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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B3364 it is the complementary color #E4CC9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B3364. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B3364 shade: #20335F, #314572, #425785, #536998 and #647BAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B3364. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B3364 shade: #1B3364, #0A2151, #000F3E, #00002B and #000018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B3364 shade: #1B3364, #1B1F64, #2A1B64, #3E1B64 and #511B64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B3364 shade: #1B3364, #1B1F64 and #1B1B64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B3364 shade matches the following richer shades: #1B3364, #112F6E and #062C78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B3364 shade: #1B3364, #253659, #303A4F, #3A3D45 and #44413A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B3364 shade: #1B5A64, #1B4764, #1B3364, #1B2064 and #291B64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B3364 shade: #091223, #122243, #1B3364, #244384 and #2D54A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B3364 shade: #1B3364, #5A1B64 and #50641B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B3364 shade: #1B3364, #641B33 and #33641B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B3364 shade: #1B3364, #5A1B64, #644B1B and #25641B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B3364 shade: #1B3364, #641B57, #644B1B and #1B6427

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

Complementary color

CMYK 0 / 11 / 32 / 11

HEX #E4CC9B

RGB 228 204 155

HSL 40.27, 0.57%, 0.75%

LAB 82.94, 1.28, 27.52

 

CMYK 66 / 46 / 0 / 63

HEX #20335F

RGB 32 51 95

HSL 221.9, 0.5%, 0.25%

LAB 21.95, 8.07, -28.56

 

CMYK 57 / 39 / 0 / 55

HEX #314572

RGB 49 69 114

HSL 221.54, 0.4%, 0.32%

LAB 29.72, 6.67, -28.36

 

CMYK 50 / 35 / 0 / 48

HEX #425785

RGB 66 87 133

HSL 221.19, 0.34%, 0.39%

LAB 37.24, 5.68, -28.23

 

CMYK 45 / 31 / 0 / 40

HEX #536998

RGB 83 105 152

HSL 220.87, 0.29%, 0.46%

LAB 44.53, 4.94, -28.18

 

CMYK 42 / 28 / 0 / 33

HEX #647BAB

RGB 100 123 171

HSL 220.56, 0.3%, 0.53%

LAB 51.63, 4.35, -28.19

 

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

CMYK 88 / 59 / 0 / 68

HEX #0A2151

RGB 10 33 81

HSL 220.56, 0.78%, 0.18%

LAB 14.1, 11.78, -31.91

 

CMYK 100 / 76 / 0 / 76

HEX #000F3E

RGB 0 15 62

HSL 225.48, 1%, 0.12%

LAB 6.23, 15.21, -31.51

 

CMYK 100 / 100 / 0 / 83

HEX #00002B

RGB 0 0 43

HSL 240, 1%, 0.08%

LAB 1.58, 11.07, -24.95

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

CMYK 73 / 69 / 0 / 61

HEX #1B1F64

RGB 27 31 100

HSL 236.71, 0.57%, 0.25%

LAB 16.17, 23.49, -41.21

 

CMYK 58 / 73 / 0 / 61

HEX #2A1B64

RGB 42 27 100

HSL 252.33, 0.57%, 0.25%

LAB 16.48, 28.62, -40.64

 

CMYK 38 / 73 / 0 / 61

HEX #3E1B64

RGB 62 27 100

HSL 268.77, 0.57%, 0.25%

LAB 18.92, 32.73, -36.57

 

CMYK 19 / 73 / 0 / 61

HEX #511B64

RGB 81 27 100

HSL 284.38, 0.57%, 0.25%

LAB 21.77, 37.2, -31.82

 

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

CMYK 73 / 69 / 0 / 61

HEX #1B1F64

RGB 27 31 100

HSL 236.71, 0.57%, 0.25%

LAB 16.17, 23.49, -41.21

 

CMYK 73 / 73 / 0 / 61

HEX #1B1B64

RGB 27 27 100

HSL 240, 0.57%, 0.25%

LAB 15.15, 26.23, -42.88

 

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

CMYK 85 / 57 / 0 / 57

HEX #112F6E

RGB 17 47 110

HSL 220.65, 0.73%, 0.25%

LAB 21.12, 14.79, -39.68

 

CMYK 95 / 63 / 0 / 53

HEX #062C78

RGB 6 44 120

HSL 220, 0.9%, 0.25%

LAB 20.81, 20.39, -46.61

 

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

CMYK 58 / 39 / 0 / 65

HEX #253659

RGB 37 54 89

HSL 220.38, 0.41%, 0.25%

LAB 22.84, 4.84, -23.19

 

CMYK 39 / 27 / 0 / 69

HEX #303A4F

RGB 48 58 79

HSL 220.65, 0.24%, 0.25%

LAB 24.38, 1.91, -14.12

 

CMYK 16 / 12 / 0 / 73

HEX #3A3D45

RGB 58 61 69

HSL 223.64, 0.09%, 0.25%

LAB 25.76, 0.7, -5.33

 

CMYK 0 / 4 / 15 / 73

HEX #44413A

RGB 68 65 58

HSL 42, 0.08%, 0.25%

LAB 27.61, -0.17, 4.72

 

CMYK 73 / 10 / 0 / 61

HEX #1B5A64

RGB 27 90 100

HSL 188.22, 0.57%, 0.25%

LAB 34.93, -16.04, -11.55

 

CMYK 73 / 29 / 0 / 61

HEX #1B4764

RGB 27 71 100

HSL 203.84, 0.57%, 0.25%

LAB 28.54, -4.55, -21.4

 

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

CMYK 73 / 68 / 0 / 61

HEX #1B2064

RGB 27 32 100

HSL 235.89, 0.57%, 0.25%

LAB 16.44, 22.79, -40.78

 

CMYK 59 / 73 / 0 / 61

HEX #291B64

RGB 41 27 100

HSL 251.51, 0.57%, 0.25%

LAB 16.38, 28.44, -40.82

 

CMYK 74 / 49 / 0 / 86

HEX #091223

RGB 9 18 35

HSL 219.23, 0.59%, 0.09%

LAB 5.53, 2.07, -12.62

 

CMYK 73 / 49 / 0 / 74

HEX #122243

RGB 18 34 67

HSL 220.41, 0.58%, 0.17%

LAB 13.7, 6.12, -22.9

 

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

CMYK 73 / 49 / 0 / 48

HEX #244384

RGB 36 67 132

HSL 220.63, 0.57%, 0.33%

LAB 29.55, 12.23, -39.94

 

CMYK 73 / 49 / 0 / 36

HEX #2D54A4

RGB 45 84 164

HSL 220.34, 0.57%, 0.41%

LAB 37.08, 14.54, -47.29

 

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

CMYK 10 / 73 / 0 / 61

HEX #5A1B64

RGB 90 27 100

HSL 291.78, 0.57%, 0.25%

LAB 23.26, 39.43, -29.36

 

CMYK 20 / 0 / 73 / 61

HEX #50641B

RGB 80 100 27

HSL 76.44, 0.57%, 0.25%

LAB 39.41, -19.14, 37.1

 

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

CMYK 0 / 73 / 49 / 61

HEX #641B33

RGB 100 27 51

HSL 340.27, 0.57%, 0.25%

LAB 22.77, 34.67, 3.11

 

CMYK 49 / 0 / 73 / 61

HEX #33641B

RGB 51 100 27

HSL 100.27, 0.57%, 0.25%

LAB 37.66, -30.87, 34.74

 

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

CMYK 10 / 73 / 0 / 61

HEX #5A1B64

RGB 90 27 100

HSL 291.78, 0.57%, 0.25%

LAB 23.26, 39.43, -29.36

 

CMYK 0 / 25 / 73 / 61

HEX #644B1B

RGB 100 75 27

HSL 39.45, 0.57%, 0.25%

LAB 33.61, 5.02, 31.67

 

CMYK 63 / 0 / 73 / 61

HEX #25641B

RGB 37 100 27

HSL 111.78, 0.57%, 0.25%

LAB 37.09, -35.23, 33.97

 

CMYK 73 / 49 / 0 / 61

HEX #1B3364

RGB 27 51 100

HSL 220.27, 0.57%, 0.25%

LAB 22.02, 9.11, -31.73

 

CMYK 0 / 73 / 13 / 61

HEX #641B57

RGB 100 27 87

HSL 310.68, 0.57%, 0.25%

LAB 24.26, 39.65, -19.09

 

CMYK 0 / 25 / 73 / 61

HEX #644B1B

RGB 100 75 27

HSL 39.45, 0.57%, 0.25%

LAB 33.61, 5.02, 31.67

 

CMYK 73 / 0 / 61 / 61

HEX #1B6427

RGB 27 100 39

HSL 129.86, 0.57%, 0.25%

LAB 36.92, -36.17, 27.84

 

Description

Color code: HEX #1B3364 | qconv.com Color code: HEX #1B3364 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 51 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 51 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 49 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 49% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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