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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DD6C6 it is the complementary color #E22939. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DD6C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DD6C6 shade: #22D6C1, #33E8D4, #44FAE7, #55FFFA and #66FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DD6C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DD6C6 shade: #1DD6C6, #0CC4B3, #00B2A0, #00A08D and #008E7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DD6C6 shade: #1DD7C7, #1DD795, #1DD762, #1DD730 and #3CD71D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DD6C6 shade: #1DD7C7, #1DB5D7, #1D83D7, #1D51D7 and #1D1ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DD6C6 shade matches the following richer shades: #1DD7C7 and #09EBD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DD6C6 shade: #1DD7C7, #31C3B6, #44AFA6, #589C96 and #6C8885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DD6C6 shade: #1DD761, #1DD793, #1DD7C4, #1DB8D7 and #1D86D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DD6C6 shade: #138E84, #18B3A5, #1DD7C7, #39E4D5 and #5EE9DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DD6C6 shade: #1DD6C6, #2F1DD7 and #D77A1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DD6C6 shade: #1DD6C6, #C41DD7 and #D7C41D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DD6C6 shade: #1DD6C6, #2F1DD7, #D71D2F and #C4D71D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DD6C6 shade: #1DD6C6, #671DD7, #D71D2F and #8DD71D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 7 / 16

HEX #1DD6C6

RGB 29 214 198

HSL 174.81, 0.76%, 0.48%

LAB 77.54, -45.67, -4.24

 

Complementary color

CMYK 0 / 82 / 75 / 11

HEX #E22939

RGB 226 41 57

HSL 354.81, 0.76%, 0.52%

LAB 49.56, 68.48, 38.56

 

CMYK 84 / 0 / 10 / 16

HEX #22D6C1

RGB 34 214 193

HSL 173, 0.73%, 0.49%

LAB 77.45, -46.71, -1.69

 

CMYK 78 / 0 / 9 / 9

HEX #33E8D4

RGB 51 232 212

HSL 173.37, 0.8%, 0.55%

LAB 83.53, -47.86, -2.85

 

CMYK 73 / 0 / 8 / 2

HEX #44FAE7

RGB 68 250 231

HSL 173.74, 0.95%, 0.62%

LAB 89.57, -48.74, -3.91

 

CMYK 67 / 0 / 2 / 0

HEX #55FFFA

RGB 85 255 250

HSL 178.24, 1%, 0.67%

LAB 91.84, -43.78, -10.37

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 86 / 0 / 7 / 16

HEX #1DD6C6

RGB 29 214 198

HSL 174.81, 0.76%, 0.48%

LAB 77.54, -45.67, -4.24

 

CMYK 94 / 0 / 9 / 23

HEX #0CC4B3

RGB 12 196 179

HSL 174.46, 0.88%, 0.41%

LAB 71.43, -44.04, -2.98

 

CMYK 100 / 0 / 10 / 30

HEX #00B2A0

RGB 0 178 160

HSL 173.93, 1%, 0.35%

LAB 65.26, -42.04, -1.59

 

CMYK 100 / 0 / 12 / 37

HEX #00A08D

RGB 0 160 141

HSL 172.88, 1%, 0.31%

LAB 59.03, -39.63, -0.06

 

CMYK 100 / 0 / 14 / 44

HEX #008E7A

RGB 0 142 122

HSL 171.55, 1%, 0.28%

LAB 52.68, -37.18, 1.54

 

CMYK 87 / 0 / 7 / 16

HEX #1DD7C7

RGB 29 215 199

HSL 174.84, 0.76%, 0.48%

LAB 77.87, -45.82, -4.3

 

CMYK 87 / 0 / 31 / 16

HEX #1DD795

RGB 29 215 149

HSL 158.71, 0.76%, 0.48%

LAB 76.7, -58.25, 20.65

 

CMYK 87 / 0 / 54 / 16

HEX #1DD762

RGB 29 215 98

HSL 142.26, 0.76%, 0.48%

LAB 75.91, -67.44, 45.29

 

CMYK 87 / 0 / 78 / 16

HEX #1DD730

RGB 29 215 48

HSL 126.13, 0.76%, 0.48%

LAB 75.5, -72.58, 64.8

 

CMYK 72 / 0 / 87 / 16

HEX #3CD71D

RGB 60 215 29

HSL 110, 0.76%, 0.48%

LAB 75.85, -69.75, 70.12

 

CMYK 87 / 0 / 7 / 16

HEX #1DD7C7

RGB 29 215 199

HSL 174.84, 0.76%, 0.48%

LAB 77.87, -45.82, -4.3

 

CMYK 87 / 16 / 0 / 16

HEX #1DB5D7

RGB 29 181 215

HSL 190.97, 0.76%, 0.48%

LAB 68.18, -25.09, -27.58

 

CMYK 87 / 39 / 0 / 16

HEX #1D83D7

RGB 29 131 215

HSL 207.1, 0.76%, 0.48%

LAB 53.38, 2.66, -50.75

 

CMYK 87 / 62 / 0 / 16

HEX #1D51D7

RGB 29 81 215

HSL 223.23, 0.76%, 0.48%

LAB 39.67, 34.48, -72.93

 

CMYK 87 / 86 / 0 / 16

HEX #1D1ED7

RGB 29 30 215

HSL 239.68, 0.76%, 0.48%

LAB 29.65, 62.39, -89.49

 

CMYK 87 / 0 / 7 / 16

HEX #1DD7C7

RGB 29 215 199

HSL 174.84, 0.76%, 0.48%

LAB 77.87, -45.82, -4.3

 

CMYK 96 / 0 / 9 / 8

HEX #09EBD7

RGB 9 235 215

HSL 174.69, 0.93%, 0.48%

LAB 84.16, -50.64, -3.54

 

CMYK 87 / 0 / 7 / 16

HEX #1DD7C7

RGB 29 215 199

HSL 174.84, 0.76%, 0.48%

LAB 77.87, -45.82, -4.3

 

CMYK 75 / 0 / 7 / 24

HEX #31C3B6

RGB 49 195 182

HSL 174.66, 0.6%, 0.48%

LAB 71.6, -40.09, -4.32

 

CMYK 61 / 0 / 5 / 31

HEX #44AFA6

RGB 68 175 166

HSL 174.95, 0.44%, 0.48%

LAB 65.47, -32.53, -4.51

 

CMYK 44 / 0 / 4 / 39

HEX #589C96

RGB 88 156 150

HSL 174.71, 0.28%, 0.48%

LAB 59.94, -23.05, -3.61

 

CMYK 21 / 0 / 2 / 47

HEX #6C8885

RGB 108 136 133

HSL 173.57, 0.11%, 0.48%

LAB 54.54, -10.58, -1.68

 

CMYK 87 / 0 / 55 / 16

HEX #1DD761

RGB 29 215 97

HSL 141.94, 0.76%, 0.48%

LAB 75.9, -67.58, 45.74

 

CMYK 87 / 0 / 32 / 16

HEX #1DD793

RGB 29 215 147

HSL 158.06, 0.76%, 0.48%

LAB 76.66, -58.69, 21.65

 

CMYK 87 / 0 / 9 / 16

HEX #1DD7C4

RGB 29 215 196

HSL 173.87, 0.76%, 0.48%

LAB 77.78, -46.65, -2.81

 

CMYK 87 / 14 / 0 / 16

HEX #1DB8D7

RGB 29 184 215

HSL 190, 0.76%, 0.48%

LAB 69.07, -26.6, -26.2

 

CMYK 87 / 38 / 0 / 16

HEX #1D86D7

RGB 29 134 215

HSL 206.13, 0.76%, 0.48%

LAB 54.26, 0.86, -49.36

 

CMYK 87 / 0 / 7 / 44

HEX #138E84

RGB 19 142 132

HSL 175.12, 0.76%, 0.32%

LAB 53.11, -33.18, -3.58

 

CMYK 87 / 0 / 8 / 30

HEX #18B3A5

RGB 24 179 165

HSL 174.58, 0.76%, 0.4%

LAB 65.87, -40, -3.46

 

CMYK 87 / 0 / 7 / 16

HEX #1DD7C7

RGB 29 215 199

HSL 174.84, 0.76%, 0.48%

LAB 77.87, -45.82, -4.3

 

CMYK 75 / 0 / 7 / 11

HEX #39E4D5

RGB 57 228 213

HSL 174.74, 0.76%, 0.56%

LAB 82.47, -45.28, -4.94

 

CMYK 60 / 0 / 5 / 9

HEX #5EE9DD

RGB 94 233 221

HSL 174.82, 0.76%, 0.64%

LAB 84.93, -40.22, -5.43

 

CMYK 86 / 0 / 7 / 16

HEX #1DD6C6

RGB 29 214 198

HSL 174.81, 0.76%, 0.48%

LAB 77.54, -45.67, -4.24

 

CMYK 78 / 87 / 0 / 16

HEX #2F1DD7

RGB 47 29 215

HSL 245.81, 0.76%, 0.48%

LAB 30.37, 63.4, -88.27

 

CMYK 0 / 43 / 87 / 16

HEX #D77A1D

RGB 215 122 29

HSL 30, 0.76%, 0.48%

LAB 60.3, 30.21, 60.9

 

CMYK 86 / 0 / 7 / 16

HEX #1DD6C6

RGB 29 214 198

HSL 174.81, 0.76%, 0.48%

LAB 77.54, -45.67, -4.24

 

CMYK 9 / 87 / 0 / 16

HEX #C41DD7

RGB 196 29 215

HSL 293.87, 0.76%, 0.48%

LAB 48.91, 80.2, -57.18

 

CMYK 0 / 9 / 87 / 16

HEX #D7C41D

RGB 215 196 29

HSL 53.87, 0.76%, 0.48%

LAB 78.47, -9.07, 75.57

 

CMYK 86 / 0 / 7 / 16

HEX #1DD6C6

RGB 29 214 198

HSL 174.81, 0.76%, 0.48%

LAB 77.54, -45.67, -4.24

 

CMYK 78 / 87 / 0 / 16

HEX #2F1DD7

RGB 47 29 215

HSL 245.81, 0.76%, 0.48%

LAB 30.37, 63.4, -88.27

 

CMYK 0 / 87 / 78 / 16

HEX #D71D2F

RGB 215 29 47

HSL 354.19, 0.76%, 0.48%

LAB 46.35, 67.75, 40.15

 

CMYK 9 / 0 / 87 / 16

HEX #C4D71D

RGB 196 215 29

HSL 66.13, 0.76%, 0.48%

LAB 82.07, -26.52, 77.86

 

CMYK 86 / 0 / 7 / 16

HEX #1DD6C6

RGB 29 214 198

HSL 174.81, 0.76%, 0.48%

LAB 77.54, -45.67, -4.24

 

CMYK 52 / 87 / 0 / 16

HEX #671DD7

RGB 103 29 215

HSL 263.87, 0.76%, 0.48%

LAB 35.34, 67.43, -79.89

 

CMYK 0 / 87 / 78 / 16

HEX #D71D2F

RGB 215 29 47

HSL 354.19, 0.76%, 0.48%

LAB 46.35, 67.75, 40.15

 

CMYK 34 / 0 / 87 / 16

HEX #8DD71D

RGB 141 215 29

HSL 83.87, 0.76%, 0.48%

LAB 78.67, -47.94, 73.64

 

Description

Color code: HEX #1DD6C6 | qconv.com Color code: HEX #1DD6C6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 214 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 214 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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