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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B9B76 it is the complementary color #E46489. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B9B76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B9B76 shade: #209B71, #31AD84, #42BF97, #53D1AA and #64E3BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B9B76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B9B76 shade: #1B9B76, #0A8963, #007750, #00653D and #00532A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B9B76 shade: #1B9C76, #1B9C54, #1B9C31, #289C1B and #4A9C1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B9B76 shade: #1B9C76, #1B9C99, #1B7B9C, #1B599C and #1B369C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B9B76 shade matches the following richer shades: #1B9C76 and #0CAA7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B9B76 shade: #1B9C76, #2A8D70, #397E6A, #486F64 and #56605D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B9B76 shade: #1B9C30, #1B9C53, #1B9C75, #1B9C97 and #1B7E9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B9B76 shade: #0F5541, #15785C, #1B9C76, #21BF91 and #2FDAA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B9B76 shade: #1B9B76, #1B289C and #9C421B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B9B76 shade: #1B9B76, #751B9C and #9C751B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B9B76 shade: #1B9B76, #1B289C, #9C1B42 and #9C8F1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B9B76 shade: #1B9B76, #351B9C, #9C1B42 and #829C1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 24 / 39

HEX #1B9B76

RGB 27 155 118

HSL 162.66, 0.7%, 0.36%

LAB 57.06, -42.07, 10.14

 

Complementary color

CMYK 0 / 56 / 40 / 11

HEX #E46489

RGB 228 100 137

HSL 342.66, 0.7%, 0.64%

LAB 59.36, 53.19, 4.59

 

CMYK 79 / 0 / 27 / 39

HEX #209B71

RGB 32 155 113

HSL 159.51, 0.66%, 0.37%

LAB 57.02, -42.76, 12.91

 

CMYK 72 / 0 / 24 / 32

HEX #31AD84

RGB 49 173 132

HSL 160.16, 0.56%, 0.44%

LAB 63.51, -43.49, 11.48

 

CMYK 65 / 0 / 21 / 25

HEX #42BF97

RGB 66 191 151

HSL 160.8, 0.49%, 0.5%

LAB 69.93, -43.91, 10.21

 

CMYK 60 / 0 / 19 / 18

HEX #53D1AA

RGB 83 209 170

HSL 161.43, 0.58%, 0.57%

LAB 76.28, -44.13, 9.06

 

CMYK 56 / 0 / 17 / 11

HEX #64E3BD

RGB 100 227 189

HSL 162.05, 0.69%, 0.64%

LAB 82.55, -44.22, 8

 

CMYK 83 / 0 / 24 / 39

HEX #1B9B76

RGB 27 155 118

HSL 162.66, 0.7%, 0.36%

LAB 57.06, -42.07, 10.14

 

CMYK 93 / 0 / 28 / 46

HEX #0A8963

RGB 10 137 99

HSL 162.05, 0.86%, 0.29%

LAB 50.52, -40.7, 11.75

 

CMYK 100 / 0 / 33 / 53

HEX #007750

RGB 0 119 80

HSL 160.34, 1%, 0.23%

LAB 43.91, -38.68, 13.58

 

CMYK 100 / 0 / 40 / 60

HEX #00653D

RGB 0 101 61

HSL 156.24, 1%, 0.2%

LAB 37.2, -35.95, 15.67

 

CMYK 100 / 0 / 49 / 67

HEX #00532A

RGB 0 83 42

HSL 150.36, 1%, 0.16%

LAB 30.29, -32.99, 17.88

 

CMYK 83 / 0 / 24 / 39

HEX #1B9C76

RGB 27 156 118

HSL 162.33, 0.7%, 0.36%

LAB 57.38, -42.49, 10.6

 

CMYK 83 / 0 / 46 / 39

HEX #1B9C54

RGB 27 156 84

HSL 146.51, 0.7%, 0.36%

LAB 56.73, -49.82, 28.43

 

CMYK 83 / 0 / 69 / 39

HEX #1B9C31

RGB 27 156 49

HSL 130.23, 0.7%, 0.36%

LAB 56.32, -54.8, 44.94

 

CMYK 74 / 0 / 83 / 39

HEX #289C1B

RGB 40 156 27

HSL 113.95, 0.7%, 0.36%

LAB 56.39, -54.68, 52.98

 

CMYK 53 / 0 / 83 / 39

HEX #4A9C1B

RGB 74 156 27

HSL 98.14, 0.7%, 0.36%

LAB 57.38, -46.62, 54.25

 

CMYK 83 / 0 / 24 / 39

HEX #1B9C76

RGB 27 156 118

HSL 162.33, 0.7%, 0.36%

LAB 57.38, -42.49, 10.6

 

CMYK 83 / 0 / 2 / 39

HEX #1B9C99

RGB 27 156 153

HSL 178.6, 0.7%, 0.36%

LAB 58.33, -32.78, -7.88

 

CMYK 83 / 21 / 0 / 39

HEX #1B7B9C

RGB 27 123 156

HSL 195.35, 0.7%, 0.36%

LAB 48.01, -14.78, -25.31

 

CMYK 83 / 43 / 0 / 39

HEX #1B599C

RGB 27 89 156

HSL 211.16, 0.7%, 0.36%

LAB 37.44, 5.89, -41.95

 

CMYK 83 / 65 / 0 / 39

HEX #1B369C

RGB 27 54 156

HSL 227.44, 0.7%, 0.36%

LAB 27.5, 29.54, -58.06

 

CMYK 83 / 0 / 24 / 39

HEX #1B9C76

RGB 27 156 118

HSL 162.33, 0.7%, 0.36%

LAB 57.38, -42.49, 10.6

 

CMYK 93 / 0 / 26 / 33

HEX #0CAA7D

RGB 12 170 125

HSL 162.91, 0.87%, 0.36%

LAB 61.92, -47.52, 13.04

 

CMYK 83 / 0 / 24 / 39

HEX #1B9C76

RGB 27 156 118

HSL 162.33, 0.7%, 0.36%

LAB 57.38, -42.49, 10.6

 

CMYK 70 / 0 / 21 / 45

HEX #2A8D70

RGB 42 141 112

HSL 162.42, 0.54%, 0.36%

LAB 52.63, -35.57, 7.32

 

CMYK 55 / 0 / 16 / 51

HEX #397E6A

RGB 57 126 106

HSL 162.61, 0.38%, 0.36%

LAB 48.05, -26.99, 4.31

 

CMYK 35 / 0 / 10 / 56

HEX #486F64

RGB 72 111 100

HSL 163.08, 0.21%, 0.36%

LAB 43.75, -16.44, 1.76

 

CMYK 10 / 0 / 3 / 62

HEX #56605D

RGB 86 96 93

HSL 162, 0.05%, 0.36%

LAB 39.81, -4.53, 0.39

 

CMYK 83 / 0 / 69 / 39

HEX #1B9C30

RGB 27 156 48

HSL 129.77, 0.7%, 0.36%

LAB 56.31, -54.9, 45.35

 

CMYK 83 / 0 / 47 / 39

HEX #1B9C53

RGB 27 156 83

HSL 146.05, 0.7%, 0.36%

LAB 56.72, -50, 28.94

 

CMYK 83 / 0 / 25 / 39

HEX #1B9C75

RGB 27 156 117

HSL 161.86, 0.7%, 0.36%

LAB 57.36, -42.74, 11.13

 

CMYK 83 / 0 / 3 / 39

HEX #1B9C97

RGB 27 156 151

HSL 177.67, 0.7%, 0.36%

LAB 58.27, -33.38, -6.83

 

CMYK 83 / 19 / 0 / 39

HEX #1B7E9C

RGB 27 126 156

HSL 193.95, 0.7%, 0.36%

LAB 48.95, -16.45, -23.84

 

CMYK 82 / 0 / 24 / 67

HEX #0F5541

RGB 15 85 65

HSL 162.86, 0.7%, 0.2%

LAB 31.76, -26.34, 5.75

 

CMYK 83 / 0 / 23 / 53

HEX #15785C

RGB 21 120 92

HSL 163.03, 0.7%, 0.28%

LAB 44.75, -34.32, 7.73

 

CMYK 83 / 0 / 24 / 39

HEX #1B9C76

RGB 27 156 118

HSL 162.33, 0.7%, 0.36%

LAB 57.38, -42.49, 10.6

 

CMYK 83 / 0 / 24 / 25

HEX #21BF91

RGB 33 191 145

HSL 162.53, 0.71%, 0.44%

LAB 69.2, -49.62, 12.35

 

CMYK 78 / 0 / 22 / 15

HEX #2FDAA9

RGB 47 218 169

HSL 162.81, 0.7%, 0.52%

LAB 78.23, -53.33, 12.27

 

CMYK 83 / 0 / 24 / 39

HEX #1B9B76

RGB 27 155 118

HSL 162.66, 0.7%, 0.36%

LAB 57.06, -42.07, 10.14

 

CMYK 83 / 74 / 0 / 39

HEX #1B289C

RGB 27 40 156

HSL 233.95, 0.7%, 0.36%

LAB 24.16, 38.55, -63.55

 

CMYK 0 / 58 / 83 / 39

HEX #9C421B

RGB 156 66 27

HSL 18.14, 0.7%, 0.36%

LAB 39.65, 35.36, 40.41

 

CMYK 83 / 0 / 24 / 39

HEX #1B9B76

RGB 27 155 118

HSL 162.66, 0.7%, 0.36%

LAB 57.06, -42.07, 10.14

 

CMYK 25 / 83 / 0 / 39

HEX #751B9C

RGB 117 27 156

HSL 281.86, 0.7%, 0.36%

LAB 31.73, 56.61, -50.78

 

CMYK 0 / 25 / 83 / 39

HEX #9C751B

RGB 156 117 27

HSL 41.86, 0.7%, 0.36%

LAB 51.69, 6.96, 51.33

 

CMYK 83 / 0 / 24 / 39

HEX #1B9B76

RGB 27 155 118

HSL 162.66, 0.7%, 0.36%

LAB 57.06, -42.07, 10.14

 

CMYK 83 / 74 / 0 / 39

HEX #1B289C

RGB 27 40 156

HSL 233.95, 0.7%, 0.36%

LAB 24.16, 38.55, -63.55

 

CMYK 0 / 83 / 58 / 39

HEX #9C1B42

RGB 156 27 66

HSL 341.86, 0.7%, 0.36%

LAB 34.49, 53.09, 11.15

 

CMYK 0 / 8 / 83 / 39

HEX #9C8F1B

RGB 156 143 27

HSL 53.95, 0.7%, 0.36%

LAB 58.78, -7.49, 57.52

 

CMYK 83 / 0 / 24 / 39

HEX #1B9B76

RGB 27 155 118

HSL 162.66, 0.7%, 0.36%

LAB 57.06, -42.07, 10.14

 

CMYK 66 / 83 / 0 / 39

HEX #351B9C

RGB 53 27 156

HSL 252.09, 0.7%, 0.36%

LAB 23.48, 47.69, -64.63

 

CMYK 0 / 83 / 58 / 39

HEX #9C1B42

RGB 156 27 66

HSL 341.86, 0.7%, 0.36%

LAB 34.49, 53.09, 11.15

 

CMYK 17 / 0 / 83 / 39

HEX #829C1B

RGB 130 156 27

HSL 72.09, 0.7%, 0.36%

LAB 60.43, -25.77, 58.13

 

Description

Color code: HEX #1B9B76 | qconv.com Color code: HEX #1B9B76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 155 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 155 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 24 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 24% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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