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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C7DD1 it is the complementary color #E3822E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C7DD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C7DD1 shade: #217DCC, #328FDF, #43A1F2, #54B3FF and #65C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C7DD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C7DD1 shade: #1C7DD1, #0B6BBE, #0059AB, #004798 and #003585

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C7DD1 shade: #1C7BCE, #1C4BCE, #1C1CCE, #4C1CCE and #7C1CCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C7DD1 shade: #1C7BCE, #1C4BCE and #1C1CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C7DD1 shade matches the following richer shades: #1C7BCE and #097DE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C7DD1 shade: #1C7BCE, #2F7ABB, #4278A8, #557795 and #687682

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C7DD1 shade: #1CCEBF, #1CADCE, #1C7ECE, #1C4ECE and #1C1FCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C7DD1 shade: #125085, #1765AA, #1C7BCE, #3090E2 and #55A3E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C7DD1 shade: #1C7DD1, #901CCE and #C5CE1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C7DD1 shade: #1C7DD1, #CE1C7E and #7ECE1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C7DD1 shade: #1C7DD1, #901CCE, #CE6C1C and #5ACE1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C7DD1 shade: #1C7DD1, #C51CCE, #CE6C1C and #25CE1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 40 / 0 / 18

HEX #1C7DD1

RGB 28 125 209

HSL 207.85, 0.76%, 0.46%

LAB 51.29, 3.96, -50.71

 

Complementary color

CMYK 0 / 43 / 80 / 11

HEX #E3822E

RGB 227 130 46

HSL 27.85, 0.76%, 0.54%

LAB 63.75, 31.43, 58.38

 

CMYK 84 / 39 / 0 / 20

HEX #217DCC

RGB 33 125 204

HSL 207.72, 0.72%, 0.46%

LAB 51.09, 2.43, -48.17

 

CMYK 78 / 36 / 0 / 13

HEX #328FDF

RGB 50 143 223

HSL 207.75, 0.73%, 0.54%

LAB 57.7, 0.33, -48.35

 

CMYK 72 / 33 / 0 / 5

HEX #43A1F2

RGB 67 161 242

HSL 207.77, 0.87%, 0.61%

LAB 64.24, -1.35, -48.49

 

CMYK 67 / 30 / 0 / 0

HEX #54B3FF

RGB 84 179 255

HSL 206.67, 1%, 0.66%

LAB 70.42, -4.71, -45.8

 

CMYK 60 / 23 / 0 / 0

HEX #65C5FF

RGB 101 197 255

HSL 202.6, 1%, 0.7%

LAB 76.02, -11.66, -37.01

 

CMYK 87 / 40 / 0 / 18

HEX #1C7DD1

RGB 28 125 209

HSL 207.85, 0.76%, 0.46%

LAB 51.29, 3.96, -50.71

 

CMYK 94 / 44 / 0 / 25

HEX #0B6BBE

RGB 11 107 190

HSL 207.82, 0.89%, 0.39%

LAB 44.67, 6.83, -50.42

 

CMYK 100 / 48 / 0 / 33

HEX #0059AB

RGB 0 89 171

HSL 208.77, 1%, 0.34%

LAB 37.99, 10.36, -50.02

 

CMYK 100 / 53 / 0 / 40

HEX #004798

RGB 0 71 152

HSL 211.97, 1%, 0.3%

LAB 31.29, 14.58, -49.47

 

CMYK 100 / 60 / 0 / 48

HEX #003585

RGB 0 53 133

HSL 216.09, 1%, 0.26%

LAB 24.45, 19.13, -48.88

 

CMYK 86 / 40 / 0 / 19

HEX #1C7BCE

RGB 28 123 206

HSL 207.98, 0.76%, 0.46%

LAB 50.53, 4.04, -50.21

 

CMYK 86 / 64 / 0 / 19

HEX #1C4BCE

RGB 28 75 206

HSL 224.16, 0.76%, 0.46%

LAB 37.36, 34.89, -71.53

 

CMYK 86 / 86 / 0 / 19

HEX #1C1CCE

RGB 28 28 206

HSL 240, 0.76%, 0.46%

LAB 28.2, 60.54, -86.68

 

CMYK 63 / 86 / 0 / 19

HEX #4C1CCE

RGB 76 28 206

HSL 256.18, 0.76%, 0.46%

LAB 31.4, 63.07, -81.27

 

CMYK 40 / 86 / 0 / 19

HEX #7C1CCE

RGB 124 28 206

HSL 272.36, 0.76%, 0.46%

LAB 37.06, 68.02, -71.74

 

CMYK 86 / 40 / 0 / 19

HEX #1C7BCE

RGB 28 123 206

HSL 207.98, 0.76%, 0.46%

LAB 50.53, 4.04, -50.21

 

CMYK 86 / 64 / 0 / 19

HEX #1C4BCE

RGB 28 75 206

HSL 224.16, 0.76%, 0.46%

LAB 37.36, 34.89, -71.53

 

CMYK 86 / 86 / 0 / 19

HEX #1C1CCE

RGB 28 28 206

HSL 240, 0.76%, 0.46%

LAB 28.2, 60.54, -86.68

 

CMYK 86 / 40 / 0 / 19

HEX #1C7BCE

RGB 28 123 206

HSL 207.98, 0.76%, 0.46%

LAB 50.53, 4.04, -50.21

 

CMYK 96 / 44 / 0 / 12

HEX #097DE1

RGB 9 125 225

HSL 207.78, 0.92%, 0.46%

LAB 52.02, 9.26, -58.58

 

CMYK 86 / 40 / 0 / 19

HEX #1C7BCE

RGB 28 123 206

HSL 207.98, 0.76%, 0.46%

LAB 50.53, 4.04, -50.21

 

CMYK 75 / 35 / 0 / 27

HEX #2F7ABB

RGB 47 122 187

HSL 207.86, 0.6%, 0.46%

LAB 49.63, -0.62, -40.74

 

CMYK 61 / 29 / 0 / 34

HEX #4278A8

RGB 66 120 168

HSL 208.24, 0.44%, 0.46%

LAB 48.78, -2.98, -31.02

 

CMYK 43 / 20 / 0 / 42

HEX #557795

RGB 85 119 149

HSL 208.13, 0.27%, 0.46%

LAB 48.63, -3.84, -20.06

 

CMYK 20 / 9 / 0 / 49

HEX #687682

RGB 104 118 130

HSL 207.69, 0.11%, 0.46%

LAB 48.9, -2.42, -8.32

 

CMYK 86 / 0 / 7 / 19

HEX #1CCEBF

RGB 28 206 191

HSL 174.94, 0.76%, 0.46%

LAB 74.92, -44.23, -4.34

 

CMYK 86 / 16 / 0 / 19

HEX #1CADCE

RGB 28 173 206

HSL 191.12, 0.76%, 0.46%

LAB 65.43, -24.08, -26.85

 

CMYK 86 / 39 / 0 / 19

HEX #1C7ECE

RGB 28 126 206

HSL 206.97, 0.76%, 0.46%

LAB 51.41, 2.2, -48.81

 

CMYK 86 / 62 / 0 / 19

HEX #1C4ECE

RGB 28 78 206

HSL 223.15, 0.76%, 0.46%

LAB 38.11, 32.95, -70.3

 

CMYK 86 / 85 / 0 / 19

HEX #1C1FCE

RGB 28 31 206

HSL 238.99, 0.76%, 0.46%

LAB 28.6, 59.36, -86.02

 

CMYK 86 / 40 / 0 / 48

HEX #125085

RGB 18 80 133

HSL 207.65, 0.76%, 0.3%

LAB 33.05, 1.62, -35

 

CMYK 86 / 41 / 0 / 33

HEX #1765AA

RGB 23 101 170

HSL 208.16, 0.76%, 0.38%

LAB 41.83, 3.37, -43.26

 

CMYK 86 / 40 / 0 / 19

HEX #1C7BCE

RGB 28 123 206

HSL 207.98, 0.76%, 0.46%

LAB 50.53, 4.04, -50.21

 

CMYK 79 / 36 / 0 / 11

HEX #3090E2

RGB 48 144 226

HSL 207.64, 0.75%, 0.54%

LAB 58.1, 0.62, -49.4

 

CMYK 63 / 29 / 0 / 9

HEX #55A3E7

RGB 85 163 231

HSL 207.95, 0.75%, 0.62%

LAB 64.88, -3.46, -41.4

 

CMYK 87 / 40 / 0 / 18

HEX #1C7DD1

RGB 28 125 209

HSL 207.85, 0.76%, 0.46%

LAB 51.29, 3.96, -50.71

 

CMYK 30 / 86 / 0 / 19

HEX #901CCE

RGB 144 28 206

HSL 279.1, 0.76%, 0.46%

LAB 39.94, 70.71, -66.92

 

CMYK 4 / 0 / 86 / 19

HEX #C5CE1C

RGB 197 206 28

HSL 63.03, 0.76%, 0.46%

LAB 79.67, -21.78, 76.12

 

CMYK 87 / 40 / 0 / 18

HEX #1C7DD1

RGB 28 125 209

HSL 207.85, 0.76%, 0.46%

LAB 51.29, 3.96, -50.71

 

CMYK 0 / 86 / 39 / 19

HEX #CE1C7E

RGB 206 28 126

HSL 326.97, 0.76%, 0.46%

LAB 46.26, 70.7, -8.51

 

CMYK 39 / 0 / 86 / 19

HEX #7ECE1C

RGB 126 206 28

HSL 86.97, 0.76%, 0.46%

LAB 75.24, -49.53, 70.63

 

CMYK 87 / 40 / 0 / 18

HEX #1C7DD1

RGB 28 125 209

HSL 207.85, 0.76%, 0.46%

LAB 51.29, 3.96, -50.71

 

CMYK 30 / 86 / 0 / 19

HEX #901CCE

RGB 144 28 206

HSL 279.1, 0.76%, 0.46%

LAB 39.94, 70.71, -66.92

 

CMYK 0 / 48 / 86 / 19

HEX #CE6C1C

RGB 206 108 28

HSL 26.97, 0.76%, 0.46%

LAB 56.02, 33.84, 57.23

 

CMYK 56 / 0 / 86 / 19

HEX #5ACE1C

RGB 90 206 28

HSL 99.1, 0.76%, 0.46%

LAB 73.8, -60.46, 68.83

 

CMYK 87 / 40 / 0 / 18

HEX #1C7DD1

RGB 28 125 209

HSL 207.85, 0.76%, 0.46%

LAB 51.29, 3.96, -50.71

 

CMYK 4 / 86 / 0 / 19

HEX #C51CCE

RGB 197 28 206

HSL 296.97, 0.76%, 0.46%

LAB 48.46, 79.12, -52.73

 

CMYK 0 / 48 / 86 / 19

HEX #CE6C1C

RGB 206 108 28

HSL 26.97, 0.76%, 0.46%

LAB 56.02, 33.84, 57.23

 

CMYK 82 / 0 / 86 / 19

HEX #25CE1C

RGB 37 206 28

HSL 116.97, 0.76%, 0.46%

LAB 72.64, -70.3, 67.36

 

Description

Color code: HEX #1C7DD1 | qconv.com Color code: HEX #1C7DD1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 125 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 125 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 40 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 40% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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