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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D5CD1 it is the complementary color #E2A32E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D5CD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D5CD1 shade: #225CCC, #336EDF, #4480F2, #5592FF and #66A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D5CD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D5CD1 shade: #1D5CD1, #0C4ABE, #0038AB, #002698 and #001485

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D5CD1 shade: #1C5CD2, #1C2BD2, #3F1CD2, #701CD2 and #A11CD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D5CD1 shade: #1C5CD2, #1C2BD2 and #1C1CD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D5CD1 shade matches the following richer shades: #1C5CD2 and #0956E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D5CD1 shade: #1C5CD2, #3062BF, #4368AC, #566D98 and #6A7385

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D5CD1 shade: #1CBDD2, #1C8DD2, #1C5CD2, #1C2BD2 and #3E1CD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D5CD1 shade: #123C8A, #174CAE, #1C5CD2, #3572E3 and #598BE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D5CD1 shade: #1D5CD1, #B71CD2 and #A5D21C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D5CD1 shade: #1D5CD1, #D21C5C and #5CD21C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D5CD1 shade: #1D5CD1, #B71CD2, #D2931C and #38D21C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D5CD1 shade: #1D5CD1, #D21CB7, #D2931C and #1CD238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 56 / 0 / 18

HEX #1D5CD1

RGB 29 92 209

HSL 219, 0.76%, 0.47%

LAB 42.03, 25.04, -65.63

 

Complementary color

CMYK 0 / 28 / 80 / 11

HEX #E2A32E

RGB 226 163 46

HSL 39, 0.76%, 0.53%

LAB 71.26, 13.46, 65.2

 

CMYK 83 / 55 / 0 / 20

HEX #225CCC

RGB 34 92 204

HSL 219.53, 0.71%, 0.47%

LAB 41.77, 23.48, -63.17

 

CMYK 77 / 51 / 0 / 13

HEX #336EDF

RGB 51 110 223

HSL 219.42, 0.73%, 0.54%

LAB 48.49, 20.71, -63.1

 

CMYK 72 / 47 / 0 / 5

HEX #4480F2

RGB 68 128 242

HSL 219.31, 0.87%, 0.61%

LAB 55.15, 18.42, -62.97

 

CMYK 67 / 43 / 0 / 0

HEX #5592FF

RGB 85 146 255

HSL 218.47, 1%, 0.67%

LAB 61.4, 14.48, -60.08

 

CMYK 60 / 36 / 0 / 0

HEX #66A4FF

RGB 102 164 255

HSL 215.69, 1%, 0.7%

LAB 66.97, 6.8, -51.18

 

CMYK 86 / 56 / 0 / 18

HEX #1D5CD1

RGB 29 92 209

HSL 219, 0.76%, 0.47%

LAB 42.03, 25.04, -65.63

 

CMYK 94 / 61 / 0 / 25

HEX #0C4ABE

RGB 12 74 190

HSL 219.1, 0.88%, 0.4%

LAB 35.39, 28.6, -65.46

 

CMYK 100 / 67 / 0 / 33

HEX #0038AB

RGB 0 56 171

HSL 220.35, 1%, 0.34%

LAB 28.82, 32.7, -64.98

 

CMYK 100 / 75 / 0 / 40

HEX #002698

RGB 0 38 152

HSL 225, 1%, 0.3%

LAB 22.49, 37.09, -63.89

 

CMYK 100 / 85 / 0 / 48

HEX #001485

RGB 0 20 133

HSL 230.98, 1%, 0.26%

LAB 16.47, 40.69, -62.04

 

CMYK 87 / 56 / 0 / 18

HEX #1C5CD2

RGB 28 92 210

HSL 218.9, 0.76%, 0.47%

LAB 42.08, 25.36, -66.12

 

CMYK 87 / 80 / 0 / 18

HEX #1C2BD2

RGB 28 43 210

HSL 235.05, 0.76%, 0.47%

LAB 30.94, 55.11, -84.45

 

CMYK 70 / 87 / 0 / 18

HEX #3F1CD2

RGB 63 28 210

HSL 251.54, 0.76%, 0.47%

LAB 30.74, 63.22, -84.74

 

CMYK 47 / 87 / 0 / 18

HEX #701CD2

RGB 112 28 210

HSL 267.69, 0.76%, 0.47%

LAB 35.85, 67.49, -76.12

 

CMYK 23 / 87 / 0 / 18

HEX #A11CD2

RGB 161 28 210

HSL 283.85, 0.76%, 0.47%

LAB 42.85, 73.97, -64.37

 

CMYK 87 / 56 / 0 / 18

HEX #1C5CD2

RGB 28 92 210

HSL 218.9, 0.76%, 0.47%

LAB 42.08, 25.36, -66.12

 

CMYK 87 / 80 / 0 / 18

HEX #1C2BD2

RGB 28 43 210

HSL 235.05, 0.76%, 0.47%

LAB 30.94, 55.11, -84.45

 

CMYK 87 / 87 / 0 / 18

HEX #1C1CD2

RGB 28 28 210

HSL 240, 0.76%, 0.47%

LAB 28.72, 61.68, -88.14

 

CMYK 87 / 56 / 0 / 18

HEX #1C5CD2

RGB 28 92 210

HSL 218.9, 0.76%, 0.47%

LAB 42.08, 25.36, -66.12

 

CMYK 96 / 63 / 0 / 10

HEX #0956E6

RGB 9 86 230

HSL 219.1, 0.92%, 0.47%

LAB 41.89, 36.14, -77.86

 

CMYK 87 / 56 / 0 / 18

HEX #1C5CD2

RGB 28 92 210

HSL 218.9, 0.76%, 0.47%

LAB 42.08, 25.36, -66.12

 

CMYK 75 / 49 / 0 / 25

HEX #3062BF

RGB 48 98 191

HSL 219.02, 0.6%, 0.47%

LAB 42.95, 16.04, -53.72

 

CMYK 61 / 40 / 0 / 33

HEX #4368AC

RGB 67 104 172

HSL 218.86, 0.44%, 0.47%

LAB 44.34, 8.39, -40.36

 

CMYK 43 / 28 / 0 / 40

HEX #566D98

RGB 86 109 152

HSL 219.09, 0.28%, 0.47%

LAB 45.88, 3.31, -26.06

 

CMYK 20 / 14 / 0 / 48

HEX #6A7385

RGB 106 115 133

HSL 220, 0.11%, 0.47%

LAB 48.28, 0.75, -11

 

CMYK 87 / 10 / 0 / 18

HEX #1CBDD2

RGB 28 189 210

HSL 186.92, 0.76%, 0.47%

LAB 70.38, -30.74, -21.47

 

CMYK 87 / 33 / 0 / 18

HEX #1C8DD2

RGB 28 141 210

HSL 202.75, 0.76%, 0.47%

LAB 56.04, -5.21, -43.73

 

CMYK 87 / 56 / 0 / 18

HEX #1C5CD2

RGB 28 92 210

HSL 218.9, 0.76%, 0.47%

LAB 42.08, 25.36, -66.12

 

CMYK 87 / 80 / 0 / 18

HEX #1C2BD2

RGB 28 43 210

HSL 235.05, 0.76%, 0.47%

LAB 30.94, 55.11, -84.45

 

CMYK 70 / 87 / 0 / 18

HEX #3E1CD2

RGB 62 28 210

HSL 251.21, 0.76%, 0.47%

LAB 30.66, 63.16, -84.87

 

CMYK 87 / 57 / 0 / 46

HEX #123C8A

RGB 18 60 138

HSL 219, 0.77%, 0.31%

LAB 27.28, 17.4, -47.36

 

CMYK 87 / 56 / 0 / 32

HEX #174CAE

RGB 23 76 174

HSL 218.94, 0.77%, 0.39%

LAB 34.82, 21.47, -56.94

 

CMYK 87 / 56 / 0 / 18

HEX #1C5CD2

RGB 28 92 210

HSL 218.9, 0.76%, 0.47%

LAB 42.08, 25.36, -66.12

 

CMYK 77 / 50 / 0 / 11

HEX #3572E3

RGB 53 114 227

HSL 218.97, 0.76%, 0.55%

LAB 49.9, 19.88, -63.07

 

CMYK 62 / 40 / 0 / 9

HEX #598BE8

RGB 89 139 232

HSL 219.02, 0.76%, 0.63%

LAB 58.43, 11.55, -52.12

 

CMYK 86 / 56 / 0 / 18

HEX #1D5CD1

RGB 29 92 209

HSL 219, 0.76%, 0.47%

LAB 42.03, 25.04, -65.63

 

CMYK 13 / 87 / 0 / 18

HEX #B71CD2

RGB 183 28 210

HSL 291.1, 0.76%, 0.47%

LAB 46.38, 77.42, -58.5

 

CMYK 21 / 0 / 87 / 18

HEX #A5D21C

RGB 165 210 28

HSL 74.84, 0.76%, 0.47%

LAB 78.56, -36.78, 74.3

 

CMYK 86 / 56 / 0 / 18

HEX #1D5CD1

RGB 29 92 209

HSL 219, 0.76%, 0.47%

LAB 42.03, 25.04, -65.63

 

CMYK 0 / 87 / 56 / 18

HEX #D21C5C

RGB 210 28 92

HSL 338.9, 0.76%, 0.47%

LAB 46.05, 68.87, 12.29

 

CMYK 56 / 0 / 87 / 18

HEX #5CD21C

RGB 92 210 28

HSL 98.9, 0.76%, 0.47%

LAB 75.11, -61.33, 69.99

 

CMYK 86 / 56 / 0 / 18

HEX #1D5CD1

RGB 29 92 209

HSL 219, 0.76%, 0.47%

LAB 42.03, 25.04, -65.63

 

CMYK 13 / 87 / 0 / 18

HEX #B71CD2

RGB 183 28 210

HSL 291.1, 0.76%, 0.47%

LAB 46.38, 77.42, -58.5

 

CMYK 0 / 30 / 87 / 18

HEX #D2931C

RGB 210 147 28

HSL 39.23, 0.76%, 0.47%

LAB 65.48, 14.61, 65.12

 

CMYK 73 / 0 / 87 / 18

HEX #38D21C

RGB 56 210 28

HSL 110.77, 0.76%, 0.47%

LAB 74.2, -68.92, 68.84

 

CMYK 86 / 56 / 0 / 18

HEX #1D5CD1

RGB 29 92 209

HSL 219, 0.76%, 0.47%

LAB 42.03, 25.04, -65.63

 

CMYK 0 / 87 / 13 / 18

HEX #D21CB7

RGB 210 28 183

HSL 308.9, 0.76%, 0.47%

LAB 49.44, 78.16, -37.67

 

CMYK 0 / 30 / 87 / 18

HEX #D2931C

RGB 210 147 28

HSL 39.23, 0.76%, 0.47%

LAB 65.48, 14.61, 65.12

 

CMYK 87 / 0 / 73 / 18

HEX #1CD238

RGB 28 210 56

HSL 129.23, 0.76%, 0.47%

LAB 73.95, -70.64, 60.65

 

Description

Color code: HEX #1D5CD1 | qconv.com Color code: HEX #1D5CD1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 92 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 92 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 56 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 56% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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