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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BC0B5 it is the complementary color #E43F4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BC0B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BC0B5 shade: #20C0B0, #31D2C3, #42E4D6, #53F6E9 and #64FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BC0B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BC0B5 shade: #1BC0B5, #0AAEA2, #009C8F, #008A7C and #007869

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BC0B5 shade: #1BBFB4, #1BBF88, #1BBF5C, #1BBF2F and #33BF1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BC0B5 shade: #1BBFB4, #1B9EBF, #1B72BF, #1B45BF and #1B1BBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BC0B5 shade matches the following richer shades: #1BBFB4 and #09D1C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BC0B5 shade: #1BBFB4, #2DAEA5, #3E9C96, #508A86 and #627877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BC0B5 shade: #1BBF5D, #1BBF89, #1BBFB4, #1B9EBF and #1B73BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BC0B5 shade: #117770, #169B92, #1BBFB4, #24DFD3 and #48E4DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BC0B5 shade: #1BC0B5, #311BBF and #BF731B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BC0B5 shade: #1BC0B5, #B41BBF and #BFB41B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BC0B5 shade: #1BC0B5, #311BBF, #BF1B26 and #A9BF1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BC0B5 shade: #1BC0B5, #621BBF, #BF1B26 and #78BF1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 6 / 25

HEX #1BC0B5

RGB 27 192 181

HSL 176, 0.75%, 0.43%

LAB 70.36, -40.99, -5.63

 

Complementary color

CMYK 0 / 72 / 68 / 11

HEX #E43F4A

RGB 228 63 74

HSL 356, 0.75%, 0.57%

LAB 52.45, 63.38, 32.2

 

CMYK 83 / 0 / 8 / 25

HEX #20C0B0

RGB 32 192 176

HSL 174, 0.71%, 0.44%

LAB 70.27, -42.05, -3.02

 

CMYK 77 / 0 / 7 / 18

HEX #31D2C3

RGB 49 210 195

HSL 174.41, 0.64%, 0.51%

LAB 76.49, -43.15, -4.15

 

CMYK 71 / 0 / 6 / 11

HEX #42E4D6

RGB 66 228 214

HSL 174.81, 0.75%, 0.58%

LAB 82.65, -43.98, -5.18

 

CMYK 66 / 0 / 5 / 4

HEX #53F6E9

RGB 83 246 233

HSL 175.21, 0.9%, 0.65%

LAB 88.75, -44.59, -6.12

 

CMYK 61 / 0 / 1 / 0

HEX #64FFFC

RGB 100 255 252

HSL 178.84, 1%, 0.7%

LAB 92.25, -41.06, -10.77

 

CMYK 86 / 0 / 6 / 25

HEX #1BC0B5

RGB 27 192 181

HSL 176, 0.75%, 0.43%

LAB 70.36, -40.99, -5.63

 

CMYK 94 / 0 / 7 / 32

HEX #0AAEA2

RGB 10 174 162

HSL 175.61, 0.89%, 0.36%

LAB 64.12, -39.35, -4.38

 

CMYK 100 / 0 / 8 / 39

HEX #009C8F

RGB 0 156 143

HSL 175, 1%, 0.31%

LAB 57.81, -37.28, -2.99

 

CMYK 100 / 0 / 10 / 46

HEX #008A7C

RGB 0 138 124

HSL 173.91, 1%, 0.27%

LAB 51.42, -34.8, -1.45

 

CMYK 100 / 0 / 13 / 53

HEX #007869

RGB 0 120 105

HSL 172.5, 1%, 0.24%

LAB 44.88, -32.27, 0.16

 

CMYK 86 / 0 / 6 / 25

HEX #1BBFB4

RGB 27 191 180

HSL 175.98, 0.75%, 0.43%

LAB 70.03, -40.83, -5.58

 

CMYK 86 / 0 / 29 / 25

HEX #1BBF88

RGB 27 191 136

HSL 159.88, 0.75%, 0.43%

LAB 68.95, -52.22, 16.85

 

CMYK 86 / 0 / 52 / 25

HEX #1BBF5C

RGB 27 191 92

HSL 143.78, 0.75%, 0.43%

LAB 68.22, -60.66, 38.78

 

CMYK 86 / 0 / 75 / 25

HEX #1BBF2F

RGB 27 191 47

HSL 127.32, 0.75%, 0.43%

LAB 67.8, -65.82, 57.58

 

CMYK 73 / 0 / 86 / 25

HEX #33BF1B

RGB 51 191 27

HSL 111.22, 0.75%, 0.43%

LAB 68.05, -63.95, 63.61

 

CMYK 86 / 0 / 6 / 25

HEX #1BBFB4

RGB 27 191 180

HSL 175.98, 0.75%, 0.43%

LAB 70.03, -40.83, -5.58

 

CMYK 86 / 17 / 0 / 25

HEX #1B9EBF

RGB 27 158 191

HSL 192.07, 0.75%, 0.43%

LAB 60.29, -21.46, -26.4

 

CMYK 86 / 40 / 0 / 25

HEX #1B72BF

RGB 27 114 191

HSL 208.17, 0.75%, 0.43%

LAB 47.01, 3.74, -47.23

 

CMYK 86 / 64 / 0 / 25

HEX #1B45BF

RGB 27 69 191

HSL 224.63, 0.75%, 0.43%

LAB 34.5, 33.05, -67.49

 

CMYK 86 / 86 / 0 / 25

HEX #1B1BBF

RGB 27 27 191

HSL 240, 0.75%, 0.43%

LAB 26.09, 56.54, -81.39

 

CMYK 86 / 0 / 6 / 25

HEX #1BBFB4

RGB 27 191 180

HSL 175.98, 0.75%, 0.43%

LAB 70.03, -40.83, -5.58

 

CMYK 96 / 0 / 6 / 18

HEX #09D1C4

RGB 9 209 196

HSL 176.1, 0.92%, 0.43%

LAB 75.85, -44.92, -5.67

 

CMYK 86 / 0 / 6 / 25

HEX #1BBFB4

RGB 27 191 180

HSL 175.98, 0.75%, 0.43%

LAB 70.03, -40.83, -5.58

 

CMYK 74 / 0 / 5 / 32

HEX #2DAEA5

RGB 45 174 165

HSL 175.81, 0.59%, 0.43%

LAB 64.6, -35.8, -5.29

 

CMYK 60 / 0 / 4 / 39

HEX #3E9C96

RGB 62 156 150

HSL 176.17, 0.43%, 0.43%

LAB 58.98, -28.89, -5.13

 

CMYK 42 / 0 / 3 / 46

HEX #508A86

RGB 80 138 134

HSL 175.86, 0.27%, 0.43%

LAB 53.6, -19.97, -3.82

 

CMYK 18 / 0 / 1 / 53

HEX #627877

RGB 98 120 119

HSL 177.27, 0.1%, 0.43%

LAB 48.71, -8.23, -2.13

 

CMYK 86 / 0 / 51 / 25

HEX #1BBF5D

RGB 27 191 93

HSL 144.15, 0.75%, 0.43%

LAB 68.23, -60.51, 38.3

 

CMYK 86 / 0 / 28 / 25

HEX #1BBF89

RGB 27 191 137

HSL 160.24, 0.75%, 0.43%

LAB 68.97, -51.99, 16.34

 

CMYK 86 / 0 / 6 / 25

HEX #1BBFB4

RGB 27 191 180

HSL 175.98, 0.75%, 0.43%

LAB 70.03, -40.83, -5.58

 

CMYK 86 / 17 / 0 / 25

HEX #1B9EBF

RGB 27 158 191

HSL 192.07, 0.75%, 0.43%

LAB 60.29, -21.46, -26.4

 

CMYK 86 / 40 / 0 / 25

HEX #1B73BF

RGB 27 115 191

HSL 207.8, 0.75%, 0.43%

LAB 47.31, 3.12, -46.76

 

CMYK 86 / 0 / 6 / 53

HEX #117770

RGB 17 119 112

HSL 175.88, 0.75%, 0.27%

LAB 44.92, -28.49, -3.94

 

CMYK 86 / 0 / 6 / 39

HEX #169B92

RGB 22 155 146

HSL 175.94, 0.75%, 0.35%

LAB 57.74, -34.81, -4.78

 

CMYK 86 / 0 / 6 / 25

HEX #1BBFB4

RGB 27 191 180

HSL 175.98, 0.75%, 0.43%

LAB 70.03, -40.83, -5.58

 

CMYK 84 / 0 / 5 / 13

HEX #24DFD3

RGB 36 223 211

HSL 176.15, 0.75%, 0.51%

LAB 80.66, -45.48, -6.57

 

CMYK 68 / 0 / 4 / 11

HEX #48E4DA

RGB 72 228 218

HSL 176.15, 0.74%, 0.59%

LAB 82.87, -42.14, -6.95

 

CMYK 86 / 0 / 6 / 25

HEX #1BC0B5

RGB 27 192 181

HSL 176, 0.75%, 0.43%

LAB 70.36, -40.99, -5.63

 

CMYK 74 / 86 / 0 / 25

HEX #311BBF

RGB 49 27 191

HSL 248.05, 0.75%, 0.43%

LAB 27.29, 57.52, -79.36

 

CMYK 0 / 40 / 86 / 25

HEX #BF731B

RGB 191 115 27

HSL 32.2, 0.75%, 0.43%

LAB 55.5, 23.77, 56.29

 

CMYK 86 / 0 / 6 / 25

HEX #1BC0B5

RGB 27 192 181

HSL 176, 0.75%, 0.43%

LAB 70.36, -40.99, -5.63

 

CMYK 6 / 86 / 0 / 25

HEX #B41BBF

RGB 180 27 191

HSL 295.98, 0.75%, 0.43%

LAB 44.59, 73.97, -50.38

 

CMYK 0 / 6 / 86 / 25

HEX #BFB41B

RGB 191 180 27

HSL 55.98, 0.75%, 0.43%

LAB 72.09, -11.35, 69.95

 

CMYK 86 / 0 / 6 / 25

HEX #1BC0B5

RGB 27 192 181

HSL 176, 0.75%, 0.43%

LAB 70.36, -40.99, -5.63

 

CMYK 74 / 86 / 0 / 25

HEX #311BBF

RGB 49 27 191

HSL 248.05, 0.75%, 0.43%

LAB 27.29, 57.52, -79.36

 

CMYK 0 / 86 / 80 / 25

HEX #BF1B26

RGB 191 27 38

HSL 355.98, 0.75%, 0.43%

LAB 41.22, 61.43, 38.39

 

CMYK 12 / 0 / 86 / 25

HEX #A9BF1B

RGB 169 191 27

HSL 68.05, 0.75%, 0.43%

LAB 73.4, -26.31, 70.31

 

CMYK 86 / 0 / 6 / 25

HEX #1BC0B5

RGB 27 192 181

HSL 176, 0.75%, 0.43%

LAB 70.36, -40.99, -5.63

 

CMYK 49 / 86 / 0 / 25

HEX #621BBF

RGB 98 27 191

HSL 265.98, 0.75%, 0.43%

LAB 32.13, 61.74, -71.2

 

CMYK 0 / 86 / 80 / 25

HEX #BF1B26

RGB 191 27 38

HSL 355.98, 0.75%, 0.43%

LAB 41.22, 61.43, 38.39

 

CMYK 37 / 0 / 86 / 25

HEX #78BF1B

RGB 120 191 27

HSL 85.98, 0.75%, 0.43%

LAB 70.41, -45.51, 66.58

 

Description

Color code: HEX #1BC0B5 | qconv.com Color code: HEX #1BC0B5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 192 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 192 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 6 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 6% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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