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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BDECC it is the complementary color #E42133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BDECC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BDECC shade: #20DEC7, #31F0DA, #42FFED, #53FFFF and #64FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BDECC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BDECC shade: #1BDECC, #0ACCB9, #00BAA6, #00A893 and #009680

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BDECC shade: #1BDECC, #1BDE97, #1BDE63, #1BDE2E and #3CDE1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BDECC shade: #1BDECC, #1BBBDE, #1B87DE, #1B52DE and #1B1EDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BDECC shade matches the following richer shades: #1BDECC and #07F2DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BDECC shade: #1BDECC, #2FCABB, #43B5AB, #58A19A and #6C8D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BDECC shade: #1BDE62, #1BDE96, #1BDECA, #1BBDDE and #1B89DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BDECC shade: #129488, #16B9AA, #1BDECC, #3CE6D7 and #60EBDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BDECC shade: #1BDECC, #2E1BDE and #DE7C1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BDECC shade: #1BDECC, #CA1BDE and #DECA1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BDECC shade: #1BDECC, #2E1BDE, #DE1B2E and #CADE1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BDECC shade: #1BDECC, #691BDE, #DE1B2E and #90DE1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 8 / 13

HEX #1BDECC

RGB 27 222 204

HSL 174.46, 0.78%, 0.49%

LAB 80.09, -47.54, -3.7

 

Complementary color

CMYK 0 / 86 / 78 / 11

HEX #E42133

RGB 228 33 51

HSL 354.46, 0.78%, 0.51%

LAB 49.28, 70.53, 41.77

 

CMYK 86 / 0 / 10 / 13

HEX #20DEC7

RGB 32 222 199

HSL 172.74, 0.75%, 0.5%

LAB 80, -48.61, -1.17

 

CMYK 80 / 0 / 9 / 6

HEX #31F0DA

RGB 49 240 218

HSL 173.09, 0.86%, 0.57%

LAB 86.02, -49.83, -2.35

 

CMYK 74 / 0 / 7 / 0

HEX #42FFED

RGB 66 255 237

HSL 174.29, 1%, 0.63%

LAB 91.14, -49.51, -4.71

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 88 / 0 / 8 / 13

HEX #1BDECC

RGB 27 222 204

HSL 174.46, 0.78%, 0.49%

LAB 80.09, -47.54, -3.7

 

CMYK 95 / 0 / 9 / 20

HEX #0ACCB9

RGB 10 204 185

HSL 174.12, 0.91%, 0.42%

LAB 74.03, -45.85, -2.41

 

CMYK 100 / 0 / 11 / 27

HEX #00BAA6

RGB 0 186 166

HSL 173.55, 1%, 0.36%

LAB 67.93, -43.79, -1

 

CMYK 100 / 0 / 13 / 34

HEX #00A893

RGB 0 168 147

HSL 172.5, 1%, 0.33%

LAB 61.75, -41.4, 0.53

 

CMYK 100 / 0 / 15 / 41

HEX #009680

RGB 0 150 128

HSL 171.2, 1%, 0.29%

LAB 55.45, -38.97, 2.13

 

CMYK 88 / 0 / 8 / 13

HEX #1BDECC

RGB 27 222 204

HSL 174.46, 0.78%, 0.49%

LAB 80.09, -47.54, -3.7

 

CMYK 88 / 0 / 32 / 13

HEX #1BDE97

RGB 27 222 151

HSL 158.15, 0.78%, 0.49%

LAB 78.87, -60.53, 22.59

 

CMYK 88 / 0 / 55 / 13

HEX #1BDE63

RGB 27 222 99

HSL 142.15, 0.78%, 0.49%

LAB 78.1, -69.66, 47.44

 

CMYK 88 / 0 / 79 / 13

HEX #1BDE2E

RGB 27 222 46

HSL 125.85, 0.78%, 0.49%

LAB 77.68, -74.85, 67.46

 

CMYK 73 / 0 / 88 / 13

HEX #3CDE1B

RGB 60 222 27

HSL 109.85, 0.78%, 0.49%

LAB 78.04, -71.94, 72.4

 

CMYK 88 / 0 / 8 / 13

HEX #1BDECC

RGB 27 222 204

HSL 174.46, 0.78%, 0.49%

LAB 80.09, -47.54, -3.7

 

CMYK 88 / 16 / 0 / 13

HEX #1BBBDE

RGB 27 187 222

HSL 190.77, 0.78%, 0.49%

LAB 70.21, -25.92, -28.29

 

CMYK 88 / 39 / 0 / 13

HEX #1B87DE

RGB 27 135 222

HSL 206.77, 0.78%, 0.49%

LAB 54.9, 2.78, -52.27

 

CMYK 88 / 63 / 0 / 13

HEX #1B52DE

RGB 27 82 222

HSL 223.08, 0.78%, 0.49%

LAB 40.48, 36.35, -75.61

 

CMYK 88 / 86 / 0 / 13

HEX #1B1EDE

RGB 27 30 222

HSL 239.08, 0.78%, 0.49%

LAB 30.49, 64.32, -92.14

 

CMYK 88 / 0 / 8 / 13

HEX #1BDECC

RGB 27 222 204

HSL 174.46, 0.78%, 0.49%

LAB 80.09, -47.54, -3.7

 

CMYK 97 / 0 / 9 / 5

HEX #07F2DC

RGB 7 242 220

HSL 174.38, 0.94%, 0.49%

LAB 86.36, -52.22, -2.93

 

CMYK 88 / 0 / 8 / 13

HEX #1BDECC

RGB 27 222 204

HSL 174.46, 0.78%, 0.49%

LAB 80.09, -47.54, -3.7

 

CMYK 77 / 0 / 7 / 21

HEX #2FCABB

RGB 47 202 187

HSL 174.19, 0.62%, 0.49%

LAB 73.83, -42.04, -3.76

 

CMYK 63 / 0 / 6 / 29

HEX #43B5AB

RGB 67 181 171

HSL 174.74, 0.46%, 0.49%

LAB 67.41, -34.18, -4.41

 

CMYK 45 / 0 / 4 / 37

HEX #58A19A

RGB 88 161 154

HSL 174.25, 0.29%, 0.49%

LAB 61.57, -24.56, -3.47

 

CMYK 23 / 0 / 2 / 45

HEX #6C8D8A

RGB 108 141 138

HSL 174.55, 0.13%, 0.49%

LAB 56.16, -12.18, -2.19

 

CMYK 88 / 0 / 56 / 13

HEX #1BDE62

RGB 27 222 98

HSL 141.85, 0.78%, 0.49%

LAB 78.09, -69.8, 47.89

 

CMYK 88 / 0 / 32 / 13

HEX #1BDE96

RGB 27 222 150

HSL 157.85, 0.78%, 0.49%

LAB 78.86, -60.74, 23.08

 

CMYK 88 / 0 / 9 / 13

HEX #1BDECA

RGB 27 222 202

HSL 173.85, 0.78%, 0.49%

LAB 80.03, -48.09, -2.71

 

CMYK 88 / 15 / 0 / 13

HEX #1BBDDE

RGB 27 189 222

HSL 190.15, 0.78%, 0.49%

LAB 70.8, -26.92, -27.37

 

CMYK 88 / 38 / 0 / 13

HEX #1B89DE

RGB 27 137 222

HSL 206.15, 0.78%, 0.49%

LAB 55.48, 1.58, -51.35

 

CMYK 88 / 0 / 8 / 42

HEX #129488

RGB 18 148 136

HSL 174.46, 0.78%, 0.33%

LAB 55.16, -34.84, -2.87

 

CMYK 88 / 0 / 8 / 27

HEX #16B9AA

RGB 22 185 170

HSL 174.48, 0.79%, 0.41%

LAB 67.85, -41.34, -3.3

 

CMYK 88 / 0 / 8 / 13

HEX #1BDECC

RGB 27 222 204

HSL 174.46, 0.78%, 0.49%

LAB 80.09, -47.54, -3.7

 

CMYK 74 / 0 / 7 / 10

HEX #3CE6D7

RGB 60 230 215

HSL 174.71, 0.77%, 0.57%

LAB 83.16, -45.28, -4.97

 

CMYK 59 / 0 / 6 / 8

HEX #60EBDE

RGB 96 235 222

HSL 174.39, 0.78%, 0.65%

LAB 85.59, -40.51, -4.98

 

CMYK 88 / 0 / 8 / 13

HEX #1BDECC

RGB 27 222 204

HSL 174.46, 0.78%, 0.49%

LAB 80.09, -47.54, -3.7

 

CMYK 79 / 88 / 0 / 13

HEX #2E1BDE

RGB 46 27 222

HSL 245.85, 0.78%, 0.49%

LAB 30.97, 65.95, -91.31

 

CMYK 0 / 44 / 88 / 13

HEX #DE7C1B

RGB 222 124 27

HSL 29.85, 0.78%, 0.49%

LAB 61.67, 32.01, 63.01

 

CMYK 88 / 0 / 8 / 13

HEX #1BDECC

RGB 27 222 204

HSL 174.46, 0.78%, 0.49%

LAB 80.09, -47.54, -3.7

 

CMYK 9 / 88 / 0 / 13

HEX #CA1BDE

RGB 202 27 222

HSL 293.85, 0.78%, 0.49%

LAB 50.23, 82.64, -58.99

 

CMYK 0 / 9 / 88 / 13

HEX #DECA1B

RGB 222 202 27

HSL 53.85, 0.78%, 0.49%

LAB 80.66, -9.14, 77.97

 

CMYK 88 / 0 / 8 / 13

HEX #1BDECC

RGB 27 222 204

HSL 174.46, 0.78%, 0.49%

LAB 80.09, -47.54, -3.7

 

CMYK 79 / 88 / 0 / 13

HEX #2E1BDE

RGB 46 27 222

HSL 245.85, 0.78%, 0.49%

LAB 30.97, 65.95, -91.31

 

CMYK 0 / 88 / 79 / 13

HEX #DE1B2E

RGB 222 27 46

HSL 354.15, 0.78%, 0.49%

LAB 47.64, 69.91, 42.48

 

CMYK 9 / 0 / 88 / 13

HEX #CADE1B

RGB 202 222 27

HSL 66.15, 0.78%, 0.49%

LAB 84.42, -27.41, 80.31

 

CMYK 88 / 0 / 8 / 13

HEX #1BDECC

RGB 27 222 204

HSL 174.46, 0.78%, 0.49%

LAB 80.09, -47.54, -3.7

 

CMYK 53 / 88 / 0 / 13

HEX #691BDE

RGB 105 27 222

HSL 264, 0.78%, 0.49%

LAB 36.1, 69.83, -82.65

 

CMYK 0 / 88 / 79 / 13

HEX #DE1B2E

RGB 222 27 46

HSL 354.15, 0.78%, 0.49%

LAB 47.64, 69.91, 42.48

 

CMYK 35 / 0 / 88 / 13

HEX #90DE1B

RGB 144 222 27

HSL 84, 0.78%, 0.49%

LAB 80.88, -49.82, 75.94

 

Description

Color code: HEX #1BDECC | qconv.com Color code: HEX #1BDECC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 222 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 222 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 8 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 8% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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