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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BC016 it is the complementary color #E43FE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BC016. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BC016 shade: #20C011, #31D224, #42E437, #53F64A and #64FF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BC016. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BC016 shade: #1BC016, #0AAE03, #009C00, #008A00 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BC016 shade: #1BBF16, #49BF16, #76BF16, #A4BF16 and #BFAD16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BC016 shade: #1BBF16, #16BF3F, #16BF6C, #16BF9A and #16B7BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BC016 shade matches the following richer shades: #1BBF16 and #0BD105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BC016 shade: #1BBF16, #2BAE27, #3C9D39, #4C8B4A and #5C7A5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BC016 shade: #76BF16, #49BF16, #1CBF16, #16BF3D and #16BF6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BC016 shade: #10750D, #169A12, #1BBF16, #21E41B and #45E840

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BC016 shade: #1BC016, #16A3BF and #BF165F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BC016 shade: #1BC016, #161CBF and #BF161C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BC016 shade: #1BC016, #16A3BF, #BA16BF and #BF3216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BC016 shade: #1BC016, #1670BF, #BA16BF and #BF6516

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 89 / 25

HEX #1BC016

RGB 27 192 22

HSL 118.24, 0.79%, 0.42%

LAB 68.01, -67.5, 64.48

 

Complementary color

CMYK 2 / 73 / 0 / 9

HEX #E43FE9

RGB 228 63 233

HSL 298.24, 0.79%, 0.58%

LAB 57.97, 80.65, -52.59

 

CMYK 83 / 0 / 91 / 25

HEX #20C011

RGB 32 192 17

HSL 114.86, 0.84%, 0.41%

LAB 68.06, -67.18, 65.4

 

CMYK 77 / 0 / 83 / 18

HEX #31D224

RGB 49 210 36

HSL 115.52, 0.71%, 0.48%

LAB 74.11, -69.62, 66.91

 

CMYK 71 / 0 / 76 / 11

HEX #42E437

RGB 66 228 55

HSL 116.18, 0.76%, 0.55%

LAB 80.14, -71.39, 67.31

 

CMYK 66 / 0 / 70 / 4

HEX #53F64A

RGB 83 246 74

HSL 116.86, 0.91%, 0.63%

LAB 86.13, -72.65, 67.01

 

CMYK 61 / 0 / 64 / 0

HEX #64FF5D

RGB 100 255 93

HSL 117.41, 1%, 0.68%

LAB 89.4, -70.51, 63.36

 

CMYK 86 / 0 / 89 / 25

HEX #1BC016

RGB 27 192 22

HSL 118.24, 0.79%, 0.42%

LAB 68.01, -67.5, 64.48

 

CMYK 94 / 0 / 98 / 32

HEX #0AAE03

RGB 10 174 3

HSL 117.54, 0.97%, 0.35%

LAB 61.95, -64.13, 62.12

 

CMYK 100 / 0 / 100 / 39

HEX #009C00

RGB 0 156 0

HSL 120, 1%, 0.31%

LAB 55.86, -59.7, 57.62

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 86 / 0 / 88 / 25

HEX #1BBF16

RGB 27 191 22

HSL 118.22, 0.79%, 0.42%

LAB 67.69, -67.21, 64.19

 

CMYK 62 / 0 / 88 / 25

HEX #49BF16

RGB 73 191 22

HSL 101.89, 0.79%, 0.42%

LAB 68.56, -59.72, 65.29

 

CMYK 38 / 0 / 88 / 25

HEX #76BF16

RGB 118 191 22

HSL 85.92, 0.79%, 0.42%

LAB 70.3, -46.37, 67.45

 

CMYK 14 / 0 / 88 / 25

HEX #A4BF16

RGB 164 191 22

HSL 69.59, 0.79%, 0.42%

LAB 73.03, -28.52, 70.83

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 86 / 0 / 88 / 25

HEX #1BBF16

RGB 27 191 22

HSL 118.22, 0.79%, 0.42%

LAB 67.69, -67.21, 64.19

 

CMYK 88 / 0 / 67 / 25

HEX #16BF3F

RGB 22 191 63

HSL 134.56, 0.79%, 0.42%

LAB 67.87, -64.8, 51.59

 

CMYK 88 / 0 / 43 / 25

HEX #16BF6C

RGB 22 191 108

HSL 150.53, 0.79%, 0.42%

LAB 68.4, -58.34, 30.92

 

CMYK 88 / 0 / 19 / 25

HEX #16BF9A

RGB 22 191 154

HSL 166.86, 0.79%, 0.42%

LAB 69.3, -48.2, 7.58

 

CMYK 88 / 4 / 0 / 25

HEX #16B7BF

RGB 22 183 191

HSL 182.84, 0.79%, 0.42%

LAB 67.87, -34.19, -14.85

 

CMYK 86 / 0 / 88 / 25

HEX #1BBF16

RGB 27 191 22

HSL 118.22, 0.79%, 0.42%

LAB 67.69, -67.21, 64.19

 

CMYK 95 / 0 / 98 / 18

HEX #0BD105

RGB 11 209 5

HSL 118.24, 0.95%, 0.42%

LAB 73.34, -73.66, 71.15

 

CMYK 86 / 0 / 88 / 25

HEX #1BBF16

RGB 27 191 22

HSL 118.22, 0.79%, 0.42%

LAB 67.69, -67.21, 64.19

 

CMYK 75 / 0 / 78 / 32

HEX #2BAE27

RGB 43 174 39

HSL 118.22, 0.63%, 0.42%

LAB 62.45, -59.23, 55.06

 

CMYK 62 / 0 / 64 / 38

HEX #3C9D39

RGB 60 157 57

HSL 118.2, 0.47%, 0.42%

LAB 57.43, -48.39, 42.86

 

CMYK 45 / 0 / 47 / 45

HEX #4C8B4A

RGB 76 139 74

HSL 118.15, 0.31%, 0.42%

LAB 52.39, -34.25, 28.52

 

CMYK 25 / 0 / 25 / 52

HEX #5C7A5B

RGB 92 122 91

HSL 118.06, 0.15%, 0.42%

LAB 48.2, -17.38, 13.56

 

CMYK 38 / 0 / 88 / 25

HEX #76BF16

RGB 118 191 22

HSL 85.92, 0.79%, 0.42%

LAB 70.3, -46.37, 67.45

 

CMYK 62 / 0 / 88 / 25

HEX #49BF16

RGB 73 191 22

HSL 101.89, 0.79%, 0.42%

LAB 68.56, -59.72, 65.29

 

CMYK 85 / 0 / 88 / 25

HEX #1CBF16

RGB 28 191 22

HSL 117.87, 0.79%, 0.42%

LAB 67.7, -67.12, 64.21

 

CMYK 88 / 0 / 68 / 25

HEX #16BF3D

RGB 22 191 61

HSL 133.85, 0.79%, 0.42%

LAB 67.85, -65, 52.39

 

CMYK 88 / 0 / 44 / 25

HEX #16BF6B

RGB 22 191 107

HSL 150.18, 0.79%, 0.42%

LAB 68.38, -58.52, 31.42

 

CMYK 86 / 0 / 89 / 54

HEX #10750D

RGB 16 117 13

HSL 118.27, 0.8%, 0.25%

LAB 42.55, -46.38, 44.01

 

CMYK 86 / 0 / 88 / 40

HEX #169A12

RGB 22 154 18

HSL 118.24, 0.79%, 0.34%

LAB 55.41, -56.98, 54.26

 

CMYK 86 / 0 / 88 / 25

HEX #1BBF16

RGB 27 191 22

HSL 118.22, 0.79%, 0.42%

LAB 67.69, -67.21, 64.19

 

CMYK 86 / 0 / 88 / 11

HEX #21E41B

RGB 33 228 27

HSL 118.21, 0.79%, 0.5%

LAB 79.55, -76.93, 73.56

 

CMYK 70 / 0 / 72 / 9

HEX #45E840

RGB 69 232 64

HSL 118.21, 0.79%, 0.58%

LAB 81.48, -71.5, 65.69

 

CMYK 86 / 0 / 89 / 25

HEX #1BC016

RGB 27 192 22

HSL 118.24, 0.79%, 0.42%

LAB 68.01, -67.5, 64.48

 

CMYK 88 / 15 / 0 / 25

HEX #16A3BF

RGB 22 163 191

HSL 189.94, 0.79%, 0.42%

LAB 61.76, -24.37, -24.14

 

CMYK 0 / 88 / 50 / 25

HEX #BF165F

RGB 191 22 95

HSL 334.08, 0.79%, 0.42%

LAB 41.96, 65.48, 4.11

 

CMYK 86 / 0 / 89 / 25

HEX #1BC016

RGB 27 192 22

HSL 118.24, 0.79%, 0.42%

LAB 68.01, -67.5, 64.48

 

CMYK 88 / 85 / 0 / 25

HEX #161CBF

RGB 22 28 191

HSL 237.87, 0.79%, 0.42%

LAB 26.05, 55.98, -81.47

 

CMYK 0 / 88 / 85 / 25

HEX #BF161C

RGB 191 22 28

HSL 357.87, 0.79%, 0.42%

LAB 40.79, 62.13, 43.4

 

CMYK 86 / 0 / 89 / 25

HEX #1BC016

RGB 27 192 22

HSL 118.24, 0.79%, 0.42%

LAB 68.01, -67.5, 64.48

 

CMYK 88 / 15 / 0 / 25

HEX #16A3BF

RGB 22 163 191

HSL 189.94, 0.79%, 0.42%

LAB 61.76, -24.37, -24.14

 

CMYK 3 / 88 / 0 / 25

HEX #BA16BF

RGB 186 22 191

HSL 298.22, 0.79%, 0.42%

LAB 45.32, 75.88, -49.15

 

CMYK 0 / 74 / 88 / 25

HEX #BF3216

RGB 191 50 22

HSL 9.94, 0.79%, 0.42%

LAB 43.38, 54.58, 48.34

 

CMYK 86 / 0 / 89 / 25

HEX #1BC016

RGB 27 192 22

HSL 118.24, 0.79%, 0.42%

LAB 68.01, -67.5, 64.48

 

CMYK 88 / 41 / 0 / 25

HEX #1670BF

RGB 22 112 191

HSL 208.05, 0.79%, 0.42%

LAB 46.34, 4.64, -48.31

 

CMYK 3 / 88 / 0 / 25

HEX #BA16BF

RGB 186 22 191

HSL 298.22, 0.79%, 0.42%

LAB 45.32, 75.88, -49.15

 

CMYK 0 / 47 / 88 / 25

HEX #BF6516

RGB 191 101 22

HSL 28.05, 0.79%, 0.42%

LAB 52.33, 31.22, 55.34

 

Description

Color code: HEX #1BC016 | qconv.com Color code: HEX #1BC016 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 192 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 192 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 89 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 89% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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