0.77%, 0.66%

LAB 60.85, 11.45, -49.91

 

CMYK 87 / 58 / 0 / 11

HEX #1E5EE2

RGB 30 94 226

HSL 220.41, 0.77%, 0.5%

LAB 43.9, 30.33, -72.28

 

CMYK 12 / 87 / 0 / 12

HEX #C71DE1

RGB 199 29 225

HSL 292.04, 0.77%, 0.5%

LAB 50.05, 82.31, -61.03

 

CMYK 23 / 0 / 87 / 12

HEX #ADE11D

RGB 173 225 29

HSL 75.92, 0.77%, 0.5%

LAB 83.35, -40.33, 78.29

 

CMYK 87 / 58 / 0 / 11

HEX #1E5EE2

RGB 30 94 226

HSL 220.41, 0.77%, 0.5%

LAB 43.9, 30.33, -72.28

 

CMYK 0 / 87 / 58 / 12

HEX #E11D5E

RGB 225 29 94

HSL 340.1, 0.77%, 0.5%

LAB 49.12, 72.52, 15.76

 

CMYK 58 / 0 / 87 / 12

HEX #5EE11D

RGB 94 225 29

HSL 100.1, 0.77%, 0.5%

LAB 79.79, -65.93, 73.86

 

CMYK 87 / 58 / 0 / 11

HEX #1E5EE2

RGB 30 94 226

HSL 220.41, 0.77%, 0.5%

LAB 43.9, 30.33, -72.28

 

CMYK 12 / 87 / 0 / 12

HEX #C71DE1

RGB 199 29 225

HSL 292.04, 0.77%, 0.5%

LAB 50.05, 82.31, -61.03

 

CMYK 0 / 29 / 87 / 12

HEX #E1A01D

RGB 225 160 29

HSL 40.1, 0.77%, 0.5%

LAB 70.34, 14.17, 69.47

 

CMYK 76 / 0 / 87 / 12

HEX #37E11D

RGB 55 225 29

HSL 112.04, 0.77%, 0.5%

LAB 78.9, -73.51, 72.73

 

CMYK 87 / 58 / 0 / 11

HEX #1E5EE2

RGB 30 94 226

HSL 220.41, 0.77%, 0.5%

LAB 43.9, 30.33, -72.28

 

CMYK 0 / 87 / 15 / 12

HEX #E11DC0

RGB 225 29 192

HSL 310.1, 0.77%, 0.5%

LAB 52.61, 82.07, -37.74

 

CMYK 0 / 29 / 87 / 12

HEX #E1A01D

RGB 225 160 29

HSL 40.1, 0.77%, 0.5%

LAB 70.34, 14.17, 69.47

 

CMYK 87 / 0 / 72 / 12

HEX #1DE13E

RGB 29 225 62

HSL 130.1, 0.77%, 0.5%

LAB 78.73, -74.43, 63.41

 

Description

Color code: HEX #1E5EE2 | qconv.com Color code: HEX #1E5EE2 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 94 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 94 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 58 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 58% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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