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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BAF00 it is the complementary color #E450FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BAF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BAF00 shade: #20AF00, #31C10E, #42D321, #53E534 and #64F747

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BAF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BAF00 shade: #1BAF00, #0A9D00, #008B00, #007900 and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BAF00 shade: #1AAD00, #49AD00, #78AD00, #A7AD00 and #AD8400

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BAF00 shade: #1AAD00, #00AD13, #00AD42, #00AD71 and #00ADA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BAF00 shade matches the following richer shades: #1AAD00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BAF00 shade: #1AAD00, #249F0E, #2E911C, #37832A and #417538

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BAF00 shade: #79AD00, #4BAD00, #1CAD00, #00AD11 and #00AD3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BAF00 shade: #0E5A00, #148400, #1AAD00, #21D600 and #28FF00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BAF00 shade: #1BAF00, #00A7AD and #AD0062

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BAF00 shade: #1BAF00, #001CAD and #AD001C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BAF00 shade: #1BAF00, #00A7AD, #9000AD and #AD0500

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BAF00 shade: #1BAF00, #0073AD, #9000AD and #AD3900

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 100 / 31

HEX #1BAF00

RGB 27 175 0

HSL 110.74, 1%, 0.34%

LAB 62.42, -63.19, 62.96

 

Complementary color

CMYK 11 / 69 / 0 / 0

HEX #E450FF

RGB 228 80 255

HSL 290.74, 1%, 0.66%

LAB 61.18, 78.66, -59.71

 

CMYK 82 / 0 / 100 / 31

HEX #20AF00

RGB 32 175 0

HSL 109.03, 1%, 0.34%

LAB 62.48, -62.63, 63.04

 

CMYK 75 / 0 / 93 / 24

HEX #31C10E

RGB 49 193 14

HSL 108.27, 0.86%, 0.41%

LAB 68.62, -65.32, 66.42

 

CMYK 69 / 0 / 84 / 17

HEX #42D321

RGB 66 211 33

HSL 108.88, 0.73%, 0.48%

LAB 74.73, -67.29, 68.31

 

CMYK 64 / 0 / 77 / 10

HEX #53E534

RGB 83 229 52

HSL 109.49, 0.77%, 0.55%

LAB 80.81, -68.7, 69.01

 

CMYK 60 / 0 / 71 / 3

HEX #64F747

RGB 100 247 71

HSL 110.11, 0.92%, 0.62%

LAB 86.84, -69.68, 68.94

 

CMYK 85 / 0 / 100 / 31

HEX #1BAF00

RGB 27 175 0

HSL 110.74, 1%, 0.34%

LAB 62.42, -63.19, 62.96

 

CMYK 94 / 0 / 100 / 38

HEX #0A9D00

RGB 10 157 0

HSL 116.18, 1%, 0.31%

LAB 56.27, -59.4, 57.97

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 85 / 0 / 100 / 32

HEX #1AAD00

RGB 26 173 0

HSL 110.98, 1%, 0.34%

LAB 61.75, -62.71, 62.42

 

CMYK 58 / 0 / 100 / 32

HEX #49AD00

RGB 73 173 0

HSL 94.68, 1%, 0.34%

LAB 62.76, -54.02, 63.66

 

CMYK 31 / 0 / 100 / 32

HEX #78AD00

RGB 120 173 0

HSL 78.38, 1%, 0.34%

LAB 64.87, -38.4, 66.2

 

CMYK 3 / 0 / 100 / 32

HEX #A7AD00

RGB 167 173 0

HSL 62.08, 1%, 0.34%

LAB 68.1, -18.75, 70.06

 

CMYK 0 / 24 / 100 / 32

HEX #AD8400

RGB 173 132 0

HSL 45.78, 1%, 0.34%

LAB 57.45, 5.82, 62.7

 

CMYK 85 / 0 / 100 / 32

HEX #1AAD00

RGB 26 173 0

HSL 110.98, 1%, 0.34%

LAB 61.75, -62.71, 62.42

 

CMYK 100 / 0 / 89 / 32

HEX #00AD13

RGB 0 173 19

HSL 126.59, 1%, 0.34%

LAB 61.6, -63.9, 59.41

 

CMYK 100 / 0 / 62 / 32

HEX #00AD42

RGB 0 173 66

HSL 142.89, 1%, 0.34%

LAB 61.9, -60.1, 43.59

 

CMYK 100 / 0 / 35 / 32

HEX #00AD71

RGB 0 173 113

HSL 159.19, 1%, 0.34%

LAB 62.57, -51.96, 20.52

 

CMYK 100 / 0 / 8 / 32

HEX #00ADA0

RGB 0 173 160

HSL 175.49, 1%, 0.34%

LAB 63.69, -39.85, -3.9

 

CMYK 85 / 0 / 100 / 32

HEX #1AAD00

RGB 26 173 0

HSL 110.98, 1%, 0.34%

LAB 61.75, -62.71, 62.42

 

CMYK 85 / 0 / 100 / 32

HEX #1AAD00

RGB 26 173 0

HSL 110.98, 1%, 0.34%

LAB 61.75, -62.71, 62.42

 

CMYK 77 / 0 / 91 / 38

HEX #249F0E

RGB 36 159 14

HSL 110.9, 0.84%, 0.34%

LAB 57.27, -56.87, 56.76

 

CMYK 68 / 0 / 81 / 43

HEX #2E911C

RGB 46 145 28

HSL 110.77, 0.68%, 0.34%

LAB 52.86, -49.77, 49.41

 

CMYK 58 / 0 / 68 / 49

HEX #37832A

RGB 55 131 42

HSL 111.24, 0.51%, 0.34%

LAB 48.53, -41.23, 39.73

 

CMYK 44 / 0 / 52 / 54

HEX #417538

RGB 65 117 56

HSL 111.15, 0.35%, 0.34%

LAB 44.42, -30.41, 28.15

 

CMYK 30 / 0 / 100 / 32

HEX #79AD00

RGB 121 173 0

HSL 78.03, 1%, 0.34%

LAB 64.92, -38.01, 66.27

 

CMYK 57 / 0 / 100 / 32

HEX #4BAD00

RGB 75 173 0

HSL 93.99, 1%, 0.34%

LAB 62.83, -53.48, 63.74

 

CMYK 84 / 0 / 100 / 32

HEX #1CAD00

RGB 28 173 0

HSL 110.29, 1%, 0.34%

LAB 61.77, -62.5, 62.45

 

CMYK 100 / 0 / 90 / 32

HEX #00AD11

RGB 0 173 17

HSL 125.9, 1%, 0.34%

LAB 61.59, -63.98, 59.78

 

CMYK 100 / 0 / 64 / 32

HEX #00AD3F

RGB 0 173 63

HSL 141.85, 1%, 0.34%

LAB 61.87, -60.47, 44.91

 

CMYK 84 / 0 / 100 / 65

HEX #0E5A00

RGB 14 90 0

HSL 110.67, 1%, 0.18%

LAB 32.71, -38.44, 39.15

 

CMYK 85 / 0 / 100 / 48

HEX #148400

RGB 20 132 0

HSL 110.91, 1%, 0.26%

LAB 47.82, -51.13, 51.25

 

CMYK 85 / 0 / 100 / 32

HEX #1AAD00

RGB 26 173 0

HSL 110.98, 1%, 0.34%

LAB 61.75, -62.71, 62.42

 

CMYK 85 / 0 / 100 / 16

HEX #21D600

RGB 33 214 0

HSL 110.75, 1%, 0.42%

LAB 75.09, -73.66, 73.12

 

CMYK 84 / 0 / 100 / 0

HEX #28FF00

RGB 40 255 0

HSL 110.59, 1%, 0.5%

LAB 87.95, -84.2, 83.45

 

CMYK 85 / 0 / 100 / 31

HEX #1BAF00

RGB 27 175 0

HSL 110.74, 1%, 0.34%

LAB 62.42, -63.19, 62.96

 

CMYK 100 / 3 / 0 / 32

HEX #00A7AD

RGB 0 167 173

HSL 182.08, 1%, 0.34%

LAB 62.21, -33.14, -13.37

 

CMYK 0 / 100 / 43 / 32

HEX #AD0062

RGB 173 0 98

HSL 326.01, 1%, 0.34%

LAB 37.42, 64.33, -4.88

 

CMYK 85 / 0 / 100 / 31

HEX #1BAF00

RGB 27 175 0

HSL 110.74, 1%, 0.34%

LAB 62.42, -63.19, 62.96

 

CMYK 100 / 84 / 0 / 32

HEX #001CAD

RGB 0 28 173

HSL 230.29, 1%, 0.34%

LAB 23.16, 49.94, -75.55

 

CMYK 0 / 100 / 84 / 32

HEX #AD001C

RGB 173 0 28

HSL 350.29, 1%, 0.34%

LAB 35.92, 60.34, 37.55

 

CMYK 85 / 0 / 100 / 31

HEX #1BAF00

RGB 27 175 0

HSL 110.74, 1%, 0.34%

LAB 62.42, -63.19, 62.96

 

CMYK 100 / 3 / 0 / 32

HEX #00A7AD

RGB 0 167 173

HSL 182.08, 1%, 0.34%

LAB 62.21, -33.14, -13.37

 

CMYK 17 / 100 / 0 / 32

HEX #9000AD

RGB 144 0 173

HSL 289.94, 1%, 0.34%

LAB 35.88, 68.96, -54.1

 

CMYK 0 / 97 / 100 / 32

HEX #AD0500

RGB 173 5 0

HSL 1.73, 1%, 0.34%

LAB 35.97, 59.28, 50.22

 

CMYK 85 / 0 / 100 / 31

HEX #1BAF00

RGB 27 175 0

HSL 110.74, 1%, 0.34%

LAB 62.42, -63.19, 62.96

 

CMYK 100 / 34 / 0 / 32

HEX #0073AD

RGB 0 115 173

HSL 200.12, 1%, 0.34%

LAB 46.01, -5.31, -38.39

 

CMYK 17 / 100 / 0 / 32

HEX #9000AD

RGB 144 0 173

HSL 289.94, 1%, 0.34%

LAB 35.88, 68.96, -54.1

 

CMYK 0 / 67 / 100 / 32

HEX #AD3900

RGB 173 57 0

HSL 19.77, 1%, 0.34%

LAB 40.91, 45.47, 52.48

 

Description

Color code: HEX #1BAF00 | qconv.com Color code: HEX #1BAF00 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 175 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 175 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 100 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 100% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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