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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DA17D it is the complementary color #E25E82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DA17D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DA17D shade: #22A178, #33B38B, #44C59E, #55D7B1 and #66E9C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DA17D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DA17D shade: #1DA17D, #0C8F6A, #007D57, #006B44 and #005931

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DA17D shade: #1D9F7B, #1D9F58, #1D9F35, #279F1D and #4A9F1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DA17D shade: #1D9F7B, #1D9F9F, #1D7C9F, #1D599F and #1D369F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DA17D shade matches the following richer shades: #1D9F7B and #0DAE82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DA17D shade: #1D9F7B, #2C9075, #3B806E, #4B7167 and #5A6260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DA17D shade: #1D9F35, #1D9F57, #1D9F7A, #1D9F9D and #1D7E9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DA17D shade: #105945, #167C60, #1D9F7B, #23C297 and #35D9AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DA17D shade: #1DA17D, #1D289F and #9F461D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DA17D shade: #1DA17D, #7A1D9F and #9F7A1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DA17D shade: #1DA17D, #1D289F, #9F1D42 and #9F941D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DA17D shade: #1DA17D, #391D9F, #9F1D42 and #839F1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 22 / 37

HEX #1DA17D

RGB 29 161 125

HSL 163.64, 0.69%, 0.37%

LAB 59.19, -42.63, 9.22

 

Complementary color

CMYK 0 / 58 / 42 / 11

HEX #E25E82

RGB 226 94 130

HSL 343.64, 0.69%, 0.63%

LAB 57.83, 54.55, 6.45

 

CMYK 79 / 0 / 25 / 37

HEX #22A178

RGB 34 161 120

HSL 160.63, 0.65%, 0.38%

LAB 59.15, -43.33, 11.97

 

CMYK 72 / 0 / 22 / 30

HEX #33B38B

RGB 51 179 139

HSL 161.25, 0.56%, 0.45%

LAB 65.6, -44.05, 10.58

 

CMYK 65 / 0 / 20 / 23

HEX #44C59E

RGB 68 197 158

HSL 161.86, 0.53%, 0.52%

LAB 71.98, -44.48, 9.33

 

CMYK 60 / 0 / 18 / 16

HEX #55D7B1

RGB 85 215 177

HSL 162.46, 0.62%, 0.59%

LAB 78.29, -44.72, 8.2

 

CMYK 56 / 0 / 16 / 9

HEX #66E9C4

RGB 102 233 196

HSL 163.05, 0.75%, 0.66%

LAB 84.53, -44.83, 7.17

 

CMYK 82 / 0 / 22 / 37

HEX #1DA17D

RGB 29 161 125

HSL 163.64, 0.69%, 0.37%

LAB 59.19, -42.63, 9.22

 

CMYK 92 / 0 / 26 / 44

HEX #0C8F6A

RGB 12 143 106

HSL 163.05, 0.85%, 0.3%

LAB 52.69, -41.3, 10.78

 

CMYK 100 / 0 / 30 / 51

HEX #007D57

RGB 0 125 87

HSL 161.76, 1%, 0.25%

LAB 46.12, -39.4, 12.55

 

CMYK 100 / 0 / 36 / 58

HEX #006B44

RGB 0 107 68

HSL 158.13, 1%, 0.21%

LAB 39.47, -36.72, 14.58

 

CMYK 100 / 0 / 45 / 65

HEX #005931

RGB 0 89 49

HSL 153.03, 1%, 0.17%

LAB 32.63, -33.86, 16.75

 

CMYK 82 / 0 / 23 / 38

HEX #1D9F7B

RGB 29 159 123

HSL 163.38, 0.69%, 0.37%

LAB 58.5, -42.3, 9.36

 

CMYK 82 / 0 / 45 / 38

HEX #1D9F58

RGB 29 159 88

HSL 147.23, 0.69%, 0.37%

LAB 57.81, -49.97, 27.7

 

CMYK 82 / 0 / 67 / 38

HEX #1D9F35

RGB 29 159 53

HSL 131.08, 0.69%, 0.37%

LAB 57.38, -55.11, 44.39

 

CMYK 75 / 0 / 82 / 38

HEX #279F1D

RGB 39 159 29

HSL 115.38, 0.69%, 0.37%

LAB 57.38, -55.71, 53.31

 

CMYK 53 / 0 / 82 / 38

HEX #4A9F1D

RGB 74 159 29

HSL 99.23, 0.69%, 0.37%

LAB 58.36, -47.67, 54.58

 

CMYK 82 / 0 / 23 / 38

HEX #1D9F7B

RGB 29 159 123

HSL 163.38, 0.69%, 0.37%

LAB 58.5, -42.3, 9.36

 

CMYK 82 / 0 / 0 / 38

HEX #1D9F9F

RGB 29 159 159

HSL 180, 0.69%, 0.37%

LAB 59.49, -32.2, -9.55

 

CMYK 82 / 22 / 0 / 38

HEX #1D7C9F

RGB 29 124 159

HSL 196.15, 0.69%, 0.37%

LAB 48.49, -14.07, -26.32

 

CMYK 82 / 44 / 0 / 38

HEX #1D599F

RGB 29 89 159

HSL 212.31, 0.69%, 0.37%

LAB 37.68, 7.29, -43.36

 

CMYK 82 / 66 / 0 / 38

HEX #1D369F

RGB 29 54 159

HSL 228.46, 0.69%, 0.37%

LAB 27.85, 30.87, -59.3

 

CMYK 82 / 0 / 23 / 38

HEX #1D9F7B

RGB 29 159 123

HSL 163.38, 0.69%, 0.37%

LAB 58.5, -42.3, 9.36

 

CMYK 93 / 0 / 25 / 32

HEX #0DAE82

RGB 13 174 130

HSL 163.6, 0.86%, 0.37%

LAB 63.32, -47.84, 12.25

 

CMYK 82 / 0 / 23 / 38

HEX #1D9F7B

RGB 29 159 123

HSL 163.38, 0.69%, 0.37%

LAB 58.5, -42.3, 9.36

 

CMYK 69 / 0 / 19 / 44

HEX #2C9075

RGB 44 144 117

HSL 163.8, 0.53%, 0.37%

LAB 53.78, -35.32, 6.09

 

CMYK 54 / 0 / 14 / 50

HEX #3B806E

RGB 59 128 110

HSL 164.35, 0.37%, 0.37%

LAB 48.88, -26.48, 3.16

 

CMYK 34 / 0 / 9 / 56

HEX #4B7167

RGB 75 113 103

HSL 164.21, 0.2%, 0.37%

LAB 44.64, -15.85, 1.27

 

CMYK 8 / 0 / 2 / 62

HEX #5A6260

RGB 90 98 96

HSL 165, 0.04%, 0.37%

LAB 40.82, -3.53, 0.07

 

CMYK 82 / 0 / 67 / 38

HEX #1D9F35

RGB 29 159 53

HSL 131.08, 0.69%, 0.37%

LAB 57.38, -55.11, 44.39

 

CMYK 82 / 0 / 45 / 38

HEX #1D9F57

RGB 29 159 87

HSL 146.77, 0.69%, 0.37%

LAB 57.79, -50.15, 28.21

 

CMYK 82 / 0 / 23 / 38

HEX #1D9F7A

RGB 29 159 122

HSL 162.92, 0.69%, 0.37%

LAB 58.47, -42.55, 9.89

 

CMYK 82 / 0 / 1 / 38

HEX #1D9F9D

RGB 29 159 157

HSL 179.08, 0.69%, 0.37%

LAB 59.43, -32.81, -8.51

 

CMYK 82 / 21 / 0 / 38

HEX #1D7E9F

RGB 29 126 159

HSL 195.23, 0.69%, 0.37%

LAB 49.11, -15.19, -25.34

 

CMYK 82 / 0 / 22 / 65

HEX #105945

RGB 16 89 69

HSL 163.56, 0.7%, 0.21%

LAB 33.32, -26.99, 5.46

 

CMYK 82 / 0 / 23 / 51

HEX #167C60

RGB 22 124 96

HSL 163.53, 0.7%, 0.29%

LAB 46.22, -34.93, 7.45

 

CMYK 82 / 0 / 23 / 38

HEX #1D9F7B

RGB 29 159 123

HSL 163.38, 0.69%, 0.37%

LAB 58.5, -42.3, 9.36

 

CMYK 82 / 0 / 22 / 24

HEX #23C297

RGB 35 194 151

HSL 163.77, 0.69%, 0.45%

LAB 70.3, -49.2, 10.65

 

CMYK 76 / 0 / 20 / 15

HEX #35D9AD

RGB 53 217 173

HSL 163.9, 0.68%, 0.53%

LAB 78.11, -51.33, 9.98

 

CMYK 82 / 0 / 22 / 37

HEX #1DA17D

RGB 29 161 125

HSL 163.64, 0.69%, 0.37%

LAB 59.19, -42.63, 9.22

 

CMYK 82 / 75 / 0 / 38

HEX #1D289F

RGB 29 40 159

HSL 234.92, 0.69%, 0.37%

LAB 24.58, 39.76, -64.69

 

CMYK 0 / 56 / 82 / 38

HEX #9F461D

RGB 159 70 29

HSL 18.92, 0.69%, 0.37%

LAB 40.96, 34.58, 40.86

 

CMYK 82 / 0 / 22 / 37

HEX #1DA17D

RGB 29 161 125

HSL 163.64, 0.69%, 0.37%

LAB 59.19, -42.63, 9.22

 

CMYK 23 / 82 / 0 / 38

HEX #7A1D9F

RGB 122 29 159

HSL 282.92, 0.69%, 0.37%

LAB 32.96, 57.49, -50.57

 

CMYK 0 / 23 / 82 / 38

HEX #9F7A1D

RGB 159 122 29

HSL 42.92, 0.69%, 0.37%

LAB 53.36, 5.58, 52.25

 

CMYK 82 / 0 / 22 / 37

HEX #1DA17D

RGB 29 161 125

HSL 163.64, 0.69%, 0.37%

LAB 59.19, -42.63, 9.22

 

CMYK 82 / 75 / 0 / 38

HEX #1D289F

RGB 29 40 159

HSL 234.92, 0.69%, 0.37%

LAB 24.58, 39.76, -64.69

 

CMYK 0 / 82 / 58 / 38

HEX #9F1D42

RGB 159 29 66

HSL 342.92, 0.69%, 0.37%

LAB 35.29, 53.39, 12.35

 

CMYK 0 / 7 / 82 / 38

HEX #9F941D

RGB 159 148 29

HSL 54.92, 0.69%, 0.37%

LAB 60.46, -8.75, 58.5

 

CMYK 82 / 0 / 22 / 37

HEX #1DA17D

RGB 29 161 125

HSL 163.64, 0.69%, 0.37%

LAB 59.19, -42.63, 9.22

 

CMYK 64 / 82 / 0 / 38

HEX #391D9F

RGB 57 29 159

HSL 252.92, 0.69%, 0.37%

LAB 24.49, 48.07, -64.78

 

CMYK 0 / 82 / 58 / 38

HEX #9F1D42

RGB 159 29 66

HSL 342.92, 0.69%, 0.37%

LAB 35.29, 53.39, 12.35

 

CMYK 18 / 0 / 82 / 38

HEX #839F1D

RGB 131 159 29

HSL 72.92, 0.69%, 0.37%

LAB 61.4, -26.73, 58.47

 

Description

Color code: HEX #1DA17D | qconv.com Color code: HEX #1DA17D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 161 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 161 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 22 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 22% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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