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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DA4A0 it is the complementary color #E25B5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DA4A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DA4A0 shade: #22A49B, #33B6AE, #44C8C1, #55DAD4 and #66ECE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DA4A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DA4A0 shade: #1DA4A0, #0C928D, #00807A, #006E67 and #005C54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DA4A0 shade: #1DA4A0, #1DA47C, #1DA457, #1DA432 and #2BA41D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DA4A0 shade: #1DA4A0, #1D84A4, #1D5FA4, #1D3BA4 and #1D1DA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DA4A0 shade matches the following richer shades: #1DA4A0 and #0DB4AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DA4A0 shade: #1DA4A0, #2C9591, #3C8583, #4C7574 and #5B6665

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DA4A0 shade: #1DA457, #1DA47C, #1DA4A0, #1D85A4 and #1D60A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DA4A0 shade: #105E5C, #16817E, #1DA4A0, #23C7C2 and #38DBD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DA4A0 shade: #1DA4A0, #331DA4 and #A4691D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DA4A0 shade: #1DA4A0, #A01DA4 and #A4A01D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DA4A0 shade: #1DA4A0, #331DA4, #A41D21 and #8EA41D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DA4A0 shade: #1DA4A0, #5C1DA4, #A41D21 and #65A41D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

Complementary color

CMYK 0 / 60 / 58 / 11

HEX #E25B5F

RGB 226 91 95

HSL 358.22, 0.7%, 0.62%

LAB 56.56, 52.87, 25.15

 

CMYK 79 / 0 / 5 / 36

HEX #22A49B

RGB 34 164 155

HSL 175.85, 0.66%, 0.39%

LAB 61.01, -35.27, -5.02

 

CMYK 72 / 0 / 4 / 29

HEX #33B6AE

RGB 51 182 174

HSL 176.34, 0.56%, 0.46%

LAB 67.44, -36.19, -6.07

 

CMYK 66 / 0 / 4 / 22

HEX #44C8C1

RGB 68 200 193

HSL 176.82, 0.55%, 0.53%

LAB 73.8, -36.83, -7.01

 

CMYK 61 / 0 / 3 / 15

HEX #55DAD4

RGB 85 218 212

HSL 177.29, 0.64%, 0.59%

LAB 80.08, -37.28, -7.86

 

CMYK 57 / 0 / 2 / 7

HEX #66ECE7

RGB 102 236 231

HSL 177.76, 0.78%, 0.66%

LAB 86.3, -37.59, -8.65

 

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

CMYK 92 / 0 / 3 / 43

HEX #0C928D

RGB 12 146 141

HSL 177.76, 0.85%, 0.31%

LAB 54.62, -32.75, -6.56

 

CMYK 100 / 0 / 5 / 50

HEX #00807A

RGB 0 128 122

HSL 177.19, 1%, 0.25%

LAB 48.06, -30.77, -5.23

 

CMYK 100 / 0 / 6 / 57

HEX #006E67

RGB 0 110 103

HSL 176.18, 1%, 0.22%

LAB 41.42, -28.17, -3.71

 

CMYK 100 / 0 / 9 / 64

HEX #005C54

RGB 0 92 84

HSL 174.78, 1%, 0.18%

LAB 34.59, -25.51, -2.11

 

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

CMYK 82 / 0 / 24 / 36

HEX #1DA47C

RGB 29 164 124

HSL 162.22, 0.7%, 0.38%

LAB 60.13, -44.13, 11.11

 

CMYK 82 / 0 / 47 / 36

HEX #1DA457

RGB 29 164 87

HSL 145.78, 0.7%, 0.38%

LAB 59.43, -51.96, 30.31

 

CMYK 82 / 0 / 70 / 36

HEX #1DA432

RGB 29 164 50

HSL 129.33, 0.7%, 0.38%

LAB 59.01, -57.04, 47.42

 

CMYK 74 / 0 / 82 / 36

HEX #2BA41D

RGB 43 164 29

HSL 113.78, 0.7%, 0.38%

LAB 59.12, -56.65, 54.96

 

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

CMYK 82 / 20 / 0 / 36

HEX #1D84A4

RGB 29 132 164

HSL 194.22, 0.7%, 0.38%

LAB 51.2, -16.74, -25.02

 

CMYK 82 / 42 / 0 / 36

HEX #1D5FA4

RGB 29 95 164

HSL 210.67, 0.7%, 0.38%

LAB 39.79, 5.37, -42.96

 

CMYK 82 / 64 / 0 / 36

HEX #1D3BA4

RGB 29 59 164

HSL 226.67, 0.7%, 0.38%

LAB 29.59, 29.46, -59.48

 

CMYK 82 / 82 / 0 / 36

HEX #1D1DA4

RGB 29 29 164

HSL 240, 0.7%, 0.38%

LAB 23.07, 47.45, -70.24

 

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

CMYK 93 / 0 / 3 / 29

HEX #0DB4AF

RGB 13 180 175

HSL 178.2, 0.87%, 0.38%

LAB 66.38, -38.09, -8.24

 

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

CMYK 70 / 0 / 3 / 42

HEX #2C9591

RGB 44 149 145

HSL 177.71, 0.54%, 0.38%

LAB 56.16, -29.9, -6.51

 

CMYK 55 / 0 / 2 / 48

HEX #3C8583

RGB 60 133 131

HSL 178.36, 0.38%, 0.38%

LAB 51.12, -23.09, -5.85

 

CMYK 35 / 0 / 1 / 54

HEX #4C7574

RGB 76 117 116

HSL 178.54, 0.21%, 0.38%

LAB 46.34, -14.47, -4.01

 

CMYK 11 / 0 / 1 / 60

HEX #5B6665

RGB 91 102 101

HSL 174.55, 0.06%, 0.38%

LAB 42.26, -4.42, -0.87

 

CMYK 82 / 0 / 47 / 36

HEX #1DA457

RGB 29 164 87

HSL 145.78, 0.7%, 0.38%

LAB 59.43, -51.96, 30.31

 

CMYK 82 / 0 / 24 / 36

HEX #1DA47C

RGB 29 164 124

HSL 162.22, 0.7%, 0.38%

LAB 60.13, -44.13, 11.11

 

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

CMYK 82 / 19 / 0 / 36

HEX #1D85A4

RGB 29 133 164

HSL 193.78, 0.7%, 0.38%

LAB 51.52, -17.29, -24.54

 

CMYK 82 / 41 / 0 / 36

HEX #1D60A4

RGB 29 96 164

HSL 210.22, 0.7%, 0.38%

LAB 40.09, 4.73, -42.48

 

CMYK 83 / 0 / 2 / 63

HEX #105E5C

RGB 16 94 92

HSL 178.46, 0.71%, 0.22%

LAB 35.77, -22.43, -5.33

 

CMYK 83 / 0 / 2 / 49

HEX #16817E

RGB 22 129 126

HSL 178.32, 0.71%, 0.3%

LAB 48.73, -28.55, -6.57

 

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

CMYK 82 / 0 / 3 / 22

HEX #23C7C2

RGB 35 199 194

HSL 178.17, 0.7%, 0.46%

LAB 72.96, -39.8, -8.86

 

CMYK 74 / 0 / 2 / 14

HEX #38DBD7

RGB 56 219 215

HSL 178.53, 0.69%, 0.54%

LAB 79.85, -40.86, -9.88

 

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

CMYK 69 / 82 / 0 / 36

HEX #331DA4

RGB 51 29 164

HSL 249.78, 0.7%, 0.38%

LAB 24.52, 48.98, -67.78

 

CMYK 0 / 36 / 82 / 36

HEX #A4691D

RGB 164 105 29

HSL 33.78, 0.7%, 0.38%

LAB 49.6, 17.51, 49.1

 

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

CMYK 2 / 82 / 0 / 36

HEX #A01DA4

RGB 160 29 164

HSL 298.22, 0.7%, 0.38%

LAB 39.64, 65.49, -42.52

 

CMYK 0 / 2 / 82 / 36

HEX #A4A01D

RGB 164 160 29

HSL 58.22, 0.7%, 0.38%

LAB 64.26, -12.85, 61.96

 

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

CMYK 69 / 82 / 0 / 36

HEX #331DA4

RGB 51 29 164

HSL 249.78, 0.7%, 0.38%

LAB 24.52, 48.98, -67.78

 

CMYK 0 / 82 / 80 / 36

HEX #A41D21

RGB 164 29 33

HSL 358.22, 0.7%, 0.38%

LAB 35.75, 53.13, 33.88

 

CMYK 13 / 0 / 82 / 36

HEX #8EA41D

RGB 142 164 29

HSL 69.78, 0.7%, 0.38%

LAB 63.66, -24.51, 60.76

 

CMYK 82 / 0 / 2 / 36

HEX #1DA4A0

RGB 29 164 160

HSL 178.22, 0.7%, 0.38%

LAB 61.09, -34.26, -7.73

 

CMYK 44 / 82 / 0 / 36

HEX #5C1DA4

RGB 92 29 164

HSL 268, 0.7%, 0.38%

LAB 28.99, 53.76, -60.26

 

CMYK 0 / 82 / 80 / 36

HEX #A41D21

RGB 164 29 33

HSL 358.22, 0.7%, 0.38%

LAB 35.75, 53.13, 33.88

 

CMYK 38 / 0 / 82 / 36

HEX #65A41D

RGB 101 164 29

HSL 88, 0.7%, 0.38%

LAB 61.14, -40.84, 57.55

 

Description

Color code: HEX #1DA4A0 | qconv.com Color code: HEX #1DA4A0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 164 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 164 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 2 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 2% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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