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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E2D4D it is the complementary color #E1D2B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E2D4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E2D4D shade: #232D48, #343F5B, #45516E, #566381 and #677594

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E2D4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E2D4D shade: #1E2D4D, #0D1B3A, #000927, #000014 and #000001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E2D4D shade: #1D2D4D, #1D204D, #281D4D, #351D4D and #411D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E2D4D shade: #1D2D4D, #1D204D and #1D1D4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E2D4D shade matches the following richer shades: #1D2D4D, #152955, #0C265E and #032367

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E2D4D shade: #1D2D4D, #263044, #2F333B, #373633 and #40392A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E2D4D shade: #1D464D, #1D3A4D, #1D2D4D, #1D214D and #271D4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E2D4D shade: #060A11, #121B2F, #1D2D4D, #293E6A and #354F88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E2D4D shade: #1E2D4D, #461D4D and #404D1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E2D4D shade: #1E2D4D, #4D1D2D and #2D4D1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E2D4D shade: #1E2D4D, #461D4D, #4D3D1D and #244D1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E2D4D shade: #1E2D4D, #4D1D45, #4D3D1D and #1D4D25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 42 / 0 / 70

HEX #1E2D4D

RGB 30 45 77

HSL 220.85, 0.44%, 0.21%

LAB 18.75, 4.88, -21.67

 

Complementary color

CMYK 0 / 7 / 21 / 12

HEX #E1D2B2

RGB 225 210 178

HSL 40.85, 0.44%, 0.79%

LAB 84.65, 0.13, 17.75

 

CMYK 51 / 38 / 0 / 72

HEX #232D48

RGB 35 45 72

HSL 223.78, 0.35%, 0.21%

LAB 18.81, 4.41, -18.17

 

CMYK 43 / 31 / 0 / 64

HEX #343F5B

RGB 52 63 91

HSL 223.08, 0.27%, 0.28%

LAB 26.85, 3.67, -18.13

 

CMYK 37 / 26 / 0 / 57

HEX #45516E

RGB 69 81 110

HSL 222.44, 0.23%, 0.35%

LAB 34.55, 3.14, -18.2

 

CMYK 33 / 23 / 0 / 49

HEX #566381

RGB 86 99 129

HSL 221.86, 0.2%, 0.42%

LAB 41.98, 2.73, -18.33

 

CMYK 30 / 21 / 0 / 42

HEX #677594

RGB 103 117 148

HSL 221.33, 0.18%, 0.49%

LAB 49.18, 2.39, -18.52

 

CMYK 61 / 42 / 0 / 70

HEX #1E2D4D

RGB 30 45 77

HSL 220.85, 0.44%, 0.21%

LAB 18.75, 4.88, -21.67

 

CMYK 78 / 53 / 0 / 77

HEX #0D1B3A

RGB 13 27 58

HSL 221.33, 0.63%, 0.14%

LAB 10.37, 6.57, -21.89

 

CMYK 100 / 77 / 0 / 85

HEX #000927

RGB 0 9 39

HSL 226.15, 1%, 0.08%

LAB 3.09, 5.69, -19.51

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 62 / 42 / 0 / 70

HEX #1D2D4D

RGB 29 45 77

HSL 220, 0.45%, 0.21%

LAB 18.69, 4.63, -21.78

 

CMYK 62 / 58 / 0 / 70

HEX #1D204D

RGB 29 32 77

HSL 236.25, 0.45%, 0.21%

LAB 14.57, 14.16, -28.36

 

CMYK 48 / 62 / 0 / 70

HEX #281D4D

RGB 40 29 77

HSL 253.75, 0.45%, 0.21%

LAB 14.77, 19.08, -27.99

 

CMYK 31 / 62 / 0 / 70

HEX #351D4D

RGB 53 29 77

HSL 270, 0.45%, 0.21%

LAB 16.36, 22.75, -25.34

 

CMYK 16 / 62 / 0 / 70

HEX #411D4D

RGB 65 29 77

HSL 285, 0.45%, 0.21%

LAB 18.09, 26.37, -22.48

 

CMYK 62 / 42 / 0 / 70

HEX #1D2D4D

RGB 29 45 77

HSL 220, 0.45%, 0.21%

LAB 18.69, 4.63, -21.78

 

CMYK 62 / 58 / 0 / 70

HEX #1D204D

RGB 29 32 77

HSL 236.25, 0.45%, 0.21%

LAB 14.57, 14.16, -28.36

 

CMYK 62 / 62 / 0 / 70

HEX #1D1D4D

RGB 29 29 77

HSL 240, 0.45%, 0.21%

LAB 13.68, 16.37, -29.79

 

CMYK 62 / 42 / 0 / 70

HEX #1D2D4D

RGB 29 45 77

HSL 220, 0.45%, 0.21%

LAB 18.69, 4.63, -21.78

 

CMYK 75 / 52 / 0 / 67

HEX #152955

RGB 21 41 85

HSL 221.25, 0.6%, 0.21%

LAB 17.47, 9.1, -29.14

 

CMYK 87 / 60 / 0 / 63

HEX #0C265E

RGB 12 38 94

HSL 220.98, 0.77%, 0.21%

LAB 16.86, 13.98, -36.15

 

CMYK 97 / 66 / 0 / 60

HEX #032367

RGB 3 35 103

HSL 220.8, 0.94%, 0.21%

LAB 16.51, 19.41, -42.67

 

CMYK 62 / 42 / 0 / 70

HEX #1D2D4D

RGB 29 45 77

HSL 220, 0.45%, 0.21%

LAB 18.69, 4.63, -21.78

 

CMYK 44 / 29 / 0 / 73

HEX #263044

RGB 38 48 68

HSL 220, 0.28%, 0.21%

LAB 19.82, 1.86, -13.86

 

CMYK 20 / 14 / 0 / 77

HEX #2F333B

RGB 47 51 59

HSL 220, 0.11%, 0.21%

LAB 21.16, 0.35, -5.62

 

CMYK 0 / 2 / 7 / 78

HEX #373633

RGB 55 54 51

HSL 45, 0.04%, 0.21%

LAB 22.62, -0.23, 2.04

 

CMYK 0 / 11 / 34 / 75

HEX #40392A

RGB 64 57 42

HSL 40.91, 0.21%, 0.21%

LAB 24.27, 0.28, 10.48

 

CMYK 62 / 9 / 0 / 70

HEX #1D464D

RGB 29 70 77

HSL 188.75, 0.45%, 0.21%

LAB 27.23, -11.91, -8.55

 

CMYK 62 / 25 / 0 / 70

HEX #1D3A4D

RGB 29 58 77

HSL 203.75, 0.45%, 0.21%

LAB 23.08, -4.35, -14.91

 

CMYK 62 / 42 / 0 / 70

HEX #1D2D4D

RGB 29 45 77

HSL 220, 0.45%, 0.21%

LAB 18.69, 4.63, -21.78

 

CMYK 62 / 57 / 0 / 70

HEX #1D214D

RGB 29 33 77

HSL 235, 0.45%, 0.21%

LAB 14.87, 13.42, -27.87

 

CMYK 49 / 62 / 0 / 70

HEX #271D4D

RGB 39 29 77

HSL 252.5, 0.45%, 0.21%

LAB 14.66, 18.81, -28.17

 

CMYK 65 / 41 / 0 / 93

HEX #060A11

RGB 6 10 17

HSL 218.18, 0.48%, 0.05%

LAB 2.68, 0.13, -3.57

 

CMYK 62 / 43 / 0 / 82

HEX #121B2F

RGB 18 27 47

HSL 221.38, 0.45%, 0.13%

LAB 9.94, 3.14, -14.63

 

CMYK 62 / 42 / 0 / 70

HEX #1D2D4D

RGB 29 45 77

HSL 220, 0.45%, 0.21%

LAB 18.69, 4.63, -21.78

 

CMYK 61 / 42 / 0 / 58

HEX #293E6A

RGB 41 62 106

HSL 220.62, 0.44%, 0.29%

LAB 26.61, 6.61, -28.23

 

CMYK 61 / 42 / 0 / 47

HEX #354F88

RGB 53 79 136

HSL 221.2, 0.44%, 0.37%

LAB 34.24, 8.83, -34.86

 

CMYK 61 / 42 / 0 / 70

HEX #1E2D4D

RGB 30 45 77

HSL 220.85, 0.44%, 0.21%

LAB 18.75, 4.88, -21.67

 

CMYK 9 / 62 / 0 / 70

HEX #461D4D

RGB 70 29 77

HSL 291.25, 0.45%, 0.21%

LAB 18.87, 27.92, -21.2

 

CMYK 17 / 0 / 62 / 70

HEX #404D1D

RGB 64 77 29

HSL 76.25, 0.45%, 0.21%

LAB 30.61, -13.67, 26.29

 

CMYK 61 / 42 / 0 / 70

HEX #1E2D4D

RGB 30 45 77

HSL 220.85, 0.44%, 0.21%

LAB 18.75, 4.88, -21.67

 

CMYK 0 / 62 / 42 / 70

HEX #4D1D2D

RGB 77 29 45

HSL 340, 0.45%, 0.21%

LAB 18.57, 24.54, 0.68

 

CMYK 42 / 0 / 62 / 70

HEX #2D4D1D

RGB 45 77 29

HSL 100, 0.45%, 0.21%

LAB 29.3, -21.94, 24.44

 

CMYK 61 / 42 / 0 / 70

HEX #1E2D4D

RGB 30 45 77

HSL 220.85, 0.44%, 0.21%

LAB 18.75, 4.88, -21.67

 

CMYK 9 / 62 / 0 / 70

HEX #461D4D

RGB 70 29 77

HSL 291.25, 0.45%, 0.21%

LAB 18.87, 27.92, -21.2

 

CMYK 0 / 21 / 62 / 70

HEX #4D3D1D

RGB 77 61 29

HSL 40, 0.45%, 0.21%

LAB 26.75, 2.48, 22.12

 

CMYK 53 / 0 / 62 / 70

HEX #244D1D

RGB 36 77 29

HSL 111.25, 0.45%, 0.21%

LAB 28.83, -25.26, 23.77

 

CMYK 61 / 42 / 0 / 70

HEX #1E2D4D

RGB 30 45 77

HSL 220.85, 0.44%, 0.21%

LAB 18.75, 4.88, -21.67

 

CMYK 0 / 62 / 10 / 70

HEX #4D1D45

RGB 77 29 69

HSL 310, 0.45%, 0.21%

LAB 19.58, 28.5, -14.53

 

CMYK 0 / 21 / 62 / 70

HEX #4D3D1D

RGB 77 61 29

HSL 40, 0.45%, 0.21%

LAB 26.75, 2.48, 22.12

 

CMYK 62 / 0 / 52 / 70

HEX #1D4D25

RGB 29 77 37

HSL 130, 0.45%, 0.21%

LAB 28.65, -26.19, 18.9

 

Description

Color code: HEX #1E2D4D | qconv.com Color code: HEX #1E2D4D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 45 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 45 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 42 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 42% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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