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Color name
HEX #1C978C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C978C it is the complementary color #E36873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C978C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C978C shade: #219787, #32A99A, #43BBAD, #54CDC0 and #65DFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C978C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C978C shade: #1C978C, #0B8579, #007366, #006153 and #004F40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C978C shade: #1B968B, #1B966A, #1B9649, #1B9628 and #30961B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C978C shade: #1B968B, #1B8096, #1B5F96, #1B3E96 and #1B1D96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C978C shade matches the following richer shades: #1B968B and #0DA597

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C978C shade: #1B968B, #2A887F, #387974, #466B68 and #555D5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C978C shade: #1B9648, #1B9669, #1B968A, #1B8296 and #1B6196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C978C shade: #0E514B, #15736B, #1B968B, #22B9AC and #2CD8C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C978C shade: #1C978C, #271B96 and #96591B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C978C shade: #1C978C, #8A1B96 and #968A1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C978C shade: #1C978C, #271B96, #961B27 and #8A961B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C978C shade: #1C978C, #4C1B96, #961B27 and #65961B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 7 / 41

HEX #1C978C

RGB 28 151 140

HSL 174.63, 0.69%, 0.35%

LAB 56.36, -34.23, -3.38

 

Complementary color

CMYK 0 / 54 / 49 / 11

HEX #E36873

RGB 227 104 115

HSL 354.63, 0.69%, 0.65%

LAB 59.41, 48.8, 17.42

 

CMYK 78 / 0 / 11 / 41

HEX #219787

RGB 33 151 135

HSL 171.86, 0.64%, 0.36%

LAB 56.29, -35.15, -0.61

 

CMYK 70 / 0 / 9 / 34

HEX #32A99A

RGB 50 169 154

HSL 172.44, 0.54%, 0.43%

LAB 62.83, -35.92, -1.74

 

CMYK 64 / 0 / 7 / 27

HEX #43BBAD

RGB 67 187 173

HSL 173, 0.47%, 0.5%

LAB 69.29, -36.43, -2.75

 

CMYK 59 / 0 / 6 / 20

HEX #54CDC0

RGB 84 205 192

HSL 173.55, 0.55%, 0.57%

LAB 75.67, -36.74, -3.65

 

CMYK 55 / 0 / 5 / 13

HEX #65DFD3

RGB 101 223 211

HSL 174.1, 0.66%, 0.64%

LAB 81.97, -36.93, -4.49

 

CMYK 81 / 0 / 7 / 41

HEX #1C978C

RGB 28 151 140

HSL 174.63, 0.69%, 0.35%

LAB 56.36, -34.23, -3.38

 

CMYK 92 / 0 / 9 / 48

HEX #0B8579

RGB 11 133 121

HSL 174.1, 0.85%, 0.28%

LAB 49.77, -32.82, -2.11

 

CMYK 100 / 0 / 11 / 55

HEX #007366

RGB 0 115 102

HSL 173.22, 1%, 0.23%

LAB 43.09, -30.87, -0.65

 

CMYK 100 / 0 / 14 / 62

HEX #006153

RGB 0 97 83

HSL 171.34, 1%, 0.19%

LAB 36.32, -28.25, 1.04

 

CMYK 100 / 0 / 19 / 69

HEX #004F40

RGB 0 79 64

HSL 168.61, 1%, 0.15%

LAB 29.32, -25.55, 2.86

 

CMYK 82 / 0 / 7 / 41

HEX #1B968B

RGB 27 150 139

HSL 174.63, 0.69%, 0.35%

LAB 56, -34.15, -3.35

 

CMYK 82 / 0 / 29 / 41

HEX #1B966A

RGB 27 150 106

HSL 158.54, 0.69%, 0.35%

LAB 55.16, -42.92, 14.25

 

CMYK 82 / 0 / 51 / 41

HEX #1B9649

RGB 27 150 73

HSL 142.44, 0.69%, 0.35%

LAB 54.58, -49.55, 31.49

 

CMYK 82 / 0 / 73 / 41

HEX #1B9628

RGB 27 150 40

HSL 126.34, 0.69%, 0.35%

LAB 54.24, -53.73, 46.4

 

CMYK 68 / 0 / 82 / 41

HEX #30961B

RGB 48 150 27

HSL 109.76, 0.69%, 0.35%

LAB 54.57, -51.14, 51.35

 

CMYK 82 / 0 / 7 / 41

HEX #1B968B

RGB 27 150 139

HSL 174.63, 0.69%, 0.35%

LAB 56, -34.15, -3.35

 

CMYK 82 / 15 / 0 / 41

HEX #1B8096

RGB 27 128 150

HSL 190.73, 0.69%, 0.35%

LAB 49.34, -19.64, -19.73

 

CMYK 82 / 37 / 0 / 41

HEX #1B5F96

RGB 27 95 150

HSL 206.83, 0.69%, 0.35%

LAB 38.93, -0.35, -35.97

 

CMYK 82 / 59 / 0 / 41

HEX #1B3E96

RGB 27 62 150

HSL 222.93, 0.69%, 0.35%

LAB 29.11, 21.73, -51.77

 

CMYK 82 / 81 / 0 / 41

HEX #1B1D96

RGB 27 29 150

HSL 239.02, 0.69%, 0.35%

LAB 21.26, 42.78, -64.67

 

CMYK 82 / 0 / 7 / 41

HEX #1B968B

RGB 27 150 139

HSL 174.63, 0.69%, 0.35%

LAB 56, -34.15, -3.35

 

CMYK 92 / 0 / 8 / 35

HEX #0DA597

RGB 13 165 151

HSL 174.47, 0.85%, 0.35%

LAB 60.98, -38.42, -2.83

 

CMYK 82 / 0 / 7 / 41

HEX #1B968B

RGB 27 150 139

HSL 174.63, 0.69%, 0.35%

LAB 56, -34.15, -3.35

 

CMYK 69 / 0 / 7 / 47

HEX #2A887F

RGB 42 136 127

HSL 174.26, 0.53%, 0.35%

LAB 51.42, -29.15, -3.13

 

CMYK 54 / 0 / 4 / 53

HEX #387974

RGB 56 121 116

HSL 175.38, 0.37%, 0.35%

LAB 46.68, -22.01, -3.61

 

CMYK 35 / 0 / 3 / 58

HEX #466B68

RGB 70 107 104

HSL 175.14, 0.21%, 0.35%

LAB 42.49, -13.85, -2.52

 

CMYK 9 / 0 / 1 / 64

HEX #555D5C

RGB 85 93 92

HSL 172.5, 0.04%, 0.35%

LAB 38.78, -3.34, -0.5

 

CMYK 82 / 0 / 52 / 41

HEX #1B9648

RGB 27 150 72

HSL 141.95, 0.69%, 0.35%

LAB 54.57, -49.71, 31.99

 

CMYK 82 / 0 / 30 / 41

HEX #1B9669

RGB 27 150 105

HSL 158.05, 0.69%, 0.35%

LAB 55.14, -43.16, 14.78

 

CMYK 82 / 0 / 8 / 41

HEX #1B968A

RGB 27 150 138

HSL 174.15, 0.69%, 0.35%

LAB 55.97, -34.44, -2.82

 

CMYK 82 / 13 / 0 / 41

HEX #1B8296

RGB 27 130 150

HSL 189.76, 0.69%, 0.35%

LAB 49.98, -20.71, -18.76

 

CMYK 82 / 35 / 0 / 41

HEX #1B6196

RGB 27 97 150

HSL 205.85, 0.69%, 0.35%

LAB 39.55, -1.61, -34.98

 

CMYK 83 / 0 / 7 / 68

HEX #0E514B

RGB 14 81 75

HSL 174.63, 0.71%, 0.19%

LAB 30.61, -21.45, -2.27

 

CMYK 82 / 0 / 7 / 55

HEX #15736B

RGB 21 115 107

HSL 174.89, 0.69%, 0.27%

LAB 43.48, -27.7, -3.06

 

CMYK 82 / 0 / 7 / 41

HEX #1B968B

RGB 27 150 139

HSL 174.63, 0.69%, 0.35%

LAB 56, -34.15, -3.35

 

CMYK 82 / 0 / 7 / 27

HEX #22B9AC

RGB 34 185 172

HSL 174.83, 0.69%, 0.43%

LAB 68.03, -39.92, -4.12

 

CMYK 80 / 0 / 7 / 15

HEX #2CD8C9

RGB 44 216 201

HSL 174.77, 0.69%, 0.51%

LAB 78.38, -44.6, -4.59

 

CMYK 81 / 0 / 7 / 41

HEX #1C978C

RGB 28 151 140

HSL 174.63, 0.69%, 0.35%

LAB 56.36, -34.23, -3.38

 

CMYK 74 / 82 / 0 / 41

HEX #271B96

RGB 39 27 150

HSL 245.85, 0.69%, 0.35%

LAB 21.64, 44.64, -64.01

 

CMYK 0 / 41 / 82 / 41

HEX #96591B

RGB 150 89 27

HSL 30.24, 0.69%, 0.35%

LAB 43.81, 20.26, 43.94

 

CMYK 81 / 0 / 7 / 41

HEX #1C978C

RGB 28 151 140

HSL 174.63, 0.69%, 0.35%

LAB 56.36, -34.23, -3.38

 

CMYK 8 / 82 / 0 / 41

HEX #8A1B96

RGB 138 27 150

HSL 294.15, 0.69%, 0.35%

LAB 34.78, 59.35, -42.02

 

CMYK 0 / 8 / 82 / 41

HEX #968A1B

RGB 150 138 27

HSL 54.15, 0.69%, 0.35%

LAB 56.82, -7.52, 55.6

 

CMYK 81 / 0 / 7 / 41

HEX #1C978C

RGB 28 151 140

HSL 174.63, 0.69%, 0.35%

LAB 56.36, -34.23, -3.38

 

CMYK 74 / 82 / 0 / 41

HEX #271B96

RGB 39 27 150

HSL 245.85, 0.69%, 0.35%

LAB 21.64, 44.64, -64.01

 

CMYK 0 / 82 / 74 / 41

HEX #961B27

RGB 150 27 39

HSL 354.15, 0.69%, 0.35%

LAB 32.73, 49.76, 26.08

 

CMYK 8 / 0 / 82 / 41

HEX #8A961B

RGB 138 150 27

HSL 65.85, 0.69%, 0.35%

LAB 59.25, -19.28, 57.32

 

CMYK 81 / 0 / 7 / 41

HEX #1C978C

RGB 28 151 140

HSL 174.63, 0.69%, 0.35%

LAB 56.36, -34.23, -3.38

 

CMYK 49 / 82 / 0 / 41

HEX #4C1B96

RGB 76 27 150

HSL 263.9, 0.69%, 0.35%

LAB 25.33, 48.72, -57.81

 

CMYK 0 / 82 / 74 / 41

HEX #961B27

RGB 150 27 39

HSL 354.15, 0.69%, 0.35%

LAB 32.73, 49.76, 26.08

 

CMYK 33 / 0 / 82 / 41

HEX #65961B

RGB 101 150 27

HSL 83.9, 0.69%, 0.35%

LAB 56.74, -34.78, 54.14

 

Description

Color code: HEX #1C978C | qconv.com Color code: HEX #1C978C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 151 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 151 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 7 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 7% 41% C M Y K

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Provide designers and agencies with accurate color values.

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