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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D97D0 it is the complementary color #E2682F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D97D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D97D0 shade: #2297CB, #33A9DE, #44BBF1, #55CDFF and #66DFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D97D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D97D0 shade: #1D97D0, #0C85BD, #0073AA, #006197 and #004F84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D97D0 shade: #1C95CE, #1C65CE, #1C35CE, #321CCE and #621CCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D97D0 shade: #1C95CE, #1C65CE, #1C35CE and #1C1CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D97D0 shade matches the following richer shades: #1C95CE and #099CE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D97D0 shade: #1C95CE, #2F8EBB, #4287A8, #558095 and #687A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D97D0 shade: #1CCEA7, #1CC5CE, #1C95CE, #1C66CE and #1C36CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D97D0 shade: #126185, #177BAA, #1C95CE, #30AAE2 and #55B9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D97D0 shade: #1D97D0, #781CCE and #CEBF1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D97D0 shade: #1D97D0, #CE1C95 and #95CE1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D97D0 shade: #1D97D0, #781CCE, #CE541C and #72CE1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D97D0 shade: #1D97D0, #AD1CCE, #CE541C and #3CCE1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 27 / 0 / 18

HEX #1D97D0

RGB 29 151 208

HSL 199.11, 0.76%, 0.46%

LAB 58.93, -11.57, -38.06

 

Complementary color

CMYK 0 / 54 / 79 / 11

HEX #E2682F

RGB 226 104 47

HSL 19.11, 0.76%, 0.54%

LAB 58.3, 44.27, 52.76

 

CMYK 83 / 26 / 0 / 20

HEX #2297CB

RGB 34 151 203

HSL 198.46, 0.71%, 0.46%

LAB 58.77, -12.98, -35.49

 

CMYK 77 / 24 / 0 / 13

HEX #33A9DE

RGB 51 169 222

HSL 198.6, 0.72%, 0.54%

LAB 65.24, -14.59, -35.95

 

CMYK 72 / 22 / 0 / 5

HEX #44BBF1

RGB 68 187 241

HSL 198.73, 0.86%, 0.61%

LAB 71.64, -15.88, -36.35

 

CMYK 67 / 20 / 0 / 0

HEX #55CDFF

RGB 85 205 255

HSL 197.65, 1%, 0.67%

LAB 77.77, -18.46, -34.35

 

CMYK 60 / 13 / 0 / 0

HEX #66DFFF

RGB 102 223 255

HSL 192.55, 1%, 0.7%

LAB 83.35, -24.82, -25.74

 

CMYK 86 / 27 / 0 / 18

HEX #1D97D0

RGB 29 151 208

HSL 199.11, 0.76%, 0.46%

LAB 58.93, -11.57, -38.06

 

CMYK 94 / 30 / 0 / 26

HEX #0C85BD

RGB 12 133 189

HSL 198.98, 0.88%, 0.39%

LAB 52.43, -9.29, -37.52

 

CMYK 100 / 32 / 0 / 33

HEX #0073AA

RGB 0 115 170

HSL 199.41, 1%, 0.33%

LAB 45.86, -6.48, -36.89

 

CMYK 100 / 36 / 0 / 41

HEX #006197

RGB 0 97 151

HSL 201.46, 1%, 0.3%

LAB 39.21, -3.05, -36.15

 

CMYK 100 / 40 / 0 / 48

HEX #004F84

RGB 0 79 132

HSL 204.09, 1%, 0.26%

LAB 32.39, 0.63, -35.45

 

CMYK 86 / 28 / 0 / 19

HEX #1C95CE

RGB 28 149 206

HSL 199.21, 0.76%, 0.46%

LAB 58.22, -11.24, -38.04

 

CMYK 86 / 51 / 0 / 19

HEX #1C65CE

RGB 28 101 206

HSL 215.39, 0.76%, 0.46%

LAB 44.25, 17.95, -60.31

 

CMYK 86 / 74 / 0 / 19

HEX #1C35CE

RGB 28 53 206

HSL 231.57, 0.76%, 0.46%

LAB 32.37, 48.42, -79.76

 

CMYK 76 / 86 / 0 / 19

HEX #321CCE

RGB 50 28 206

HSL 247.42, 0.76%, 0.46%

LAB 29.32, 61.4, -84.78

 

CMYK 52 / 86 / 0 / 19

HEX #621CCE

RGB 98 28 206

HSL 263.6, 0.76%, 0.46%

LAB 33.74, 65.05, -77.33

 

CMYK 86 / 28 / 0 / 19

HEX #1C95CE

RGB 28 149 206

HSL 199.21, 0.76%, 0.46%

LAB 58.22, -11.24, -38.04

 

CMYK 86 / 51 / 0 / 19

HEX #1C65CE

RGB 28 101 206

HSL 215.39, 0.76%, 0.46%

LAB 44.25, 17.95, -60.31

 

CMYK 86 / 74 / 0 / 19

HEX #1C35CE

RGB 28 53 206

HSL 231.57, 0.76%, 0.46%

LAB 32.37, 48.42, -79.76

 

CMYK 86 / 86 / 0 / 19

HEX #1C1CCE

RGB 28 28 206

HSL 240, 0.76%, 0.46%

LAB 28.2, 60.54, -86.68

 

CMYK 86 / 28 / 0 / 19

HEX #1C95CE

RGB 28 149 206

HSL 199.21, 0.76%, 0.46%

LAB 58.22, -11.24, -38.04

 

CMYK 96 / 31 / 0 / 12

HEX #099CE1

RGB 9 156 225

HSL 199.17, 0.92%, 0.46%

LAB 61.02, -9.12, -44.26

 

CMYK 86 / 28 / 0 / 19

HEX #1C95CE

RGB 28 149 206

HSL 199.21, 0.76%, 0.46%

LAB 58.22, -11.24, -38.04

 

CMYK 75 / 24 / 0 / 27

HEX #2F8EBB

RGB 47 142 187

HSL 199.29, 0.6%, 0.46%

LAB 55.62, -12.24, -31.34

 

CMYK 61 / 20 / 0 / 34

HEX #4287A8

RGB 66 135 168

HSL 199.41, 0.44%, 0.46%

LAB 53.29, -11.65, -24.03

 

CMYK 43 / 14 / 0 / 42

HEX #558095

RGB 85 128 149

HSL 199.69, 0.27%, 0.46%

LAB 51.31, -9.03, -15.96

 

CMYK 20 / 6 / 0 / 49

HEX #687A82

RGB 104 122 130

HSL 198.46, 0.11%, 0.46%

LAB 50.07, -4.73, -6.58

 

CMYK 86 / 0 / 19 / 19

HEX #1CCEA7

RGB 28 206 167

HSL 166.85, 0.76%, 0.46%

LAB 74.3, -50.62, 7.71

 

CMYK 86 / 4 / 0 / 19

HEX #1CC5CE

RGB 28 197 206

HSL 183.03, 0.76%, 0.46%

LAB 72.65, -35.79, -15.85

 

CMYK 86 / 28 / 0 / 19

HEX #1C95CE

RGB 28 149 206

HSL 199.21, 0.76%, 0.46%

LAB 58.22, -11.24, -38.04

 

CMYK 86 / 50 / 0 / 19

HEX #1C66CE

RGB 28 102 206

HSL 215.06, 0.76%, 0.46%

LAB 44.53, 17.3, -59.86

 

CMYK 86 / 74 / 0 / 19

HEX #1C36CE

RGB 28 54 206

HSL 231.24, 0.76%, 0.46%

LAB 32.57, 47.85, -79.43

 

CMYK 86 / 27 / 0 / 48

HEX #126185

RGB 18 97 133

HSL 198.78, 0.76%, 0.3%

LAB 38.5, -9.08, -26.39

 

CMYK 86 / 28 / 0 / 33

HEX #177BAA

RGB 23 123 170

HSL 199.18, 0.76%, 0.38%

LAB 48.57, -10, -32.6

 

CMYK 86 / 28 / 0 / 19

HEX #1C95CE

RGB 28 149 206

HSL 199.21, 0.76%, 0.46%

LAB 58.22, -11.24, -38.04

 

CMYK 79 / 25 / 0 / 11

HEX #30AAE2

RGB 48 170 226

HSL 198.88, 0.75%, 0.54%

LAB 65.65, -14.08, -37.52

 

CMYK 63 / 20 / 0 / 9

HEX #55B9E7

RGB 85 185 231

HSL 198.9, 0.75%, 0.62%

LAB 71.14, -15.48, -31.65

 

CMYK 86 / 27 / 0 / 18

HEX #1D97D0

RGB 29 151 208

HSL 199.11, 0.76%, 0.46%

LAB 58.93, -11.57, -38.06

 

CMYK 42 / 86 / 0 / 19

HEX #781CCE

RGB 120 28 206

HSL 271.01, 0.76%, 0.46%

LAB 36.52, 67.52, -72.66

 

CMYK 0 / 7 / 86 / 19

HEX #CEBF1C

RGB 206 191 28

HSL 54.94, 0.76%, 0.46%

LAB 76.36, -10.43, 73.74

 

CMYK 86 / 27 / 0 / 18

HEX #1D97D0

RGB 29 151 208

HSL 199.11, 0.76%, 0.46%

LAB 58.93, -11.57, -38.06

 

CMYK 0 / 86 / 28 / 19

HEX #CE1C95

RGB 206 28 149

HSL 319.21, 0.76%, 0.46%

LAB 47.13, 73.13, -21.14

 

CMYK 28 / 0 / 86 / 19

HEX #95CE1C

RGB 149 206 28

HSL 79.21, 0.76%, 0.46%

LAB 76.45, -41.2, 72.14

 

CMYK 86 / 27 / 0 / 18

HEX #1D97D0

RGB 29 151 208

HSL 199.11, 0.76%, 0.46%

LAB 58.93, -11.57, -38.06

 

CMYK 42 / 86 / 0 / 19

HEX #781CCE

RGB 120 28 206

HSL 271.01, 0.76%, 0.46%

LAB 36.52, 67.52, -72.66

 

CMYK 0 / 59 / 86 / 19

HEX #CE541C

RGB 206 84 28

HSL 18.88, 0.76%, 0.46%

LAB 51.32, 45.79, 53.39

 

CMYK 45 / 0 / 86 / 19

HEX #72CE1C

RGB 114 206 28

HSL 91.01, 0.76%, 0.46%

LAB 74.7, -53.5, 69.96

 

CMYK 86 / 27 / 0 / 18

HEX #1D97D0

RGB 29 151 208

HSL 199.11, 0.76%, 0.46%

LAB 58.93, -11.57, -38.06

 

CMYK 16 / 86 / 0 / 19

HEX #AD1CCE

RGB 173 28 206

HSL 288.88, 0.76%, 0.46%

LAB 44.48, 75.11, -59.34

 

CMYK 0 / 59 / 86 / 19

HEX #CE541C

RGB 206 84 28

HSL 18.88, 0.76%, 0.46%

LAB 51.32, 45.79, 53.39

 

CMYK 71 / 0 / 86 / 19

HEX #3CCE1C

RGB 60 206 28

HSL 109.21, 0.76%, 0.46%

LAB 73.01, -67.02, 67.84

 

Description

Color code: HEX #1D97D0 | qconv.com Color code: HEX #1D97D0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 151 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 151 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 27 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 27% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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