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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D338E it is the complementary color #E2CC71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D338E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D338E shade: #223389, #33459C, #4457AF, #5569C2 and #667BD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D338E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D338E shade: #1D338E, #0C217B, #000F68, #000055 and #000042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D338E shade: #1D338F, #261D8F, #441D8F, #631D8F and #821D8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D338E shade: #1D338F and #1D1D8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D338E shade matches the following richer shades: #1D338F, #0F2B9D and #0122AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D338E shade: #1D338F, #2B3C81, #394473, #474D65 and #555657

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D338E shade: #1D718F, #1D528F, #1D348F, #251D8F and #431D8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D338E shade: #0F1B4B, #16276D, #1D338F, #2440B2 and #2C4CD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D338E shade: #1D338E, #8F1D8F and #628F1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D338E shade: #1D338E, #8F1D34 and #348F1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D338E shade: #1D338E, #8F1D8F, #8F791D and #1D8F1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D338E shade: #1D338E, #8F1D6D, #8F791D and #1D8F3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 64 / 0 / 44

HEX #1D338E

RGB 29 51 142

HSL 228.32, 0.66%, 0.34%

LAB 25.51, 26.32, -52.72

 

Complementary color

CMYK 0 / 10 / 50 / 11

HEX #E2CC71

RGB 226 204 113

HSL 48.32, 0.66%, 0.66%

LAB 82.13, -3.98, 47.78

 

CMYK 75 / 63 / 0 / 46

HEX #223389

RGB 34 51 137

HSL 230.1, 0.6%, 0.34%

LAB 25.3, 24.95, -49.94

 

CMYK 67 / 56 / 0 / 39

HEX #33459C

RGB 51 69 156

HSL 229.71, 0.51%, 0.41%

LAB 32.61, 22.45, -49.67

 

CMYK 61 / 50 / 0 / 31

HEX #4457AF

RGB 68 87 175

HSL 229.35, 0.44%, 0.48%

LAB 39.82, 20.48, -49.35

 

CMYK 56 / 46 / 0 / 24

HEX #5569C2

RGB 85 105 194

HSL 228.99, 0.47%, 0.55%

LAB 46.88, 18.91, -49.04

 

CMYK 52 / 42 / 0 / 16

HEX #667BD5

RGB 102 123 213

HSL 228.65, 0.57%, 0.62%

LAB 53.81, 17.62, -48.78

 

CMYK 80 / 64 / 0 / 44

HEX #1D338E

RGB 29 51 142

HSL 228.32, 0.66%, 0.34%

LAB 25.51, 26.32, -52.72

 

CMYK 90 / 73 / 0 / 52

HEX #0C217B

RGB 12 33 123

HSL 228.65, 0.82%, 0.26%

LAB 18.35, 29.71, -52.57

 

CMYK 100 / 86 / 0 / 59

HEX #000F68

RGB 0 15 104

HSL 231.35, 1%, 0.2%

LAB 11.56, 33.19, -51.5

 

CMYK 100 / 100 / 0 / 67

HEX #000055

RGB 0 0 85

HSL 240, 1%, 0.17%

LAB 5.92, 34.69, -48.12

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 80 / 64 / 0 / 44

HEX #1D338F

RGB 29 51 143

HSL 228.42, 0.66%, 0.34%

LAB 25.6, 26.71, -53.19

 

CMYK 73 / 80 / 0 / 44

HEX #261D8F

RGB 38 29 143

HSL 244.74, 0.66%, 0.34%

LAB 21.11, 41.28, -60.56

 

CMYK 52 / 80 / 0 / 44

HEX #441D8F

RGB 68 29 143

HSL 260.53, 0.66%, 0.34%

LAB 23.97, 44.82, -55.75

 

CMYK 31 / 80 / 0 / 44

HEX #631D8F

RGB 99 29 143

HSL 276.84, 0.66%, 0.34%

LAB 28.15, 49.92, -48.74

 

CMYK 9 / 80 / 0 / 44

HEX #821D8F

RGB 130 29 143

HSL 293.16, 0.66%, 0.34%

LAB 33.15, 55.93, -40.42

 

CMYK 80 / 64 / 0 / 44

HEX #1D338F

RGB 29 51 143

HSL 228.42, 0.66%, 0.34%

LAB 25.6, 26.71, -53.19

 

CMYK 80 / 80 / 0 / 44

HEX #1D1D8F

RGB 29 29 143

HSL 240, 0.66%, 0.34%

LAB 20.53, 40.56, -61.54

 

CMYK 80 / 64 / 0 / 44

HEX #1D338F

RGB 29 51 143

HSL 228.42, 0.66%, 0.34%

LAB 25.6, 26.71, -53.19

 

CMYK 90 / 73 / 0 / 38

HEX #0F2B9D

RGB 15 43 157

HSL 228.17, 0.83%, 0.34%

LAB 24.52, 36.36, -63.58

 

CMYK 99 / 80 / 0 / 33

HEX #0122AB

RGB 1 34 171

HSL 228.35, 0.99%, 0.34%

LAB 23.97, 46.25, -73

 

CMYK 80 / 64 / 0 / 44

HEX #1D338F

RGB 29 51 143

HSL 228.42, 0.66%, 0.34%

LAB 25.6, 26.71, -53.19

 

CMYK 67 / 53 / 0 / 49

HEX #2B3C81

RGB 43 60 129

HSL 228.14, 0.5%, 0.34%

LAB 27.66, 17.08, -41.11

 

CMYK 50 / 41 / 0 / 55

HEX #394473

RGB 57 68 115

HSL 228.62, 0.34%, 0.34%

LAB 30.01, 9.73, -28.49

 

CMYK 30 / 24 / 0 / 60

HEX #474D65

RGB 71 77 101

HSL 228, 0.17%, 0.34%

LAB 33.11, 3.75, -14.75

 

CMYK 2 / 1 / 0 / 66

HEX #555657

RGB 85 86 87

HSL 210, 0.01%, 0.34%

LAB 36.51, -0.18, -0.73

 

CMYK 80 / 21 / 0 / 44

HEX #1D718F

RGB 29 113 143

HSL 195.79, 0.66%, 0.34%

LAB 44.31, -13.6, -23.35

 

CMYK 80 / 43 / 0 / 44

HEX #1D528F

RGB 29 82 143

HSL 212.11, 0.66%, 0.34%

LAB 34.56, 5.52, -38.7

 

CMYK 80 / 64 / 0 / 44

HEX #1D348F

RGB 29 52 143

HSL 227.89, 0.66%, 0.34%

LAB 25.86, 26.02, -52.76

 

CMYK 74 / 80 / 0 / 44

HEX #251D8F

RGB 37 29 143

HSL 244.21, 0.66%, 0.34%

LAB 21.04, 41.19, -60.68

 

CMYK 53 / 80 / 0 / 44

HEX #431D8F

RGB 67 29 143

HSL 260, 0.66%, 0.34%

LAB 23.85, 44.68, -55.94

 

CMYK 80 / 64 / 0 / 71

HEX #0F1B4B

RGB 15 27 75

HSL 228, 0.67%, 0.18%

LAB 11.91, 14.4, -31.33

 

CMYK 80 / 64 / 0 / 57

HEX #16276D

RGB 22 39 109

HSL 228.28, 0.66%, 0.26%

LAB 18.91, 20.74, -42.63

 

CMYK 80 / 64 / 0 / 44

HEX #1D338F

RGB 29 51 143

HSL 228.42, 0.66%, 0.34%

LAB 25.6, 26.71, -53.19

 

CMYK 80 / 64 / 0 / 30

HEX #2440B2

RGB 36 64 178

HSL 228.17, 0.66%, 0.42%

LAB 32.38, 32.1, -63.27

 

CMYK 79 / 64 / 0 / 17

HEX #2C4CD3

RGB 44 76 211

HSL 228.5, 0.65%, 0.5%

LAB 38.56, 37.28, -72.43

 

CMYK 80 / 64 / 0 / 44

HEX #1D338E

RGB 29 51 142

HSL 228.32, 0.66%, 0.34%

LAB 25.51, 26.32, -52.72

 

CMYK 0 / 80 / 0 / 44

HEX #8F1D8F

RGB 143 29 143

HSL 300, 0.66%, 0.34%

LAB 35.4, 58.62, -36.69

 

CMYK 31 / 0 / 80 / 44

HEX #628F1D

RGB 98 143 29

HSL 83.68, 0.66%, 0.34%

LAB 54.38, -32.66, 51.29

 

CMYK 80 / 64 / 0 / 44

HEX #1D338E

RGB 29 51 142

HSL 228.32, 0.66%, 0.34%

LAB 25.51, 26.32, -52.72

 

CMYK 0 / 80 / 64 / 44

HEX #8F1D34

RGB 143 29 52

HSL 347.89, 0.66%, 0.34%

LAB 31.73, 47.77, 16.14

 

CMYK 64 / 0 / 80 / 44

HEX #348F1D

RGB 52 143 29

HSL 107.89, 0.66%, 0.34%

LAB 52.36, -47.63, 48.67

 

CMYK 80 / 64 / 0 / 44

HEX #1D338E

RGB 29 51 142

HSL 228.32, 0.66%, 0.34%

LAB 25.51, 26.32, -52.72

 

CMYK 0 / 80 / 0 / 44

HEX #8F1D8F

RGB 143 29 143

HSL 300, 0.66%, 0.34%

LAB 35.4, 58.62, -36.69

 

CMYK 0 / 15 / 80 / 44

HEX #8F791D

RGB 143 121 29

HSL 48.42, 0.66%, 0.34%

LAB 51.39, -1.28, 49.82

 

CMYK 80 / 0 / 80 / 44

HEX #1D8F1D

RGB 29 143 29

HSL 120, 0.66%, 0.34%

LAB 51.83, -52.08, 47.98

 

CMYK 80 / 64 / 0 / 44

HEX #1D338E

RGB 29 51 142

HSL 228.32, 0.66%, 0.34%

LAB 25.51, 26.32, -52.72

 

CMYK 0 / 80 / 24 / 44

HEX #8F1D6D

RGB 143 29 109

HSL 317.89, 0.66%, 0.34%

LAB 33.61, 53.5, -18.24

 

CMYK 0 / 15 / 80 / 44

HEX #8F791D

RGB 143 121 29

HSL 48.42, 0.66%, 0.34%

LAB 51.39, -1.28, 49.82

 

CMYK 80 / 0 / 56 / 44

HEX #1D8F3F

RGB 29 143 63

HSL 137.89, 0.66%, 0.34%

LAB 52.14, -48.37, 33.63

 

Description

Color code: HEX #1D338E | qconv.com Color code: HEX #1D338E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 51 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 51 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 64 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 64% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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