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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B7320 it is the complementary color #E48CDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B7320. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B7320 shade: #20731B, #31852E, #429741, #53A954 and #64BB67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B7320. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B7320 shade: #1B7320, #0A610D, #004F00, #003D00 and #002B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B7320 shade: #1B7320, #2D731B, #45731B, #5D731B and #73711B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B7320 shade: #1B7320, #1B7338, #1B734F, #1B7367 and #1B6773

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B7320 shade matches the following richer shades: #1B7320, #0F7F15 and #048A0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B7320 shade: #1B7320, #26682A, #325C34, #3D513E and #494549

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B7320 shade: #45731B, #2E731B, #1B731F, #1B7337 and #1B734E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B7320 shade: #0B300D, #135216, #1B7320, #229529 and #2AB632

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B7320 shade: #1B7320, #1B5D73 and #731B3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B7320 shade: #1B7320, #1F1B73 and #731F1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B7320 shade: #1B7320, #1B5D73, #731B6F and #73311B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B7320 shade: #1B7320, #1B4273, #731B6F and #734B1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 72 / 55

HEX #1B7320

RGB 27 115 32

HSL 123.41, 0.62%, 0.28%

LAB 42.15, -42.65, 37.05

 

Complementary color

CMYK 0 / 39 / 2 / 11

HEX #E48CDF

RGB 228 140 223

HSL 303.41, 0.62%, 0.72%

LAB 69.88, 45.71, -28.37

 

CMYK 72 / 0 / 77 / 55

HEX #20731B

RGB 32 115 27

HSL 116.59, 0.62%, 0.28%

LAB 42.23, -42.16, 39.24

 

CMYK 63 / 0 / 65 / 48

HEX #31852E

RGB 49 133 46

HSL 117.93, 0.49%, 0.35%

LAB 49.04, -43.14, 38.42

 

CMYK 56 / 0 / 57 / 41

HEX #429741

RGB 66 151 65

HSL 119.3, 0.4%, 0.42%

LAB 55.76, -43.58, 37.19

 

CMYK 51 / 0 / 50 / 34

HEX #53A954

RGB 83 169 84

HSL 120.7, 0.34%, 0.49%

LAB 62.39, -43.7, 35.86

 

CMYK 47 / 0 / 45 / 27

HEX #64BB67

RGB 100 187 103

HSL 122.07, 0.39%, 0.56%

LAB 68.92, -43.65, 34.53

 

CMYK 77 / 0 / 72 / 55

HEX #1B7320

RGB 27 115 32

HSL 123.41, 0.62%, 0.28%

LAB 42.15, -42.65, 37.05

 

CMYK 90 / 0 / 87 / 62

HEX #0A610D

RGB 10 97 13

HSL 122.07, 0.81%, 0.21%

LAB 35.29, -40.55, 37.35

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 77 / 0 / 72 / 55

HEX #1B7320

RGB 27 115 32

HSL 123.41, 0.62%, 0.28%

LAB 42.15, -42.65, 37.05

 

CMYK 61 / 0 / 77 / 55

HEX #2D731B

RGB 45 115 27

HSL 107.73, 0.62%, 0.28%

LAB 42.61, -39.02, 39.75

 

CMYK 40 / 0 / 77 / 55

HEX #45731B

RGB 69 115 27

HSL 91.36, 0.62%, 0.28%

LAB 43.66, -31.12, 41.14

 

CMYK 19 / 0 / 77 / 55

HEX #5D731B

RGB 93 115 27

HSL 75, 0.62%, 0.28%

LAB 45.18, -21.19, 43.14

 

CMYK 0 / 2 / 77 / 55

HEX #73711B

RGB 115 113 27

HSL 58.64, 0.62%, 0.28%

LAB 46.36, -10.03, 44.9

 

CMYK 77 / 0 / 72 / 55

HEX #1B7320

RGB 27 115 32

HSL 123.41, 0.62%, 0.28%

LAB 42.15, -42.65, 37.05

 

CMYK 77 / 0 / 51 / 55

HEX #1B7338

RGB 27 115 56

HSL 139.77, 0.62%, 0.28%

LAB 42.43, -39.35, 25.39

 

CMYK 77 / 0 / 31 / 55

HEX #1B734F

RGB 27 115 79

HSL 155.45, 0.62%, 0.28%

LAB 42.85, -34.6, 12.77

 

CMYK 77 / 0 / 10 / 55

HEX #1B7367

RGB 27 115 103

HSL 171.82, 0.62%, 0.28%

LAB 43.47, -28.17, -0.66

 

CMYK 77 / 10 / 0 / 55

HEX #1B6773

RGB 27 103 115

HSL 188.18, 0.62%, 0.28%

LAB 39.87, -18.12, -13.31

 

CMYK 77 / 0 / 72 / 55

HEX #1B7320

RGB 27 115 32

HSL 123.41, 0.62%, 0.28%

LAB 42.15, -42.65, 37.05

 

CMYK 88 / 0 / 83 / 50

HEX #0F7F15

RGB 15 127 21

HSL 123.21, 0.79%, 0.28%

LAB 46.09, -49.22, 45

 

CMYK 97 / 0 / 92 / 46

HEX #048A0B

RGB 4 138 11

HSL 123.13, 0.94%, 0.28%

LAB 49.77, -53.93, 50.73

 

CMYK 77 / 0 / 72 / 55

HEX #1B7320

RGB 27 115 32

HSL 123.41, 0.62%, 0.28%

LAB 42.15, -42.65, 37.05

 

CMYK 63 / 0 / 60 / 59

HEX #26682A

RGB 38 104 42

HSL 123.64, 0.46%, 0.28%

LAB 38.69, -34.81, 28.43

 

CMYK 46 / 0 / 43 / 64

HEX #325C34

RGB 50 92 52

HSL 122.86, 0.3%, 0.28%

LAB 35.16, -24.11, 18.55

 

CMYK 25 / 0 / 23 / 68

HEX #3D513E

RGB 61 81 62

HSL 123, 0.14%, 0.28%

LAB 32.31, -12.12, 8.7

 

CMYK 0 / 5 / 0 / 71

HEX #494549

RGB 73 69 73

HSL 300, 0.03%, 0.28%

LAB 29.8, 2.55, -1.81

 

CMYK 40 / 0 / 77 / 55

HEX #45731B

RGB 69 115 27

HSL 91.36, 0.62%, 0.28%

LAB 43.66, -31.12, 41.14

 

CMYK 60 / 0 / 77 / 55

HEX #2E731B

RGB 46 115 27

HSL 107.05, 0.62%, 0.28%

LAB 42.64, -38.75, 39.79

 

CMYK 77 / 0 / 73 / 55

HEX #1B731F

RGB 27 115 31

HSL 122.73, 0.62%, 0.28%

LAB 42.14, -42.75, 37.47

 

CMYK 77 / 0 / 52 / 55

HEX #1B7337

RGB 27 115 55

HSL 139.09, 0.62%, 0.28%

LAB 42.42, -39.52, 25.92

 

CMYK 77 / 0 / 32 / 55

HEX #1B734E

RGB 27 115 78

HSL 154.77, 0.62%, 0.28%

LAB 42.83, -34.84, 13.33

 

CMYK 77 / 0 / 73 / 81

HEX #0B300D

RGB 11 48 13

HSL 123.24, 0.63%, 0.12%

LAB 16.57, -21.83, 17.97

 

CMYK 77 / 0 / 73 / 68

HEX #135216

RGB 19 82 22

HSL 122.86, 0.62%, 0.2%

LAB 29.99, -32.98, 28.52

 

CMYK 77 / 0 / 72 / 55

HEX #1B7320

RGB 27 115 32

HSL 123.41, 0.62%, 0.28%

LAB 42.15, -42.65, 37.05

 

CMYK 77 / 0 / 72 / 42

HEX #229529

RGB 34 149 41

HSL 123.65, 0.63%, 0.36%

LAB 54.02, -52.33, 45.82

 

CMYK 77 / 0 / 73 / 29

HEX #2AB632

RGB 42 182 50

HSL 123.43, 0.63%, 0.44%

LAB 65.1, -61.09, 53.85

 

CMYK 77 / 0 / 72 / 55

HEX #1B7320

RGB 27 115 32

HSL 123.41, 0.62%, 0.28%

LAB 42.15, -42.65, 37.05

 

CMYK 77 / 19 / 0 / 55

HEX #1B5D73

RGB 27 93 115

HSL 195, 0.62%, 0.28%

LAB 36.55, -12.44, -18.38

 

CMYK 0 / 77 / 50 / 55

HEX #731B3A

RGB 115 27 58

HSL 338.86, 0.62%, 0.28%

LAB 25.96, 40.29, 3.29

 

CMYK 77 / 0 / 72 / 55

HEX #1B7320

RGB 27 115 32

HSL 123.41, 0.62%, 0.28%

LAB 42.15, -42.65, 37.05

 

CMYK 73 / 77 / 0 / 55

HEX #1F1B73

RGB 31 27 115

HSL 242.73, 0.62%, 0.28%

LAB 17.05, 32.2, -49.54

 

CMYK 0 / 73 / 77 / 55

HEX #731F1B

RGB 115 31 27

HSL 2.73, 0.62%, 0.28%

LAB 25.87, 36.4, 23.87

 

CMYK 77 / 0 / 72 / 55

HEX #1B7320

RGB 27 115 32

HSL 123.41, 0.62%, 0.28%

LAB 42.15, -42.65, 37.05

 

CMYK 77 / 19 / 0 / 55

HEX #1B5D73

RGB 27 93 115

HSL 195, 0.62%, 0.28%

LAB 36.55, -12.44, -18.38

 

CMYK 0 / 77 / 3 / 55

HEX #731B6F

RGB 115 27 111

HSL 302.73, 0.62%, 0.28%

LAB 28.32, 47.6, -28.18

 

CMYK 0 / 57 / 77 / 55

HEX #73311B

RGB 115 49 27

HSL 15, 0.62%, 0.28%

LAB 29.21, 27.54, 27.59

 

CMYK 77 / 0 / 72 / 55

HEX #1B7320

RGB 27 115 32

HSL 123.41, 0.62%, 0.28%

LAB 42.15, -42.65, 37.05

 

CMYK 77 / 43 / 0 / 55

HEX #1B4273

RGB 27 66 115

HSL 213.41, 0.62%, 0.28%

LAB 27.76, 4.73, -32.18

 

CMYK 0 / 77 / 3 / 55

HEX #731B6F

RGB 115 27 111

HSL 302.73, 0.62%, 0.28%

LAB 28.32, 47.6, -28.18

 

CMYK 0 / 35 / 77 / 55

HEX #734B1B

RGB 115 75 27

HSL 32.73, 0.62%, 0.28%

LAB 35.51, 12.3, 34.24

 

Description

Color code: HEX #1B7320 | qconv.com Color code: HEX #1B7320 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 115 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 115 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 72 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 72% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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