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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BF274 it is the complementary color #E40D8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BF274. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BF274 shade: #20F26F, #31FF82, #42FF95, #53FFA8 and #64FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BF274. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BF274 shade: #1BF274, #0AE061, #00CE4E, #00BC3B and #00AA28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BF274 shade: #1CF174, #1CF13B, #37F11C, #70F11C and #AAF11C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BF274 shade: #1CF174, #1CF1AE, #1CF1E7, #1CC2F1 and #1C88F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BF274 shade matches the following richer shades: #1CF174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BF274 shade: #1CF174, #2FDE78, #43CB7B, #56B77E and #6AA482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BF274 shade: #38F11C, #1CF138, #1CF171, #1CF1AA and #1CF1E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BF274 shade: #0AB14F, #0CD860, #1CF174, #43F48C and #6AF6A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BF274 shade: #1BF274, #1C71F1 and #F11C1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BF274 shade: #1BF274, #711CF1 and #F1711C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BF274 shade: #1BF274, #1C71F1, #F11C9C and #F19C1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BF274 shade: #1BF274, #1C31F1, #F11C9C and #F1DC1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 52 / 5

HEX #1BF274

RGB 27 242 116

HSL 144.84, 0.89%, 0.53%

LAB 84.48, -73.52, 47.28

 

Complementary color

CMYK 0 / 94 / 39 / 11

HEX #E40D8B

RGB 228 13 139

HSL 324.84, 0.89%, 0.47%

LAB 50.27, 78.77, -9.96

 

CMYK 87 / 0 / 54 / 5

HEX #20F26F

RGB 32 242 111

HSL 142.57, 0.89%, 0.54%

LAB 84.46, -73.91, 49.58

 

CMYK 81 / 0 / 49 / 0

HEX #31FF82

RGB 49 255 130

HSL 143.59, 1%, 0.6%

LAB 88.82, -73.85, 46.12

 

CMYK 74 / 0 / 42 / 0

HEX #42FF95

RGB 66 255 149

HSL 146.35, 1%, 0.63%

LAB 89.32, -68.86, 37.65

 

CMYK 67 / 0 / 34 / 0

HEX #53FFA8

RGB 83 255 168

HSL 149.65, 1%, 0.66%

LAB 89.95, -62.98, 29.08

 

CMYK 61 / 0 / 27 / 0

HEX #64FFBB

RGB 100 255 187

HSL 153.68, 1%, 0.7%

LAB 90.7, -56.31, 20.54

 

CMYK 89 / 0 / 52 / 5

HEX #1BF274

RGB 27 242 116

HSL 144.84, 0.89%, 0.53%

LAB 84.48, -73.52, 47.28

 

CMYK 96 / 0 / 57 / 12

HEX #0AE061

RGB 10 224 97

HSL 144.39, 0.91%, 0.46%

LAB 78.6, -71.39, 48.94

 

CMYK 100 / 0 / 62 / 19

HEX #00CE4E

RGB 0 206 78

HSL 142.72, 1%, 0.4%

LAB 72.69, -68.7, 50.55

 

CMYK 100 / 0 / 69 / 26

HEX #00BC3B

RGB 0 188 59

HSL 138.83, 1%, 0.37%

LAB 66.73, -65.43, 51.96

 

CMYK 100 / 0 / 76 / 33

HEX #00AA28

RGB 0 170 40

HSL 134.12, 1%, 0.33%

LAB 60.7, -61.85, 52.85

 

CMYK 88 / 0 / 52 / 5

HEX #1CF174

RGB 28 241 116

HSL 144.79, 0.88%, 0.53%

LAB 84.18, -73.15, 46.91

 

CMYK 88 / 0 / 76 / 5

HEX #1CF13B

RGB 28 241 59

HSL 128.73, 0.88%, 0.53%

LAB 83.69, -79.26, 69.36

 

CMYK 77 / 0 / 88 / 5

HEX #37F11C

RGB 55 241 28

HSL 112.39, 0.88%, 0.53%

LAB 83.87, -78.18, 77.2

 

CMYK 54 / 0 / 88 / 5

HEX #70F11C

RGB 112 241 28

HSL 96.34, 0.88%, 0.53%

LAB 85.22, -66.83, 78.89

 

CMYK 29 / 0 / 88 / 5

HEX #AAF11C

RGB 170 241 28

HSL 80, 0.88%, 0.53%

LAB 87.75, -48.34, 82.02

 

CMYK 88 / 0 / 52 / 5

HEX #1CF174

RGB 28 241 116

HSL 144.79, 0.88%, 0.53%

LAB 84.18, -73.15, 46.91

 

CMYK 88 / 0 / 28 / 5

HEX #1CF1AE

RGB 28 241 174

HSL 161.13, 0.88%, 0.53%

LAB 85.11, -62.44, 19.26

 

CMYK 88 / 0 / 4 / 5

HEX #1CF1E7

RGB 28 241 231

HSL 177.18, 0.88%, 0.53%

LAB 86.47, -48.09, -8.54

 

CMYK 88 / 20 / 0 / 5

HEX #1CC2F1

RGB 28 194 241

HSL 193.24, 0.88%, 0.53%

LAB 73.01, -23.09, -34.27

 

CMYK 88 / 44 / 0 / 5

HEX #1C88F1

RGB 28 136 241

HSL 209.58, 0.88%, 0.53%

LAB 56.29, 9.43, -60.63

 

CMYK 88 / 0 / 52 / 5

HEX #1CF174

RGB 28 241 116

HSL 144.79, 0.88%, 0.53%

LAB 84.18, -73.15, 46.91

 

CMYK 88 / 0 / 52 / 5

HEX #1CF174

RGB 28 241 116

HSL 144.79, 0.88%, 0.53%

LAB 84.18, -73.15, 46.91

 

CMYK 79 / 0 / 46 / 13

HEX #2FDE78

RGB 47 222 120

HSL 145.03, 0.73%, 0.53%

LAB 78.58, -64.67, 38.02

 

CMYK 67 / 0 / 39 / 20

HEX #43CB7B

RGB 67 203 123

HSL 144.71, 0.57%, 0.53%

LAB 73.11, -54.43, 29.48

 

CMYK 53 / 0 / 31 / 28

HEX #56B77E

RGB 86 183 126

HSL 144.74, 0.4%, 0.53%

LAB 67.54, -41.72, 20.51

 

CMYK 35 / 0 / 21 / 36

HEX #6AA482

RGB 106 164 130

HSL 144.83, 0.24%, 0.53%

LAB 62.7, -26.52, 11.73

 

CMYK 77 / 0 / 88 / 5

HEX #38F11C

RGB 56 241 28

HSL 112.11, 0.88%, 0.53%

LAB 83.88, -78.05, 77.22

 

CMYK 88 / 0 / 77 / 5

HEX #1CF138

RGB 28 241 56

HSL 127.89, 0.88%, 0.53%

LAB 83.67, -79.47, 70.27

 

CMYK 88 / 0 / 53 / 5

HEX #1CF171

RGB 28 241 113

HSL 143.94, 0.88%, 0.53%

LAB 84.15, -73.58, 48.27

 

CMYK 88 / 0 / 29 / 5

HEX #1CF1AA

RGB 28 241 170

HSL 160, 0.88%, 0.53%

LAB 85.03, -63.31, 21.22

 

CMYK 88 / 0 / 6 / 5

HEX #1CF1E3

RGB 28 241 227

HSL 176.06, 0.88%, 0.53%

LAB 86.36, -49.2, -6.6

 

CMYK 94 / 0 / 55 / 31

HEX #0AB14F

RGB 10 177 79

HSL 144.79, 0.89%, 0.37%

LAB 63.4, -59.12, 39.24

 

CMYK 94 / 0 / 56 / 15

HEX #0CD860

RGB 12 216 96

HSL 144.71, 0.89%, 0.45%

LAB 76.09, -68.99, 46.41

 

CMYK 88 / 0 / 52 / 5

HEX #1CF174

RGB 28 241 116

HSL 144.79, 0.88%, 0.53%

LAB 84.18, -73.15, 46.91

 

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

CMYK 57 / 0 / 33 / 4

HEX #6AF6A4

RGB 106 246 164

HSL 144.86, 0.89%, 0.69%

LAB 87.8, -56, 28.3

 

CMYK 89 / 0 / 52 / 5

HEX #1BF274

RGB 27 242 116

HSL 144.84, 0.89%, 0.53%

LAB 84.48, -73.52, 47.28

 

CMYK 88 / 53 / 0 / 5

HEX #1C71F1

RGB 28 113 241

HSL 216.06, 0.88%, 0.53%

LAB 49.99, 23.78, -70.82

 

CMYK 0 / 88 / 88 / 5

HEX #F11C1C

RGB 241 28 28

HSL 0, 0.88%, 0.53%

LAB 51.4, 74.24, 56.21

 

CMYK 89 / 0 / 52 / 5

HEX #1BF274

RGB 27 242 116

HSL 144.84, 0.89%, 0.53%

LAB 84.48, -73.52, 47.28

 

CMYK 53 / 88 / 0 / 5

HEX #711CF1

RGB 113 28 241

HSL 263.94, 0.88%, 0.53%

LAB 39.06, 74.73, -88.55

 

CMYK 0 / 53 / 88 / 5

HEX #F1711C

RGB 241 113 28

HSL 23.94, 0.88%, 0.53%

LAB 62.16, 45.1, 64.26

 

CMYK 89 / 0 / 52 / 5

HEX #1BF274

RGB 27 242 116

HSL 144.84, 0.89%, 0.53%

LAB 84.48, -73.52, 47.28

 

CMYK 88 / 53 / 0 / 5

HEX #1C71F1

RGB 28 113 241

HSL 216.06, 0.88%, 0.53%

LAB 49.99, 23.78, -70.82

 

CMYK 0 / 88 / 35 / 5

HEX #F11C9C

RGB 241 28 156

HSL 323.94, 0.88%, 0.53%

LAB 53.95, 81.39, -14.32

 

CMYK 0 / 35 / 88 / 5

HEX #F19C1C

RGB 241 156 28

HSL 36.06, 0.88%, 0.53%

LAB 71.26, 23.1, 71.23

 

CMYK 89 / 0 / 52 / 5

HEX #1BF274

RGB 27 242 116

HSL 144.84, 0.89%, 0.53%

LAB 84.48, -73.52, 47.28

 

CMYK 88 / 80 / 0 / 5

HEX #1C31F1

RGB 28 49 241

HSL 234.08, 0.88%, 0.53%

LAB 35.59, 61.85, -94.49

 

CMYK 0 / 88 / 35 / 5

HEX #F11C9C

RGB 241 28 156

HSL 323.94, 0.88%, 0.53%

LAB 53.95, 81.39, -14.32

 

CMYK 0 / 9 / 88 / 5

HEX #F1DC1C

RGB 241 220 28

HSL 54.08, 0.88%, 0.53%

LAB 86.98, -10.08, 83.48

 

Description

Color code: HEX #1BF274 | qconv.com Color code: HEX #1BF274 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 242 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 242 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 52 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 52% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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