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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BF7A9 it is the complementary color #E40856. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BF7A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BF7A9 shade: #20F7A4, #31FFB7, #42FFCA, #53FFDD and #64FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BF7A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BF7A9 shade: #1BF7A9, #0AE596, #00D383, #00C170 and #00AF5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BF7A9 shade: #1CF6A9, #1CF66E, #1CF633, #40F61C and #7BF61C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BF7A9 shade: #1CF6A9, #1CF6E4, #1CCEF6, #1C93F6 and #1C58F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BF7A9 shade matches the following richer shades: #1CF6A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BF7A9 shade: #1CF6A9, #2FE3A3, #42D09E, #55BD98 and #68AA93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BF7A9 shade: #1CF632, #1CF66C, #1CF6A6, #1CF6E0 and #1CD2F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BF7A9 shade: #06BA7A, #08E194, #1CF6A9, #44F8B8 and #6CF9C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BF7A9 shade: #1BF7A9, #1C40F6 and #F64F1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BF7A9 shade: #1BF7A9, #A61CF6 and #F6A61C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BF7A9 shade: #1BF7A9, #1C40F6, #F61C6C and #F6D21C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BF7A9 shade: #1BF7A9, #391CF6, #F61C6C and #D9F61C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 32 / 3

HEX #1BF7A9

RGB 27 247 169

HSL 158.73, 0.93%, 0.54%

LAB 86.81, -65.74, 24.18

 

Complementary color

CMYK 0 / 96 / 62 / 11

HEX #E40856

RGB 228 8 86

HSL 338.73, 0.93%, 0.46%

LAB 48.69, 75.29, 20.19

 

CMYK 87 / 0 / 34 / 3

HEX #20F7A4

RGB 32 247 164

HSL 156.84, 0.93%, 0.55%

LAB 86.76, -66.49, 26.66

 

CMYK 81 / 0 / 28 / 0

HEX #31FFB7

RGB 49 255 183

HSL 159.03, 1%, 0.6%

LAB 89.67, -64.12, 21.01

 

CMYK 74 / 0 / 21 / 0

HEX #42FFCA

RGB 66 255 202

HSL 163.17, 1%, 0.63%

LAB 90.3, -58.16, 12.18

 

CMYK 67 / 0 / 13 / 0

HEX #53FFDD

RGB 83 255 221

HSL 168.14, 1%, 0.66%

LAB 91.04, -51.47, 3.48

 

CMYK 61 / 0 / 6 / 0

HEX #64FFF0

RGB 100 255 240

HSL 174.19, 1%, 0.7%

LAB 91.92, -44.15, -5.04

 

CMYK 89 / 0 / 32 / 3

HEX #1BF7A9

RGB 27 247 169

HSL 158.73, 0.93%, 0.54%

LAB 86.81, -65.74, 24.18

 

CMYK 96 / 0 / 34 / 10

HEX #0AE596

RGB 10 229 150

HSL 158.36, 0.92%, 0.47%

LAB 80.91, -64, 25.86

 

CMYK 100 / 0 / 38 / 17

HEX #00D383

RGB 0 211 131

HSL 157.25, 1%, 0.41%

LAB 74.97, -61.84, 27.66

 

CMYK 100 / 0 / 42 / 24

HEX #00C170

RGB 0 193 112

HSL 154.82, 1%, 0.38%

LAB 68.98, -59.3, 29.58

 

CMYK 100 / 0 / 47 / 31

HEX #00AF5D

RGB 0 175 93

HSL 151.89, 1%, 0.34%

LAB 62.89, -56.63, 31.55

 

CMYK 89 / 0 / 31 / 4

HEX #1CF6A9

RGB 28 246 169

HSL 158.81, 0.92%, 0.54%

LAB 86.52, -65.33, 23.78

 

CMYK 89 / 0 / 55 / 4

HEX #1CF66E

RGB 28 246 110

HSL 142.57, 0.92%, 0.54%

LAB 85.65, -75.54, 51.45

 

CMYK 89 / 0 / 79 / 4

HEX #1CF633

RGB 28 246 51

HSL 126.33, 0.92%, 0.54%

LAB 85.2, -81.15, 73.17

 

CMYK 74 / 0 / 89 / 4

HEX #40F61C

RGB 64 246 28

HSL 110.09, 0.92%, 0.54%

LAB 85.55, -78.37, 78.69

 

CMYK 50 / 0 / 89 / 4

HEX #7BF61C

RGB 123 246 28

HSL 93.85, 0.92%, 0.54%

LAB 87.1, -65.57, 80.63

 

CMYK 89 / 0 / 31 / 4

HEX #1CF6A9

RGB 28 246 169

HSL 158.81, 0.92%, 0.54%

LAB 86.52, -65.33, 23.78

 

CMYK 89 / 0 / 7 / 4

HEX #1CF6E4

RGB 28 246 228

HSL 175.05, 0.92%, 0.54%

LAB 87.85, -51.03, -4.92

 

CMYK 89 / 16 / 0 / 4

HEX #1CCEF6

RGB 28 206 246

HSL 191.01, 0.92%, 0.54%

LAB 76.71, -27.46, -31.26

 

CMYK 89 / 40 / 0 / 4

HEX #1C93F6

RGB 28 147 246

HSL 207.25, 0.92%, 0.54%

LAB 59.68, 4.69, -57.98

 

CMYK 89 / 64 / 0 / 4

HEX #1C58F6

RGB 28 88 246

HSL 223.49, 0.92%, 0.54%

LAB 44.06, 41.47, -83.29

 

CMYK 89 / 0 / 31 / 4

HEX #1CF6A9

RGB 28 246 169

HSL 158.81, 0.92%, 0.54%

LAB 86.52, -65.33, 23.78

 

CMYK 89 / 0 / 31 / 4

HEX #1CF6A9

RGB 28 246 169

HSL 158.81, 0.92%, 0.54%

LAB 86.52, -65.33, 23.78

 

CMYK 79 / 0 / 28 / 11

HEX #2FE3A3

RGB 47 227 163

HSL 158.67, 0.76%, 0.54%

LAB 80.84, -58.18, 19.08

 

CMYK 68 / 0 / 24 / 18

HEX #42D09E

RGB 66 208 158

HSL 158.87, 0.6%, 0.54%

LAB 75.29, -49.41, 14.01

 

CMYK 55 / 0 / 20 / 26

HEX #55BD98

RGB 85 189 152

HSL 158.65, 0.44%, 0.54%

LAB 69.89, -39.07, 9.68

 

CMYK 39 / 0 / 14 / 33

HEX #68AA93

RGB 104 170 147

HSL 159.09, 0.28%, 0.54%

LAB 64.8, -26.44, 5.26

 

CMYK 89 / 0 / 80 / 4

HEX #1CF632

RGB 28 246 50

HSL 126.06, 0.92%, 0.54%

LAB 85.19, -81.21, 73.43

 

CMYK 89 / 0 / 56 / 4

HEX #1CF66C

RGB 28 246 108

HSL 142.02, 0.92%, 0.54%

LAB 85.63, -75.8, 52.32

 

CMYK 89 / 0 / 33 / 4

HEX #1CF6A6

RGB 28 246 166

HSL 157.98, 0.92%, 0.54%

LAB 86.46, -65.96, 25.23

 

CMYK 89 / 0 / 9 / 4

HEX #1CF6E0

RGB 28 246 224

HSL 173.94, 0.92%, 0.54%

LAB 87.75, -52.11, -2.98

 

CMYK 89 / 15 / 0 / 4

HEX #1CD2F6

RGB 28 210 246

HSL 189.91, 0.92%, 0.54%

LAB 77.87, -29.42, -29.46

 

CMYK 97 / 0 / 34 / 27

HEX #06BA7A

RGB 6 186 122

HSL 158.67, 0.94%, 0.38%

LAB 66.95, -54.56, 21.61

 

CMYK 96 / 0 / 34 / 12

HEX #08E194

RGB 8 225 148

HSL 158.71, 0.93%, 0.46%

LAB 79.64, -63.05, 25.17

 

CMYK 89 / 0 / 31 / 4

HEX #1CF6A9

RGB 28 246 169

HSL 158.81, 0.92%, 0.54%

LAB 86.52, -65.33, 23.78

 

CMYK 73 / 0 / 26 / 3

HEX #44F8B8

RGB 68 248 184

HSL 158.67, 0.93%, 0.62%

LAB 87.88, -59.23, 18.05

 

CMYK 57 / 0 / 20 / 2

HEX #6CF9C7

RGB 108 249 199

HSL 158.72, 0.92%, 0.7%

LAB 89.42, -49.79, 12.62

 

CMYK 89 / 0 / 32 / 3

HEX #1BF7A9

RGB 27 247 169

HSL 158.73, 0.93%, 0.54%

LAB 86.81, -65.74, 24.18

 

CMYK 89 / 74 / 0 / 4

HEX #1C40F6

RGB 28 64 246

HSL 230.09, 0.92%, 0.54%

LAB 38.84, 55.69, -91.9

 

CMYK 0 / 68 / 89 / 4

HEX #F64F1C

RGB 246 79 28

HSL 14.04, 0.92%, 0.54%

LAB 57.34, 61.72, 61

 

CMYK 89 / 0 / 32 / 3

HEX #1BF7A9

RGB 27 247 169

HSL 158.73, 0.93%, 0.54%

LAB 86.81, -65.74, 24.18

 

CMYK 33 / 89 / 0 / 4

HEX #A61CF6

RGB 166 28 246

HSL 277.98, 0.92%, 0.54%

LAB 46.43, 81.51, -78.98

 

CMYK 0 / 33 / 89 / 4

HEX #F6A61C

RGB 246 166 28

HSL 37.98, 0.92%, 0.54%

LAB 74.16, 19.94, 73.72

 

CMYK 89 / 0 / 32 / 3

HEX #1BF7A9

RGB 27 247 169

HSL 158.73, 0.93%, 0.54%

LAB 86.81, -65.74, 24.18

 

CMYK 89 / 74 / 0 / 4

HEX #1C40F6

RGB 28 64 246

HSL 230.09, 0.92%, 0.54%

LAB 38.84, 55.69, -91.9

 

CMYK 0 / 89 / 56 / 4

HEX #F61C6C

RGB 246 28 108

HSL 337.98, 0.92%, 0.54%

LAB 53.5, 78.62, 13.91

 

CMYK 0 / 15 / 89 / 4

HEX #F6D21C

RGB 246 210 28

HSL 50.09, 0.92%, 0.54%

LAB 84.88, -2.92, 82.03

 

CMYK 89 / 0 / 32 / 3

HEX #1BF7A9

RGB 27 247 169

HSL 158.73, 0.93%, 0.54%

LAB 86.81, -65.74, 24.18

 

CMYK 77 / 89 / 0 / 4

HEX #391CF6

RGB 57 28 246

HSL 247.98, 0.92%, 0.54%

LAB 34.71, 72.42, -98.73

 

CMYK 0 / 89 / 56 / 4

HEX #F61C6C

RGB 246 28 108

HSL 337.98, 0.92%, 0.54%

LAB 53.5, 78.62, 13.91

 

CMYK 12 / 0 / 89 / 4

HEX #D9F61C

RGB 217 246 28

HSL 67.98, 0.92%, 0.54%

LAB 92.02, -32.48, 86.69

 

Description

Color code: HEX #1BF7A9 | qconv.com Color code: HEX #1BF7A9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 247 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 247 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 32 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 32% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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