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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B99B5 it is the complementary color #E4664A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B99B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B99B5 shade: #2099B0, #31ABC3, #42BDD6, #53CFE9 and #64E1FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B99B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B99B5 shade: #1B99B5, #0A87A2, #00758F, #00637C and #005169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B99B5 shade: #1B99B5, #1B70B5, #1B46B5, #1B1CB5 and #431BB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B99B5 shade: #1B99B5, #1B70B5, #1B46B5, #1B1CB5 and #1B1BB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B99B5 shade matches the following richer shades: #1B99B5 and #0AA4C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B99B5 shade: #1B99B5, #2C8FA5, #3D8494, #4D7983 and #5E6E72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B99B5 shade: #1BB57D, #1BB5A6, #1B9CB5, #1B72B5 and #1B49B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B99B5 shade: #105D6E, #157B92, #1B99B5, #20B8D9 and #41C5E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B99B5 shade: #1B99B5, #531BB5 and #B5911B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B99B5 shade: #1B99B5, #B51B9C and #9CB51B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B99B5 shade: #1B99B5, #531BB5, #B5341B and #7DB51B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B99B5 shade: #1B99B5, #821BB5, #B5341B and #4EB51B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 15 / 0 / 29

HEX #1B99B5

RGB 27 153 181

HSL 190.91, 0.74%, 0.41%

LAB 58.37, -22.25, -23.72

 

Complementary color

CMYK 0 / 55 / 68 / 11

HEX #E4664A

RGB 228 102 74

HSL 10.91, 0.74%, 0.59%

LAB 58.5, 47.16, 39.46

 

CMYK 82 / 13 / 0 / 31

HEX #2099B0

RGB 32 153 176

HSL 189.58, 0.69%, 0.41%

LAB 58.25, -23.52, -21.06

 

CMYK 75 / 12 / 0 / 24

HEX #31ABC3

RGB 49 171 195

HSL 189.86, 0.6%, 0.48%

LAB 64.74, -24.78, -21.78

 

CMYK 69 / 12 / 0 / 16

HEX #42BDD6

RGB 66 189 214

HSL 190.14, 0.64%, 0.55%

LAB 71.15, -25.72, -22.42

 

CMYK 64 / 11 / 0 / 9

HEX #53CFE9

RGB 83 207 233

HSL 190.4, 0.77%, 0.62%

LAB 77.49, -26.45, -23.01

 

CMYK 60 / 11 / 0 / 1

HEX #64E1FC

RGB 100 225 252

HSL 190.66, 0.96%, 0.69%

LAB 83.75, -27, -23.55

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B5

RGB 27 153 181

HSL 190.91, 0.74%, 0.41%

LAB 58.37, -22.25, -23.72

 

CMYK 94 / 17 / 0 / 36

HEX #0A87A2

RGB 10 135 162

HSL 190.66, 0.88%, 0.34%

LAB 51.84, -20.35, -22.9

 

CMYK 100 / 18 / 0 / 44

HEX #00758F

RGB 0 117 143

HSL 190.91, 1%, 0.28%

LAB 45.23, -17.92, -21.96

 

CMYK 100 / 20 / 0 / 51

HEX #00637C

RGB 0 99 124

HSL 192.1, 1%, 0.24%

LAB 38.51, -14.94, -20.91

 

CMYK 100 / 23 / 0 / 59

HEX #005169

RGB 0 81 105

HSL 193.71, 1%, 0.21%

LAB 31.59, -11.82, -19.87

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B5

RGB 27 153 181

HSL 190.91, 0.74%, 0.41%

LAB 58.37, -22.25, -23.72

 

CMYK 85 / 38 / 0 / 29

HEX #1B70B5

RGB 27 112 181

HSL 206.88, 0.74%, 0.41%

LAB 45.85, 1.1, -43.3

 

CMYK 85 / 61 / 0 / 29

HEX #1B46B5

RGB 27 70 181

HSL 223.25, 0.74%, 0.41%

LAB 33.88, 28.54, -62.62

 

CMYK 85 / 85 / 0 / 29

HEX #1B1CB5

RGB 27 28 181

HSL 239.61, 0.74%, 0.41%

LAB 24.95, 53.12, -77.35

 

CMYK 63 / 85 / 0 / 29

HEX #431BB5

RGB 67 27 181

HSL 255.58, 0.74%, 0.41%

LAB 27.61, 56.04, -72.85

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B5

RGB 27 153 181

HSL 190.91, 0.74%, 0.41%

LAB 58.37, -22.25, -23.72

 

CMYK 85 / 38 / 0 / 29

HEX #1B70B5

RGB 27 112 181

HSL 206.88, 0.74%, 0.41%

LAB 45.85, 1.1, -43.3

 

CMYK 85 / 61 / 0 / 29

HEX #1B46B5

RGB 27 70 181

HSL 223.25, 0.74%, 0.41%

LAB 33.88, 28.54, -62.62

 

CMYK 85 / 85 / 0 / 29

HEX #1B1CB5

RGB 27 28 181

HSL 239.61, 0.74%, 0.41%

LAB 24.95, 53.12, -77.35

 

CMYK 85 / 85 / 0 / 29

HEX #1B1BB5

RGB 27 27 181

HSL 240, 0.74%, 0.41%

LAB 24.81, 53.56, -77.59

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B5

RGB 27 153 181

HSL 190.91, 0.74%, 0.41%

LAB 58.37, -22.25, -23.72

 

CMYK 95 / 17 / 0 / 22

HEX #0AA4C6

RGB 10 164 198

HSL 190.85, 0.9%, 0.41%

LAB 62.25, -23.04, -27.32

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B5

RGB 27 153 181

HSL 190.91, 0.74%, 0.41%

LAB 58.37, -22.25, -23.72

 

CMYK 73 / 13 / 0 / 35

HEX #2C8FA5

RGB 44 143 165

HSL 190.91, 0.58%, 0.41%

LAB 54.97, -20.62, -19.79

 

CMYK 59 / 11 / 0 / 42

HEX #3D8494

RGB 61 132 148

HSL 191.03, 0.42%, 0.41%

LAB 51.42, -17.31, -15.32

 

CMYK 41 / 8 / 0 / 49

HEX #4D7983

RGB 77 121 131

HSL 191.11, 0.26%, 0.41%

LAB 48.12, -12.37, -10.25

 

CMYK 18 / 4 / 0 / 55

HEX #5E6E72

RGB 94 110 114

HSL 192, 0.1%, 0.41%

LAB 45.28, -5.04, -4.24

 

CMYK 85 / 0 / 31 / 29

HEX #1BB57D

RGB 27 181 125

HSL 158.18, 0.74%, 0.41%

LAB 65.56, -50.85, 18.12

 

CMYK 85 / 0 / 8 / 29

HEX #1BB5A6

RGB 27 181 166

HSL 174.16, 0.74%, 0.41%

LAB 66.55, -40.39, -3.01

 

CMYK 85 / 14 / 0 / 29

HEX #1B9CB5

RGB 27 156 181

HSL 189.74, 0.74%, 0.41%

LAB 59.29, -23.81, -22.3

 

CMYK 85 / 37 / 0 / 29

HEX #1B72B5

RGB 27 114 181

HSL 206.1, 0.74%, 0.41%

LAB 46.45, -0.13, -42.34

 

CMYK 85 / 60 / 0 / 29

HEX #1B49B5

RGB 27 73 181

HSL 222.08, 0.74%, 0.41%

LAB 34.67, 26.54, -61.32

 

CMYK 85 / 15 / 0 / 57

HEX #105D6E

RGB 16 93 110

HSL 190.85, 0.75%, 0.25%

LAB 36.11, -15.6, -15.99

 

CMYK 86 / 16 / 0 / 43

HEX #157B92

RGB 21 123 146

HSL 191.04, 0.75%, 0.33%

LAB 47.5, -18.87, -20.23

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B5

RGB 27 153 181

HSL 190.91, 0.74%, 0.41%

LAB 58.37, -22.25, -23.72

 

CMYK 85 / 15 / 0 / 15

HEX #20B8D9

RGB 32 184 217

HSL 190.7, 0.74%, 0.49%

LAB 69.18, -25.75, -27.13

 

CMYK 71 / 13 / 0 / 11

HEX #41C5E2

RGB 65 197 226

HSL 190.81, 0.74%, 0.57%

LAB 73.9, -26.16, -24.75

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B5

RGB 27 153 181

HSL 190.91, 0.74%, 0.41%

LAB 58.37, -22.25, -23.72

 

CMYK 54 / 85 / 0 / 29

HEX #531BB5

RGB 83 27 181

HSL 261.82, 0.74%, 0.41%

LAB 29.31, 57.61, -69.99

 

CMYK 0 / 20 / 85 / 29

HEX #B5911B

RGB 181 145 27

HSL 45.97, 0.74%, 0.41%

LAB 61.79, 2.78, 61.05

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B5

RGB 27 153 181

HSL 190.91, 0.74%, 0.41%

LAB 58.37, -22.25, -23.72

 

CMYK 0 / 85 / 14 / 29

HEX #B51B9C

RGB 181 27 156

HSL 309.74, 0.74%, 0.41%

LAB 42.78, 68.92, -32.49

 

CMYK 14 / 0 / 85 / 29

HEX #9CB51B

RGB 156 181 27

HSL 69.74, 0.74%, 0.41%

LAB 69.61, -26.94, 66.76

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B5

RGB 27 153 181

HSL 190.91, 0.74%, 0.41%

LAB 58.37, -22.25, -23.72

 

CMYK 54 / 85 / 0 / 29

HEX #531BB5

RGB 83 27 181

HSL 261.82, 0.74%, 0.41%

LAB 29.31, 57.61, -69.99

 

CMYK 0 / 71 / 85 / 29

HEX #B5341B

RGB 181 52 27

HSL 9.74, 0.74%, 0.41%

LAB 41.78, 50.71, 43.99

 

CMYK 31 / 0 / 85 / 29

HEX #7DB51B

RGB 125 181 27

HSL 81.82, 0.74%, 0.41%

LAB 67.64, -39.4, 64.3

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B5

RGB 27 153 181

HSL 190.91, 0.74%, 0.41%

LAB 58.37, -22.25, -23.72

 

CMYK 28 / 85 / 0 / 29

HEX #821BB5

RGB 130 27 181

HSL 280.13, 0.74%, 0.41%

LAB 35.72, 63.85, -59.22

 

CMYK 0 / 71 / 85 / 29

HEX #B5341B

RGB 181 52 27

HSL 9.74, 0.74%, 0.41%

LAB 41.78, 50.71, 43.99

 

CMYK 57 / 0 / 85 / 29

HEX #4EB51B

RGB 78 181 27

HSL 100.13, 0.74%, 0.41%

LAB 65.55, -54.79, 61.66

 

Description

Color code: HEX #1B99B5 | qconv.com Color code: HEX #1B99B5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 153 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 153 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 15 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 15% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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