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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B481C it is the complementary color #E4B7E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B481C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B481C shade: #204817, #315A2A, #426C3D, #537E50 and #649063

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B481C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B481C shade: #1B481C, #0A3609, #002400, #001200 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B481C shade: #1A461B, #25461A, #31461A, #3C461A and #46431A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B481C shade: #1A461B, #1A4627, #1A4633, #1A463E and #1A4146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B481C shade matches the following richer shades: #1A461B, #124E14, #0A550C and #035D05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B481C shade: #1A461B, #223E23, #2A362A, #322E32 and #3A2639

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B481C shade: #31461A, #25461A, #1A461B, #1A4627 and #1A4632

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B481C shade: #030A04, #0F280F, #1A461B, #256427 and #318233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B481C shade: #1B481C, #1A3C46 and #461A2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B481C shade: #1B481C, #1B1A46 and #461B1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B481C shade: #1B481C, #1A3C46, #461A45 and #46241A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B481C shade: #1B481C, #1A2F46, #461A45 and #46311A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 61 / 72

HEX #1B481C

RGB 27 72 28

HSL 121.33, 0.45%, 0.19%

LAB 26.6, -25.96, 21.59

 

Complementary color

CMYK 0 / 20 / 0 / 11

HEX #E4B7E3

RGB 228 183 227

HSL 301.33, 0.45%, 0.81%

LAB 79.56, 23.57, -15.83

 

CMYK 56 / 0 / 68 / 72

HEX #204817

RGB 32 72 23

HSL 108.98, 0.52%, 0.19%

LAB 26.75, -25.05, 24.56

 

CMYK 46 / 0 / 53 / 65

HEX #315A2A

RGB 49 90 42

HSL 111.25, 0.36%, 0.26%

LAB 34.26, -25.12, 23.19

 

CMYK 39 / 0 / 44 / 58

HEX #426C3D

RGB 66 108 61

HSL 113.62, 0.28%, 0.33%

LAB 41.56, -24.95, 21.78

 

CMYK 34 / 0 / 37 / 51

HEX #537E50

RGB 83 126 80

HSL 116.09, 0.22%, 0.4%

LAB 48.69, -24.71, 20.46

 

CMYK 31 / 0 / 31 / 44

HEX #649063

RGB 100 144 99

HSL 118.67, 0.19%, 0.48%

LAB 55.64, -24.45, 19.25

 

CMYK 63 / 0 / 61 / 72

HEX #1B481C

RGB 27 72 28

HSL 121.33, 0.45%, 0.19%

LAB 26.6, -25.96, 21.59

 

CMYK 81 / 0 / 83 / 79

HEX #0A3609

RGB 10 54 9

HSL 118.67, 0.71%, 0.12%

LAB 18.9, -25.18, 22.49

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 100 / 0 / 100 / 93

HEX #001200

RGB 0 18 0

HSL 120, 1%, 0.04%

LAB 3.91, -7.98, 5.71

 

CMYK 63 / 0 / 61 / 73

HEX #1A461B

RGB 26 70 27

HSL 121.36, 0.46%, 0.19%

LAB 25.8, -25.49, 21.2

 

CMYK 47 / 0 / 63 / 73

HEX #25461A

RGB 37 70 26

HSL 105, 0.46%, 0.19%

LAB 26.3, -21.89, 22.48

 

CMYK 30 / 0 / 63 / 73

HEX #31461A

RGB 49 70 26

HSL 88.64, 0.46%, 0.19%

LAB 27.04, -16.93, 23.53

 

CMYK 14 / 0 / 63 / 73

HEX #3C461A

RGB 60 70 26

HSL 73.64, 0.46%, 0.19%

LAB 27.89, -11.84, 24.73

 

CMYK 0 / 4 / 63 / 73

HEX #46431A

RGB 70 67 26

HSL 55.91, 0.46%, 0.19%

LAB 27.82, -5.11, 24.9

 

CMYK 63 / 0 / 61 / 73

HEX #1A461B

RGB 26 70 27

HSL 121.36, 0.46%, 0.19%

LAB 25.8, -25.49, 21.2

 

CMYK 63 / 0 / 44 / 73

HEX #1A4627

RGB 26 70 39

HSL 137.73, 0.46%, 0.19%

LAB 26, -23.33, 14.25

 

CMYK 63 / 0 / 27 / 73

HEX #1A4633

RGB 26 70 51

HSL 154.09, 0.46%, 0.19%

LAB 26.27, -20.52, 6.97

 

CMYK 63 / 0 / 11 / 73

HEX #1A463E

RGB 26 70 62

HSL 169.09, 0.46%, 0.19%

LAB 26.59, -17.44, 0.27

 

CMYK 63 / 7 / 0 / 73

HEX #1A4146

RGB 26 65 70

HSL 186.82, 0.46%, 0.19%

LAB 25.08, -11.98, -7.22

 

CMYK 63 / 0 / 61 / 73

HEX #1A461B

RGB 26 70 27

HSL 121.36, 0.46%, 0.19%

LAB 25.8, -25.49, 21.2

 

CMYK 77 / 0 / 74 / 69

HEX #124E14

RGB 18 78 20

HSL 122, 0.63%, 0.19%

LAB 28.45, -31.86, 27.81

 

CMYK 88 / 0 / 86 / 67

HEX #0A550C

RGB 10 85 12

HSL 121.6, 0.79%, 0.19%

LAB 30.85, -36.55, 33.5

 

CMYK 97 / 0 / 95 / 64

HEX #035D05

RGB 3 93 5

HSL 121.33, 0.94%, 0.19%

LAB 33.69, -40.55, 38.25

 

CMYK 63 / 0 / 61 / 73

HEX #1A461B

RGB 26 70 27

HSL 121.36, 0.46%, 0.19%

LAB 25.8, -25.49, 21.2

 

CMYK 45 / 0 / 44 / 76

HEX #223E23

RGB 34 62 35

HSL 122.14, 0.29%, 0.19%

LAB 23.36, -17.37, 13.37

 

CMYK 22 / 0 / 22 / 79

HEX #2A362A

RGB 42 54 42

HSL 120, 0.13%, 0.19%

LAB 21.2, -7.93, 5.92

 

CMYK 0 / 8 / 0 / 80

HEX #322E32

RGB 50 46 50

HSL 300, 0.04%, 0.19%

LAB 19.48, 2.72, -1.92

 

CMYK 0 / 34 / 2 / 77

HEX #3A2639

RGB 58 38 57

HSL 303, 0.21%, 0.19%

LAB 18.28, 13.29, -8.48

 

CMYK 30 / 0 / 63 / 73

HEX #31461A

RGB 49 70 26

HSL 88.64, 0.46%, 0.19%

LAB 27.04, -16.93, 23.53

 

CMYK 47 / 0 / 63 / 73

HEX #25461A

RGB 37 70 26

HSL 105, 0.46%, 0.19%

LAB 26.3, -21.89, 22.48

 

CMYK 63 / 0 / 61 / 73

HEX #1A461B

RGB 26 70 27

HSL 121.36, 0.46%, 0.19%

LAB 25.8, -25.49, 21.2

 

CMYK 63 / 0 / 44 / 73

HEX #1A4627

RGB 26 70 39

HSL 137.73, 0.46%, 0.19%

LAB 26, -23.33, 14.25

 

CMYK 63 / 0 / 29 / 73

HEX #1A4632

RGB 26 70 50

HSL 152.73, 0.46%, 0.19%

LAB 26.25, -20.78, 7.58

 

CMYK 70 / 0 / 60 / 96

HEX #030A04

RGB 3 10 4

HSL 128.57, 0.54%, 0.03%

LAB 2.21, -2.66, 1.63

 

CMYK 63 / 0 / 63 / 84

HEX #0F280F

RGB 15 40 15

HSL 120, 0.45%, 0.11%

LAB 13.55, -16.31, 13.12

 

CMYK 63 / 0 / 61 / 73

HEX #1A461B

RGB 26 70 27

HSL 121.36, 0.46%, 0.19%

LAB 25.8, -25.49, 21.2

 

CMYK 63 / 0 / 61 / 61

HEX #256427

RGB 37 100 39

HSL 121.9, 0.46%, 0.27%

LAB 37.21, -33.82, 28.26

 

CMYK 62 / 0 / 61 / 49

HEX #318233

RGB 49 130 51

HSL 121.48, 0.45%, 0.35%

LAB 48.08, -41.37, 34.94

 

CMYK 63 / 0 / 61 / 72

HEX #1B481C

RGB 27 72 28

HSL 121.33, 0.45%, 0.19%

LAB 26.6, -25.96, 21.59

 

CMYK 63 / 14 / 0 / 73

HEX #1A3C46

RGB 26 60 70

HSL 193.64, 0.46%, 0.19%

LAB 23.32, -8.91, -9.89

 

CMYK 0 / 63 / 39 / 73

HEX #461A2B

RGB 70 26 43

HSL 336.82, 0.46%, 0.19%

LAB 16.58, 23.2, -0.96

 

CMYK 63 / 0 / 61 / 72

HEX #1B481C

RGB 27 72 28

HSL 121.33, 0.45%, 0.19%

LAB 26.6, -25.96, 21.59

 

CMYK 61 / 63 / 0 / 73

HEX #1B1A46

RGB 27 26 70

HSL 241.36, 0.46%, 0.19%

LAB 12.05, 15.43, -27.6

 

CMYK 0 / 61 / 63 / 73

HEX #461B1A

RGB 70 27 26

HSL 1.36, 0.46%, 0.19%

LAB 16.31, 20.56, 10.82

 

CMYK 63 / 0 / 61 / 72

HEX #1B481C

RGB 27 72 28

HSL 121.33, 0.45%, 0.19%

LAB 26.6, -25.96, 21.59

 

CMYK 63 / 14 / 0 / 73

HEX #1A3C46

RGB 26 60 70

HSL 193.64, 0.46%, 0.19%

LAB 23.32, -8.91, -9.89

 

CMYK 0 / 63 / 1 / 73

HEX #461A45

RGB 70 26 69

HSL 301.36, 0.46%, 0.19%

LAB 17.78, 27.85, -17.42

 

CMYK 0 / 49 / 63 / 73

HEX #46241A

RGB 70 36 26

HSL 13.64, 0.46%, 0.19%

LAB 18.53, 14.97, 13.71

 

CMYK 63 / 0 / 61 / 72

HEX #1B481C

RGB 27 72 28

HSL 121.33, 0.45%, 0.19%

LAB 26.6, -25.96, 21.59

 

CMYK 63 / 33 / 0 / 73

HEX #1A2F46

RGB 26 47 70

HSL 211.36, 0.46%, 0.19%

LAB 18.78, -0.26, -16.9

 

CMYK 0 / 63 / 1 / 73

HEX #461A45

RGB 70 26 69

HSL 301.36, 0.46%, 0.19%

LAB 17.78, 27.85, -17.42

 

CMYK 0 / 30 / 63 / 73

HEX #46311A

RGB 70 49 26

HSL 31.36, 0.46%, 0.19%

LAB 22.21, 6.44, 18.29

 

Description

Color code: HEX #1B481C | qconv.com Color code: HEX #1B481C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 72 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 72 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 61 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 61% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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