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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B6886 it is the complementary color #E49779. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B6886. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B6886 shade: #206881, #317A94, #428CA7, #539EBA and #64B0CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B6886. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B6886 shade: #1B6886, #0A5673, #004460, #00324D and #00203A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B6886 shade: #1B6987, #1B4C87, #1B2F87, #251B87 and #421B87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B6886 shade: #1B6987, #1B4C87, #1B2F87 and #1B1B87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B6886 shade matches the following richer shades: #1B6987, #0E6F94 and #0174A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B6886 shade: #1B6987, #28637A, #365D6D, #43575F and #505252

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B6886 shade: #1B876A, #1B8787, #1B6A87, #1B4E87 and #1B3187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B6886 shade: #0D3442, #144E65, #1B6987, #2283A9 and #299ECB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B6886 shade: #1B6886, #4E1B87 and #87791B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B6886 shade: #1B6886, #871B6A and #6A871B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B6886 shade: #1B6886, #4E1B87, #87381B and #55871B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B6886 shade: #1B6886, #6E1B87, #87381B and #34871B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 22 / 0 / 47

HEX #1B6886

RGB 27 104 134

HSL 196.82, 0.66%, 0.32%

LAB 40.98, -11.92, -23.12

 

Complementary color

CMYK 0 / 34 / 47 / 11

HEX #E49779

RGB 228 151 121

HSL 16.82, 0.66%, 0.68%

LAB 69.47, 25.59, 27.64

 

CMYK 75 / 19 / 0 / 49

HEX #206881

RGB 32 104 129

HSL 195.46, 0.6%, 0.32%

LAB 40.88, -13.08, -20.24

 

CMYK 67 / 18 / 0 / 42

HEX #317A94

RGB 49 122 148

HSL 195.76, 0.5%, 0.39%

LAB 47.89, -14.06, -20.74

 

CMYK 60 / 16 / 0 / 35

HEX #428CA7

RGB 66 140 167

HSL 196.04, 0.43%, 0.46%

LAB 54.77, -14.74, -21.18

 

CMYK 55 / 15 / 0 / 27

HEX #539EBA

RGB 83 158 186

HSL 196.31, 0.43%, 0.53%

LAB 61.51, -15.22, -21.59

 

CMYK 51 / 14 / 0 / 20

HEX #64B0CD

RGB 100 176 205

HSL 196.57, 0.51%, 0.6%

LAB 68.14, -15.58, -21.98

 

CMYK 80 / 22 / 0 / 47

HEX #1B6886

RGB 27 104 134

HSL 196.82, 0.66%, 0.32%

LAB 40.98, -11.92, -23.12

 

CMYK 91 / 25 / 0 / 55

HEX #0A5673

RGB 10 86 115

HSL 196.57, 0.84%, 0.25%

LAB 33.9, -10.1, -22.53

 

CMYK 100 / 29 / 0 / 62

HEX #004460

RGB 0 68 96

HSL 197.5, 1%, 0.19%

LAB 26.67, -7.47, -21.8

 

CMYK 100 / 35 / 0 / 70

HEX #00324D

RGB 0 50 77

HSL 201.04, 1%, 0.15%

LAB 19.3, -3.83, -20.89

 

CMYK 100 / 45 / 0 / 77

HEX #00203A

RGB 0 32 58

HSL 206.9, 1%, 0.11%

LAB 11.54, 0.25, -20.06

 

CMYK 80 / 22 / 0 / 47

HEX #1B6987

RGB 27 105 135

HSL 196.67, 0.67%, 0.32%

LAB 41.35, -12.14, -23.15

 

CMYK 80 / 44 / 0 / 47

HEX #1B4C87

RGB 27 76 135

HSL 212.78, 0.67%, 0.32%

LAB 32.15, 6.06, -37.65

 

CMYK 80 / 65 / 0 / 47

HEX #1B2F87

RGB 27 47 135

HSL 228.89, 0.67%, 0.32%

LAB 23.72, 26.1, -51.29

 

CMYK 73 / 80 / 0 / 47

HEX #251B87

RGB 37 27 135

HSL 245.56, 0.67%, 0.32%

LAB 19.75, 39.64, -57.81

 

CMYK 51 / 80 / 0 / 47

HEX #421B87

RGB 66 27 135

HSL 261.67, 0.67%, 0.32%

LAB 22.62, 43.22, -52.97

 

CMYK 80 / 22 / 0 / 47

HEX #1B6987

RGB 27 105 135

HSL 196.67, 0.67%, 0.32%

LAB 41.35, -12.14, -23.15

 

CMYK 80 / 44 / 0 / 47

HEX #1B4C87

RGB 27 76 135

HSL 212.78, 0.67%, 0.32%

LAB 32.15, 6.06, -37.65

 

CMYK 80 / 65 / 0 / 47

HEX #1B2F87

RGB 27 47 135

HSL 228.89, 0.67%, 0.32%

LAB 23.72, 26.1, -51.29

 

CMYK 80 / 80 / 0 / 47

HEX #1B1B87

RGB 27 27 135

HSL 240, 0.67%, 0.32%

LAB 19.08, 38.81, -58.94

 

CMYK 80 / 22 / 0 / 47

HEX #1B6987

RGB 27 105 135

HSL 196.67, 0.67%, 0.32%

LAB 41.35, -12.14, -23.15

 

CMYK 91 / 25 / 0 / 42

HEX #0E6F94

RGB 14 111 148

HSL 196.57, 0.83%, 0.32%

LAB 43.65, -11.92, -27.36

 

CMYK 99 / 28 / 0 / 37

HEX #0174A1

RGB 1 116 161

HSL 196.88, 0.99%, 0.32%

LAB 45.73, -10.52, -31.81

 

CMYK 80 / 22 / 0 / 47

HEX #1B6987

RGB 27 105 135

HSL 196.67, 0.67%, 0.32%

LAB 41.35, -12.14, -23.15

 

CMYK 67 / 19 / 0 / 52

HEX #28637A

RGB 40 99 122

HSL 196.83, 0.51%, 0.32%

LAB 39.21, -11.34, -18.55

 

CMYK 50 / 15 / 0 / 57

HEX #365D6D

RGB 54 93 109

HSL 197.45, 0.34%, 0.32%

LAB 37.33, -8.97, -13.4

 

CMYK 29 / 8 / 0 / 63

HEX #43575F

RGB 67 87 95

HSL 197.14, 0.17%, 0.32%

LAB 35.67, -5.53, -7.13

 

CMYK 2 / 0 / 0 / 68

HEX #505252

RGB 80 82 82

HSL 180, 0.01%, 0.32%

LAB 34.7, -0.8, -0.29

 

CMYK 80 / 0 / 21 / 47

HEX #1B876A

RGB 27 135 106

HSL 163.89, 0.67%, 0.32%

LAB 50.22, -36.57, 7.31

 

CMYK 80 / 0 / 0 / 47

HEX #1B8787

RGB 27 135 135

HSL 180, 0.67%, 0.32%

LAB 51.05, -28.19, -8.38

 

CMYK 80 / 21 / 0 / 47

HEX #1B6A87

RGB 27 106 135

HSL 196.11, 0.67%, 0.32%

LAB 41.67, -12.72, -22.65

 

CMYK 80 / 42 / 0 / 47

HEX #1B4E87

RGB 27 78 135

HSL 211.67, 0.67%, 0.32%

LAB 32.77, 4.72, -36.66

 

CMYK 80 / 64 / 0 / 47

HEX #1B3187

RGB 27 49 135

HSL 227.78, 0.67%, 0.32%

LAB 24.25, 24.73, -50.42

 

CMYK 80 / 21 / 0 / 74

HEX #0D3442

RGB 13 52 66

HSL 195.85, 0.67%, 0.15%

LAB 19.78, -8, -12.67

 

CMYK 80 / 23 / 0 / 60

HEX #144E65

RGB 20 78 101

HSL 197.04, 0.67%, 0.24%

LAB 30.73, -9.66, -18.64

 

CMYK 80 / 22 / 0 / 47

HEX #1B6987

RGB 27 105 135

HSL 196.67, 0.67%, 0.32%

LAB 41.35, -12.14, -23.15

 

CMYK 80 / 22 / 0 / 34

HEX #2283A9

RGB 34 131 169

HSL 196.89, 0.67%, 0.4%

LAB 51.19, -13.92, -27.92

 

CMYK 80 / 22 / 0 / 20

HEX #299ECB

RGB 41 158 203

HSL 196.67, 0.66%, 0.48%

LAB 60.99, -16.17, -32.03

 

CMYK 80 / 22 / 0 / 47

HEX #1B6886

RGB 27 104 134

HSL 196.82, 0.66%, 0.32%

LAB 40.98, -11.92, -23.12

 

CMYK 42 / 80 / 0 / 47

HEX #4E1B87

RGB 78 27 135

HSL 268.33, 0.67%, 0.32%

LAB 24.17, 45.12, -50.38

 

CMYK 0 / 10 / 80 / 47

HEX #87791B

RGB 135 121 27

HSL 52.22, 0.67%, 0.32%

LAB 50.58, -5.1, 49.49

 

CMYK 80 / 22 / 0 / 47

HEX #1B6886

RGB 27 104 134

HSL 196.82, 0.66%, 0.32%

LAB 40.98, -11.92, -23.12

 

CMYK 0 / 80 / 21 / 47

HEX #871B6A

RGB 135 27 106

HSL 316.11, 0.67%, 0.32%

LAB 31.75, 51.69, -19.33

 

CMYK 21 / 0 / 80 / 47

HEX #6A871B

RGB 106 135 27

HSL 76.11, 0.67%, 0.32%

LAB 52.37, -25.65, 50.25

 

CMYK 80 / 22 / 0 / 47

HEX #1B6886

RGB 27 104 134

HSL 196.82, 0.66%, 0.32%

LAB 40.98, -11.92, -23.12

 

CMYK 42 / 80 / 0 / 47

HEX #4E1B87

RGB 78 27 135

HSL 268.33, 0.67%, 0.32%

LAB 24.17, 45.12, -50.38

 

CMYK 0 / 59 / 80 / 47

HEX #87381B

RGB 135 56 27

HSL 16.11, 0.67%, 0.32%

LAB 34.1, 32.07, 33.79

 

CMYK 37 / 0 / 80 / 47

HEX #55871B

RGB 85 135 27

HSL 87.78, 0.67%, 0.32%

LAB 51.08, -34.14, 48.59

 

CMYK 80 / 22 / 0 / 47

HEX #1B6886

RGB 27 104 134

HSL 196.82, 0.66%, 0.32%

LAB 40.98, -11.92, -23.12

 

CMYK 19 / 80 / 0 / 47

HEX #6E1B87

RGB 110 27 135

HSL 286.11, 0.67%, 0.32%

LAB 29.03, 51.02, -42.27

 

CMYK 0 / 59 / 80 / 47

HEX #87381B

RGB 135 56 27

HSL 16.11, 0.67%, 0.32%

LAB 34.1, 32.07, 33.79

 

CMYK 61 / 0 / 80 / 47

HEX #34871B

RGB 52 135 27

HSL 106.11, 0.67%, 0.32%

LAB 49.66, -44.82, 46.75

 

Description

Color code: HEX #1B6886 | qconv.com Color code: HEX #1B6886 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 104 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 104 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 22 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 22% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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