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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D63D7 it is the complementary color #E29C28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D63D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D63D7 shade: #2263D2, #3375E5, #4487F8, #5599FF and #66ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D63D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D63D7 shade: #1D63D7, #0C51C4, #003FB1, #002D9E and #001B8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D63D7 shade: #1D63D7, #1D31D7, #3B1DD7, #6D1DD7 and #A01DD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D63D7 shade: #1D63D7, #1D31D7 and #1D1DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D63D7 shade matches the following richer shades: #1D63D7 and #095EEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D63D7 shade: #1D63D7, #3168C3, #446DAF, #58729C and #6C7688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D63D7 shade: #1DC7D7, #1D96D7, #1D64D7, #1D33D7 and #391DD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D63D7 shade: #13418E, #1852B3, #1D63D7, #3979E4 and #5E92E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D63D7 shade: #1D63D7, #B51DD7 and #AFD71D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D63D7 shade: #1D63D7, #D71D64 and #64D71D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D63D7 shade: #1D63D7, #B51DD7, #D7901D and #3FD71D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D63D7 shade: #1D63D7, #D71DC1, #D7901D and #1DD733

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 54 / 0 / 16

HEX #1D63D7

RGB 29 99 215

HSL 217.42, 0.76%, 0.48%

LAB 44.36, 22.81, -65.27

 

Complementary color

CMYK 0 / 31 / 82 / 11

HEX #E29C28

RGB 226 156 40

HSL 37.42, 0.76%, 0.52%

LAB 69.54, 17.01, 65.69

 

CMYK 84 / 53 / 0 / 18

HEX #2263D2

RGB 34 99 210

HSL 217.84, 0.72%, 0.48%

LAB 44.11, 21.24, -62.82

 

CMYK 78 / 49 / 0 / 10

HEX #3375E5

RGB 51 117 229

HSL 217.75, 0.77%, 0.55%

LAB 50.78, 18.52, -62.78

 

CMYK 73 / 46 / 0 / 3

HEX #4487F8

RGB 68 135 248

HSL 217.67, 0.93%, 0.62%

LAB 57.4, 16.28, -62.68

 

CMYK 67 / 40 / 0 / 0

HEX #5599FF

RGB 85 153 255

HSL 216, 1%, 0.67%

LAB 63.29, 10.33, -57.07

 

CMYK 60 / 33 / 0 / 0

HEX #66ABFF

RGB 102 171 255

HSL 212.94, 1%, 0.7%

LAB 68.87, 2.8, -48.17

 

CMYK 87 / 54 / 0 / 16

HEX #1D63D7

RGB 29 99 215

HSL 217.42, 0.76%, 0.48%

LAB 44.36, 22.81, -65.27

 

CMYK 94 / 59 / 0 / 23

HEX #0C51C4

RGB 12 81 196

HSL 217.5, 0.88%, 0.41%

LAB 37.75, 26.32, -65.1

 

CMYK 100 / 64 / 0 / 31

HEX #003FB1

RGB 0 63 177

HSL 218.64, 1%, 0.35%

LAB 31.18, 30.39, -64.68

 

CMYK 100 / 72 / 0 / 38

HEX #002D9E

RGB 0 45 158

HSL 222.91, 1%, 0.31%

LAB 24.78, 34.89, -63.77

 

CMYK 100 / 81 / 0 / 45

HEX #001B8B

RGB 0 27 139

HSL 228.35, 1%, 0.27%

LAB 18.57, 38.97, -62.32

 

CMYK 87 / 54 / 0 / 16

HEX #1D63D7

RGB 29 99 215

HSL 217.42, 0.76%, 0.48%

LAB 44.36, 22.81, -65.27

 

CMYK 87 / 77 / 0 / 16

HEX #1D31D7

RGB 29 49 215

HSL 233.55, 0.76%, 0.48%

LAB 32.62, 53.67, -84.55

 

CMYK 73 / 87 / 0 / 16

HEX #3B1DD7

RGB 59 29 215

HSL 249.68, 0.76%, 0.48%

LAB 31.15, 63.99, -86.96

 

CMYK 49 / 87 / 0 / 16

HEX #6D1DD7

RGB 109 29 215

HSL 265.81, 0.76%, 0.48%

LAB 36.05, 68.04, -78.68

 

CMYK 26 / 87 / 0 / 16

HEX #A01DD7

RGB 160 29 215

HSL 282.26, 0.76%, 0.48%

LAB 43.15, 74.54, -66.78

 

CMYK 87 / 54 / 0 / 16

HEX #1D63D7

RGB 29 99 215

HSL 217.42, 0.76%, 0.48%

LAB 44.36, 22.81, -65.27

 

CMYK 87 / 77 / 0 / 16

HEX #1D31D7

RGB 29 49 215

HSL 233.55, 0.76%, 0.48%

LAB 32.62, 53.67, -84.55

 

CMYK 87 / 87 / 0 / 16

HEX #1D1DD7

RGB 29 29 215

HSL 240, 0.76%, 0.48%

LAB 29.53, 62.76, -89.7

 

CMYK 87 / 54 / 0 / 16

HEX #1D63D7

RGB 29 99 215

HSL 217.42, 0.76%, 0.48%

LAB 44.36, 22.81, -65.27

 

CMYK 96 / 60 / 0 / 8

HEX #095EEB

RGB 9 94 235

HSL 217.43, 0.93%, 0.48%

LAB 44.32, 32.92, -76.7

 

CMYK 87 / 54 / 0 / 16

HEX #1D63D7

RGB 29 99 215

HSL 217.42, 0.76%, 0.48%

LAB 44.36, 22.81, -65.27

 

CMYK 75 / 47 / 0 / 24

HEX #3168C3

RGB 49 104 195

HSL 217.4, 0.6%, 0.48%

LAB 44.93, 13.82, -52.84

 

CMYK 61 / 38 / 0 / 31

HEX #446DAF

RGB 68 109 175

HSL 217.01, 0.44%, 0.48%

LAB 45.99, 6.5, -39.49

 

CMYK 44 / 27 / 0 / 39

HEX #58729C

RGB 88 114 156

HSL 217.06, 0.28%, 0.48%

LAB 47.64, 2.03, -25.69

 

CMYK 21 / 13 / 0 / 47

HEX #6C7688

RGB 108 118 136

HSL 218.57, 0.11%, 0.48%

LAB 49.4, 0.4, -11.08

 

CMYK 87 / 7 / 0 / 16

HEX #1DC7D7

RGB 29 199 215

HSL 185.16, 0.76%, 0.48%

LAB 73.55, -33.9, -19.37

 

CMYK 87 / 30 / 0 / 16

HEX #1D96D7

RGB 29 150 215

HSL 200.97, 0.76%, 0.48%

LAB 58.96, -8.47, -41.93

 

CMYK 87 / 53 / 0 / 16

HEX #1D64D7

RGB 29 100 215

HSL 217.1, 0.76%, 0.48%

LAB 44.63, 22.17, -64.83

 

CMYK 87 / 76 / 0 / 16

HEX #1D33D7

RGB 29 51 215

HSL 232.9, 0.76%, 0.48%

LAB 33, 52.6, -83.93

 

CMYK 73 / 87 / 0 / 16

HEX #391DD7

RGB 57 29 215

HSL 249.03, 0.76%, 0.48%

LAB 31.01, 63.88, -87.19

 

CMYK 87 / 54 / 0 / 44

HEX #13418E

RGB 19 65 142

HSL 217.56, 0.76%, 0.32%

LAB 29.09, 15.65, -46.9

 

CMYK 87 / 54 / 0 / 30

HEX #1852B3

RGB 24 82 179

HSL 217.55, 0.76%, 0.4%

LAB 36.9, 19.51, -56.51

 

CMYK 87 / 54 / 0 / 16

HEX #1D63D7

RGB 29 99 215

HSL 217.42, 0.76%, 0.48%

LAB 44.36, 22.81, -65.27

 

CMYK 75 / 47 / 0 / 11

HEX #3979E4

RGB 57 121 228

HSL 217.54, 0.76%, 0.56%

LAB 52, 16.32, -60.24

 

CMYK 60 / 37 / 0 / 9

HEX #5E92E9

RGB 94 146 233

HSL 217.55, 0.76%, 0.64%

LAB 60.62, 8.65, -49.18

 

CMYK 87 / 54 / 0 / 16

HEX #1D63D7

RGB 29 99 215

HSL 217.42, 0.76%, 0.48%

LAB 44.36, 22.81, -65.27

 

CMYK 16 / 87 / 0 / 16

HEX #B51DD7

RGB 181 29 215

HSL 289.03, 0.76%, 0.48%

LAB 46.46, 77.76, -61.26

 

CMYK 19 / 0 / 87 / 16

HEX #AFD71D

RGB 175 215 29

HSL 72.9, 0.76%, 0.48%

LAB 80.63, -35.06, 76.08

 

CMYK 87 / 54 / 0 / 16

HEX #1D63D7

RGB 29 99 215

HSL 217.42, 0.76%, 0.48%

LAB 44.36, 22.81, -65.27

 

CMYK 0 / 87 / 53 / 16

HEX #D71D64

RGB 215 29 100

HSL 337.1, 0.76%, 0.48%

LAB 47.3, 70.47, 9.23

 

CMYK 53 / 0 / 87 / 16

HEX #64D71D

RGB 100 215 29

HSL 97.1, 0.76%, 0.48%

LAB 76.92, -60.93, 71.46

 

CMYK 87 / 54 / 0 / 16

HEX #1D63D7

RGB 29 99 215

HSL 217.42, 0.76%, 0.48%

LAB 44.36, 22.81, -65.27

 

CMYK 16 / 87 / 0 / 16

HEX #B51DD7

RGB 181 29 215

HSL 289.03, 0.76%, 0.48%

LAB 46.46, 77.76, -61.26

 

CMYK 0 / 33 / 87 / 16

HEX #D7901D

RGB 215 144 29

HSL 37.1, 0.76%, 0.48%

LAB 65.34, 18.43, 64.98

 

CMYK 71 / 0 / 87 / 16

HEX #3FD71D

RGB 63 215 29

HSL 109.03, 0.76%, 0.48%

LAB 75.91, -69.24, 70.19

 

CMYK 87 / 54 / 0 / 16

HEX #1D63D7

RGB 29 99 215

HSL 217.42, 0.76%, 0.48%

LAB 44.36, 22.81, -65.27

 

CMYK 0 / 87 / 10 / 16

HEX #D71DC1

RGB 215 29 193

HSL 307.1, 0.76%, 0.48%

LAB 50.89, 80.3, -41.14

 

CMYK 0 / 33 / 87 / 16

HEX #D7901D

RGB 215 144 29

HSL 37.1, 0.76%, 0.48%

LAB 65.34, 18.43, 64.98

 

CMYK 87 / 0 / 76 / 16

HEX #1DD733

RGB 29 215 51

HSL 127.1, 0.76%, 0.48%

LAB 75.51, -72.38, 63.88

 

Description

Color code: HEX #1D63D7 | qconv.com Color code: HEX #1D63D7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 99 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 99 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 54 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 54% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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