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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DA83B it is the complementary color #E257C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DA83B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DA83B shade: #22A836, #33BA49, #44CC5C, #55DE6F and #66F082

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DA83B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DA83B shade: #1DA83B, #0C9628, #008415, #007202 and #006000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DA83B shade: #1CAA3B, #24AA1C, #4AAA1C, #70AA1C and #96AA1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DA83B shade: #1CAA3B, #1CAA61, #1CAA87, #1CA6AA and #1C80AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DA83B shade matches the following richer shades: #1CAA3B and #0CBA32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DA83B shade: #1CAA3B, #2C9944, #3D894D, #4D7956 and #5D695F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DA83B shade: #4BAA1C, #26AA1C, #1CAA39, #1CAA5E and #1CAA84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DA83B shade: #106322, #16862F, #1CAA3B, #22CD47 and #3BDD5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DA83B shade: #1DA83B, #1C71AA and #AA1C39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DA83B shade: #1DA83B, #391CAA and #AA391C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DA83B shade: #1DA83B, #1C71AA, #AA1C8D and #AA551C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DA83B shade: #1DA83B, #1C47AA, #AA1C8D and #AA7F1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 65 / 34

HEX #1DA83B

RGB 29 168 59

HSL 132.95, 0.71%, 0.39%

LAB 60.41, -57.37, 45.11

 

Complementary color

CMYK 0 / 62 / 13 / 11

HEX #E257C4

RGB 226 87 196

HSL 312.95, 0.71%, 0.61%

LAB 58.95, 65.89, -30.13

 

CMYK 80 / 0 / 68 / 34

HEX #22A836

RGB 34 168 54

HSL 128.96, 0.66%, 0.4%

LAB 60.44, -57.31, 47.31

 

CMYK 73 / 0 / 61 / 27

HEX #33BA49

RGB 51 186 73

HSL 129.78, 0.57%, 0.46%

LAB 66.75, -58.66, 46.12

 

CMYK 67 / 0 / 55 / 20

HEX #44CC5C

RGB 68 204 92

HSL 130.59, 0.57%, 0.53%

LAB 73.02, -59.49, 44.77

 

CMYK 62 / 0 / 50 / 13

HEX #55DE6F

RGB 85 222 111

HSL 131.39, 0.67%, 0.6%

LAB 79.23, -59.97, 43.38

 

CMYK 58 / 0 / 46 / 6

HEX #66F082

RGB 102 240 130

HSL 132.17, 0.82%, 0.67%

LAB 85.38, -60.22, 42.02

 

CMYK 83 / 0 / 65 / 34

HEX #1DA83B

RGB 29 168 59

HSL 132.95, 0.71%, 0.39%

LAB 60.41, -57.37, 45.11

 

CMYK 92 / 0 / 73 / 41

HEX #0C9628

RGB 12 150 40

HSL 132.17, 0.85%, 0.32%

LAB 54.07, -55.17, 46.18

 

CMYK 100 / 0 / 84 / 48

HEX #008415

RGB 0 132 21

HSL 129.55, 1%, 0.26%

LAB 47.7, -51.96, 46.45

 

CMYK 100 / 0 / 98 / 55

HEX #007202

RGB 0 114 2

HSL 121.05, 1%, 0.22%

LAB 41.28, -47.49, 45.43

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 84 / 0 / 65 / 33

HEX #1CAA3B

RGB 28 170 59

HSL 133.1, 0.72%, 0.39%

LAB 61.06, -58.13, 45.83

 

CMYK 79 / 0 / 84 / 33

HEX #24AA1C

RGB 36 170 28

HSL 116.62, 0.72%, 0.39%

LAB 60.97, -59.68, 56.89

 

CMYK 56 / 0 / 84 / 33

HEX #4AAA1C

RGB 74 170 28

HSL 100.56, 0.72%, 0.39%

LAB 61.9, -51.84, 58.09

 

CMYK 34 / 0 / 84 / 33

HEX #70AA1C

RGB 112 170 28

HSL 84.51, 0.72%, 0.39%

LAB 63.57, -39.44, 60.22

 

CMYK 12 / 0 / 84 / 33

HEX #96AA1C

RGB 150 170 28

HSL 68.45, 0.72%, 0.39%

LAB 65.99, -24.09, 63.27

 

CMYK 84 / 0 / 65 / 33

HEX #1CAA3B

RGB 28 170 59

HSL 133.1, 0.72%, 0.39%

LAB 61.06, -58.13, 45.83

 

CMYK 84 / 0 / 43 / 33

HEX #1CAA61

RGB 28 170 97

HSL 149.15, 0.72%, 0.39%

LAB 61.53, -52.42, 27.75

 

CMYK 84 / 0 / 21 / 33

HEX #1CAA87

RGB 28 170 135

HSL 165.21, 0.72%, 0.39%

LAB 62.29, -43.95, 8.04

 

CMYK 84 / 2 / 0 / 33

HEX #1CA6AA

RGB 28 166 170

HSL 181.69, 0.72%, 0.39%

LAB 62.02, -32.24, -11.97

 

CMYK 84 / 25 / 0 / 33

HEX #1C80AA

RGB 28 128 170

HSL 197.75, 0.72%, 0.39%

LAB 50.2, -12.45, -30.05

 

CMYK 84 / 0 / 65 / 33

HEX #1CAA3B

RGB 28 170 59

HSL 133.1, 0.72%, 0.39%

LAB 61.06, -58.13, 45.83

 

CMYK 94 / 0 / 73 / 27

HEX #0CBA32

RGB 12 186 50

HSL 133.1, 0.88%, 0.39%

LAB 66.08, -65.14, 54.75

 

CMYK 84 / 0 / 65 / 33

HEX #1CAA3B

RGB 28 170 59

HSL 133.1, 0.72%, 0.39%

LAB 61.06, -58.13, 45.83

 

CMYK 71 / 0 / 56 / 40

HEX #2C9944

RGB 44 153 68

HSL 133.21, 0.55%, 0.39%

LAB 55.82, -48.87, 35.63

 

CMYK 55 / 0 / 44 / 46

HEX #3D894D

RGB 61 137 77

HSL 132.63, 0.38%, 0.39%

LAB 51.17, -37.26, 25.2

 

CMYK 36 / 0 / 29 / 53

HEX #4D7956

RGB 77 121 86

HSL 132.27, 0.22%, 0.39%

LAB 46.88, -23.16, 14.51

 

CMYK 11 / 0 / 10 / 59

HEX #5D695F

RGB 93 105 95

HSL 130, 0.06%, 0.39%

LAB 43.15, -6.71, 4.07

 

CMYK 56 / 0 / 84 / 33

HEX #4BAA1C

RGB 75 170 28

HSL 100.14, 0.72%, 0.39%

LAB 61.94, -51.56, 58.14

 

CMYK 78 / 0 / 84 / 33

HEX #26AA1C

RGB 38 170 28

HSL 115.77, 0.72%, 0.39%

LAB 61, -59.4, 56.93

 

CMYK 84 / 0 / 66 / 33

HEX #1CAA39

RGB 28 170 57

HSL 132.25, 0.72%, 0.39%

LAB 61.04, -58.35, 46.67

 

CMYK 84 / 0 / 45 / 33

HEX #1CAA5E

RGB 28 170 94

HSL 147.89, 0.72%, 0.39%

LAB 61.49, -52.97, 29.27

 

CMYK 84 / 0 / 22 / 33

HEX #1CAA84

RGB 28 170 132

HSL 163.94, 0.72%, 0.39%

LAB 62.22, -44.71, 9.61

 

CMYK 84 / 0 / 66 / 61

HEX #106322

RGB 16 99 34

HSL 133.01, 0.72%, 0.23%

LAB 36.27, -38.4, 29.6

 

CMYK 84 / 0 / 65 / 47

HEX #16862F

RGB 22 134 47

HSL 133.39, 0.72%, 0.31%

LAB 48.79, -48.31, 37.52

 

CMYK 84 / 0 / 65 / 33

HEX #1CAA3B

RGB 28 170 59

HSL 133.1, 0.72%, 0.39%

LAB 61.06, -58.13, 45.83

 

CMYK 83 / 0 / 65 / 20

HEX #22CD47

RGB 34 205 71

HSL 132.98, 0.72%, 0.47%

LAB 72.53, -67.22, 53.42

 

CMYK 73 / 0 / 57 / 13

HEX #3BDD5E

RGB 59 221 94

HSL 132.96, 0.7%, 0.55%

LAB 78.14, -66.56, 49.88

 

CMYK 83 / 0 / 65 / 34

HEX #1DA83B

RGB 29 168 59

HSL 132.95, 0.71%, 0.39%

LAB 60.41, -57.37, 45.11

 

CMYK 84 / 34 / 0 / 33

HEX #1C71AA

RGB 28 113 170

HSL 204.08, 0.72%, 0.39%

LAB 45.58, -3.65, -37.31

 

CMYK 0 / 84 / 66 / 33

HEX #AA1C39

RGB 170 28 57

HSL 347.75, 0.72%, 0.39%

LAB 37.25, 56.18, 21.14

 

CMYK 83 / 0 / 65 / 34

HEX #1DA83B

RGB 29 168 59

HSL 132.95, 0.71%, 0.39%

LAB 60.41, -57.37, 45.11

 

CMYK 66 / 84 / 0 / 33

HEX #391CAA

RGB 57 28 170

HSL 252.25, 0.72%, 0.39%

LAB 25.57, 51.69, -69.66

 

CMYK 0 / 66 / 84 / 33

HEX #AA391C

RGB 170 57 28

HSL 12.25, 0.72%, 0.39%

LAB 40.5, 44.91, 41.6

 

CMYK 83 / 0 / 65 / 34

HEX #1DA83B

RGB 29 168 59

HSL 132.95, 0.71%, 0.39%

LAB 60.41, -57.37, 45.11

 

CMYK 84 / 34 / 0 / 33

HEX #1C71AA

RGB 28 113 170

HSL 204.08, 0.72%, 0.39%

LAB 45.58, -3.65, -37.31

 

CMYK 0 / 84 / 17 / 33

HEX #AA1C8D

RGB 170 28 141

HSL 312.25, 0.72%, 0.39%

LAB 40.08, 64.34, -27.76

 

CMYK 0 / 50 / 84 / 33

HEX #AA551C

RGB 170 85 28

HSL 24.08, 0.72%, 0.39%

LAB 45.81, 31.16, 46.41

 

CMYK 83 / 0 / 65 / 34

HEX #1DA83B

RGB 29 168 59

HSL 132.95, 0.71%, 0.39%

LAB 60.41, -57.37, 45.11

 

CMYK 84 / 58 / 0 / 33

HEX #1C47AA

RGB 28 71 170

HSL 221.83, 0.72%, 0.39%

LAB 33.26, 23.64, -57.09

 

CMYK 0 / 84 / 17 / 33

HEX #AA1C8D

RGB 170 28 141

HSL 312.25, 0.72%, 0.39%

LAB 40.08, 64.34, -27.76

 

CMYK 0 / 25 / 84 / 33

HEX #AA7F1C

RGB 170 127 28

HSL 41.83, 0.72%, 0.39%

LAB 55.9, 7.78, 55.28

 

Description

Color code: HEX #1DA83B | qconv.com Color code: HEX #1DA83B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 168 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 168 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 65 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 65% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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