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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DD835 it is the complementary color #E227CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DD835. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DD835 shade: #22D830, #33EA43, #44FC56, #55FF69 and #66FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DD835. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DD835 shade: #1DD835, #0CC622, #00B40F, #00A200 and #009000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DD835 shade: #1DD735, #37D71D, #69D71D, #9CD71D and #CED71D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DD835 shade: #1DD735, #1DD767, #1DD799, #1DD7CB and #1DB0D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DD835 shade matches the following richer shades: #1DD735 and #09EB26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DD835 shade: #1DD735, #31C343, #44AF52, #589C61 and #6C8870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DD835 shade: #6AD71D, #39D71D, #1DD733, #1DD764 and #1DD796

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DD835 shade: #138E23, #18B32C, #1DD735, #39E44F and #5EE970

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DD835 shade: #1DD835, #1D9CD7 and #D71D52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DD835 shade: #1DD835, #331DD7 and #D7331D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DD835 shade: #1DD835, #1D9CD7, #D71DC1 and #D7581D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DD835 shade: #1DD835, #1D64D7, #D71DC1 and #D7901D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 75 / 15

HEX #1DD835

RGB 29 216 53

HSL 127.7, 0.76%, 0.48%

LAB 75.84, -72.53, 63.56

 

Complementary color

CMYK 0 / 83 / 11 / 11

HEX #E227CA

RGB 226 39 202

HSL 307.7, 0.76%, 0.52%

LAB 53.9, 81.78, -41.46

 

CMYK 84 / 0 / 78 / 15

HEX #22D830

RGB 34 216 48

HSL 124.62, 0.73%, 0.49%

LAB 75.86, -72.44, 65.16

 

CMYK 78 / 0 / 71 / 8

HEX #33EA43

RGB 51 234 67

HSL 125.25, 0.81%, 0.56%

LAB 81.81, -74.5, 64.88

 

CMYK 73 / 0 / 66 / 1

HEX #44FC56

RGB 68 252 86

HSL 125.87, 0.97%, 0.63%

LAB 87.74, -76, 64.12

 

CMYK 67 / 0 / 59 / 0

HEX #55FF69

RGB 85 255 105

HSL 127.06, 1%, 0.67%

LAB 89.14, -72.2, 57.97

 

CMYK 60 / 0 / 51 / 0

HEX #66FF7C

RGB 102 255 124

HSL 128.63, 1%, 0.7%

LAB 89.77, -66.55, 50.31

 

CMYK 87 / 0 / 75 / 15

HEX #1DD835

RGB 29 216 53

HSL 127.7, 0.76%, 0.48%

LAB 75.84, -72.53, 63.56

 

CMYK 94 / 0 / 83 / 22

HEX #0CC622

RGB 12 198 34

HSL 127.1, 0.89%, 0.41%

LAB 69.88, -69.67, 63.41

 

CMYK 100 / 0 / 92 / 29

HEX #00B40F

RGB 0 180 15

HSL 125, 1%, 0.35%

LAB 63.9, -65.99, 62.1

 

CMYK 100 / 0 / 100 / 36

HEX #00A200

RGB 0 162 0

HSL 120, 1%, 0.32%

LAB 57.89, -61.38, 59.24

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 87 / 0 / 75 / 16

HEX #1DD735

RGB 29 215 53

HSL 127.74, 0.76%, 0.48%

LAB 75.53, -72.24, 63.24

 

CMYK 74 / 0 / 87 / 16

HEX #37D71D

RGB 55 215 29

HSL 111.61, 0.76%, 0.48%

LAB 75.76, -70.55, 70

 

CMYK 51 / 0 / 87 / 16

HEX #69D71D

RGB 105 215 29

HSL 95.48, 0.76%, 0.48%

LAB 77.1, -59.54, 71.68

 

CMYK 27 / 0 / 87 / 16

HEX #9CD71D

RGB 156 215 29

HSL 79.03, 0.76%, 0.48%

LAB 79.48, -42.44, 74.65

 

CMYK 4 / 0 / 87 / 16

HEX #CED71D

RGB 206 215 29

HSL 62.9, 0.76%, 0.48%

LAB 82.81, -22.36, 78.77

 

CMYK 87 / 0 / 75 / 16

HEX #1DD735

RGB 29 215 53

HSL 127.74, 0.76%, 0.48%

LAB 75.53, -72.24, 63.24

 

CMYK 87 / 0 / 52 / 16

HEX #1DD767

RGB 29 215 103

HSL 143.87, 0.76%, 0.48%

LAB 75.97, -66.71, 42.99

 

CMYK 87 / 0 / 29 / 16

HEX #1DD799

RGB 29 215 153

HSL 160, 0.76%, 0.48%

LAB 76.78, -57.37, 18.65

 

CMYK 87 / 0 / 6 / 16

HEX #1DD7CB

RGB 29 215 203

HSL 176.13, 0.76%, 0.48%

LAB 77.98, -44.7, -6.28

 

CMYK 87 / 18 / 0 / 16

HEX #1DB0D7

RGB 29 176 215

HSL 192.58, 0.76%, 0.48%

LAB 66.69, -22.54, -29.88

 

CMYK 87 / 0 / 75 / 16

HEX #1DD735

RGB 29 215 53

HSL 127.74, 0.76%, 0.48%

LAB 75.53, -72.24, 63.24

 

CMYK 96 / 0 / 84 / 8

HEX #09EB26

RGB 9 235 38

HSL 127.7, 0.93%, 0.48%

LAB 81.63, -79.73, 73.1

 

CMYK 87 / 0 / 75 / 16

HEX #1DD735

RGB 29 215 53

HSL 127.74, 0.76%, 0.48%

LAB 75.53, -72.24, 63.24

 

CMYK 75 / 0 / 66 / 24

HEX #31C343

RGB 49 195 67

HSL 127.4, 0.6%, 0.48%

LAB 69.53, -62.64, 51.85

 

CMYK 61 / 0 / 53 / 31

HEX #44AF52

RGB 68 175 82

HSL 127.85, 0.44%, 0.48%

LAB 63.75, -50.2, 38.42

 

CMYK 44 / 0 / 38 / 39

HEX #589C61

RGB 88 156 97

HSL 127.94, 0.28%, 0.48%

LAB 58.71, -34.52, 24.35

 

CMYK 21 / 0 / 18 / 47

HEX #6C8870

RGB 108 136 112

HSL 128.57, 0.11%, 0.48%

LAB 53.99, -15.02, 9.65

 

CMYK 51 / 0 / 87 / 16

HEX #6AD71D

RGB 106 215 29

HSL 95.16, 0.76%, 0.48%

LAB 77.13, -59.25, 71.73

 

CMYK 73 / 0 / 87 / 16

HEX #39D71D

RGB 57 215 29

HSL 110.97, 0.76%, 0.48%

LAB 75.8, -70.24, 70.05

 

CMYK 87 / 0 / 76 / 16

HEX #1DD733

RGB 29 215 51

HSL 127.1, 0.76%, 0.48%

LAB 75.51, -72.38, 63.88

 

CMYK 87 / 0 / 53 / 16

HEX #1DD764

RGB 29 215 100

HSL 142.9, 0.76%, 0.48%

LAB 75.94, -67.15, 44.37

 

CMYK 87 / 0 / 30 / 16

HEX #1DD796

RGB 29 215 150

HSL 159.03, 0.76%, 0.48%

LAB 76.72, -58.04, 20.15

 

CMYK 87 / 0 / 75 / 44

HEX #138E23

RGB 19 142 35

HSL 127.8, 0.76%, 0.32%

LAB 51.39, -52.51, 45.37

 

CMYK 87 / 0 / 75 / 30

HEX #18B32C

RGB 24 179 44

HSL 127.74, 0.76%, 0.4%

LAB 63.85, -62.73, 54.66

 

CMYK 87 / 0 / 75 / 16

HEX #1DD735

RGB 29 215 53

HSL 127.74, 0.76%, 0.48%

LAB 75.53, -72.24, 63.24

 

CMYK 75 / 0 / 65 / 11

HEX #39E44F

RGB 57 228 79

HSL 127.72, 0.76%, 0.56%

LAB 80.14, -70.79, 58.57

 

CMYK 60 / 0 / 52 / 9

HEX #5EE970

RGB 94 233 112

HSL 127.77, 0.76%, 0.64%

LAB 82.82, -61.93, 47.38

 

CMYK 87 / 0 / 75 / 15

HEX #1DD835

RGB 29 216 53

HSL 127.7, 0.76%, 0.48%

LAB 75.84, -72.53, 63.56

 

CMYK 87 / 27 / 0 / 16

HEX #1D9CD7

RGB 29 156 215

HSL 199.03, 0.76%, 0.48%

LAB 60.73, -11.84, -39.14

 

CMYK 0 / 87 / 62 / 16

HEX #D71D52

RGB 215 29 82

HSL 342.9, 0.76%, 0.48%

LAB 46.89, 69.31, 19.79

 

CMYK 87 / 0 / 75 / 15

HEX #1DD835

RGB 29 216 53

HSL 127.7, 0.76%, 0.48%

LAB 75.84, -72.53, 63.56

 

CMYK 76 / 87 / 0 / 16

HEX #331DD7

RGB 51 29 215

HSL 247.1, 0.76%, 0.48%

LAB 30.61, 63.58, -87.86

 

CMYK 0 / 76 / 87 / 16

HEX #D7331D

RGB 215 51 29

HSL 7.1, 0.76%, 0.48%

LAB 48.14, 61.8, 51.03

 

CMYK 87 / 0 / 75 / 15

HEX #1DD835

RGB 29 216 53

HSL 127.7, 0.76%, 0.48%

LAB 75.84, -72.53, 63.56

 

CMYK 87 / 27 / 0 / 16

HEX #1D9CD7

RGB 29 156 215

HSL 199.03, 0.76%, 0.48%

LAB 60.73, -11.84, -39.14

 

CMYK 0 / 87 / 10 / 16

HEX #D71DC1

RGB 215 29 193

HSL 307.1, 0.76%, 0.48%

LAB 50.89, 80.3, -41.14

 

CMYK 0 / 59 / 87 / 16

HEX #D7581D

RGB 215 88 29

HSL 19.03, 0.76%, 0.48%

LAB 53.51, 47.27, 55.4

 

CMYK 87 / 0 / 75 / 15

HEX #1DD835

RGB 29 216 53

HSL 127.7, 0.76%, 0.48%

LAB 75.84, -72.53, 63.56

 

CMYK 87 / 53 / 0 / 16

HEX #1D64D7

RGB 29 100 215

HSL 217.1, 0.76%, 0.48%

LAB 44.63, 22.17, -64.83

 

CMYK 0 / 87 / 10 / 16

HEX #D71DC1

RGB 215 29 193

HSL 307.1, 0.76%, 0.48%

LAB 50.89, 80.3, -41.14

 

CMYK 0 / 33 / 87 / 16

HEX #D7901D

RGB 215 144 29

HSL 37.1, 0.76%, 0.48%

LAB 65.34, 18.43, 64.98

 

Description

Color code: HEX #1DD835 | qconv.com Color code: HEX #1DD835 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 216 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 216 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 75 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 75% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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