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Color name
HEX #1B9B0D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B9B0D it is the complementary color #E464F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B9B0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B9B0D shade: #209B08, #31AD1B, #42BF2E, #53D141 and #64E354

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B9B0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B9B0D shade: #1B9B0D, #0A8900, #007700, #006500 and #005300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B9B0D shade: #1A9B0C, #419B0C, #679B0C, #8E9B0C and #9B820C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B9B0D shade: #1A9B0C, #0C9B25, #0C9B4B, #0C9B72 and #0C9B98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B9B0D shade matches the following richer shades: #1A9B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B9B0D shade: #1A9B0C, #258E1A, #308027, #3B7235 and #466543

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B9B0D shade: #679B0C, #419B0C, #1A9B0C, #0C9B24 and #0C9B4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B9B0D shade: #0D4F06, #147509, #1A9B0C, #21C10F and #27E812

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B9B0D shade: #1B9B0D, #0C8D9B and #9B0C54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B9B0D shade: #1B9B0D, #0C1A9B and #9B0C1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B9B0D shade: #1B9B0D, #0C8D9B, #8D0C9B and #9B1A0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B9B0D shade: #1B9B0D, #0C629B, #8D0C9B and #9B450C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 92 / 39

HEX #1B9B0D

RGB 27 155 13

HSL 114.08, 0.85%, 0.33%

LAB 55.79, -56.91, 55.61

 

Complementary color

CMYK 6 / 59 / 0 / 5

HEX #E464F2

RGB 228 100 242

HSL 294.08, 0.85%, 0.67%

LAB 63.36, 68.39, -49.06

 

CMYK 79 / 0 / 95 / 39

HEX #209B08

RGB 32 155 8

HSL 110.2, 0.9%, 0.32%

LAB 55.85, -56.39, 56.49

 

CMYK 72 / 0 / 84 / 32

HEX #31AD1B

RGB 49 173 27

HSL 110.96, 0.73%, 0.39%

LAB 62.18, -58.6, 58.35

 

CMYK 65 / 0 / 76 / 25

HEX #42BF2E

RGB 66 191 46

HSL 111.72, 0.61%, 0.46%

LAB 68.47, -60.07, 58.81

 

CMYK 60 / 0 / 69 / 18

HEX #53D141

RGB 83 209 65

HSL 112.5, 0.61%, 0.54%

LAB 74.71, -61.02, 58.45

 

CMYK 56 / 0 / 63 / 11

HEX #64E354

RGB 100 227 84

HSL 113.29, 0.72%, 0.61%

LAB 80.9, -61.6, 57.65

 

CMYK 83 / 0 / 92 / 39

HEX #1B9B0D

RGB 27 155 13

HSL 114.08, 0.85%, 0.33%

LAB 55.79, -56.91, 55.61

 

CMYK 93 / 0 / 100 / 46

HEX #0A8900

RGB 10 137 0

HSL 115.62, 1%, 0.27%

LAB 49.44, -53.59, 52.51

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 100 / 0 / 100 / 67

HEX #005300

RGB 0 83 0

HSL 120, 1%, 0.16%

LAB 29.88, -38.12, 36.79

 

CMYK 83 / 0 / 92 / 39

HEX #1A9B0C

RGB 26 155 12

HSL 114.13, 0.86%, 0.33%

LAB 55.77, -57.06, 55.77

 

CMYK 58 / 0 / 92 / 39

HEX #419B0C

RGB 65 155 12

HSL 97.76, 0.86%, 0.33%

LAB 56.68, -49.41, 56.89

 

CMYK 34 / 0 / 92 / 39

HEX #679B0C

RGB 103 155 12

HSL 81.82, 0.86%, 0.33%

LAB 58.37, -36.76, 58.98

 

CMYK 8 / 0 / 92 / 39

HEX #8E9B0C

RGB 142 155 12

HSL 65.45, 0.86%, 0.33%

LAB 60.98, -20.47, 62.17

 

CMYK 0 / 16 / 92 / 39

HEX #9B820C

RGB 155 130 12

HSL 49.51, 0.86%, 0.33%

LAB 55.03, -1.2, 58.02

 

CMYK 83 / 0 / 92 / 39

HEX #1A9B0C

RGB 26 155 12

HSL 114.13, 0.86%, 0.33%

LAB 55.77, -57.06, 55.77

 

CMYK 92 / 0 / 76 / 39

HEX #0C9B25

RGB 12 155 37

HSL 130.49, 0.86%, 0.33%

LAB 55.74, -56.96, 48.99

 

CMYK 92 / 0 / 52 / 39

HEX #0C9B4B

RGB 12 155 75

HSL 146.43, 0.86%, 0.33%

LAB 56.12, -52.29, 32.33

 

CMYK 92 / 0 / 26 / 39

HEX #0C9B72

RGB 12 155 114

HSL 162.8, 0.86%, 0.33%

LAB 56.82, -44.21, 12.03

 

CMYK 92 / 0 / 2 / 39

HEX #0C9B98

RGB 12 155 152

HSL 178.74, 0.86%, 0.33%

LAB 57.84, -33.59, -8.06

 

CMYK 83 / 0 / 92 / 39

HEX #1A9B0C

RGB 26 155 12

HSL 114.13, 0.86%, 0.33%

LAB 55.77, -57.06, 55.77

 

CMYK 83 / 0 / 92 / 39

HEX #1A9B0C

RGB 26 155 12

HSL 114.13, 0.86%, 0.33%

LAB 55.77, -57.06, 55.77

 

CMYK 74 / 0 / 82 / 44

HEX #258E1A

RGB 37 142 26

HSL 114.31, 0.69%, 0.33%

LAB 51.63, -50.65, 48.8

 

CMYK 63 / 0 / 70 / 50

HEX #308027

RGB 48 128 39

HSL 113.93, 0.53%, 0.33%

LAB 47.25, -42.21, 39.61

 

CMYK 48 / 0 / 54 / 55

HEX #3B7235

RGB 59 114 53

HSL 114.1, 0.37%, 0.33%

LAB 43.1, -31.44, 28.07

 

CMYK 31 / 0 / 34 / 60

HEX #466543

RGB 70 101 67

HSL 114.71, 0.2%, 0.33%

LAB 39.61, -18.81, 15.73

 

CMYK 34 / 0 / 92 / 39

HEX #679B0C

RGB 103 155 12

HSL 81.82, 0.86%, 0.33%

LAB 58.37, -36.76, 58.98

 

CMYK 58 / 0 / 92 / 39

HEX #419B0C

RGB 65 155 12

HSL 97.76, 0.86%, 0.33%

LAB 56.68, -49.41, 56.89

 

CMYK 83 / 0 / 92 / 39

HEX #1A9B0C

RGB 26 155 12

HSL 114.13, 0.86%, 0.33%

LAB 55.77, -57.06, 55.77

 

CMYK 92 / 0 / 77 / 39

HEX #0C9B24

RGB 12 155 36

HSL 130.07, 0.86%, 0.33%

LAB 55.73, -57.04, 49.34

 

CMYK 92 / 0 / 52 / 39

HEX #0C9B4A

RGB 12 155 74

HSL 146.01, 0.86%, 0.33%

LAB 56.1, -52.46, 32.83

 

CMYK 84 / 0 / 92 / 69

HEX #0D4F06

RGB 13 79 6

HSL 114.25, 0.86%, 0.17%

LAB 28.62, -34.4, 33.52

 

CMYK 83 / 0 / 92 / 54

HEX #147509

RGB 20 117 9

HSL 113.89, 0.86%, 0.25%

LAB 42.6, -46.04, 45.01

 

CMYK 83 / 0 / 92 / 39

HEX #1A9B0C

RGB 26 155 12

HSL 114.13, 0.86%, 0.33%

LAB 55.77, -57.06, 55.77

 

CMYK 83 / 0 / 92 / 24

HEX #21C10F

RGB 33 193 15

HSL 113.93, 0.86%, 0.41%

LAB 68.39, -67.41, 65.99

 

CMYK 83 / 0 / 92 / 9

HEX #27E812

RGB 39 232 18

HSL 114.11, 0.86%, 0.49%

LAB 80.84, -77.74, 76.04

 

CMYK 83 / 0 / 92 / 39

HEX #1B9B0D

RGB 27 155 13

HSL 114.08, 0.85%, 0.33%

LAB 55.79, -56.91, 55.61

 

CMYK 92 / 9 / 0 / 39

HEX #0C8D9B

RGB 12 141 155

HSL 185.87, 0.86%, 0.33%

LAB 53.49, -25.8, -16.33

 

CMYK 0 / 92 / 46 / 39

HEX #9B0C54

RGB 155 12 84

HSL 329.79, 0.86%, 0.33%

LAB 33.71, 57.41, -1.74

 

CMYK 83 / 0 / 92 / 39

HEX #1B9B0D

RGB 27 155 13

HSL 114.08, 0.85%, 0.33%

LAB 55.79, -56.91, 55.61

 

CMYK 92 / 83 / 0 / 39

HEX #0C1A9B

RGB 12 26 155

HSL 234.13, 0.86%, 0.33%

LAB 20.76, 45.34, -68.59

 

CMYK 0 / 92 / 83 / 39

HEX #9B0C1A

RGB 155 12 26

HSL 354.13, 0.86%, 0.33%

LAB 32.49, 53.99, 34.03

 

CMYK 83 / 0 / 92 / 39

HEX #1B9B0D

RGB 27 155 13

HSL 114.08, 0.85%, 0.33%

LAB 55.79, -56.91, 55.61

 

CMYK 92 / 9 / 0 / 39

HEX #0C8D9B

RGB 12 141 155

HSL 185.87, 0.86%, 0.33%

LAB 53.49, -25.8, -16.33

 

CMYK 9 / 92 / 0 / 39

HEX #8D0C9B

RGB 141 12 155

HSL 294.13, 0.86%, 0.33%

LAB 34.58, 63.86, -45.36

 

CMYK 0 / 83 / 92 / 39

HEX #9B1A0C

RGB 155 26 12

HSL 5.87, 0.86%, 0.33%

LAB 33.42, 50.74, 41.91

 

CMYK 83 / 0 / 92 / 39

HEX #1B9B0D

RGB 27 155 13

HSL 114.08, 0.85%, 0.33%

LAB 55.79, -56.91, 55.61

 

CMYK 92 / 37 / 0 / 39

HEX #0C629B

RGB 12 98 155

HSL 203.92, 0.86%, 0.33%

LAB 39.88, -1.45, -37.47

 

CMYK 9 / 92 / 0 / 39

HEX #8D0C9B

RGB 141 12 155

HSL 294.13, 0.86%, 0.33%

LAB 34.58, 63.86, -45.36

 

CMYK 0 / 55 / 92 / 39

HEX #9B450C

RGB 155 69 12

HSL 23.92, 0.86%, 0.33%

LAB 40, 33.03, 46.65

 

Description

Color code: HEX #1B9B0D | qconv.com Color code: HEX #1B9B0D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 155 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 155 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 92 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 92% 39% C M Y K

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Provide designers and agencies with accurate color values.

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