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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D7B36 it is the complementary color #E284C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D7B36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D7B36 shade: #227B31, #338D44, #449F57, #55B16A and #66C37D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D7B36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D7B36 shade: #1D7B36, #0C6923, #005710, #004500 and #003300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D7B36 shade: #1D7B36, #1D7B1D, #367B1D, #507B1D and #6A7B1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D7B36 shade: #1D7B36, #1D7B4F, #1D7B69, #1D747B and #1D5B7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D7B36 shade matches the following richer shades: #1D7B36, #108830 and #04942A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D7B36 shade: #1D7B36, #296F3C, #356341, #425647 and #4E4A4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D7B36 shade: #377B1D, #1E7B1D, #1D7B34, #1D7B4E and #1D7B67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D7B36 shade: #0D3919, #155A27, #1D7B36, #249D44 and #2CBE53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D7B36 shade: #1D7B36, #1D517B and #7B1D2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D7B36 shade: #1D7B36, #341D7B and #7B341D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D7B36 shade: #1D7B36, #1D517B, #7B1D64 and #7B471D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D7B36 shade: #1D7B36, #1D347B, #7B1D64 and #7B641D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 56 / 52

HEX #1D7B36

RGB 29 123 54

HSL 135.96, 0.62%, 0.3%

LAB 45.21, -42.41, 29.89

 

Complementary color

CMYK 0 / 42 / 11 / 11

HEX #E284C9

RGB 226 132 201

HSL 315.96, 0.62%, 0.7%

LAB 67.19, 45.46, -20.29

 

CMYK 72 / 0 / 60 / 52

HEX #227B31

RGB 34 123 49

HSL 130.11, 0.57%, 0.31%

LAB 45.26, -42.25, 32.54

 

CMYK 64 / 0 / 52 / 45

HEX #338D44

RGB 51 141 68

HSL 131.33, 0.47%, 0.38%

LAB 52.03, -42.86, 31.04

 

CMYK 57 / 0 / 45 / 38

HEX #449F57

RGB 68 159 87

HSL 132.53, 0.4%, 0.45%

LAB 58.71, -43.08, 29.56

 

CMYK 52 / 0 / 40 / 31

HEX #55B16A

RGB 85 177 106

HSL 133.7, 0.37%, 0.51%

LAB 65.29, -43.07, 28.17

 

CMYK 48 / 0 / 36 / 24

HEX #66C37D

RGB 102 195 125

HSL 134.84, 0.44%, 0.58%

LAB 71.78, -42.94, 26.87

 

CMYK 76 / 0 / 56 / 52

HEX #1D7B36

RGB 29 123 54

HSL 135.96, 0.62%, 0.3%

LAB 45.21, -42.41, 29.89

 

CMYK 89 / 0 / 67 / 59

HEX #0C6923

RGB 12 105 35

HSL 134.84, 0.79%, 0.23%

LAB 38.38, -40.93, 31.48

 

CMYK 100 / 0 / 82 / 66

HEX #005710

RGB 0 87 16

HSL 131.03, 1%, 0.17%

LAB 31.47, -38.25, 32.57

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 76 / 0 / 56 / 52

HEX #1D7B36

RGB 29 123 54

HSL 135.96, 0.62%, 0.3%

LAB 45.21, -42.41, 29.89

 

CMYK 76 / 0 / 76 / 52

HEX #1D7B1D

RGB 29 123 29

HSL 120, 0.62%, 0.3%

LAB 44.96, -45.39, 41.2

 

CMYK 56 / 0 / 76 / 52

HEX #367B1D

RGB 54 123 29

HSL 104.04, 0.62%, 0.3%

LAB 45.69, -39.48, 42.17

 

CMYK 35 / 0 / 76 / 52

HEX #507B1D

RGB 80 123 29

HSL 87.45, 0.62%, 0.3%

LAB 46.92, -30.45, 43.8

 

CMYK 14 / 0 / 76 / 52

HEX #6A7B1D

RGB 106 123 29

HSL 70.85, 0.62%, 0.3%

LAB 48.66, -19.46, 46.08

 

CMYK 76 / 0 / 56 / 52

HEX #1D7B36

RGB 29 123 54

HSL 135.96, 0.62%, 0.3%

LAB 45.21, -42.41, 29.89

 

CMYK 76 / 0 / 36 / 52

HEX #1D7B4F

RGB 29 123 79

HSL 151.91, 0.62%, 0.3%

LAB 45.62, -37.71, 16.57

 

CMYK 76 / 0 / 15 / 52

HEX #1D7B69

RGB 29 123 105

HSL 168.51, 0.62%, 0.3%

LAB 46.24, -31.14, 2.19

 

CMYK 76 / 6 / 0 / 52

HEX #1D747B

RGB 29 116 123

HSL 184.47, 0.62%, 0.3%

LAB 44.49, -22.16, -11.13

 

CMYK 76 / 26 / 0 / 52

HEX #1D5B7B

RGB 29 91 123

HSL 200.43, 0.62%, 0.3%

LAB 36.32, -8.01, -23.67

 

CMYK 76 / 0 / 56 / 52

HEX #1D7B36

RGB 29 123 54

HSL 135.96, 0.62%, 0.3%

LAB 45.21, -42.41, 29.89

 

CMYK 88 / 0 / 65 / 47

HEX #108830

RGB 16 136 48

HSL 136, 0.79%, 0.3%

LAB 49.41, -49.5, 37.73

 

CMYK 97 / 0 / 72 / 42

HEX #04942A

RGB 4 148 42

HSL 135.83, 0.95%, 0.3%

LAB 53.36, -54.86, 44.62

 

CMYK 76 / 0 / 56 / 52

HEX #1D7B36

RGB 29 123 54

HSL 135.96, 0.62%, 0.3%

LAB 45.21, -42.41, 29.89

 

CMYK 63 / 0 / 46 / 56

HEX #296F3C

RGB 41 111 60

HSL 136.29, 0.46%, 0.3%

LAB 41.48, -34.12, 22.02

 

CMYK 46 / 0 / 34 / 61

HEX #356341

RGB 53 99 65

HSL 135.65, 0.3%, 0.3%

LAB 37.95, -24.14, 14.54

 

CMYK 23 / 0 / 17 / 66

HEX #425647

RGB 66 86 71

HSL 135, 0.13%, 0.3%

LAB 34.54, -11.16, 6.24

 

CMYK 0 / 5 / 1 / 69

HEX #4E4A4D

RGB 78 74 77

HSL 315, 0.03%, 0.3%

LAB 31.93, 2.3, -1.19

 

CMYK 55 / 0 / 76 / 52

HEX #377B1D

RGB 55 123 29

HSL 103.4, 0.62%, 0.3%

LAB 45.73, -39.18, 42.22

 

CMYK 76 / 0 / 76 / 52

HEX #1E7B1D

RGB 30 123 29

HSL 119.36, 0.62%, 0.3%

LAB 44.98, -45.21, 41.23

 

CMYK 76 / 0 / 58 / 52

HEX #1D7B34

RGB 29 123 52

HSL 134.68, 0.62%, 0.3%

LAB 45.19, -42.71, 30.9

 

CMYK 76 / 0 / 37 / 52

HEX #1D7B4E

RGB 29 123 78

HSL 151.28, 0.62%, 0.3%

LAB 45.6, -37.93, 17.12

 

CMYK 76 / 0 / 16 / 52

HEX #1D7B67

RGB 29 123 103

HSL 167.23, 0.62%, 0.3%

LAB 46.19, -31.7, 3.29

 

CMYK 77 / 0 / 56 / 78

HEX #0D3919

RGB 13 57 25

HSL 136.36, 0.63%, 0.14%

LAB 20.37, -23.38, 15.63

 

CMYK 77 / 0 / 57 / 65

HEX #155A27

RGB 21 90 39

HSL 135.65, 0.62%, 0.22%

LAB 33.17, -33.36, 23.31

 

CMYK 76 / 0 / 56 / 52

HEX #1D7B36

RGB 29 123 54

HSL 135.96, 0.62%, 0.3%

LAB 45.21, -42.41, 29.89

 

CMYK 77 / 0 / 57 / 38

HEX #249D44

RGB 36 157 68

HSL 135.87, 0.63%, 0.38%

LAB 56.98, -51.61, 36.98

 

CMYK 77 / 0 / 56 / 25

HEX #2CBE53

RGB 44 190 83

HSL 136.03, 0.62%, 0.46%

LAB 68.01, -59.78, 42.93

 

CMYK 76 / 0 / 56 / 52

HEX #1D7B36

RGB 29 123 54

HSL 135.96, 0.62%, 0.3%

LAB 45.21, -42.41, 29.89

 

CMYK 76 / 34 / 0 / 52

HEX #1D517B

RGB 29 81 123

HSL 206.81, 0.62%, 0.3%

LAB 33.08, -1.74, -28.74

 

CMYK 0 / 76 / 65 / 52

HEX #7B1D2B

RGB 123 29 43

HSL 351.06, 0.62%, 0.3%

LAB 27.47, 40.88, 15.75

 

CMYK 76 / 0 / 56 / 52

HEX #1D7B36

RGB 29 123 54

HSL 135.96, 0.62%, 0.3%

LAB 45.21, -42.41, 29.89

 

CMYK 58 / 76 / 0 / 52

HEX #341D7B

RGB 52 29 123

HSL 254.68, 0.62%, 0.3%

LAB 20.2, 36.55, -49.43

 

CMYK 0 / 58 / 76 / 52

HEX #7B341D

RGB 123 52 29

HSL 14.68, 0.62%, 0.3%

LAB 31.24, 29.36, 29.04

 

CMYK 76 / 0 / 56 / 52

HEX #1D7B36

RGB 29 123 54

HSL 135.96, 0.62%, 0.3%

LAB 45.21, -42.41, 29.89

 

CMYK 76 / 34 / 0 / 52

HEX #1D517B

RGB 29 81 123

HSL 206.81, 0.62%, 0.3%

LAB 33.08, -1.74, -28.74

 

CMYK 0 / 76 / 19 / 52

HEX #7B1D64

RGB 123 29 100

HSL 314.68, 0.62%, 0.3%

LAB 29.44, 47.13, -19.23

 

CMYK 0 / 42 / 76 / 52

HEX #7B471D

RGB 123 71 29

HSL 26.81, 0.62%, 0.3%

LAB 35.61, 18.55, 33.68

 

CMYK 76 / 0 / 56 / 52

HEX #1D7B36

RGB 29 123 54

HSL 135.96, 0.62%, 0.3%

LAB 45.21, -42.41, 29.89

 

CMYK 76 / 58 / 0 / 52

HEX #1D347B

RGB 29 52 123

HSL 225.32, 0.62%, 0.3%

LAB 24.15, 18.07, -43.04

 

CMYK 0 / 76 / 19 / 52

HEX #7B1D64

RGB 123 29 100

HSL 314.68, 0.62%, 0.3%

LAB 29.44, 47.13, -19.23

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

Description

Color code: HEX #1D7B36 | qconv.com Color code: HEX #1D7B36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 123 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 123 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 56 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 56% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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