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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BB19C it is the complementary color #E44E63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BB19C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BB19C shade: #20B197, #31C3AA, #42D5BD, #53E7D0 and #64F9E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BB19C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BB19C shade: #1BB19C, #0A9F89, #008D76, #007B63 and #006950

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BB19C shade: #1AB19C, #1AB173, #1AB14A, #1AB122 and #3BB11A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BB19C shade: #1AB19C, #1A9DB1, #1A75B1, #1A4CB1 and #1A23B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BB19C shade matches the following richer shades: #1AB19C and #0AC1A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BB19C shade: #1AB19C, #2BA090, #3B9084, #4C7F78 and #5C6F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BB19C shade: #1AB14A, #1AB172, #1AB19A, #1A9FB1 and #1A77B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BB19C shade: #0F695D, #158D7C, #1AB19C, #1FD5BB and #3CE1CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BB19C shade: #1BB19C, #221AB1 and #B15E1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BB19C shade: #1BB19C, #9A1AB1 and #B19A1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BB19C shade: #1BB19C, #221AB1, #B11A31 and #A9B11A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BB19C shade: #1BB19C, #4F1AB1, #B11A31 and #7CB11A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 12 / 31

HEX #1BB19C

RGB 27 177 156

HSL 171.6, 0.74%, 0.4%

LAB 65.02, -41.44, 0.31

 

Complementary color

CMYK 0 / 66 / 57 / 11

HEX #E44E63

RGB 228 78 99

HSL 351.6, 0.74%, 0.6%

LAB 54.91, 59.34, 20.68

 

CMYK 82 / 0 / 15 / 31

HEX #20B197

RGB 32 177 151

HSL 169.24, 0.69%, 0.41%

LAB 64.95, -42.38, 2.98

 

CMYK 75 / 0 / 13 / 24

HEX #31C3AA

RGB 49 195 170

HSL 169.73, 0.6%, 0.48%

LAB 71.27, -43.33, 1.75

 

CMYK 69 / 0 / 11 / 16

HEX #42D5BD

RGB 66 213 189

HSL 170.2, 0.64%, 0.55%

LAB 77.53, -44, 0.64

 

CMYK 64 / 0 / 10 / 9

HEX #53E7D0

RGB 83 231 208

HSL 170.68, 0.76%, 0.62%

LAB 83.73, -44.46, -0.38

 

CMYK 60 / 0 / 9 / 2

HEX #64F9E3

RGB 100 249 227

HSL 171.14, 0.93%, 0.68%

LAB 89.86, -44.77, -1.31

 

CMYK 85 / 0 / 12 / 31

HEX #1BB19C

RGB 27 177 156

HSL 171.6, 0.74%, 0.4%

LAB 65.02, -41.44, 0.31

 

CMYK 94 / 0 / 14 / 38

HEX #0A9F89

RGB 10 159 137

HSL 171.14, 0.88%, 0.33%

LAB 58.66, -39.9, 1.68

 

CMYK 100 / 0 / 16 / 45

HEX #008D76

RGB 0 141 118

HSL 170.21, 1%, 0.28%

LAB 52.24, -37.88, 3.22

 

CMYK 100 / 0 / 20 / 52

HEX #007B63

RGB 0 123 99

HSL 168.29, 1%, 0.24%

LAB 45.73, -35.37, 4.95

 

CMYK 100 / 0 / 24 / 59

HEX #006950

RGB 0 105 80

HSL 165.71, 1%, 0.21%

LAB 39.04, -32.78, 6.79

 

CMYK 85 / 0 / 12 / 31

HEX #1AB19C

RGB 26 177 156

HSL 171.66, 0.74%, 0.4%

LAB 65.01, -41.51, 0.29

 

CMYK 85 / 0 / 35 / 31

HEX #1AB173

RGB 26 177 115

HSL 155.36, 0.74%, 0.4%

LAB 64.08, -51.58, 21.51

 

CMYK 85 / 0 / 58 / 31

HEX #1AB14A

RGB 26 177 74

HSL 139.07, 0.74%, 0.4%

LAB 63.47, -58.74, 41.75

 

CMYK 85 / 0 / 81 / 31

HEX #1AB122

RGB 26 177 34

HSL 123.18, 0.74%, 0.4%

LAB 63.16, -62.64, 57.21

 

CMYK 67 / 0 / 85 / 31

HEX #3BB11A

RGB 59 177 26

HSL 106.89, 0.74%, 0.4%

LAB 63.71, -57.99, 60.05

 

CMYK 85 / 0 / 12 / 31

HEX #1AB19C

RGB 26 177 156

HSL 171.66, 0.74%, 0.4%

LAB 65.01, -41.51, 0.29

 

CMYK 85 / 11 / 0 / 31

HEX #1A9DB1

RGB 26 157 177

HSL 187.95, 0.74%, 0.4%

LAB 59.44, -25.72, -19.81

 

CMYK 85 / 34 / 0 / 31

HEX #1A75B1

RGB 26 117 177

HSL 203.84, 0.74%, 0.4%

LAB 47.13, -3.57, -38.95

 

CMYK 85 / 57 / 0 / 31

HEX #1A4CB1

RGB 26 76 177

HSL 220.13, 0.74%, 0.4%

LAB 35.13, 22.88, -58.21

 

CMYK 85 / 80 / 0 / 31

HEX #1A23B1

RGB 26 35 177

HSL 236.42, 0.74%, 0.4%

LAB 25.55, 48.48, -73.96

 

CMYK 85 / 0 / 12 / 31

HEX #1AB19C

RGB 26 177 156

HSL 171.66, 0.74%, 0.4%

LAB 65.01, -41.51, 0.29

 

CMYK 95 / 0 / 13 / 24

HEX #0AC1A8

RGB 10 193 168

HSL 171.8, 0.9%, 0.4%

LAB 70.2, -45.88, 1.22

 

CMYK 85 / 0 / 12 / 31

HEX #1AB19C

RGB 26 177 156

HSL 171.66, 0.74%, 0.4%

LAB 65.01, -41.51, 0.29

 

CMYK 73 / 0 / 10 / 37

HEX #2BA090

RGB 43 160 144

HSL 171.79, 0.58%, 0.4%

LAB 59.59, -35.52, -0.89

 

CMYK 59 / 0 / 8 / 44

HEX #3B9084

RGB 59 144 132

HSL 171.53, 0.42%, 0.4%

LAB 54.6, -28.56, -1.3

 

CMYK 40 / 0 / 6 / 50

HEX #4C7F78

RGB 76 127 120

HSL 171.76, 0.25%, 0.4%

LAB 49.58, -18.88, -1.6

 

CMYK 17 / 0 / 3 / 56

HEX #5C6F6C

RGB 92 111 108

HSL 170.53, 0.09%, 0.4%

LAB 45.26, -7.72, -0.7

 

CMYK 85 / 0 / 58 / 31

HEX #1AB14A

RGB 26 177 74

HSL 139.07, 0.74%, 0.4%

LAB 63.47, -58.74, 41.75

 

CMYK 85 / 0 / 36 / 31

HEX #1AB172

RGB 26 177 114

HSL 154.97, 0.74%, 0.4%

LAB 64.06, -51.8, 22.02

 

CMYK 85 / 0 / 13 / 31

HEX #1AB19A

RGB 26 177 154

HSL 170.86, 0.74%, 0.4%

LAB 64.96, -42.06, 1.32

 

CMYK 85 / 10 / 0 / 31

HEX #1A9FB1

RGB 26 159 177

HSL 187.15, 0.74%, 0.4%

LAB 60.06, -26.73, -18.87

 

CMYK 85 / 33 / 0 / 31

HEX #1A77B1

RGB 26 119 177

HSL 203.05, 0.74%, 0.4%

LAB 47.74, -4.77, -37.98

 

CMYK 86 / 0 / 11 / 59

HEX #0F695D

RGB 15 105 93

HSL 172, 0.75%, 0.24%

LAB 39.57, -27.74, -0.33

 

CMYK 85 / 0 / 12 / 45

HEX #158D7C

RGB 21 141 124

HSL 171.5, 0.74%, 0.32%

LAB 52.58, -34.91, 0.27

 

CMYK 85 / 0 / 12 / 31

HEX #1AB19C

RGB 26 177 156

HSL 171.66, 0.74%, 0.4%

LAB 65.01, -41.51, 0.29

 

CMYK 85 / 0 / 12 / 16

HEX #1FD5BB

RGB 31 213 187

HSL 171.43, 0.75%, 0.48%

LAB 76.96, -48.11, 0.81

 

CMYK 73 / 0 / 10 / 12

HEX #3CE1CA

RGB 60 225 202

HSL 171.64, 0.73%, 0.56%

LAB 81.33, -46.57, -0.76

 

CMYK 85 / 0 / 12 / 31

HEX #1BB19C

RGB 27 177 156

HSL 171.6, 0.74%, 0.4%

LAB 65.02, -41.44, 0.31

 

CMYK 81 / 85 / 0 / 31

HEX #221AB1

RGB 34 26 177

HSL 243.18, 0.74%, 0.4%

LAB 24.49, 53.07, -75.71

 

CMYK 0 / 47 / 85 / 31

HEX #B15E1A

RGB 177 94 26

HSL 27.02, 0.74%, 0.4%

LAB 48.79, 29.2, 50.22

 

CMYK 85 / 0 / 12 / 31

HEX #1BB19C

RGB 27 177 156

HSL 171.6, 0.74%, 0.4%

LAB 65.02, -41.44, 0.31

 

CMYK 13 / 85 / 0 / 31

HEX #9A1AB1

RGB 154 26 177

HSL 290.86, 0.74%, 0.4%

LAB 39.21, 67.29, -51.01

 

CMYK 0 / 13 / 85 / 31

HEX #B19A1A

RGB 177 154 26

HSL 50.86, 0.74%, 0.4%

LAB 63.78, -3.93, 62.81

 

CMYK 85 / 0 / 12 / 31

HEX #1BB19C

RGB 27 177 156

HSL 171.6, 0.74%, 0.4%

LAB 65.02, -41.44, 0.31

 

CMYK 81 / 85 / 0 / 31

HEX #221AB1

RGB 34 26 177

HSL 243.18, 0.74%, 0.4%

LAB 24.49, 53.07, -75.71

 

CMYK 0 / 85 / 72 / 31

HEX #B11A31

RGB 177 26 49

HSL 350.86, 0.74%, 0.4%

LAB 38.39, 58.2, 27.9

 

CMYK 5 / 0 / 85 / 31

HEX #A9B11A

RGB 169 177 26

HSL 63.18, 0.74%, 0.4%

LAB 69.44, -19.45, 67.23

 

CMYK 85 / 0 / 12 / 31

HEX #1BB19C

RGB 27 177 156

HSL 171.6, 0.74%, 0.4%

LAB 65.02, -41.44, 0.31

 

CMYK 55 / 85 / 0 / 31

HEX #4F1AB1

RGB 79 26 177

HSL 261.06, 0.74%, 0.4%

LAB 28.31, 56.5, -69.26

 

CMYK 0 / 85 / 72 / 31

HEX #B11A31

RGB 177 26 49

HSL 350.86, 0.74%, 0.4%

LAB 38.39, 58.2, 27.9

 

CMYK 30 / 0 / 85 / 31

HEX #7CB11A

RGB 124 177 26

HSL 81.06, 0.74%, 0.4%

LAB 66.37, -38.05, 63.41

 

Description

Color code: HEX #1BB19C | qconv.com Color code: HEX #1BB19C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 177 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 177 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 12 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 12% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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