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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D6C0D it is the complementary color #E293F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D6C0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D6C0D shade: #226C08, #337E1B, #44902E, #55A241 and #66B454

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D6C0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D6C0D shade: #1D6C0D, #0C5A00, #004800, #003600 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D6C0D shade: #1D6D0C, #376D0C, #516D0C, #6B6D0C and #6D550C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D6C0D shade: #1D6D0C, #0C6D16, #0C6D30, #0C6D4A and #0C6D64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D6C0D shade matches the following richer shades: #1D6D0C and #167702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D6C0D shade: #1D6D0C, #236316, #2A5920, #304F2A and #374534

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D6C0D shade: #526D0C, #386D0C, #1E6D0C, #0C6D14 and #0C6D2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D6C0D shade: #092304, #134808, #1D6D0C, #269211 and #30B715

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D6C0D shade: #1D6C0D, #0C6B6D and #6D0C45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D6C0D shade: #1D6C0D, #0C1E6D and #6D0C1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D6C0D shade: #1D6C0D, #0C6B6D, #5B0C6D and #6D0E0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D6C0D shade: #1D6C0D, #0C4E6D, #5B0C6D and #6D2B0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 88 / 58

HEX #1D6C0D

RGB 29 108 13

HSL 109.89, 0.79%, 0.24%

LAB 39.61, -41.24, 41.45

 

Complementary color

CMYK 7 / 39 / 0 / 5

HEX #E293F2

RGB 226 147 242

HSL 289.89, 0.79%, 0.76%

LAB 71.86, 44.98, -35.76

 

CMYK 69 / 0 / 93 / 58

HEX #226C08

RGB 34 108 8

HSL 104.4, 0.86%, 0.23%

LAB 39.72, -40.36, 42.87

 

CMYK 60 / 0 / 79 / 51

HEX #337E1B

RGB 51 126 27

HSL 105.45, 0.65%, 0.3%

LAB 46.58, -41.66, 43.76

 

CMYK 53 / 0 / 68 / 44

HEX #44902E

RGB 68 144 46

HSL 106.53, 0.52%, 0.37%

LAB 53.36, -42.32, 43.33

 

CMYK 48 / 0 / 60 / 36

HEX #55A241

RGB 85 162 65

HSL 107.63, 0.43%, 0.45%

LAB 60.03, -42.6, 42.36

 

CMYK 43 / 0 / 53 / 29

HEX #66B454

RGB 102 180 84

HSL 108.75, 0.39%, 0.52%

LAB 66.6, -42.66, 41.18

 

CMYK 73 / 0 / 88 / 58

HEX #1D6C0D

RGB 29 108 13

HSL 109.89, 0.79%, 0.24%

LAB 39.61, -41.24, 41.45

 

CMYK 87 / 0 / 100 / 65

HEX #0C5A00

RGB 12 90 0

HSL 112, 1%, 0.18%

LAB 32.68, -38.74, 39.11

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 73 / 0 / 89 / 57

HEX #1D6D0C

RGB 29 109 12

HSL 109.48, 0.8%, 0.24%

LAB 39.96, -41.65, 42.04

 

CMYK 50 / 0 / 89 / 57

HEX #376D0C

RGB 55 109 12

HSL 93.4, 0.8%, 0.24%

LAB 40.86, -34.4, 43.18

 

CMYK 26 / 0 / 89 / 57

HEX #516D0C

RGB 81 109 12

HSL 77.32, 0.8%, 0.24%

LAB 42.33, -24.12, 45.03

 

CMYK 2 / 0 / 89 / 57

HEX #6B6D0C

RGB 107 109 12

HSL 61.24, 0.8%, 0.24%

LAB 44.36, -12.17, 47.56

 

CMYK 0 / 22 / 89 / 57

HEX #6D550C

RGB 109 85 12

HSL 45.15, 0.8%, 0.24%

LAB 37.44, 2.7, 41.87

 

CMYK 73 / 0 / 89 / 57

HEX #1D6D0C

RGB 29 109 12

HSL 109.48, 0.8%, 0.24%

LAB 39.96, -41.65, 42.04

 

CMYK 89 / 0 / 80 / 57

HEX #0C6D16

RGB 12 109 22

HSL 126.19, 0.8%, 0.24%

LAB 39.7, -43.65, 38.5

 

CMYK 89 / 0 / 56 / 57

HEX #0C6D30

RGB 12 109 48

HSL 142.27, 0.8%, 0.24%

LAB 39.96, -40.45, 26.63

 

CMYK 89 / 0 / 32 / 57

HEX #0C6D4A

RGB 12 109 74

HSL 158.35, 0.8%, 0.24%

LAB 40.43, -35.08, 12.35

 

CMYK 89 / 0 / 8 / 57

HEX #0C6D64

RGB 12 109 100

HSL 174.43, 0.8%, 0.24%

LAB 41.11, -27.78, -2.34

 

CMYK 73 / 0 / 89 / 57

HEX #1D6D0C

RGB 29 109 12

HSL 109.48, 0.8%, 0.24%

LAB 39.96, -41.65, 42.04

 

CMYK 82 / 0 / 98 / 53

HEX #167702

RGB 22 119 2

HSL 109.74, 0.97%, 0.24%

LAB 43.31, -46.69, 47.2

 

CMYK 73 / 0 / 89 / 57

HEX #1D6D0C

RGB 29 109 12

HSL 109.48, 0.8%, 0.24%

LAB 39.96, -41.65, 42.04

 

CMYK 65 / 0 / 78 / 61

HEX #236316

RGB 35 99 22

HSL 109.87, 0.64%, 0.24%

LAB 36.63, -35.83, 35.59

 

CMYK 53 / 0 / 64 / 65

HEX #2A5920

RGB 42 89 32

HSL 109.47, 0.47%, 0.24%

LAB 33.44, -28.44, 27.58

 

CMYK 39 / 0 / 47 / 69

HEX #304F2A

RGB 48 79 42

HSL 110.27, 0.31%, 0.24%

LAB 30.37, -19.89, 18.29

 

CMYK 20 / 0 / 25 / 73

HEX #374534

RGB 55 69 52

HSL 109.41, 0.14%, 0.24%

LAB 27.62, -9.52, 8.46

 

CMYK 25 / 0 / 89 / 57

HEX #526D0C

RGB 82 109 12

HSL 76.7, 0.8%, 0.24%

LAB 42.4, -23.69, 45.12

 

CMYK 49 / 0 / 89 / 57

HEX #386D0C

RGB 56 109 12

HSL 92.78, 0.8%, 0.24%

LAB 40.9, -34.05, 43.24

 

CMYK 72 / 0 / 89 / 57

HEX #1E6D0C

RGB 30 109 12

HSL 108.87, 0.8%, 0.24%

LAB 39.98, -41.44, 42.07

 

CMYK 89 / 0 / 82 / 57

HEX #0C6D14

RGB 12 109 20

HSL 124.95, 0.8%, 0.24%

LAB 39.69, -43.81, 39.21

 

CMYK 89 / 0 / 58 / 57

HEX #0C6D2E

RGB 12 109 46

HSL 141.03, 0.8%, 0.24%

LAB 39.94, -40.77, 27.67

 

CMYK 74 / 0 / 89 / 86

HEX #092304

RGB 9 35 4

HSL 110.32, 0.79%, 0.08%

LAB 11.06, -17.52, 14.47

 

CMYK 74 / 0 / 89 / 72

HEX #134808

RGB 19 72 8

HSL 109.69, 0.8%, 0.16%

LAB 26.13, -30.37, 30.53

 

CMYK 73 / 0 / 89 / 57

HEX #1D6D0C

RGB 29 109 12

HSL 109.48, 0.8%, 0.24%

LAB 39.96, -41.65, 42.04

 

CMYK 74 / 0 / 88 / 43

HEX #269211

RGB 38 146 17

HSL 110.23, 0.79%, 0.32%

LAB 52.96, -52.27, 52.43

 

CMYK 74 / 0 / 89 / 28

HEX #30B715

RGB 48 183 21

HSL 110, 0.79%, 0.4%

LAB 65.4, -62.19, 62.52

 

CMYK 73 / 0 / 88 / 58

HEX #1D6C0D

RGB 29 108 13

HSL 109.89, 0.79%, 0.24%

LAB 39.61, -41.24, 41.45

 

CMYK 89 / 2 / 0 / 57

HEX #0C6B6D

RGB 12 107 109

HSL 181.24, 0.8%, 0.24%

LAB 40.73, -23.87, -8.37

 

CMYK 0 / 89 / 37 / 57

HEX #6D0C45

RGB 109 12 69

HSL 324.74, 0.8%, 0.24%

LAB 23.48, 44.38, -8.01

 

CMYK 73 / 0 / 88 / 58

HEX #1D6C0D

RGB 29 108 13

HSL 109.89, 0.79%, 0.24%

LAB 39.61, -41.24, 41.45

 

CMYK 89 / 72 / 0 / 57

HEX #0C1E6D

RGB 12 30 109

HSL 228.87, 0.8%, 0.24%

LAB 16.06, 26.18, -47.32

 

CMYK 0 / 89 / 72 / 57

HEX #6D0C1E

RGB 109 12 30

HSL 348.87, 0.8%, 0.24%

LAB 22.33, 41.05, 17.38

 

CMYK 73 / 0 / 88 / 58

HEX #1D6C0D

RGB 29 108 13

HSL 109.89, 0.79%, 0.24%

LAB 39.61, -41.24, 41.45

 

CMYK 89 / 2 / 0 / 57

HEX #0C6B6D

RGB 12 107 109

HSL 181.24, 0.8%, 0.24%

LAB 40.73, -23.87, -8.37

 

CMYK 17 / 89 / 0 / 57

HEX #5B0C6D

RGB 91 12 109

HSL 288.87, 0.8%, 0.24%

LAB 22.27, 46.66, -36.8

 

CMYK 0 / 87 / 89 / 57

HEX #6D0E0C

RGB 109 14 12

HSL 1.24, 0.8%, 0.24%

LAB 22.27, 39.81, 28.43

 

CMYK 73 / 0 / 88 / 58

HEX #1D6C0D

RGB 29 108 13

HSL 109.89, 0.79%, 0.24%

LAB 39.61, -41.24, 41.45

 

CMYK 89 / 28 / 0 / 57

HEX #0C4E6D

RGB 12 78 109

HSL 199.18, 0.8%, 0.24%

LAB 30.95, -7.4, -23.37

 

CMYK 17 / 89 / 0 / 57

HEX #5B0C6D

RGB 91 12 109

HSL 288.87, 0.8%, 0.24%

LAB 22.27, 46.66, -36.8

 

CMYK 0 / 61 / 89 / 57

HEX #6D2B0C

RGB 109 43 12

HSL 19.18, 0.8%, 0.24%

LAB 26.75, 27.65, 32.78

 

Description

Color code: HEX #1D6C0D | qconv.com Color code: HEX #1D6C0D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 108 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 108 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 88 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 88% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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