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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DC607 it is the complementary color #E239F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DC607. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DC607 shade: #22C602, #33D815, #44EA28, #55FC3B and #66FF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DC607. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DC607 shade: #1DC607, #0CB400, #00A200, #009000 and #007E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DC607 shade: #1CC407, #50C407, #83C407, #B6C407 and #C4A007

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DC607 shade: #1CC407, #07C424, #07C457, #07C48A and #07C4BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DC607 shade matches the following richer shades: #1CC407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DC607 shade: #1CC407, #29B417, #36A328, #439338 and #4F8249

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DC607 shade: #82C407, #4FC407, #1DC407, #07C423 and #07C456

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DC607 shade: #117504, #179D05, #1CC407, #22EC08 and #3FF727

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DC607 shade: #1DC607, #07B5C4 and #C40769

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DC607 shade: #1DC607, #071DC4 and #C4071D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DC607 shade: #1DC607, #07B5C4, #AE07C4 and #C41607

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DC607 shade: #1DC607, #077CC4, #AE07C4 and #C44F07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 96 / 22

HEX #1DC607

RGB 29 198 7

HSL 113.09, 0.93%, 0.4%

LAB 69.94, -69.42, 68.22

 

Complementary color

CMYK 9 / 77 / 0 / 3

HEX #E239F8

RGB 226 57 248

HSL 293.09, 0.93%, 0.6%

LAB 57.92, 84.41, -61.07

 

CMYK 83 / 0 / 99 / 22

HEX #22C602

RGB 34 198 2

HSL 110.2, 0.98%, 0.39%

LAB 69.99, -69.02, 68.83

 

CMYK 76 / 0 / 90 / 15

HEX #33D815

RGB 51 216 21

HSL 110.77, 0.82%, 0.46%

LAB 75.99, -71.7, 71.6

 

CMYK 71 / 0 / 83 / 8

HEX #44EA28

RGB 68 234 40

HSL 111.34, 0.82%, 0.54%

LAB 81.96, -73.73, 73.18

 

CMYK 66 / 0 / 77 / 1

HEX #55FC3B

RGB 85 252 59

HSL 111.92, 0.97%, 0.61%

LAB 87.9, -75.22, 73.75

 

CMYK 60 / 0 / 69 / 0

HEX #66FF4E

RGB 102 255 78

HSL 111.86, 1%, 0.65%

LAB 89.34, -71.38, 69.05

 

CMYK 85 / 0 / 96 / 22

HEX #1DC607

RGB 29 198 7

HSL 113.09, 0.93%, 0.4%

LAB 69.94, -69.42, 68.22

 

CMYK 93 / 0 / 100 / 29

HEX #0CB400

RGB 12 180 0

HSL 116, 1%, 0.35%

LAB 63.93, -65.77, 64.12

 

CMYK 100 / 0 / 100 / 36

HEX #00A200

RGB 0 162 0

HSL 120, 1%, 0.32%

LAB 57.89, -61.38, 59.24

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 86 / 0 / 96 / 23

HEX #1CC407

RGB 28 196 7

HSL 113.33, 0.93%, 0.4%

LAB 69.29, -68.95, 67.68

 

CMYK 59 / 0 / 96 / 23

HEX #50C407

RGB 80 196 7

HSL 96.83, 0.93%, 0.4%

LAB 70.32, -60.08, 68.94

 

CMYK 33 / 0 / 96 / 23

HEX #83C407

RGB 131 196 7

HSL 80.63, 0.93%, 0.4%

LAB 72.44, -44.07, 71.54

 

CMYK 7 / 0 / 96 / 23

HEX #B6C407

RGB 182 196 7

HSL 64.44, 0.93%, 0.4%

LAB 75.72, -23.6, 75.49

 

CMYK 0 / 18 / 96 / 23

HEX #C4A007

RGB 196 160 7

HSL 48.57, 0.93%, 0.4%

LAB 67.2, 1.05, 69.7

 

CMYK 86 / 0 / 96 / 23

HEX #1CC407

RGB 28 196 7

HSL 113.33, 0.93%, 0.4%

LAB 69.29, -68.95, 67.68

 

CMYK 96 / 0 / 82 / 23

HEX #07C424

RGB 7 196 36

HSL 129.21, 0.93%, 0.4%

LAB 69.22, -69.22, 62.27

 

CMYK 96 / 0 / 56 / 23

HEX #07C457

RGB 7 196 87

HSL 145.4, 0.93%, 0.4%

LAB 69.62, -64.18, 42.87

 

CMYK 96 / 0 / 30 / 23

HEX #07C48A

RGB 7 196 138

HSL 161.59, 0.93%, 0.4%

LAB 70.43, -54.69, 17.81

 

CMYK 96 / 0 / 4 / 23

HEX #07C4BD

RGB 7 196 189

HSL 177.78, 0.93%, 0.4%

LAB 71.69, -41.32, -8.05

 

CMYK 86 / 0 / 96 / 23

HEX #1CC407

RGB 28 196 7

HSL 113.33, 0.93%, 0.4%

LAB 69.29, -68.95, 67.68

 

CMYK 86 / 0 / 96 / 23

HEX #1CC407

RGB 28 196 7

HSL 113.33, 0.93%, 0.4%

LAB 69.29, -68.95, 67.68

 

CMYK 77 / 0 / 87 / 29

HEX #29B417

RGB 41 180 23

HSL 113.12, 0.77%, 0.4%

LAB 64.3, -62.28, 61.11

 

CMYK 67 / 0 / 75 / 36

HEX #36A328

RGB 54 163 40

HSL 113.17, 0.61%, 0.4%

LAB 59.1, -53.48, 51.5

 

CMYK 54 / 0 / 62 / 42

HEX #439338

RGB 67 147 56

HSL 112.75, 0.45%, 0.4%

LAB 54.39, -42.78, 39.95

 

CMYK 39 / 0 / 44 / 49

HEX #4F8249

RGB 79 130 73

HSL 113.68, 0.28%, 0.4%

LAB 49.63, -29.22, 25.57

 

CMYK 34 / 0 / 96 / 23

HEX #82C407

RGB 130 196 7

HSL 80.95, 0.93%, 0.4%

LAB 72.39, -44.44, 71.47

 

CMYK 60 / 0 / 96 / 23

HEX #4FC407

RGB 79 196 7

HSL 97.14, 0.93%, 0.4%

LAB 70.29, -60.33, 68.91

 

CMYK 85 / 0 / 96 / 23

HEX #1DC407

RGB 29 196 7

HSL 113.02, 0.93%, 0.4%

LAB 69.3, -68.85, 67.69

 

CMYK 96 / 0 / 82 / 23

HEX #07C423

RGB 7 196 35

HSL 128.89, 0.93%, 0.4%

LAB 69.22, -69.27, 62.53

 

CMYK 96 / 0 / 56 / 23

HEX #07C456

RGB 7 196 86

HSL 145.08, 0.93%, 0.4%

LAB 69.61, -64.32, 43.33

 

CMYK 85 / 0 / 97 / 54

HEX #117504

RGB 17 117 4

HSL 113.1, 0.93%, 0.24%

LAB 42.54, -46.65, 46.07

 

CMYK 85 / 0 / 97 / 38

HEX #179D05

RGB 23 157 5

HSL 112.89, 0.94%, 0.32%

LAB 56.39, -58.2, 57.35

 

CMYK 86 / 0 / 96 / 23

HEX #1CC407

RGB 28 196 7

HSL 113.33, 0.93%, 0.4%

LAB 69.29, -68.95, 67.68

 

CMYK 86 / 0 / 97 / 7

HEX #22EC08

RGB 34 236 8

HSL 113.16, 0.93%, 0.48%

LAB 82.03, -79.48, 78

 

CMYK 74 / 0 / 84 / 3

HEX #3FF727

RGB 63 247 39

HSL 113.08, 0.93%, 0.56%

LAB 85.87, -78.41, 76.87

 

CMYK 85 / 0 / 96 / 22

HEX #1DC607

RGB 29 198 7

HSL 113.09, 0.93%, 0.4%

LAB 69.94, -69.42, 68.22

 

CMYK 96 / 8 / 0 / 23

HEX #07B5C4

RGB 7 181 196

HSL 184.76, 0.93%, 0.4%

LAB 67.34, -32.25, -18.43

 

CMYK 0 / 96 / 46 / 23

HEX #C40769

RGB 196 7 105

HSL 328.89, 0.93%, 0.4%

LAB 42.62, 69.33, -1.1

 

CMYK 85 / 0 / 96 / 22

HEX #1DC607

RGB 29 198 7

HSL 113.09, 0.93%, 0.4%

LAB 69.94, -69.42, 68.22

 

CMYK 96 / 85 / 0 / 23

HEX #071DC4

RGB 7 29 196

HSL 233.02, 0.93%, 0.4%

LAB 26.48, 56.76, -83.72

 

CMYK 0 / 96 / 85 / 23

HEX #C4071D

RGB 196 7 29

HSL 353.02, 0.93%, 0.4%

LAB 41.18, 65.4, 43.63

 

CMYK 85 / 0 / 96 / 22

HEX #1DC607

RGB 29 198 7

HSL 113.09, 0.93%, 0.4%

LAB 69.94, -69.42, 68.22

 

CMYK 96 / 8 / 0 / 23

HEX #07B5C4

RGB 7 181 196

HSL 184.76, 0.93%, 0.4%

LAB 67.34, -32.25, -18.43

 

CMYK 11 / 96 / 0 / 23

HEX #AE07C4

RGB 174 7 196

HSL 293.02, 0.93%, 0.4%

LAB 42.97, 76.51, -55.97

 

CMYK 0 / 89 / 96 / 23

HEX #C41607

RGB 196 22 7

HSL 4.76, 0.93%, 0.4%

LAB 41.73, 63.16, 53.09

 

CMYK 85 / 0 / 96 / 22

HEX #1DC607

RGB 29 198 7

HSL 113.09, 0.93%, 0.4%

LAB 69.94, -69.42, 68.22

 

CMYK 96 / 37 / 0 / 23

HEX #077CC4

RGB 7 124 196

HSL 202.86, 0.93%, 0.4%

LAB 50.03, -1.49, -45.31

 

CMYK 11 / 96 / 0 / 23

HEX #AE07C4

RGB 174 7 196

HSL 293.02, 0.93%, 0.4%

LAB 42.97, 76.51, -55.97

 

CMYK 0 / 60 / 96 / 23

HEX #C44F07

RGB 196 79 7

HSL 22.86, 0.93%, 0.4%

LAB 48.69, 44.07, 57.07

 

Description

Color code: HEX #1DC607 | qconv.com Color code: HEX #1DC607 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 198 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 198 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 96 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 96% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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