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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E0D58 it is the complementary color #E1F2A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E0D58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E0D58 shade: #230D53, #341F66, #453179, #56438C and #67559F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E0D58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E0D58 shade: #1E0D58, #0D0045, #000032, #00001F and #00000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E0D58 shade: #1E0D58, #320D58, #470D58, #580D56 and #580D41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E0D58 shade: #1E0D58 and #0D0D58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E0D58 shade matches the following richer shades: #1E0D58 and #190560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E0D58 shade: #1E0D58, #221550, #271D48, #2B263F and #302E37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E0D58 shade: #0D2558, #0D1158, #1D0D58, #310D58 and #450D58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E0D58 shade: #050210, #120734, #1E0D58, #2A127C and #3617A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E0D58 shade: #1E0D58, #580D39 and #1B580D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E0D58 shade: #1E0D58, #581D0D and #0D581D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E0D58 shade: #1E0D58, #580D39, #48580D and #0D582C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E0D58 shade: #1E0D58, #580D22, #48580D and #0D5843

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 85 / 0 / 65

HEX #1E0D58

RGB 30 13 88

HSL 253.6, 0.74%, 0.2%

LAB 11.05, 30.91, -41.59

 

Complementary color

CMYK 7 / 0 / 31 / 5

HEX #E1F2A7

RGB 225 242 167

HSL 73.6, 0.74%, 0.8%

LAB 92.71, -17.51, 34.41

 

CMYK 58 / 84 / 0 / 67

HEX #230D53

RGB 35 13 83

HSL 258.86, 0.73%, 0.19%

LAB 11.06, 30.01, -38.15

 

CMYK 49 / 70 / 0 / 60

HEX #341F66

RGB 52 31 102

HSL 257.75, 0.53%, 0.26%

LAB 18.67, 28.79, -38.35

 

CMYK 43 / 60 / 0 / 53

HEX #453179

RGB 69 49 121

HSL 256.67, 0.42%, 0.33%

LAB 26.28, 27.38, -38.18

 

CMYK 39 / 52 / 0 / 45

HEX #56438C

RGB 86 67 140

HSL 255.62, 0.35%, 0.41%

LAB 33.74, 26.09, -37.95

 

CMYK 35 / 47 / 0 / 38

HEX #67559F

RGB 103 85 159

HSL 254.59, 0.3%, 0.48%

LAB 41.03, 24.98, -37.75

 

CMYK 66 / 85 / 0 / 65

HEX #1E0D58

RGB 30 13 88

HSL 253.6, 0.74%, 0.2%

LAB 11.05, 30.91, -41.59

 

CMYK 81 / 100 / 0 / 73

HEX #0D0045

RGB 13 0 69

HSL 251.3, 1%, 0.14%

LAB 4.65, 28.68, -39.05

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 100 / 100 / 0 / 95

HEX #00000C

RGB 0 0 12

HSL 240, 1%, 0.02%

LAB 0.24, 1.68, -4.58

 

CMYK 66 / 85 / 0 / 65

HEX #1E0D58

RGB 30 13 88

HSL 253.6, 0.74%, 0.2%

LAB 11.05, 30.91, -41.59

 

CMYK 43 / 85 / 0 / 65

HEX #320D58

RGB 50 13 88

HSL 269.6, 0.74%, 0.2%

LAB 13.65, 33.98, -37.22

 

CMYK 19 / 85 / 0 / 65

HEX #470D58

RGB 71 13 88

HSL 286.4, 0.74%, 0.2%

LAB 17.14, 38.08, -31.39

 

CMYK 0 / 85 / 2 / 65

HEX #580D56

RGB 88 13 86

HSL 301.6, 0.74%, 0.2%

LAB 20.18, 41.44, -25

 

CMYK 0 / 85 / 26 / 65

HEX #580D41

RGB 88 13 65

HSL 318.4, 0.74%, 0.2%

LAB 18.99, 38.05, -12.52

 

CMYK 66 / 85 / 0 / 65

HEX #1E0D58

RGB 30 13 88

HSL 253.6, 0.74%, 0.2%

LAB 11.05, 30.91, -41.59

 

CMYK 85 / 85 / 0 / 65

HEX #0D0D58

RGB 13 13 88

HSL 240, 0.74%, 0.2%

LAB 9.62, 29.21, -44

 

CMYK 66 / 85 / 0 / 65

HEX #1E0D58

RGB 30 13 88

HSL 253.6, 0.74%, 0.2%

LAB 11.05, 30.91, -41.59

 

CMYK 74 / 95 / 0 / 62

HEX #190560

RGB 25 5 96

HSL 253.19, 0.9%, 0.2%

LAB 10.26, 36.83, -48.31

 

CMYK 66 / 85 / 0 / 65

HEX #1E0D58

RGB 30 13 88

HSL 253.6, 0.74%, 0.2%

LAB 11.05, 30.91, -41.59

 

CMYK 58 / 74 / 0 / 69

HEX #221550

RGB 34 21 80

HSL 253.22, 0.58%, 0.2%

LAB 12.32, 24.11, -34.04

 

CMYK 46 / 60 / 0 / 72

HEX #271D48

RGB 39 29 72

HSL 253.95, 0.43%, 0.2%

LAB 14.28, 17.11, -25.34

 

CMYK 32 / 40 / 0 / 75

HEX #2B263F

RGB 43 38 63

HSL 252, 0.25%, 0.2%

LAB 16.79, 9.06, -15.1

 

CMYK 13 / 16 / 0 / 78

HEX #302E37

RGB 48 46 55

HSL 253.33, 0.09%, 0.2%

LAB 19.47, 3.1, -5.41

 

CMYK 85 / 58 / 0 / 65

HEX #0D2558

RGB 13 37 88

HSL 220.8, 0.74%, 0.2%

LAB 16.07, 12.21, -33.42

 

CMYK 85 / 81 / 0 / 65

HEX #0D1158

RGB 13 17 88

HSL 236.8, 0.74%, 0.2%

LAB 10.49, 26.73, -42.56

 

CMYK 67 / 85 / 0 / 65

HEX #1D0D58

RGB 29 13 88

HSL 252.8, 0.74%, 0.2%

LAB 10.95, 30.78, -41.77

 

CMYK 44 / 85 / 0 / 65

HEX #310D58

RGB 49 13 88

HSL 268.8, 0.74%, 0.2%

LAB 13.5, 33.81, -37.47

 

CMYK 22 / 85 / 0 / 65

HEX #450D58

RGB 69 13 88

HSL 284.8, 0.74%, 0.2%

LAB 16.79, 37.67, -31.99

 

CMYK 69 / 88 / 0 / 94

HEX #050210

RGB 5 2 16

HSL 252.86, 0.78%, 0.04%

LAB 1.02, 2.88, -5.43

 

CMYK 65 / 87 / 0 / 80

HEX #120734

RGB 18 7 52

HSL 254.67, 0.76%, 0.12%

LAB 4.77, 17.98, -26.55

 

CMYK 66 / 85 / 0 / 65

HEX #1E0D58

RGB 30 13 88

HSL 253.6, 0.74%, 0.2%

LAB 11.05, 30.91, -41.59

 

CMYK 66 / 85 / 0 / 51

HEX #2A127C

RGB 42 18 124

HSL 253.58, 0.75%, 0.28%

LAB 17.37, 41.11, -54.77

 

CMYK 66 / 86 / 0 / 37

HEX #3617A0

RGB 54 23 160

HSL 253.58, 0.75%, 0.36%

LAB 23.46, 50.62, -67.11

 

CMYK 66 / 85 / 0 / 65

HEX #1E0D58

RGB 30 13 88

HSL 253.6, 0.74%, 0.2%

LAB 11.05, 30.91, -41.59

 

CMYK 0 / 85 / 35 / 65

HEX #580D39

RGB 88 13 57

HSL 324.8, 0.74%, 0.2%

LAB 18.62, 36.96, -7.49

 

CMYK 69 / 0 / 85 / 65

HEX #1B580D

RGB 27 88 13

HSL 108.8, 0.74%, 0.2%

LAB 32.35, -34.28, 34.72

 

CMYK 66 / 85 / 0 / 65

HEX #1E0D58

RGB 30 13 88

HSL 253.6, 0.74%, 0.2%

LAB 11.05, 30.91, -41.59

 

CMYK 0 / 67 / 85 / 65

HEX #581D0D

RGB 88 29 13

HSL 12.8, 0.74%, 0.2%

LAB 19.97, 26.31, 24.18

 

CMYK 85 / 0 / 67 / 65

HEX #0D581D

RGB 13 88 29

HSL 132.8, 0.74%, 0.2%

LAB 32.15, -35.44, 27.43

 

CMYK 66 / 85 / 0 / 65

HEX #1E0D58

RGB 30 13 88

HSL 253.6, 0.74%, 0.2%

LAB 11.05, 30.91, -41.59

 

CMYK 0 / 85 / 35 / 65

HEX #580D39

RGB 88 13 57

HSL 324.8, 0.74%, 0.2%

LAB 18.62, 36.96, -7.49

 

CMYK 18 / 0 / 85 / 65

HEX #48580D

RGB 72 88 13

HSL 72.8, 0.74%, 0.2%

LAB 34.77, -17.21, 37.84

 

CMYK 85 / 0 / 50 / 65

HEX #0D582C

RGB 13 88 44

HSL 144.8, 0.74%, 0.2%

LAB 32.36, -32.96, 19.4

 

CMYK 66 / 85 / 0 / 65

HEX #1E0D58

RGB 30 13 88

HSL 253.6, 0.74%, 0.2%

LAB 11.05, 30.91, -41.59

 

CMYK 0 / 85 / 61 / 65

HEX #580D22

RGB 88 13 34

HSL 343.2, 0.74%, 0.2%

LAB 17.82, 34.53, 7.77

 

CMYK 18 / 0 / 85 / 65

HEX #48580D

RGB 72 88 13

HSL 72.8, 0.74%, 0.2%

LAB 34.77, -17.21, 37.84

 

CMYK 85 / 0 / 24 / 65

HEX #0D5843

RGB 13 88 67

HSL 163.2, 0.74%, 0.2%

LAB 32.85, -27.46, 6.04

 

Description

Color code: HEX #1E0D58 | qconv.com Color code: HEX #1E0D58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 13 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 13 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 85 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 85% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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