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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DBE7A it is the complementary color #E24185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DBE7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DBE7A shade: #22BE75, #33D088, #44E29B, #55F4AE and #66FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DBE7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DBE7A shade: #1DBE7A, #0CAC67, #009A54, #008841 and #00762E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DBE7A shade: #1CBE7A, #1CBE4E, #1CBE22, #42BE1C and #6DBE1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DBE7A shade: #1CBE7A, #1CBEA6, #1CABBE, #1C80BE and #1C54BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DBE7A shade matches the following richer shades: #1CBE7A and #0AD07D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DBE7A shade: #1CBE7A, #2EAD77, #3F9B74, #518971 and #63776F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DBE7A shade: #1CBE21, #1CBE4D, #1CBE78, #1CBEA3 and #1CAEBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DBE7A shade: #11774C, #179A63, #1CBE7A, #25DE90 and #49E3A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DBE7A shade: #1DBE7A, #1C42BE and #BE371C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DBE7A shade: #1DBE7A, #781CBE and #BE781C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DBE7A shade: #1DBE7A, #1C42BE, #BE1C62 and #BE981C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DBE7A shade: #1DBE7A, #271CBE, #BE1C62 and #B3BE1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 36 / 25

HEX #1DBE7A

RGB 29 190 122

HSL 154.66, 0.74%, 0.43%

LAB 68.38, -54.72, 23.58

 

Complementary color

CMYK 0 / 71 / 41 / 11

HEX #E24185

RGB 226 65 133

HSL 334.66, 0.74%, 0.57%

LAB 53.65, 66.48, -1.39

 

CMYK 82 / 0 / 38 / 25

HEX #22BE75

RGB 34 190 117

HSL 151.92, 0.7%, 0.44%

LAB 68.35, -55.28, 26.19

 

CMYK 75 / 0 / 35 / 18

HEX #33D088

RGB 51 208 136

HSL 152.48, 0.63%, 0.51%

LAB 74.57, -56.25, 24.6

 

CMYK 70 / 0 / 31 / 11

HEX #44E29B

RGB 68 226 155

HSL 153.04, 0.73%, 0.58%

LAB 80.73, -56.88, 23.14

 

CMYK 65 / 0 / 29 / 4

HEX #55F4AE

RGB 85 244 174

HSL 153.58, 0.88%, 0.65%

LAB 86.84, -57.28, 21.8

 

CMYK 60 / 0 / 24 / 0

HEX #66FFC1

RGB 102 255 193

HSL 155.69, 1%, 0.7%

LAB 90.87, -54.7, 17.72

 

CMYK 85 / 0 / 36 / 25

HEX #1DBE7A

RGB 29 190 122

HSL 154.66, 0.74%, 0.43%

LAB 68.38, -54.72, 23.58

 

CMYK 93 / 0 / 40 / 33

HEX #0CAC67

RGB 12 172 103

HSL 154.13, 0.87%, 0.36%

LAB 62.14, -53.15, 25.33

 

CMYK 100 / 0 / 45 / 40

HEX #009A54

RGB 0 154 84

HSL 152.73, 1%, 0.3%

LAB 55.84, -51.01, 27.23

 

CMYK 100 / 0 / 52 / 47

HEX #008841

RGB 0 136 65

HSL 148.68, 1%, 0.27%

LAB 49.48, -48.13, 29.28

 

CMYK 100 / 0 / 61 / 54

HEX #00762E

RGB 0 118 46

HSL 143.39, 1%, 0.23%

LAB 42.99, -44.99, 31.28

 

CMYK 85 / 0 / 36 / 25

HEX #1CBE7A

RGB 28 190 122

HSL 154.81, 0.74%, 0.43%

LAB 68.37, -54.8, 23.56

 

CMYK 85 / 0 / 59 / 25

HEX #1CBE4E

RGB 28 190 78

HSL 138.52, 0.74%, 0.43%

LAB 67.74, -62.24, 44.9

 

CMYK 85 / 0 / 82 / 25

HEX #1CBE22

RGB 28 190 34

HSL 122.22, 0.74%, 0.43%

LAB 67.42, -66.28, 61.19

 

CMYK 65 / 0 / 85 / 25

HEX #42BE1C

RGB 66 190 28

HSL 105.93, 0.74%, 0.43%

LAB 68.07, -60.73, 63.53

 

CMYK 43 / 0 / 85 / 25

HEX #6DBE1C

RGB 109 190 28

HSL 90, 0.74%, 0.43%

LAB 69.58, -48.84, 65.44

 

CMYK 85 / 0 / 36 / 25

HEX #1CBE7A

RGB 28 190 122

HSL 154.81, 0.74%, 0.43%

LAB 68.37, -54.8, 23.56

 

CMYK 85 / 0 / 13 / 25

HEX #1CBEA6

RGB 28 190 166

HSL 171.11, 0.74%, 0.43%

LAB 69.35, -44.23, 1.09

 

CMYK 85 / 10 / 0 / 25

HEX #1CABBE

RGB 28 171 190

HSL 187.04, 0.74%, 0.43%

LAB 64.23, -28.34, -19.8

 

CMYK 85 / 33 / 0 / 25

HEX #1C80BE

RGB 28 128 190

HSL 202.96, 0.74%, 0.43%

LAB 51.16, -5.06, -40.08

 

CMYK 85 / 56 / 0 / 25

HEX #1C54BE

RGB 28 84 190

HSL 219.26, 0.74%, 0.43%

LAB 38.38, 22.82, -60.56

 

CMYK 85 / 0 / 36 / 25

HEX #1CBE7A

RGB 28 190 122

HSL 154.81, 0.74%, 0.43%

LAB 68.37, -54.8, 23.56

 

CMYK 95 / 0 / 40 / 18

HEX #0AD07D

RGB 10 208 125

HSL 154.85, 0.91%, 0.43%

LAB 73.97, -61.64, 29.44

 

CMYK 85 / 0 / 36 / 25

HEX #1CBE7A

RGB 28 190 122

HSL 154.81, 0.74%, 0.43%

LAB 68.37, -54.8, 23.56

 

CMYK 73 / 0 / 31 / 32

HEX #2EAD77

RGB 46 173 119

HSL 154.49, 0.58%, 0.43%

LAB 63.18, -46.89, 18.15

 

CMYK 59 / 0 / 25 / 39

HEX #3F9B74

RGB 63 155 116

HSL 154.57, 0.42%, 0.43%

LAB 57.81, -36.85, 12.44

 

CMYK 41 / 0 / 18 / 46

HEX #518971

RGB 81 137 113

HSL 154.29, 0.26%, 0.43%

LAB 52.77, -24.3, 7.12

 

CMYK 17 / 0 / 7 / 53

HEX #63776F

RGB 99 119 111

HSL 156, 0.09%, 0.43%

LAB 48.25, -9.1, 1.94

 

CMYK 85 / 0 / 83 / 25

HEX #1CBE21

RGB 28 190 33

HSL 121.85, 0.74%, 0.43%

LAB 67.41, -66.34, 61.45

 

CMYK 85 / 0 / 59 / 25

HEX #1CBE4D

RGB 28 190 77

HSL 138.15, 0.74%, 0.43%

LAB 67.73, -62.37, 45.35

 

CMYK 85 / 0 / 37 / 25

HEX #1CBE78

RGB 28 190 120

HSL 154.07, 0.74%, 0.43%

LAB 68.34, -55.21, 24.57

 

CMYK 85 / 0 / 14 / 25

HEX #1CBEA3

RGB 28 190 163

HSL 170, 0.74%, 0.43%

LAB 69.27, -45.04, 2.62

 

CMYK 85 / 8 / 0 / 25

HEX #1CAEBE

RGB 28 174 190

HSL 185.93, 0.74%, 0.43%

LAB 65.15, -29.81, -18.41

 

CMYK 86 / 0 / 36 / 53

HEX #11774C

RGB 17 119 76

HSL 154.71, 0.75%, 0.27%

LAB 43.99, -38.27, 16.06

 

CMYK 85 / 0 / 36 / 40

HEX #179A63

RGB 23 154 99

HSL 154.81, 0.74%, 0.35%

LAB 56.28, -46.49, 19.69

 

CMYK 85 / 0 / 36 / 25

HEX #1CBE7A

RGB 28 190 122

HSL 154.81, 0.74%, 0.43%

LAB 68.37, -54.8, 23.56

 

CMYK 83 / 0 / 35 / 13

HEX #25DE90

RGB 37 222 144

HSL 154.7, 0.74%, 0.51%

LAB 78.84, -61.25, 26.18

 

CMYK 68 / 0 / 29 / 11

HEX #49E3A2

RGB 73 227 162

HSL 154.68, 0.73%, 0.59%

LAB 81.27, -55.05, 20.26

 

CMYK 85 / 0 / 36 / 25

HEX #1DBE7A

RGB 29 190 122

HSL 154.66, 0.74%, 0.43%

LAB 68.38, -54.72, 23.58

 

CMYK 85 / 65 / 0 / 25

HEX #1C42BE

RGB 28 66 190

HSL 225.93, 0.74%, 0.43%

LAB 33.69, 34.69, -68.23

 

CMYK 0 / 71 / 85 / 25

HEX #BE371C

RGB 190 55 28

HSL 10, 0.74%, 0.43%

LAB 43.89, 52.57, 46.02

 

CMYK 85 / 0 / 36 / 25

HEX #1DBE7A

RGB 29 190 122

HSL 154.66, 0.74%, 0.43%

LAB 68.38, -54.72, 23.58

 

CMYK 37 / 85 / 0 / 25

HEX #781CBE

RGB 120 28 190

HSL 274.07, 0.74%, 0.43%

LAB 35.09, 64.01, -65.65

 

CMYK 0 / 37 / 85 / 25

HEX #BE781C

RGB 190 120 28

HSL 34.07, 0.74%, 0.43%

LAB 56.55, 20.62, 56.79

 

CMYK 85 / 0 / 36 / 25

HEX #1DBE7A

RGB 29 190 122

HSL 154.66, 0.74%, 0.43%

LAB 68.38, -54.72, 23.58

 

CMYK 85 / 65 / 0 / 25

HEX #1C42BE

RGB 28 66 190

HSL 225.93, 0.74%, 0.43%

LAB 33.69, 34.69, -68.23

 

CMYK 0 / 85 / 48 / 25

HEX #BE1C62

RGB 190 28 98

HSL 334.07, 0.74%, 0.43%

LAB 42.25, 64.33, 2.6

 

CMYK 0 / 20 / 85 / 25

HEX #BE981C

RGB 190 152 28

HSL 45.93, 0.74%, 0.43%

LAB 64.55, 3.04, 63.46

 

CMYK 85 / 0 / 36 / 25

HEX #1DBE7A

RGB 29 190 122

HSL 154.66, 0.74%, 0.43%

LAB 68.38, -54.72, 23.58

 

CMYK 79 / 85 / 0 / 25

HEX #271CBE

RGB 39 28 190

HSL 244.07, 0.74%, 0.43%

LAB 26.68, 56.31, -79.81

 

CMYK 0 / 85 / 48 / 25

HEX #BE1C62

RGB 190 28 98

HSL 334.07, 0.74%, 0.43%

LAB 42.25, 64.33, 2.6

 

CMYK 6 / 0 / 85 / 25

HEX #B3BE1C

RGB 179 190 28

HSL 64.07, 0.74%, 0.43%

LAB 73.87, -21.57, 70.79

 

Description

Color code: HEX #1DBE7A | qconv.com Color code: HEX #1DBE7A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 190 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 190 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 36 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 36% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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