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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DECD1 it is the complementary color #E2132E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DECD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DECD1 shade: #22ECCC, #33FEDF, #44FFF2, #55FFFF and #66FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DECD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DECD1 shade: #1DECD1, #0CDABE, #00C8AB, #00B698 and #00A485

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DECD1 shade: #1DEBD0, #1DEB99, #1DEB61, #1DEB2A and #48EB1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DECD1 shade: #1DEBD0, #1DCEEB, #1D97EB, #1D5FEB and #1D28EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DECD1 shade matches the following richer shades: #1DEBD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DECD1 shade: #1DEBD0, #31D7C1, #45C3B3, #59B0A4 and #6D9C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DECD1 shade: #1DEB62, #1DEB99, #1DEBCF, #1DCFEB and #1D99EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DECD1 shade: #0EA894, #11CEB5, #1DEBD0, #43EED8 and #69F2E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DECD1 shade: #1DECD1, #2B1DEB and #EB7D1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DECD1 shade: #1DECD1, #CF1DEB and #EBCF1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DECD1 shade: #1DECD1, #2B1DEB, #EB1D39 and #DDEB1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DECD1 shade: #1DECD1, #691DEB, #EB1D39 and #A0EB1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 11 / 7

HEX #1DECD1

RGB 29 236 209

HSL 172.17, 0.84%, 0.52%

LAB 84.41, -51.93, -0.01

 

Complementary color

CMYK 0 / 92 / 80 / 11

HEX #E2132E

RGB 226 19 46

HSL 352.17, 0.84%, 0.48%

LAB 48.05, 72.1, 43.16

 

CMYK 86 / 0 / 14 / 7

HEX #22ECCC

RGB 34 236 204

HSL 170.5, 0.84%, 0.53%

LAB 84.32, -52.95, 2.5

 

CMYK 80 / 0 / 12 / 0

HEX #33FEDF

RGB 51 254 223

HSL 170.84, 0.99%, 0.6%

LAB 90.28, -54.15, 1.27

 

CMYK 73 / 0 / 5 / 0

HEX #44FFF2

RGB 68 255 242

HSL 175.83, 1%, 0.63%

LAB 91.31, -47.98, -7.05

 

CMYK 67 / 0 / 0 / 0

HEX #55FFFF

RGB 85 255 255

HSL 180, 1%, 0.67%

LAB 91.99, -42.44, -12.75

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 88 / 0 / 11 / 7

HEX #1DECD1

RGB 29 236 209

HSL 172.17, 0.84%, 0.52%

LAB 84.41, -51.93, -0.01

 

CMYK 94 / 0 / 13 / 15

HEX #0CDABE

RGB 12 218 190

HSL 171.84, 0.9%, 0.45%

LAB 78.43, -50.28, 1.33

 

CMYK 100 / 0 / 15 / 22

HEX #00C8AB

RGB 0 200 171

HSL 171.3, 1%, 0.39%

LAB 72.39, -48.3, 2.78

 

CMYK 100 / 0 / 16 / 29

HEX #00B698

RGB 0 182 152

HSL 170.11, 1%, 0.36%

LAB 66.31, -45.95, 4.36

 

CMYK 100 / 0 / 19 / 36

HEX #00A485

RGB 0 164 133

HSL 168.66, 1%, 0.32%

LAB 60.11, -43.56, 6.01

 

CMYK 88 / 0 / 11 / 8

HEX #1DEBD0

RGB 29 235 208

HSL 172.14, 0.84%, 0.52%

LAB 84.09, -51.78, 0.05

 

CMYK 88 / 0 / 35 / 8

HEX #1DEB99

RGB 29 235 153

HSL 156.12, 0.84%, 0.52%

LAB 82.9, -64.65, 27.04

 

CMYK 88 / 0 / 59 / 8

HEX #1DEB61

RGB 29 235 97

HSL 139.81, 0.84%, 0.52%

LAB 82.13, -73.8, 53.11

 

CMYK 88 / 0 / 82 / 8

HEX #1DEB2A

RGB 29 235 42

HSL 123.79, 0.84%, 0.52%

LAB 81.75, -78.54, 72.31

 

CMYK 69 / 0 / 88 / 8

HEX #48EB1D

RGB 72 235 29

HSL 107.48, 0.84%, 0.52%

LAB 82.32, -73.77, 75.81

 

CMYK 88 / 0 / 11 / 8

HEX #1DEBD0

RGB 29 235 208

HSL 172.14, 0.84%, 0.52%

LAB 84.09, -51.78, 0.05

 

CMYK 88 / 12 / 0 / 8

HEX #1DCEEB

RGB 29 206 235

HSL 188.45, 0.84%, 0.52%

LAB 76.32, -30.95, -25.96

 

CMYK 88 / 36 / 0 / 8

HEX #1D97EB

RGB 29 151 235

HSL 204.47, 0.84%, 0.52%

LAB 60.24, -1.7, -51.01

 

CMYK 88 / 60 / 0 / 8

HEX #1D5FEB

RGB 29 95 235

HSL 220.78, 0.84%, 0.52%

LAB 44.86, 33.03, -75.8

 

CMYK 88 / 83 / 0 / 8

HEX #1D28EB

RGB 29 40 235

HSL 236.8, 0.84%, 0.52%

LAB 33.51, 64.15, -94.53

 

CMYK 88 / 0 / 11 / 8

HEX #1DEBD0

RGB 29 235 208

HSL 172.14, 0.84%, 0.52%

LAB 84.09, -51.78, 0.05

 

CMYK 88 / 0 / 11 / 8

HEX #1DEBD0

RGB 29 235 208

HSL 172.14, 0.84%, 0.52%

LAB 84.09, -51.78, 0.05

 

CMYK 77 / 0 / 10 / 16

HEX #31D7C1

RGB 49 215 193

HSL 172.05, 0.67%, 0.52%

LAB 77.94, -45.86, -0.95

 

CMYK 65 / 0 / 8 / 24

HEX #45C3B3

RGB 69 195 179

HSL 172.38, 0.51%, 0.52%

LAB 71.93, -38.16, -2.15

 

CMYK 49 / 0 / 7 / 31

HEX #59B0A4

RGB 89 176 164

HSL 171.72, 0.36%, 0.52%

LAB 66.41, -29.2, -1.93

 

CMYK 30 / 0 / 4 / 39

HEX #6D9C96

RGB 109 156 150

HSL 172.34, 0.19%, 0.52%

LAB 60.98, -17.12, -1.95

 

CMYK 88 / 0 / 58 / 8

HEX #1DEB62

RGB 29 235 98

HSL 140.1, 0.84%, 0.52%

LAB 82.14, -73.67, 52.68

 

CMYK 88 / 0 / 35 / 8

HEX #1DEB99

RGB 29 235 153

HSL 156.12, 0.84%, 0.52%

LAB 82.9, -64.65, 27.04

 

CMYK 88 / 0 / 12 / 8

HEX #1DEBCF

RGB 29 235 207

HSL 171.84, 0.84%, 0.52%

LAB 84.06, -52.04, 0.54

 

CMYK 88 / 12 / 0 / 8

HEX #1DCFEB

RGB 29 207 235

HSL 188.16, 0.84%, 0.52%

LAB 76.61, -31.43, -25.51

 

CMYK 88 / 35 / 0 / 8

HEX #1D99EB

RGB 29 153 235

HSL 203.88, 0.84%, 0.52%

LAB 60.82, -2.86, -50.1

 

CMYK 92 / 0 / 12 / 34

HEX #0EA894

RGB 14 168 148

HSL 172.21, 0.85%, 0.36%

LAB 61.86, -40.55, 0.13

 

CMYK 92 / 0 / 12 / 19

HEX #11CEB5

RGB 17 206 181

HSL 172.06, 0.85%, 0.44%

LAB 74.57, -47.54, 0.54

 

CMYK 88 / 0 / 11 / 8

HEX #1DEBD0

RGB 29 235 208

HSL 172.14, 0.84%, 0.52%

LAB 84.09, -51.78, 0.05

 

CMYK 72 / 0 / 9 / 7

HEX #43EED8

RGB 67 238 216

HSL 172.28, 0.83%, 0.6%

LAB 85.66, -47.65, -1.81

 

CMYK 57 / 0 / 7 / 5

HEX #69F2E0

RGB 105 242 224

HSL 172.12, 0.84%, 0.68%

LAB 87.92, -41.52, -2.58

 

CMYK 88 / 0 / 11 / 7

HEX #1DECD1

RGB 29 236 209

HSL 172.17, 0.84%, 0.52%

LAB 84.41, -51.93, -0.01

 

CMYK 82 / 88 / 0 / 8

HEX #2B1DEB

RGB 43 29 235

HSL 244.08, 0.84%, 0.52%

LAB 32.68, 68.71, -95.9

 

CMYK 0 / 47 / 88 / 8

HEX #EB7D1D

RGB 235 125 29

HSL 27.96, 0.84%, 0.52%

LAB 63.69, 36.8, 64.76

 

CMYK 88 / 0 / 11 / 7

HEX #1DECD1

RGB 29 236 209

HSL 172.17, 0.84%, 0.52%

LAB 84.41, -51.93, -0.01

 

CMYK 12 / 88 / 0 / 8

HEX #CF1DEB

RGB 207 29 235

HSL 291.84, 0.84%, 0.52%

LAB 52, 85.21, -63.47

 

CMYK 0 / 12 / 88 / 8

HEX #EBCF1D

RGB 235 207 29

HSL 51.84, 0.84%, 0.52%

LAB 83.11, -6.07, 80.03

 

CMYK 88 / 0 / 11 / 7

HEX #1DECD1

RGB 29 236 209

HSL 172.17, 0.84%, 0.52%

LAB 84.41, -51.93, -0.01

 

CMYK 82 / 88 / 0 / 8

HEX #2B1DEB

RGB 43 29 235

HSL 244.08, 0.84%, 0.52%

LAB 32.68, 68.71, -95.9

 

CMYK 0 / 88 / 76 / 8

HEX #EB1D39

RGB 235 29 57

HSL 351.84, 0.84%, 0.52%

LAB 50.5, 73.26, 40.1

 

CMYK 6 / 0 / 88 / 8

HEX #DDEB1D

RGB 221 235 29

HSL 64.08, 0.84%, 0.52%

LAB 89.34, -25.71, 84.5

 

CMYK 88 / 0 / 11 / 7

HEX #1DECD1

RGB 29 236 209

HSL 172.17, 0.84%, 0.52%

LAB 84.41, -51.93, -0.01

 

CMYK 55 / 88 / 0 / 8

HEX #691DEB

RGB 105 29 235

HSL 262.14, 0.84%, 0.52%

LAB 37.63, 72.37, -87.55

 

CMYK 0 / 88 / 76 / 8

HEX #EB1D39

RGB 235 29 57

HSL 351.84, 0.84%, 0.52%

LAB 50.5, 73.26, 40.1

 

CMYK 32 / 0 / 88 / 8

HEX #A0EB1D

RGB 160 235 29

HSL 81.84, 0.84%, 0.52%

LAB 85.49, -49.43, 79.77

 

Description

Color code: HEX #1DECD1 | qconv.com Color code: HEX #1DECD1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 236 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 236 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 11 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 11% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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